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Time Travel for Beginners

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On sale Aug 04, 2026 | 544 Pages | 9780593820339

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NAMED A MOST ANTICIPATED BOOK OF SUMMER BY PEOPLE, GOODREADS, SHEREADS, BUZZFEED, AND SOUTHERN LIVING

In her dazzling new novel, award-winning author Jaclyn Moriarty asks the question, if you could revisit one moment in your life, what would it be?


On a bustling road in Sydney, Australia, lies a nondescript storefront known simply as the Time Travel Agency. Inside, you’ll be welcomed by the smell of fresh-brewed coffee, a selection of baked goods…and the question, Where in time do you wish to go?

The guidelines are simple: you can go whenever you wish into the past, and there’s no fear of altering the present. Have tea with Jane Austen, scream at a Beatles concert, witness the Olympics in ancient Greece. Perhaps a more personal trip? Visit your long-lost grandmother, recapture the heady days of your youth, return to the idyllic time when your teen was a babbling baby—or watch yourself make the one decision that changed everything.

Is it a hoax? And if it’s real, what’s the catch?

When single mother Anna is offered a job at the agency, she glimpses the possibility of happiness. Meanwhile, Teddy’s a customer hoping to untangle his recently imploded marriage. And Jade, who has a deeply buried secret, despises the agency for offering false hope.

In Jaclyn Moriarty’s incandescent novel, Anna, Teddy, and Jade leap headlong into time, hurtling on a crash course toward one another. At turns entertaining and illuminating, Time Travel for Beginners explores the moments, big and small, that shape our destiny.
1.
Anna

A woman in a red coat was walking up a flight of concrete steps.

It was a Thursday, early June 2025, a crisp Sydney winter's day, and the woman was hurrying. At the top of the stairs, she paused and unbuttoned her coat. She did not wish to remove the coat altogether, only to open it. It was a new coat, and very smart, with large silver buttons.

In addition to being a woman in a red coat, this was a woman in a lemon-yellow shirt, black jeans, and black ankle boots. A navy blue beret sat upon her head. This had been knitted for her by her sister, Monique, who was crafty and practi-

Oh look, I can't keep this up.

All I'm doing is describing the colors of my clothes.

The woman was me. Anna Salone. Pleased to meet you.

My idea had been to write this narrative in close third person, like a clear and tender voice at my own shoulder, following me around through my days. Pausing for moments of quiet reflection-as I ducked my head into the linen closet, say, or scrubbed dried egg from a plate. But I haven't even made it past the opening.

(Also, to clarify: When I say that my sister Monique is "crafty," I don't mean she's wily and cunning. Just good at craft.) (The navy blue beret is beautiful and well made. I feel elegant when I wear it. Also, I feel ridiculous. People stare, their expressions inscrutable. Frank admiration or suppressed hilarity? Could be either.)

The reason I was hurrying up the steps was that I was late for work.

And the reason I was late was that I'd driven my thirteen-year-old daughter, Nicola, to the bus stop, whereas usually she walks there. I'd been applying lipstick in the bathroom, believing Nicola to be packing her lunchbox in the kitchen. I'd even heard the thud of her dropping a yogurt pouch onto the floor. Oh, Nicola, I'd thought fondly. Always dropping things. Then, passing Nicola's bedroom, I'd caught a glimpse of tangled hair and pink pajamas.

What's that child doing in my daughter's bed?! That was my first reaction: indignation.

Quickly, it occurred to me that it was more likely that Nicola was oversleeping-and that the dropped yogurt pouch had been a car door slamming out in the street-than that a strange child in pink pajamas had climbed into my daughter's empty bed.

The oversleeping hypothesis proved true.

I hustled Nicola out of bed and followed her around like a close third-person narrator, only less tender, shouting instructions. "Hurry! You're going to miss the bus!" and "No need to brush your teeth for two whole minutes, no, seriously, don't set the timer, Nicola! Leave it! Yes, I know the dentist said, but the dentist isn't going to miss the bus!"

Then I tossed her a banana for her breakfast and zoomed her up the hill to the bus stop.

After that, I drove back home, parked the car in the garage, and set off to walk to work.

I miscalculated how long it took to walk.

(That's a fancy way of saying I knew perfectly well that it took me twenty minutes to walk to work and yet, that day, I decided I could do it in three.)

Having reached the top of the stairs, I rushed past the tennis club, the playground, and a pair of art deco apartment blocks, my new coat flapping like a malfunctioning burrito. In my head I was rehearsing excuses.

I couldn't blame Nicola for my lateness because Trisha, the manager, holds strong views on "enabling children in habits of carelessness."

Trisha has three sons, two at university and one in high school. All three "learned quick smart" that Trisha was "not at their beck and call." Let's say one of Trisha's sons was at a pool party, realized he'd forgotten his swimsuit, and called her up seeking help? She, Trisha, would not come running with the swimsuit! No, sirree! Her son would have to face the consequences.

"And you know what, Anna?" Trisha liked to say.

"What?"

"They never forget that swimsuit again!"

"Seriously?"

"Seriously. You know why? Because they've suffered the . . ."

"Consequences," I would fill in obediently.

I myself have suffered the consequences of my own forgetfulness, or carelessness, plenty of times in my life and yet I carry on forgetting and careless-ing. I mentioned this to Trisha once, and she flashed me the look she used to give me, the one that meant she suspected there was something not quite right about me-a bit off-color even-before turning back to weighing the dry-roasted almonds. (I worked for Trisha at the Nut Bar.)

So I couldn't mention having driven Nicola to the bus stop.

Anyway, the real issue was that I'd then driven home instead of continuing on to work. (I had to. My Fitbit requires the steps. So really this whole thing is the fault of a needy Fitbit.)

I decided to invent an excuse.

I'm sorry I'm late, I rehearsed. I spilled coffee on my shirt at breakfast! I had to change!

How long did it take to change a shirt?

I'm so sorry I'm late. I got halfway to work and realized I'd spilled coffee on my shirt at breakfast!

Why had I not noticed the stain when I spilled the coffee in the first place?

I'm so sorry, I began, crossing Yeo Street, and that's when the car hit me.


It felt very personal, as these things do.



I landed in the gutter with a shriek of outrage.

Next I realized that, of course, it must have been a car, not a hostile stranger rushing up to give me a good shove. The rage dissipated. A car, like a falling tree branch, is inanimate. I must have walked right in front of it. The car had been in its own territory, the road, and I'd strayed into that territory. These were the . . .

"Consequences," I whispered.

I lay in the gutter, embarrassed.

Footsteps ran toward me. They reminded me of the time when my family went to Universal Studios and watched a demonstration of how sound effects were added to a scene. These footsteps had the same self-importance. These are running footsteps, they said. Tap, tap, tap.

The footsteps scuffed up beside me and became heavy breathing. This is heavy breathing. A deep intake of breath and a man's voice asked, "Are you okay?"

Am I okay?! I was affronted.

"I got hit by a car!" I expostulated, sitting up quickly. Was I okay?! Of course I was not okay! Although my head had felt fine when I sat up quickly just now-it often spins when I do that, even when I haven't been hit by a car.

"Yes." The man was standing in direct sunlight so I couldn't see his face. "Yes, it was my car." He crouched, and there was his face.

He had very white skin with pale freckles here and there. Dark hair clipped close to his scalp. Late-thirtiesish. The bones of his face, and the veins in his temples, were prominent. His shirt, a soft lilac color, looked expensive. Its buttons were small and discreet. His trousers were gray wool. Polished shoes.

He sat down beside me in the gutter.

"Are you okay? Shall I call an ambulance?" He was holding a phone. Like his face, the fingers wrapped around the phone were very white, but with sparse threads of black hair.

I considered the phone and the wiry hairs on the man's fingers. I looked up and down the street. No other people were around. Several parked cars, but none in motion. A silver Mercedes sat just along the road, jutting out at an angle, as if hastily parked. That must be the man's car. He'd pulled over his Mercedes and run back to check on me.

The emptiness of the street gave me the odd feeling that I'd "gotten away with it." Nobody but this man had witnessed me being hit and, therefore, it hadn't really happened-at least, not in a particularly relevant way.

"No, no," I said. "I'm fine."

The man exhaled. "Are you sure? You might not be qualified to say. Let me look at you."

I angled my face so he could do this. He studied my eyes. His own were a very bright blue.

"I'm not qualified to say, either," he admitted after a moment. It occurred to me that the man had a Scottish accent, although only at certain junctures in his sentences. "Can you stand up?"

"Yes."

A pause.

"I believe I can," I added.

He suggested I test my theory. "Here, I'll help you." He leaped to his feet and offered his palm.

A long pause. "I don't want to," I decided. "I'm fine, though. Honestly. I'm very sorry I ran in front of your car. I was late for work. It's lucky you were driving slowly. Sedately, even. You can . . ." I gestured at his car. "Don't let me hold you up."

The man studied me anxiously. "I'm quite worried about you," he said.

"Don't be. It's just the shock. Nothing even hurts. Don't let me . . ."

He followed my gaze, back to the silver Mercedes. "That's not my car," he said, and he pointed across the road instead, to where a small red car stood at its own quirky angle. I don't know what kind of car it was. Red. And it had the low, slanted look that cars get when they're expensive. They sink beneath the weight of their own price tags, cars. "Are you sure you're all right?" the man was asking. "Because I do need to be somewhere." He was looking at the red car and frowning, its existence having reminded him of responsibilities, I guess.

"Absolutely," I said.

"Let me give you my name and number in case you realize later that you are injured," he offered. "That can happen."

"No, no. I promise, I'm not going to realize. I'd know by now."

"Well, give me your name and number then. So I can check on you. I'm desperately worried about you."

Desperately worried. I laughed. His accent was gathered in that phrase. "Honestly, I'm fine. I only want to sit here and think."

"If you're sure . . ." And when I nodded again, he checked both ways and then he crossed the road backward, watching me the whole time. He seemed able to walk in reverse with surprising ease and grace.

"I'm really sorry!" I called to him. "I hope I didn't . . . dent your car."

At this he laughed aloud, apparently delighted, and did not even look at his car to check. I found that impressive. Most people would have glanced at least.

"Are you sure I can't get your name and number," he tried again, "so I can check on you?"

"Honestly," I sang back. "I'm fine."

So he opened his car door, climbed in, turned on the engine, checked his mirrors, flicked on his indicator, and drove away. He raised a single hand to me and was gone.


I sat in the gutter. I felt very happy because now I had a good, solid, truthful excuse for being late to work. I’m so sorry. I got hit by a car.



Into the stillness came the sound of traffic on Military Road a block away. Also construction noise somewhere-a jackhammer?-and a leaf blower. Everyone busy getting on with things. In the same way that the silence was filling with sounds, Trisha would currently be filling with righteous fury at my absence. Should I call her or wait until she was so angry that she called me? An excuse like being hit by a car, you want it to have the biggest impact.

"Anna!"

The sound of my own name, spoken into my ear, astounded me. How had I not heard the footsteps that surely preceded that voice? For a moment, I believed it was Trisha-out from behind the Nut Bar counter, prowling the streets of Sydney to hunt me down.

It was Rena Kappas.

"What's happened here?" Rena demanded. "What are you doing in the gutter?"

Rena is a school mum and a friend. I met her at the front office one day when Nicola was in year one. We'd both come to collect our girls for medical appointments-hers to an ear specialist, mine to an orthopedist-and there was a delay on account of the class having gone missing. Rena and I joked about that, not too uneasily. (Turned out, they were doing reading groups under a tree.) Anyway, we liked each other enough to organize playdates for the girls.

The girls grew much closer than Rena and I ever did. We're fond of each other, sure, but we can get by for weeks without talking or texting, whereas they couldn't get through a day. Also, unlike our girls, Rena and I have never once painted each other's fingernails or dyed each other's hair or visited a pharmacy so we both could get two holes pierced in our right ears ("It's kind of, like, our thing?") or choreographed song-and-dance routines for school talent shows and TikTok, or gotten sticky marshmallows all over our sheets during a sleepover and then cried because we thought we'd get in trouble.

Still, we're always happy to see each other.

"Hello!" I said, genuinely happy. "I got hit by a car!"

Rena chuckled, thinking I was joking. I doubled down. Rena switched to outrage: "And they didn't stop?! They must have known they'd done it! You can't hit a person and not notice it! Was it a truck? That's the only thing. If it was a semi, the driver might not have noticed. Was it?"

"No, no!" I protested. "It was a car, and the driver did stop and check on me. He was nice! I told him I was fine."

"And then he left you here? In the gutter?" Rena blinked her long, dark lashes rapidly, which she does when emotional. Her daughter, Elena, does the same thing.

"I made him go," I promised.

It took a while to convince Rena that the man's behavior had been beyond reproach, and also that I wasn't injured. Even then, she remained dubious. There was a lot of talk about shock and neck injuries. I drifted off into my own reverie.

"To be honest, I'm just happy to have an excuse for being late to work," I admitted once Rena had settled down.

"Work?" Rena stared. "You can't go to work today!"

"I can't?"

"You got hit by a car. You need to go home and rest."

It was wonderful how important Rena was making this. On the other hand, I feared I'd misled her.
“A truly amazing book! Time Travel for Beginners is absolutely gorgeous, smart, funny, deep, dreamy, and perfect. And it comes together beautifully at the end. It left my heart full and happy.”—Rachel Cohn, New York Times bestselling coauthor of Nick & Norah’s Infinite Playlist

“I could wish I wrote it but then I wouldn’t have had the pleasure of reading this truly extraordinary, exquisite novel. It’s both hilarious and heart-breaking, thoughtful and compelling. It’s hard for me (I’m the eldest) but I just have to say it, my sister is a literary genius.’’—Liane Moriarty, #1 New York Times bestselling author of Here One Moment

“An ingenious concept, beautifully told. I couldn't put it down.”—Libby Page, national bestselling author of This Book Made Me Think of You

“Jaclyn Moriarty is one of my most favourite writers EVER . . . Time Travel for Beginners is gorgeous. Profound, funny, human clever. About love, memory, choices and the paths not taken. I recommend it very highly.”—Marian Keyes, international bestselling author of Watermelon

“A joyfully sad, quietly clever, and loudly delightful time-travel novel. By turns a meditation on mourning, happiness, and the deep truths of living. Time Travel for Beginners only gets more delicious with every read.”—Justine Larbalestier and New York Times bestselling author Scott Westerfeld, coauthors of The Mortons

"Oh, my heart. This book is propulsive, funny, life-affirming and gave me all the feels. I dare you to read it and not fall absolutely in love."—Colleen Oakley, USA Today bestselling author of Jane and Dan at the End of the World

“Moriarty’s latest novel is chock-full of whimsy, witty humor, high stakes, and immersive world building. Beneath the action, readers will find meaningful and transforming revelations about love, loss, and finding magic in the mundane.”Booklist

"A treat for anyone who needs a reminder that time can heal anything, even the human heart....This gently eccentric tale of familial challenges will delight fans of Matt Haig and TJ Klune."—Kirkus Reviews

“This book floored me in the gentlest of ways. It was imaginative, original and utterly engrossing from start to finish. From its uniquely likeable characters to its intricately woven plot, I loved absolutely everything about it. If you are drawn to books which convince you that the seemingly impossible is utterly plausible, this one is for you.”—Amelia Ireland, author of The Seven O'Clock Club

"A very rare treasure. Funny and compelling and rich, it is also a wise reflection on regret and the ways we carry the past with us. It's absolutely magnificent."—Kathryn Heyman, critically acclaimed author of Circle of Wonders

“In this brilliant novel of interwoven lives, Jaclyn Moriarty explores the very nature of reality in a story so filled with love, humor, and mouthwatering descriptions of chocolate cake that I couldn’t put it down.”—Laura Bloom, critically acclaimed author of The Women and the Girls

“With compelling characters, a baffling mystery, and an ending that even savvy readers will not see coming, Moriarty’s latest is a winner that explores fate and how we are all connected.”—First Clue

“Moriarty’s novel has charm, especially between Anna and Teddy, and depth, with its encouragement to look toward the future, not the past.”—Library Journal

“A warm and gentle story about figuring out love and life.”Modern Mrs. Darcy

Praise for Jaclyn Moriarty

“It is astonishingly wonderful and magical and moving and uplifting and different … an instant classic … It literally might be my most favorite book of all time.”—Marian Keyes

“I loved this book. Funny, heartbreaking and clever with a mystery at its heart.”—Jojo Moyes

“A thoughtful, beautifully written, truly original, and often hilarious meditation on loss, hope, the self-help industry, and the difficulties of navigating life on earth.”—Emily St. John Mandel

“A beautiful, lyrical curiosity of a book. It's about loss and hope, but it's deliciously funny, too, and the writing is so fantastic I found myself reading passages out loud just to savor them.”—Beth O'Leary

“Clever and magical.”—Women's Weekly

“This unusual novel tugs at the heartstrings.”—Good Housekeeping

“With an eye as keen for human idiosyncrasies as Miranda July's, and a sense of humor as bright and surprising as Maria Semple's, this is a novel of pure velocity.”—Publishers Weekly, starred review
© Steve Brown Photography
Jaclyn Moriarty is the award-winning author of books for readers of all ages. She has been the recipient of the NSW Premier’s Literary Award, the Queensland Literary Award, and the Aurealis Award for Fantasy. Her books have been named Boston Globe Honor Books, White Raven selections and recognized by the American Library Association. A former media lawyer and one of the talented and popular Moriarty sisters (including Liane and Nicola), Jaclyn lives in Sydney, Australia, along with her teenage son. View titles by Jaclyn Moriarty

About

NAMED A MOST ANTICIPATED BOOK OF SUMMER BY PEOPLE, GOODREADS, SHEREADS, BUZZFEED, AND SOUTHERN LIVING

In her dazzling new novel, award-winning author Jaclyn Moriarty asks the question, if you could revisit one moment in your life, what would it be?


On a bustling road in Sydney, Australia, lies a nondescript storefront known simply as the Time Travel Agency. Inside, you’ll be welcomed by the smell of fresh-brewed coffee, a selection of baked goods…and the question, Where in time do you wish to go?

The guidelines are simple: you can go whenever you wish into the past, and there’s no fear of altering the present. Have tea with Jane Austen, scream at a Beatles concert, witness the Olympics in ancient Greece. Perhaps a more personal trip? Visit your long-lost grandmother, recapture the heady days of your youth, return to the idyllic time when your teen was a babbling baby—or watch yourself make the one decision that changed everything.

Is it a hoax? And if it’s real, what’s the catch?

When single mother Anna is offered a job at the agency, she glimpses the possibility of happiness. Meanwhile, Teddy’s a customer hoping to untangle his recently imploded marriage. And Jade, who has a deeply buried secret, despises the agency for offering false hope.

In Jaclyn Moriarty’s incandescent novel, Anna, Teddy, and Jade leap headlong into time, hurtling on a crash course toward one another. At turns entertaining and illuminating, Time Travel for Beginners explores the moments, big and small, that shape our destiny.

Excerpt

1.
Anna

A woman in a red coat was walking up a flight of concrete steps.

It was a Thursday, early June 2025, a crisp Sydney winter's day, and the woman was hurrying. At the top of the stairs, she paused and unbuttoned her coat. She did not wish to remove the coat altogether, only to open it. It was a new coat, and very smart, with large silver buttons.

In addition to being a woman in a red coat, this was a woman in a lemon-yellow shirt, black jeans, and black ankle boots. A navy blue beret sat upon her head. This had been knitted for her by her sister, Monique, who was crafty and practi-

Oh look, I can't keep this up.

All I'm doing is describing the colors of my clothes.

The woman was me. Anna Salone. Pleased to meet you.

My idea had been to write this narrative in close third person, like a clear and tender voice at my own shoulder, following me around through my days. Pausing for moments of quiet reflection-as I ducked my head into the linen closet, say, or scrubbed dried egg from a plate. But I haven't even made it past the opening.

(Also, to clarify: When I say that my sister Monique is "crafty," I don't mean she's wily and cunning. Just good at craft.) (The navy blue beret is beautiful and well made. I feel elegant when I wear it. Also, I feel ridiculous. People stare, their expressions inscrutable. Frank admiration or suppressed hilarity? Could be either.)

The reason I was hurrying up the steps was that I was late for work.

And the reason I was late was that I'd driven my thirteen-year-old daughter, Nicola, to the bus stop, whereas usually she walks there. I'd been applying lipstick in the bathroom, believing Nicola to be packing her lunchbox in the kitchen. I'd even heard the thud of her dropping a yogurt pouch onto the floor. Oh, Nicola, I'd thought fondly. Always dropping things. Then, passing Nicola's bedroom, I'd caught a glimpse of tangled hair and pink pajamas.

What's that child doing in my daughter's bed?! That was my first reaction: indignation.

Quickly, it occurred to me that it was more likely that Nicola was oversleeping-and that the dropped yogurt pouch had been a car door slamming out in the street-than that a strange child in pink pajamas had climbed into my daughter's empty bed.

The oversleeping hypothesis proved true.

I hustled Nicola out of bed and followed her around like a close third-person narrator, only less tender, shouting instructions. "Hurry! You're going to miss the bus!" and "No need to brush your teeth for two whole minutes, no, seriously, don't set the timer, Nicola! Leave it! Yes, I know the dentist said, but the dentist isn't going to miss the bus!"

Then I tossed her a banana for her breakfast and zoomed her up the hill to the bus stop.

After that, I drove back home, parked the car in the garage, and set off to walk to work.

I miscalculated how long it took to walk.

(That's a fancy way of saying I knew perfectly well that it took me twenty minutes to walk to work and yet, that day, I decided I could do it in three.)

Having reached the top of the stairs, I rushed past the tennis club, the playground, and a pair of art deco apartment blocks, my new coat flapping like a malfunctioning burrito. In my head I was rehearsing excuses.

I couldn't blame Nicola for my lateness because Trisha, the manager, holds strong views on "enabling children in habits of carelessness."

Trisha has three sons, two at university and one in high school. All three "learned quick smart" that Trisha was "not at their beck and call." Let's say one of Trisha's sons was at a pool party, realized he'd forgotten his swimsuit, and called her up seeking help? She, Trisha, would not come running with the swimsuit! No, sirree! Her son would have to face the consequences.

"And you know what, Anna?" Trisha liked to say.

"What?"

"They never forget that swimsuit again!"

"Seriously?"

"Seriously. You know why? Because they've suffered the . . ."

"Consequences," I would fill in obediently.

I myself have suffered the consequences of my own forgetfulness, or carelessness, plenty of times in my life and yet I carry on forgetting and careless-ing. I mentioned this to Trisha once, and she flashed me the look she used to give me, the one that meant she suspected there was something not quite right about me-a bit off-color even-before turning back to weighing the dry-roasted almonds. (I worked for Trisha at the Nut Bar.)

So I couldn't mention having driven Nicola to the bus stop.

Anyway, the real issue was that I'd then driven home instead of continuing on to work. (I had to. My Fitbit requires the steps. So really this whole thing is the fault of a needy Fitbit.)

I decided to invent an excuse.

I'm sorry I'm late, I rehearsed. I spilled coffee on my shirt at breakfast! I had to change!

How long did it take to change a shirt?

I'm so sorry I'm late. I got halfway to work and realized I'd spilled coffee on my shirt at breakfast!

Why had I not noticed the stain when I spilled the coffee in the first place?

I'm so sorry, I began, crossing Yeo Street, and that's when the car hit me.


It felt very personal, as these things do.



I landed in the gutter with a shriek of outrage.

Next I realized that, of course, it must have been a car, not a hostile stranger rushing up to give me a good shove. The rage dissipated. A car, like a falling tree branch, is inanimate. I must have walked right in front of it. The car had been in its own territory, the road, and I'd strayed into that territory. These were the . . .

"Consequences," I whispered.

I lay in the gutter, embarrassed.

Footsteps ran toward me. They reminded me of the time when my family went to Universal Studios and watched a demonstration of how sound effects were added to a scene. These footsteps had the same self-importance. These are running footsteps, they said. Tap, tap, tap.

The footsteps scuffed up beside me and became heavy breathing. This is heavy breathing. A deep intake of breath and a man's voice asked, "Are you okay?"

Am I okay?! I was affronted.

"I got hit by a car!" I expostulated, sitting up quickly. Was I okay?! Of course I was not okay! Although my head had felt fine when I sat up quickly just now-it often spins when I do that, even when I haven't been hit by a car.

"Yes." The man was standing in direct sunlight so I couldn't see his face. "Yes, it was my car." He crouched, and there was his face.

He had very white skin with pale freckles here and there. Dark hair clipped close to his scalp. Late-thirtiesish. The bones of his face, and the veins in his temples, were prominent. His shirt, a soft lilac color, looked expensive. Its buttons were small and discreet. His trousers were gray wool. Polished shoes.

He sat down beside me in the gutter.

"Are you okay? Shall I call an ambulance?" He was holding a phone. Like his face, the fingers wrapped around the phone were very white, but with sparse threads of black hair.

I considered the phone and the wiry hairs on the man's fingers. I looked up and down the street. No other people were around. Several parked cars, but none in motion. A silver Mercedes sat just along the road, jutting out at an angle, as if hastily parked. That must be the man's car. He'd pulled over his Mercedes and run back to check on me.

The emptiness of the street gave me the odd feeling that I'd "gotten away with it." Nobody but this man had witnessed me being hit and, therefore, it hadn't really happened-at least, not in a particularly relevant way.

"No, no," I said. "I'm fine."

The man exhaled. "Are you sure? You might not be qualified to say. Let me look at you."

I angled my face so he could do this. He studied my eyes. His own were a very bright blue.

"I'm not qualified to say, either," he admitted after a moment. It occurred to me that the man had a Scottish accent, although only at certain junctures in his sentences. "Can you stand up?"

"Yes."

A pause.

"I believe I can," I added.

He suggested I test my theory. "Here, I'll help you." He leaped to his feet and offered his palm.

A long pause. "I don't want to," I decided. "I'm fine, though. Honestly. I'm very sorry I ran in front of your car. I was late for work. It's lucky you were driving slowly. Sedately, even. You can . . ." I gestured at his car. "Don't let me hold you up."

The man studied me anxiously. "I'm quite worried about you," he said.

"Don't be. It's just the shock. Nothing even hurts. Don't let me . . ."

He followed my gaze, back to the silver Mercedes. "That's not my car," he said, and he pointed across the road instead, to where a small red car stood at its own quirky angle. I don't know what kind of car it was. Red. And it had the low, slanted look that cars get when they're expensive. They sink beneath the weight of their own price tags, cars. "Are you sure you're all right?" the man was asking. "Because I do need to be somewhere." He was looking at the red car and frowning, its existence having reminded him of responsibilities, I guess.

"Absolutely," I said.

"Let me give you my name and number in case you realize later that you are injured," he offered. "That can happen."

"No, no. I promise, I'm not going to realize. I'd know by now."

"Well, give me your name and number then. So I can check on you. I'm desperately worried about you."

Desperately worried. I laughed. His accent was gathered in that phrase. "Honestly, I'm fine. I only want to sit here and think."

"If you're sure . . ." And when I nodded again, he checked both ways and then he crossed the road backward, watching me the whole time. He seemed able to walk in reverse with surprising ease and grace.

"I'm really sorry!" I called to him. "I hope I didn't . . . dent your car."

At this he laughed aloud, apparently delighted, and did not even look at his car to check. I found that impressive. Most people would have glanced at least.

"Are you sure I can't get your name and number," he tried again, "so I can check on you?"

"Honestly," I sang back. "I'm fine."

So he opened his car door, climbed in, turned on the engine, checked his mirrors, flicked on his indicator, and drove away. He raised a single hand to me and was gone.


I sat in the gutter. I felt very happy because now I had a good, solid, truthful excuse for being late to work. I’m so sorry. I got hit by a car.



Into the stillness came the sound of traffic on Military Road a block away. Also construction noise somewhere-a jackhammer?-and a leaf blower. Everyone busy getting on with things. In the same way that the silence was filling with sounds, Trisha would currently be filling with righteous fury at my absence. Should I call her or wait until she was so angry that she called me? An excuse like being hit by a car, you want it to have the biggest impact.

"Anna!"

The sound of my own name, spoken into my ear, astounded me. How had I not heard the footsteps that surely preceded that voice? For a moment, I believed it was Trisha-out from behind the Nut Bar counter, prowling the streets of Sydney to hunt me down.

It was Rena Kappas.

"What's happened here?" Rena demanded. "What are you doing in the gutter?"

Rena is a school mum and a friend. I met her at the front office one day when Nicola was in year one. We'd both come to collect our girls for medical appointments-hers to an ear specialist, mine to an orthopedist-and there was a delay on account of the class having gone missing. Rena and I joked about that, not too uneasily. (Turned out, they were doing reading groups under a tree.) Anyway, we liked each other enough to organize playdates for the girls.

The girls grew much closer than Rena and I ever did. We're fond of each other, sure, but we can get by for weeks without talking or texting, whereas they couldn't get through a day. Also, unlike our girls, Rena and I have never once painted each other's fingernails or dyed each other's hair or visited a pharmacy so we both could get two holes pierced in our right ears ("It's kind of, like, our thing?") or choreographed song-and-dance routines for school talent shows and TikTok, or gotten sticky marshmallows all over our sheets during a sleepover and then cried because we thought we'd get in trouble.

Still, we're always happy to see each other.

"Hello!" I said, genuinely happy. "I got hit by a car!"

Rena chuckled, thinking I was joking. I doubled down. Rena switched to outrage: "And they didn't stop?! They must have known they'd done it! You can't hit a person and not notice it! Was it a truck? That's the only thing. If it was a semi, the driver might not have noticed. Was it?"

"No, no!" I protested. "It was a car, and the driver did stop and check on me. He was nice! I told him I was fine."

"And then he left you here? In the gutter?" Rena blinked her long, dark lashes rapidly, which she does when emotional. Her daughter, Elena, does the same thing.

"I made him go," I promised.

It took a while to convince Rena that the man's behavior had been beyond reproach, and also that I wasn't injured. Even then, she remained dubious. There was a lot of talk about shock and neck injuries. I drifted off into my own reverie.

"To be honest, I'm just happy to have an excuse for being late to work," I admitted once Rena had settled down.

"Work?" Rena stared. "You can't go to work today!"

"I can't?"

"You got hit by a car. You need to go home and rest."

It was wonderful how important Rena was making this. On the other hand, I feared I'd misled her.

Reviews

“A truly amazing book! Time Travel for Beginners is absolutely gorgeous, smart, funny, deep, dreamy, and perfect. And it comes together beautifully at the end. It left my heart full and happy.”—Rachel Cohn, New York Times bestselling coauthor of Nick & Norah’s Infinite Playlist

“I could wish I wrote it but then I wouldn’t have had the pleasure of reading this truly extraordinary, exquisite novel. It’s both hilarious and heart-breaking, thoughtful and compelling. It’s hard for me (I’m the eldest) but I just have to say it, my sister is a literary genius.’’—Liane Moriarty, #1 New York Times bestselling author of Here One Moment

“An ingenious concept, beautifully told. I couldn't put it down.”—Libby Page, national bestselling author of This Book Made Me Think of You

“Jaclyn Moriarty is one of my most favourite writers EVER . . . Time Travel for Beginners is gorgeous. Profound, funny, human clever. About love, memory, choices and the paths not taken. I recommend it very highly.”—Marian Keyes, international bestselling author of Watermelon

“A joyfully sad, quietly clever, and loudly delightful time-travel novel. By turns a meditation on mourning, happiness, and the deep truths of living. Time Travel for Beginners only gets more delicious with every read.”—Justine Larbalestier and New York Times bestselling author Scott Westerfeld, coauthors of The Mortons

"Oh, my heart. This book is propulsive, funny, life-affirming and gave me all the feels. I dare you to read it and not fall absolutely in love."—Colleen Oakley, USA Today bestselling author of Jane and Dan at the End of the World

“Moriarty’s latest novel is chock-full of whimsy, witty humor, high stakes, and immersive world building. Beneath the action, readers will find meaningful and transforming revelations about love, loss, and finding magic in the mundane.”Booklist

"A treat for anyone who needs a reminder that time can heal anything, even the human heart....This gently eccentric tale of familial challenges will delight fans of Matt Haig and TJ Klune."—Kirkus Reviews

“This book floored me in the gentlest of ways. It was imaginative, original and utterly engrossing from start to finish. From its uniquely likeable characters to its intricately woven plot, I loved absolutely everything about it. If you are drawn to books which convince you that the seemingly impossible is utterly plausible, this one is for you.”—Amelia Ireland, author of The Seven O'Clock Club

"A very rare treasure. Funny and compelling and rich, it is also a wise reflection on regret and the ways we carry the past with us. It's absolutely magnificent."—Kathryn Heyman, critically acclaimed author of Circle of Wonders

“In this brilliant novel of interwoven lives, Jaclyn Moriarty explores the very nature of reality in a story so filled with love, humor, and mouthwatering descriptions of chocolate cake that I couldn’t put it down.”—Laura Bloom, critically acclaimed author of The Women and the Girls

“With compelling characters, a baffling mystery, and an ending that even savvy readers will not see coming, Moriarty’s latest is a winner that explores fate and how we are all connected.”—First Clue

“Moriarty’s novel has charm, especially between Anna and Teddy, and depth, with its encouragement to look toward the future, not the past.”—Library Journal

“A warm and gentle story about figuring out love and life.”Modern Mrs. Darcy

Praise for Jaclyn Moriarty

“It is astonishingly wonderful and magical and moving and uplifting and different … an instant classic … It literally might be my most favorite book of all time.”—Marian Keyes

“I loved this book. Funny, heartbreaking and clever with a mystery at its heart.”—Jojo Moyes

“A thoughtful, beautifully written, truly original, and often hilarious meditation on loss, hope, the self-help industry, and the difficulties of navigating life on earth.”—Emily St. John Mandel

“A beautiful, lyrical curiosity of a book. It's about loss and hope, but it's deliciously funny, too, and the writing is so fantastic I found myself reading passages out loud just to savor them.”—Beth O'Leary

“Clever and magical.”—Women's Weekly

“This unusual novel tugs at the heartstrings.”—Good Housekeeping

“With an eye as keen for human idiosyncrasies as Miranda July's, and a sense of humor as bright and surprising as Maria Semple's, this is a novel of pure velocity.”—Publishers Weekly, starred review

Author

© Steve Brown Photography
Jaclyn Moriarty is the award-winning author of books for readers of all ages. She has been the recipient of the NSW Premier’s Literary Award, the Queensland Literary Award, and the Aurealis Award for Fantasy. Her books have been named Boston Globe Honor Books, White Raven selections and recognized by the American Library Association. A former media lawyer and one of the talented and popular Moriarty sisters (including Liane and Nicola), Jaclyn lives in Sydney, Australia, along with her teenage son. View titles by Jaclyn Moriarty
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