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Catch the Devil

A True Story of Murder, Deception, and Injustice on the Gulf Coast

Author Pamela Colloff On Tour
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Hardcover
$32.00 US
| $44.00 CAN
12 per carton
On sale Jul 14, 2026 | 320 Pages | 9780593230862

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The riveting, true story of an audacious con man who helped send another man to death row for a murder he did not commit

“Incendiary, emotionally devastating. [This] is a feat of dogged reporting, bravura storytelling, and clear-eyed moral conscience."
—Patrick Radden Keefe, author of Say Nothing and London Falling

“Unfolding in cinematic detail, Catch the Devil offers a riveting and disturbing account of the potentially fatal consequences of a criminal legal system that is more concerned with securing convictions than determining the truth and delivering justice.” —NPR


For more than three decades, Paul Skalnik roamed the Gulf Coast lying about who he was. He passed himself off as a fighter pilot, a high-rolling oilman, a criminal defense attorney, an undercover agent, and a terminal cancer patient. In these guises he married nine women—some at the same time.

When Skalnik got caught, as he invariably did, he would run a different con. Locked up with other men awaiting trial, he claimed they confessed their crimes to him. Then he peddled those stories to prosecutors. In Pinellas County, Florida, he became a frequent witness for the state, thinking nothing of exaggerating men’s wrongdoing or implicating the innocent to help prosecutors win convictions. In return, the state rewarded him with his freedom, fueling his growing sense of invincibility. Soon he was not just committing fraud; he was preying on girls in their teens or barely into adolescence.

In 1985, Jim Dailey, a down-on-his-luck Vietnam veteran, was implicated in the murder of a fourteen-year-old girl and landed in the Pinellas County Jail with Skalnik. No forensic evidence or motive linked Dailey to the killing, but Skalnik’s account of his "confession" helped put Dailey on death row. Skalnik, meanwhile, walked free. More than three decades later, after another man took responsibility for the killing, Pamela Colloff, reporting for the New York Times Magazine and ProPublica, visited Skalnik and asked him if he would recant his testimony. He refused.

By then, Skalnik had caused untold damage: to the women and girls he exploited, to the dozens of men he helped imprison, and to Jim Dailey, who went on to receive an execution date. In this mesmerizing debut, Pamela Colloff spins a dark tale of a remorseless and brilliant liar made lethal by a system more concerned with winning convictions than finding the truth.
1

Skalnik

In Friendswood, Texas, the only disturbance to the order of things came during hurricane season, when storm surges in Galveston Bay left the creeks with nowhere to drain and floodwaters could rise in an instant. Some seven thousand people lived there in the mid-1970s, when it still retained the austere calm of its early days as a Quaker settlement. Halfway between Galveston and Houston, it remained, as the county’s sole dry town, a world unto itself—a stubborn holdout against modern excess. Lisa Rogers had never lived anywhere else, and apart from school she spent most of her waking hours at her grandparents’ horse farm. At fourteen, she preferred the company of horses. She liked the quiet sameness of her days, the predictable hum of life. Her mother, Penny, longed for something different.

Penny often told her stories about an earlier, more exhilarating time, when she had been a regular on The Larry Kane Show, Houston’s own version of American Bandstand. Of all the bright-eyed teenagers who were chosen to appear on the show each Sunday in the late 1950s and early 1960s, it was Penny who stood out. Her heart-shaped face, framed by dark, dramatic eyebrows and high cheekbones, often drew comparisons to Elizabeth Taylor. But no modeling contracts followed; no acting career bloomed. After high school, she married and divorced three men, in quick succession, and suffered a shattering loss when her twin sister died of leukemia. By early 1977, at thirty-three, she was raising two children on her own, working as a receptionist at the funeral home her parents owned, and still living in Friendswood.

It was that spring, at the funeral home, that Penny first encountered a man named Paul Skalnik. He cut a striking figure in a three-piece suit, his blue-gray eyes tracking her from across a roomful of mourners. At twenty-seven, he was six years Penny’s junior, but he spoke with the polished assurance of a trial lawyer or politician, leaning in just close enough to make the conversation feel private without being intrusive. He told Penny that he had grown up in nearby League City and that, after college, he had quickly ascended the corporate ladder to become a top executive at Southwest Airlines. Then a scrappy Texas upstart, Southwest was known for outfitting its flight attendants in hot pants and go-go boots. Skalnik, with his outsized ambition, seemed to reflect the company’s brash confidence.

When Penny brought him home to meet Lisa and her younger brother, Lynn, Lisa was put off by his heavy-handed efforts to win over her mother. Penny, however, was enthralled by his attention. Skalnik held out the promise of a life that was bigger, brighter, grander, and he made it feel thrillingly within reach, carrying a business-sized checkbook with him whenever he took her out. Restraint, Lisa noticed, was not his strong suit. He cultivated a maximalist style, accenting his wide-lapelled suits with gold chains, a Rolex watch, and plush sideburns, and he encouraged Penny to live large, too. After a brief courtship, he spirited her away to Las Vegas for a weekend, and they returned to Friendswood as Mr. and Mrs. Paul Skalnik.

Skalnik moved into Penny’s condo, where he soon settled into a routine. On weekday mornings, he bounded out the door with his briefcase in hand, telling her that he was headed to the airport, to fly to Southwest’s headquarters in Dallas, and that he would be back home in time for dinner. On weekends, he took Penny, Lisa, and Lynn, to the best hotels in Dallas and Austin, where he ran up the tab on room service, summoning platters of chocolate-covered strawberries and bottles of champagne. He bought Penny a fur coat and jewelry, and outfitted their home with the latest technology, including a microwave and another modern marvel, a VCR. He gave Penny both a baby-blue Lincoln Continental and a customized Dodge van, complete with red velvet curtains, a TV, and CB radios.

Only Lisa seemed to see Skalnik’s idiosyncrasies: how he filched the robes and towels from their luxury hotel suites and squirreled away the purple velvet bags that held his Crown Royal. It didn’t escape her attention, either, that he always kept his handgun within reach, even stashing it under the driver’s seat when he was behind the wheel. What these details added up to, she could not be sure, but she took note of each peculiarity. Once, on a drive through League City, he pointed out the house where he said his parents lived, and Lisa stared at the sun-blistered paint and shabby yard. The tiny frame house, she thought, seemed oddly untouched by his largesse.

When Skalnik was in an expansive mood, he would regale the family with stories of his extraordinary achievements. He was skilled at weaving a narrative, and he knew how to hold a listener’s attention with a perfectly timed pause or an anticipatory smile. He frequently boasted of having helped the University of Texas clinch a national football title when he was a college student, before a knee injury sidelined his athletic career—always making a point, as he told this story, to flash his jumbo-sized championship ring. He was the hero of every story. No one else was ever as bold, or as quick thinking, or as clever. Lisa thought he seemed happiest when he was holding court, his hands shaping the air as he spoke.

Once, Skalnik promised Penny and the kids a trip to New York City—a trip he announced they would take on a Learjet that he had commandeered for the occasion. Lisa was elated until their departure day came, and she, her mother, and her brother found themselves in an empty airport hangar, watching Skalnik pace back and forth. As the day wore on, and the Learjet did not materialize, Skalnik became more distressed, shouting into the receiver as he made a series of frenzied calls from a nearby phone. Lisa watched as he waved his arms in what appeared to her, in a moment of sudden clarity, to be a pantomime of fury. Despite his show of outrage, he seemed to enjoy being the center of attention, she thought. As he barked orders, Lisa wondered if anyone was on the other end of the line. At the end of the day, Skalnik shook his head and told Penny the trip would have to be postponed. Engine trouble, he said.

Lisa kept her questions to herself, but she studied Skalnik as he moved about the house, which he did, increasingly, in nothing but his white Jockey briefs. She had failed to notice his crudeness at first, but as he grew more familiar, it was all she could see: the gold chain beneath his collar, grazing his dark pelt of chest hair; his gaudy self-regard; his obsessive need to accumulate newer and ever more expensive things; his taste for ersatz splendor. She grew exhausted with his grandiose stories and his thirst for praise and adulation. His wolfish appetite for all things—alcohol, spending money, her mother’s attention—seemed to have no limits. One evening when she was in the shower, she thought she felt his gaze, but when she turned to look, she saw nothing. She heard only the click of the bathroom door.

Her uneasiness was not lost on Skalnik. That Christmas, to win her over, he presented her with a lavish gift: a glittering Seiko watch that he told her was made of 24-karat gold and inlaid with diamonds. It glittered in the light.

Lisa looked up at him, unsmiling, and asked if it was real.

Skalnik broke into a grin. “Looks real to me,” he said.

That January, a series of typewritten letters addressed to Skalnik began arriving at the condo in Friendswood. The first, from Amco Jewelry Company, informed him that three different checks of his had failed to clear. The tenor of the letter was professional but urgent. If the total of $1,879 was not received by February 1, it warned, the matter “will be out of our hands.” Days later, an attorney representing Oshman’s Sporting Goods wrote to insist on the immediate remittance of $1,307. Taken together, these were sizable amounts: today, adjusted for inflation, nearly $16,000.

More letters came in the months that followed—from banks, a local grocery store, a pharmacy, a men’s clothier. Skalnik carried on as he always had, striding down the front walkway with his briefcase each morning, only to reappear at dinnertime, loosening his tie and heading for the liquor cabinet. He did not share the letters with Penny, but the strain he was under showed. He drank heavily, and any perceived slight could set him off, his face suddenly going taut with anger. Lisa saw her mother emerge from the bedroom more than once, after a night of Skalnik’s rages, with a poorly camouflaged black eye.

As Skalnik’s behavior became more and more unpredictable, he began heading out of town on business, always returning a few days later. But one such absence in the spring of 1978 stretched on and on—first for weeks, then for more than a month. Lisa did not know where her stepfather was or what had become of him, and Penny, if she knew more, offered no explanation. Freed from Skalnik’s grip, their household resumed its quiet rhythm. Just as suddenly as Skalnik had barreled into their lives, he was gone.

Kenny Rodgers, an investigator in the Harris County District Attorney’s Office in Houston, was sitting at his desk one day that May when the phone rang. Rodgers worked in the Special Crimes Bureau, a division of the DA’s office that specialized in investigating and prosecuting organized crime, money laundering, and major fraud and narcotics cases. Located above a thriving import-export business, it was not listed on the building directory, and its detectives, many of whom wore street clothes, accessed the office through an unmarked sliding glass door on an adjacent side street. If anyone called the unpublished number that was dedicated to undercover operations, whoever picked up the phone was supposed to answer, “Austin Street and Bridge Company. How may I help you?”

Rodgers hunted down the witnesses whom prosecutors needed to bring their cases to trial. The Houston native was a natural people person, skilled not only at locating uncooperative citizens but at winning them over. The phones at the Special Crimes Bureau were always buzzing with tips from contacts he had all over the city. When Rodgers picked up, he expected it to be one of his sources.

“Hey, Kenny,” he heard a familiar voice say. “It’s Paul Skalnik.”

Rodgers had not heard from Skalnik in years. They had met a decade earlier, in 1968, when they were first-year cadets waiting in line for buzz cuts at the New Mexico Military Institute, a predominantly male junior college in Roswell, southeast of Albuquerque. Both were Texans far from home, and they immediately hit it off, despite their different approaches to the regimented nature of a military college. Rodgers established himself as the school’s resident bootlegger, sneaking six-packs of beer onto campus in guitar cases, selling them at a steep markup, and running a counterfeit driver’s license operation on the side. Skalnik was a model cadet, a stickler for the rules who won the favor of the school’s top brass and an appointment to the honor board. “I’ll be running this school in no time,” he told Rodgers the day they met.

Skalnik signed a contract with the Marine Corps, all but guaranteeing that he would begin active duty upon graduation. He already looked the part, with his stiff-backed stride and the set of his jaw, and he acted it too, going out of his way to cultivate the steely persona of a drill sergeant. Rodgers suspected it was all for show; he doubted his friend had the self-discipline for the Marines’ punishing regimen of physical and mental conditioning. Skalnik remained resolutely out of shape when they played together on the junior college’s baseball team, and he was a lazy, disinterested student. When Skalnik returned from summer training in Quantico, Virginia, sporting a conspicuous white neck brace, Rodgers was certain Skalnik had feigned an injury to get out of his Marine contract. “You’re nothing but a big old pussy,” he ribbed his friend.

They saw little of each other after graduation, but when Rodgers ran into him a few years later, Skalnik proudly announced that he was a cop, too. He had never become a Marine; he had spent a few semesters at the University of Texas, then dropped out and enrolled in the Austin Police Academy.

Now Rodgers was holding the receiver to his ear, pleased to hear from his old friend. “Where in the hell are you?” he said.

“The Harris County Jail,” Skalnik said, without further explanation. “I need you to come and get me. I’ve got something to tell you—something that will interest you.” He had information in one of the highest-profile criminal cases in Houston, a case he knew the DA’s office had to win.
The New York Times “The Nonfiction Everyone Will Be Reading This Summer” • NPR “Books Our Critics Can’t Wait for This Summer” • The Boston Globe “Best Books of Summer 2026” • Town & Country “The Must Read Books of Summer 2026” • TIME “The Best New Books to Read This Summer” •

“Truman Capote’s In Cold Blood . . . is remembered for the effort he invested in getting to know the two murderers. Colloff similarly works to understand Skalnik. . . . Its unusual villain makes Catch the Devil an engrossing read; the public policy implications make it important.” —The New York Times

“Unfolding in cinematic detail, Catch the Devil offers a riveting and disturbing account of the potentially fatal consequences of a criminal legal system that is more concerned with securing convictions than determining the truth and delivering justice.” —NPR

“In her gripping first book, [Pamela] Colloff considers the case of Paul Skalnik, a fabulist, con man and predator. The book reads like a thriller but never sacrifices the humanity of the people Skalnik hurt. It’s a hell of an achievement.” Los Angeles Times

“We can’t think of better summer reading than Colloff’s riveting account of how one criminal sold out others to keep himself on the streets.” Town & Country

“Colloff’s painstaking, comprehensive reporting is a scathing indictment of a country where prosecutors are so often politically incentivized to get a conviction regardless of a defendant’s actual guilt.” The Nation

“[A] spellbinding tale of a justice system derailed by biases.” TIME

“Bracing. . . . A propulsive narrative full of memorable details.” —The Wall Street Journal

“Whether propelled by curiosity, anger, or incredulity, readers will charge through Colloff’s new book. . . . The facts are sometimes stranger than fiction, but Colloff’s literary ability turns an inherently interesting story into a deeply impactful one. . . . Underpinning the book’s nuance and complicated narrative, though, is something in too short supply among Skalnik and his state-employed enablers: a commitment to the truth.” —Texas Observer

“An expertly rendered narrative and also an infuriating one that will leave you thinking there’s deep rot at the heart of our criminal-justice system.” Texas Monthly

“Powerful. . . . Colloff marries rigorous investigative reporting with deeply immersive, character-driven storytelling. She weaves the stories of Skalnik’s crimes with devastating accounts from his victims, many of whom are still grappling with the destruction he left in his wake.” —Columbia Journalism Review

“Pamela Colloff is one of our great chroniclers of crime and criminal justice, and in this incendiary, emotionally devastating book, she depicts a justice system turned completely inside out, in which the innocent are incarcerated and the guilty skip free. The conman at the heart of her story, Paul Skalnik, is as chilling and unrepentant as any movie villain. Catch the Devil is a feat of dogged reporting, bravura storytelling, and clear-eyed moral conscience.” —Patrick Radden Keefe, author of Say Nothing and London Falling

“Pamela Colloff lights up the criminal justice system with a precision that leaves nowhere to hide. Catch the Devil is an extraordinary achievement, its narrative moving with the taut urgency of a thriller—anchored by the heart and humanity she brings to the pursuit of truth. An unforgettable masterwork from the leading voice in American crime reporting.” —Gilbert King, Pulitzer Prize-winning author of Devil in the Grove

“One of America’s finest journalists, Pamela Colloff, has delivered a wallop of a debut book—loaded with moral clarity and astounding detail—about one of the world’s most infernal liars, the scores of lives he destroyed, and the criminal-justice system that still, shockingly, benefits from those lies.” —Robert Kolker, author of Hidden Valley Road

“Pamela Colloff has ripped the roof off the criminal justice system with this exposé of a jailhouse snitch. You can’t read this book without a feeling of horror that one man could do so much damage; but the real shock is that he was only telling prosecutors what they wanted him to say.” —Lawrence Wright, Pulitzer Prize-winning author of The Looming Tower

“A masterful and riveting anatomy of how a series of institutions colluded with one man’s pathology. I can’t imagine a more damning and poignant account of a criminal justice system that was, fundamentally, willing to be fooled—and the lives destroyed and transformed in that process.” —Rachel Aviv, author of Strangers to Ourselves

“You read each page of Pamela Colloff’s subtly written and stunningly reported book with a deepening sense of outrage. How could this happen? How could the justice system be so remorseless, so intractably focused on protocol and career wins at the expense of justice itself? Catch the Devil is an infuriating, illuminating, gripping narrative by one of the heroes of American journalism.” —Stephen Harrigan, author of Sorrowful Mysteries

“A mesmerizing, often enraging portrait of a man whose skill at manipulating the judicial system led to untold injustices. Told with all the care, nuance, and dazzling reportage we expect from Pamela Colloff—one of the very best in the field right now—Catch the Devil reads like a literary thriller, rich in atmosphere and lively characters, but its larger resonances give it an extraordinary depth and its timeliness during America’s current grifter era could hardly be greater.” —Megan Abbott, author of El Dorado Drive

“Pamela Colloff’s writing sits at the perfect intersection of journalism and literature. Catch the Devil is a masterwork, deeply researched and thrillingly composed.” —Michael Finkel, author of The Art Thief

“At the heart of Pamela Colloff’s impeccable, infuriating narrative sits a serial jailhouse snitch, Paul Skalnik. A monster of casual depravity, predatory instinct, and resolute amorality, Skalnik plays our criminal justice system like a fiddle, exposing an apparatus far more concerned with clearance rates than actual justice. The tragedy here lies not only in the countless miscarriages of justice in the name of it, but the countless lives obliterated in the process.” —Dennis Lehane, author of Mystic River

“Vividly reported and artfully written, Colloff’s book is an enraging narrative of how one man can manipulate the criminal justice system. It’s also a joy to read thanks to her knack for storytelling and engrossing detail.” —Susan Orlean, author of The Orchid Thief
© Peter Yang
PAMELA COLLOFF is a reporter at ProPublica and a staff writer at The New York Times Magazine. She was the recipient of a National Magazine Award for Reporting in 2020 and for Feature Writing in 2013. Her work has been anthologized in Best American Magazine Writing, Best American Crime Reporting, and Next Wave: America’s New Generation of Great Literary Journalists. Colloff holds a bachelor’s degree in English from Brown University. She lives in Austin, Texas, with her husband and their two children. View titles by Pamela Colloff

About

The riveting, true story of an audacious con man who helped send another man to death row for a murder he did not commit

“Incendiary, emotionally devastating. [This] is a feat of dogged reporting, bravura storytelling, and clear-eyed moral conscience."
—Patrick Radden Keefe, author of Say Nothing and London Falling

“Unfolding in cinematic detail, Catch the Devil offers a riveting and disturbing account of the potentially fatal consequences of a criminal legal system that is more concerned with securing convictions than determining the truth and delivering justice.” —NPR


For more than three decades, Paul Skalnik roamed the Gulf Coast lying about who he was. He passed himself off as a fighter pilot, a high-rolling oilman, a criminal defense attorney, an undercover agent, and a terminal cancer patient. In these guises he married nine women—some at the same time.

When Skalnik got caught, as he invariably did, he would run a different con. Locked up with other men awaiting trial, he claimed they confessed their crimes to him. Then he peddled those stories to prosecutors. In Pinellas County, Florida, he became a frequent witness for the state, thinking nothing of exaggerating men’s wrongdoing or implicating the innocent to help prosecutors win convictions. In return, the state rewarded him with his freedom, fueling his growing sense of invincibility. Soon he was not just committing fraud; he was preying on girls in their teens or barely into adolescence.

In 1985, Jim Dailey, a down-on-his-luck Vietnam veteran, was implicated in the murder of a fourteen-year-old girl and landed in the Pinellas County Jail with Skalnik. No forensic evidence or motive linked Dailey to the killing, but Skalnik’s account of his "confession" helped put Dailey on death row. Skalnik, meanwhile, walked free. More than three decades later, after another man took responsibility for the killing, Pamela Colloff, reporting for the New York Times Magazine and ProPublica, visited Skalnik and asked him if he would recant his testimony. He refused.

By then, Skalnik had caused untold damage: to the women and girls he exploited, to the dozens of men he helped imprison, and to Jim Dailey, who went on to receive an execution date. In this mesmerizing debut, Pamela Colloff spins a dark tale of a remorseless and brilliant liar made lethal by a system more concerned with winning convictions than finding the truth.

Excerpt

1

Skalnik

In Friendswood, Texas, the only disturbance to the order of things came during hurricane season, when storm surges in Galveston Bay left the creeks with nowhere to drain and floodwaters could rise in an instant. Some seven thousand people lived there in the mid-1970s, when it still retained the austere calm of its early days as a Quaker settlement. Halfway between Galveston and Houston, it remained, as the county’s sole dry town, a world unto itself—a stubborn holdout against modern excess. Lisa Rogers had never lived anywhere else, and apart from school she spent most of her waking hours at her grandparents’ horse farm. At fourteen, she preferred the company of horses. She liked the quiet sameness of her days, the predictable hum of life. Her mother, Penny, longed for something different.

Penny often told her stories about an earlier, more exhilarating time, when she had been a regular on The Larry Kane Show, Houston’s own version of American Bandstand. Of all the bright-eyed teenagers who were chosen to appear on the show each Sunday in the late 1950s and early 1960s, it was Penny who stood out. Her heart-shaped face, framed by dark, dramatic eyebrows and high cheekbones, often drew comparisons to Elizabeth Taylor. But no modeling contracts followed; no acting career bloomed. After high school, she married and divorced three men, in quick succession, and suffered a shattering loss when her twin sister died of leukemia. By early 1977, at thirty-three, she was raising two children on her own, working as a receptionist at the funeral home her parents owned, and still living in Friendswood.

It was that spring, at the funeral home, that Penny first encountered a man named Paul Skalnik. He cut a striking figure in a three-piece suit, his blue-gray eyes tracking her from across a roomful of mourners. At twenty-seven, he was six years Penny’s junior, but he spoke with the polished assurance of a trial lawyer or politician, leaning in just close enough to make the conversation feel private without being intrusive. He told Penny that he had grown up in nearby League City and that, after college, he had quickly ascended the corporate ladder to become a top executive at Southwest Airlines. Then a scrappy Texas upstart, Southwest was known for outfitting its flight attendants in hot pants and go-go boots. Skalnik, with his outsized ambition, seemed to reflect the company’s brash confidence.

When Penny brought him home to meet Lisa and her younger brother, Lynn, Lisa was put off by his heavy-handed efforts to win over her mother. Penny, however, was enthralled by his attention. Skalnik held out the promise of a life that was bigger, brighter, grander, and he made it feel thrillingly within reach, carrying a business-sized checkbook with him whenever he took her out. Restraint, Lisa noticed, was not his strong suit. He cultivated a maximalist style, accenting his wide-lapelled suits with gold chains, a Rolex watch, and plush sideburns, and he encouraged Penny to live large, too. After a brief courtship, he spirited her away to Las Vegas for a weekend, and they returned to Friendswood as Mr. and Mrs. Paul Skalnik.

Skalnik moved into Penny’s condo, where he soon settled into a routine. On weekday mornings, he bounded out the door with his briefcase in hand, telling her that he was headed to the airport, to fly to Southwest’s headquarters in Dallas, and that he would be back home in time for dinner. On weekends, he took Penny, Lisa, and Lynn, to the best hotels in Dallas and Austin, where he ran up the tab on room service, summoning platters of chocolate-covered strawberries and bottles of champagne. He bought Penny a fur coat and jewelry, and outfitted their home with the latest technology, including a microwave and another modern marvel, a VCR. He gave Penny both a baby-blue Lincoln Continental and a customized Dodge van, complete with red velvet curtains, a TV, and CB radios.

Only Lisa seemed to see Skalnik’s idiosyncrasies: how he filched the robes and towels from their luxury hotel suites and squirreled away the purple velvet bags that held his Crown Royal. It didn’t escape her attention, either, that he always kept his handgun within reach, even stashing it under the driver’s seat when he was behind the wheel. What these details added up to, she could not be sure, but she took note of each peculiarity. Once, on a drive through League City, he pointed out the house where he said his parents lived, and Lisa stared at the sun-blistered paint and shabby yard. The tiny frame house, she thought, seemed oddly untouched by his largesse.

When Skalnik was in an expansive mood, he would regale the family with stories of his extraordinary achievements. He was skilled at weaving a narrative, and he knew how to hold a listener’s attention with a perfectly timed pause or an anticipatory smile. He frequently boasted of having helped the University of Texas clinch a national football title when he was a college student, before a knee injury sidelined his athletic career—always making a point, as he told this story, to flash his jumbo-sized championship ring. He was the hero of every story. No one else was ever as bold, or as quick thinking, or as clever. Lisa thought he seemed happiest when he was holding court, his hands shaping the air as he spoke.

Once, Skalnik promised Penny and the kids a trip to New York City—a trip he announced they would take on a Learjet that he had commandeered for the occasion. Lisa was elated until their departure day came, and she, her mother, and her brother found themselves in an empty airport hangar, watching Skalnik pace back and forth. As the day wore on, and the Learjet did not materialize, Skalnik became more distressed, shouting into the receiver as he made a series of frenzied calls from a nearby phone. Lisa watched as he waved his arms in what appeared to her, in a moment of sudden clarity, to be a pantomime of fury. Despite his show of outrage, he seemed to enjoy being the center of attention, she thought. As he barked orders, Lisa wondered if anyone was on the other end of the line. At the end of the day, Skalnik shook his head and told Penny the trip would have to be postponed. Engine trouble, he said.

Lisa kept her questions to herself, but she studied Skalnik as he moved about the house, which he did, increasingly, in nothing but his white Jockey briefs. She had failed to notice his crudeness at first, but as he grew more familiar, it was all she could see: the gold chain beneath his collar, grazing his dark pelt of chest hair; his gaudy self-regard; his obsessive need to accumulate newer and ever more expensive things; his taste for ersatz splendor. She grew exhausted with his grandiose stories and his thirst for praise and adulation. His wolfish appetite for all things—alcohol, spending money, her mother’s attention—seemed to have no limits. One evening when she was in the shower, she thought she felt his gaze, but when she turned to look, she saw nothing. She heard only the click of the bathroom door.

Her uneasiness was not lost on Skalnik. That Christmas, to win her over, he presented her with a lavish gift: a glittering Seiko watch that he told her was made of 24-karat gold and inlaid with diamonds. It glittered in the light.

Lisa looked up at him, unsmiling, and asked if it was real.

Skalnik broke into a grin. “Looks real to me,” he said.

That January, a series of typewritten letters addressed to Skalnik began arriving at the condo in Friendswood. The first, from Amco Jewelry Company, informed him that three different checks of his had failed to clear. The tenor of the letter was professional but urgent. If the total of $1,879 was not received by February 1, it warned, the matter “will be out of our hands.” Days later, an attorney representing Oshman’s Sporting Goods wrote to insist on the immediate remittance of $1,307. Taken together, these were sizable amounts: today, adjusted for inflation, nearly $16,000.

More letters came in the months that followed—from banks, a local grocery store, a pharmacy, a men’s clothier. Skalnik carried on as he always had, striding down the front walkway with his briefcase each morning, only to reappear at dinnertime, loosening his tie and heading for the liquor cabinet. He did not share the letters with Penny, but the strain he was under showed. He drank heavily, and any perceived slight could set him off, his face suddenly going taut with anger. Lisa saw her mother emerge from the bedroom more than once, after a night of Skalnik’s rages, with a poorly camouflaged black eye.

As Skalnik’s behavior became more and more unpredictable, he began heading out of town on business, always returning a few days later. But one such absence in the spring of 1978 stretched on and on—first for weeks, then for more than a month. Lisa did not know where her stepfather was or what had become of him, and Penny, if she knew more, offered no explanation. Freed from Skalnik’s grip, their household resumed its quiet rhythm. Just as suddenly as Skalnik had barreled into their lives, he was gone.

Kenny Rodgers, an investigator in the Harris County District Attorney’s Office in Houston, was sitting at his desk one day that May when the phone rang. Rodgers worked in the Special Crimes Bureau, a division of the DA’s office that specialized in investigating and prosecuting organized crime, money laundering, and major fraud and narcotics cases. Located above a thriving import-export business, it was not listed on the building directory, and its detectives, many of whom wore street clothes, accessed the office through an unmarked sliding glass door on an adjacent side street. If anyone called the unpublished number that was dedicated to undercover operations, whoever picked up the phone was supposed to answer, “Austin Street and Bridge Company. How may I help you?”

Rodgers hunted down the witnesses whom prosecutors needed to bring their cases to trial. The Houston native was a natural people person, skilled not only at locating uncooperative citizens but at winning them over. The phones at the Special Crimes Bureau were always buzzing with tips from contacts he had all over the city. When Rodgers picked up, he expected it to be one of his sources.

“Hey, Kenny,” he heard a familiar voice say. “It’s Paul Skalnik.”

Rodgers had not heard from Skalnik in years. They had met a decade earlier, in 1968, when they were first-year cadets waiting in line for buzz cuts at the New Mexico Military Institute, a predominantly male junior college in Roswell, southeast of Albuquerque. Both were Texans far from home, and they immediately hit it off, despite their different approaches to the regimented nature of a military college. Rodgers established himself as the school’s resident bootlegger, sneaking six-packs of beer onto campus in guitar cases, selling them at a steep markup, and running a counterfeit driver’s license operation on the side. Skalnik was a model cadet, a stickler for the rules who won the favor of the school’s top brass and an appointment to the honor board. “I’ll be running this school in no time,” he told Rodgers the day they met.

Skalnik signed a contract with the Marine Corps, all but guaranteeing that he would begin active duty upon graduation. He already looked the part, with his stiff-backed stride and the set of his jaw, and he acted it too, going out of his way to cultivate the steely persona of a drill sergeant. Rodgers suspected it was all for show; he doubted his friend had the self-discipline for the Marines’ punishing regimen of physical and mental conditioning. Skalnik remained resolutely out of shape when they played together on the junior college’s baseball team, and he was a lazy, disinterested student. When Skalnik returned from summer training in Quantico, Virginia, sporting a conspicuous white neck brace, Rodgers was certain Skalnik had feigned an injury to get out of his Marine contract. “You’re nothing but a big old pussy,” he ribbed his friend.

They saw little of each other after graduation, but when Rodgers ran into him a few years later, Skalnik proudly announced that he was a cop, too. He had never become a Marine; he had spent a few semesters at the University of Texas, then dropped out and enrolled in the Austin Police Academy.

Now Rodgers was holding the receiver to his ear, pleased to hear from his old friend. “Where in the hell are you?” he said.

“The Harris County Jail,” Skalnik said, without further explanation. “I need you to come and get me. I’ve got something to tell you—something that will interest you.” He had information in one of the highest-profile criminal cases in Houston, a case he knew the DA’s office had to win.

Reviews

The New York Times “The Nonfiction Everyone Will Be Reading This Summer” • NPR “Books Our Critics Can’t Wait for This Summer” • The Boston Globe “Best Books of Summer 2026” • Town & Country “The Must Read Books of Summer 2026” • TIME “The Best New Books to Read This Summer” •

“Truman Capote’s In Cold Blood . . . is remembered for the effort he invested in getting to know the two murderers. Colloff similarly works to understand Skalnik. . . . Its unusual villain makes Catch the Devil an engrossing read; the public policy implications make it important.” —The New York Times

“Unfolding in cinematic detail, Catch the Devil offers a riveting and disturbing account of the potentially fatal consequences of a criminal legal system that is more concerned with securing convictions than determining the truth and delivering justice.” —NPR

“In her gripping first book, [Pamela] Colloff considers the case of Paul Skalnik, a fabulist, con man and predator. The book reads like a thriller but never sacrifices the humanity of the people Skalnik hurt. It’s a hell of an achievement.” Los Angeles Times

“We can’t think of better summer reading than Colloff’s riveting account of how one criminal sold out others to keep himself on the streets.” Town & Country

“Colloff’s painstaking, comprehensive reporting is a scathing indictment of a country where prosecutors are so often politically incentivized to get a conviction regardless of a defendant’s actual guilt.” The Nation

“[A] spellbinding tale of a justice system derailed by biases.” TIME

“Bracing. . . . A propulsive narrative full of memorable details.” —The Wall Street Journal

“Whether propelled by curiosity, anger, or incredulity, readers will charge through Colloff’s new book. . . . The facts are sometimes stranger than fiction, but Colloff’s literary ability turns an inherently interesting story into a deeply impactful one. . . . Underpinning the book’s nuance and complicated narrative, though, is something in too short supply among Skalnik and his state-employed enablers: a commitment to the truth.” —Texas Observer

“An expertly rendered narrative and also an infuriating one that will leave you thinking there’s deep rot at the heart of our criminal-justice system.” Texas Monthly

“Powerful. . . . Colloff marries rigorous investigative reporting with deeply immersive, character-driven storytelling. She weaves the stories of Skalnik’s crimes with devastating accounts from his victims, many of whom are still grappling with the destruction he left in his wake.” —Columbia Journalism Review

“Pamela Colloff is one of our great chroniclers of crime and criminal justice, and in this incendiary, emotionally devastating book, she depicts a justice system turned completely inside out, in which the innocent are incarcerated and the guilty skip free. The conman at the heart of her story, Paul Skalnik, is as chilling and unrepentant as any movie villain. Catch the Devil is a feat of dogged reporting, bravura storytelling, and clear-eyed moral conscience.” —Patrick Radden Keefe, author of Say Nothing and London Falling

“Pamela Colloff lights up the criminal justice system with a precision that leaves nowhere to hide. Catch the Devil is an extraordinary achievement, its narrative moving with the taut urgency of a thriller—anchored by the heart and humanity she brings to the pursuit of truth. An unforgettable masterwork from the leading voice in American crime reporting.” —Gilbert King, Pulitzer Prize-winning author of Devil in the Grove

“One of America’s finest journalists, Pamela Colloff, has delivered a wallop of a debut book—loaded with moral clarity and astounding detail—about one of the world’s most infernal liars, the scores of lives he destroyed, and the criminal-justice system that still, shockingly, benefits from those lies.” —Robert Kolker, author of Hidden Valley Road

“Pamela Colloff has ripped the roof off the criminal justice system with this exposé of a jailhouse snitch. You can’t read this book without a feeling of horror that one man could do so much damage; but the real shock is that he was only telling prosecutors what they wanted him to say.” —Lawrence Wright, Pulitzer Prize-winning author of The Looming Tower

“A masterful and riveting anatomy of how a series of institutions colluded with one man’s pathology. I can’t imagine a more damning and poignant account of a criminal justice system that was, fundamentally, willing to be fooled—and the lives destroyed and transformed in that process.” —Rachel Aviv, author of Strangers to Ourselves

“You read each page of Pamela Colloff’s subtly written and stunningly reported book with a deepening sense of outrage. How could this happen? How could the justice system be so remorseless, so intractably focused on protocol and career wins at the expense of justice itself? Catch the Devil is an infuriating, illuminating, gripping narrative by one of the heroes of American journalism.” —Stephen Harrigan, author of Sorrowful Mysteries

“A mesmerizing, often enraging portrait of a man whose skill at manipulating the judicial system led to untold injustices. Told with all the care, nuance, and dazzling reportage we expect from Pamela Colloff—one of the very best in the field right now—Catch the Devil reads like a literary thriller, rich in atmosphere and lively characters, but its larger resonances give it an extraordinary depth and its timeliness during America’s current grifter era could hardly be greater.” —Megan Abbott, author of El Dorado Drive

“Pamela Colloff’s writing sits at the perfect intersection of journalism and literature. Catch the Devil is a masterwork, deeply researched and thrillingly composed.” —Michael Finkel, author of The Art Thief

“At the heart of Pamela Colloff’s impeccable, infuriating narrative sits a serial jailhouse snitch, Paul Skalnik. A monster of casual depravity, predatory instinct, and resolute amorality, Skalnik plays our criminal justice system like a fiddle, exposing an apparatus far more concerned with clearance rates than actual justice. The tragedy here lies not only in the countless miscarriages of justice in the name of it, but the countless lives obliterated in the process.” —Dennis Lehane, author of Mystic River

“Vividly reported and artfully written, Colloff’s book is an enraging narrative of how one man can manipulate the criminal justice system. It’s also a joy to read thanks to her knack for storytelling and engrossing detail.” —Susan Orlean, author of The Orchid Thief

Author

© Peter Yang
PAMELA COLLOFF is a reporter at ProPublica and a staff writer at The New York Times Magazine. She was the recipient of a National Magazine Award for Reporting in 2020 and for Feature Writing in 2013. Her work has been anthologized in Best American Magazine Writing, Best American Crime Reporting, and Next Wave: America’s New Generation of Great Literary Journalists. Colloff holds a bachelor’s degree in English from Brown University. She lives in Austin, Texas, with her husband and their two children. View titles by Pamela Colloff
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