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Huna

A Memoir of Revolution, Prison, and Becoming

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NATIONAL BOOK AWARD FINALIST

A gripping, deeply moving memoir of survival, education, and resistance by a student protestor–turned–political prisoner in post-revolution Egypt.

“I will never be the same after reading Huna.”—Javier Zamora
“A beautifully written portrait of a radical political awakening.”—Hanif Abdurraqib
“The work of a truly liberated writer.”—Fady Joudah


“The story of political resistance, survival, and liberation in the face of authoritarianism.”—National Book Award Judges’ Citation

One of Publishers Weekly’s 10 Most Anticipated Books of the Year • A Kirkus Reviews Most Anticipated Book

In 2013, two years after the January 25 revolution, seventeen-year-old Abdelrahman ElGendy was a budding student activist in Cairo. Hope for a free Egypt had dissipated, and when that summer’s military coup unleashed unprecedented massacres of protesters, Abdelrahman didn’t hesitate—he joined the street movement. His father, fearing for his son’s safety, accompanied him to a mass demonstration. But minutes after they arrived, they were swept up in a brutal police crackdown, and their lives were shattered.

Crushed inside a holding cell, Abdelrahman first heard the words of the Arab world’s most enduring protest song, “Sawfa Nabqa Huna”—We Will Remain Here. He wondered: If no one wanted to remain behind bars, what was the “here” they chose to inhabit?

Abdelrahman would spend the next six years as a political prisoner chasing this Huna, shuffled, alongside his father, from jail cell, to pre-trial detention center, to The Scorpion, Egypt’s most infamous prison complex. As his body broke under the grind of incarceration with no end in sight, he turned to the only refuge left to him: the page. He earned his bachelor’s degree in engineering while imprisoned, read and wrote voraciously, and, through writing, bore witness.

In his remarkable debut, Abdelrahman offers not a promise of hope but a provocation. When the very things that can save you—tenderness, family, friendship, language—are used against you, how can you find the courage to love? Huna is a reckoning with what it takes—and what it costs—to remain when erased, and of what endures, perhaps more faithfully, beyond hope.
October 6, 2013

I gazed out the windshield. Our car windows hummed with the vibrations of the city. Baba steered us down Ramsis Street, and the noise crested like a wave. In my chest, a drumbeat. A hundred meters away, black banners whipped in the afternoon breeze, emblazoned with ﻳﺴﻘﻂ ﻳﺴﻘﻂ ﺣﻜﻢ اﻟﻌﺴﻜﺮ. Chant leaders sang it and swayed, “Down, down with military rule,” and the crowd, all the way to the other end of the street, reciprocated the call, fists punching the air.

Baba parked the car and refused to move any closer, the intersection a final divide between us and the protest. I stole a glance at him. His hands clutched the steering wheel, tense as he eyed the masses ahead. He glanced through the window to his left at each passerby racing to cross the street and join. His blue-and-white checkered shirt hugged his wide shoulders. When he shook his head at the sight before us, his short beard winked a white that vanished before you could catch it, a subtle prelude to his fifties, fast approaching. Trimmed like the borders of a homeland, it concealed soft pits in a face the color of damp Aswan earth, a softer shade of which I inherited.

Baba had no desire to be near the protest.

I, on the other hand, belonged nowhere else.

I wound down my window, pulled out my phone, and zoomed in. The silver of the phone caught the glint of Cairo’s afternoon sun. I opened the car door and stepped outside for a better angle. The percussion of chants and marching drums washed over me. “Down, down with military rule!”

Baba yelled at me, his voice strained: “No! Inside, now! This is too risky.”

I rolled my eyes but got back inside the car.

Switching my phone to video mode, I stuck my arm out of the window and continued shooting, a grin across my face.

“Put your hand inside,” Baba said, and I groaned. Baba followed Mama’s instructions to the letter, and the budding revolutionary inside me seethed. Wasn’t it enough that I remained cocooned inside the car like a coward?

A few minutes passed, then chants outside rose, urgent. Protesters’ fingers jabbed toward the street behind us, from which we had approached just minutes earlier. I twisted around and my breath caught in my throat. Armored police vans and trucks, their tires screeching against the asphalt, bore down upon us. Masked soldiers in navy blue camouflage, stationed at turrets on top of the black-and-white vehicles, trained the muzzles of their guns in our direction.

Gunfire split the air. Baba yelled at me to pull my arm inside as he turned the ignition key, but I was already recording the advance of the police forces. We had barely been there five minutes when the onslaught began.

“They’re firing live bullets!” I cried.

Twisting in my seat, I thrust my arm out the window, steadying the camera on the unfolding chaos. Though terrified, I thought of how I’d post it later to my social media for the world to see, and the rush of capturing such vivid footage electrified me.

Our car crawled forward, meters away from the crowd, toward the intersection with Soliman El- Halaby Street. Baba’s hands clenched around the steering wheel; he was ready to floor the gas pedal the moment we turned, leave the congested heart of Cairo behind.

The car door flung open. Someone grabbed my hoodie and dragged me out. A hand wrenched the phone from my grip, and another flattened my face onto the asphalt.

One of my attackers kicked a basketball injury from two days prior, still fresh: an opponent’s sharp elbow to my rib cage. My skin-and-bones frame had left it exposed. I lay splayed out on the ground before the car door, faintly hearing the shouts amid waves of nausea. “Terrorist! Ikhwan! Traitor! Shooting videos for Al Jazeera!” And from afar, a voice soothing like a lullaby despite its alarm: “He’s my son! He did nothing wrong! You’re hurting him!”

Mama said don’t leave the car. Mama said Baba will protect you.

The police had no regard for Mama’s rules, I learned, as the Arms pulled me up again, and a slap rattled my skull. I tasted blood; my braces slit the inside of my right cheek and upper lip.

Nothing will happen, I thought as the soldiers hauled me away. Like a wave they carried me, feral as the ones Baba hurled me into as a child. He’d laugh as I thrashed and gasped for air, shrieks skipping across the sands of Alexandria’s beach. How our chests heaved with laughter when he caught me. I’d pinwheel in the water, snorting salt until my sinuses burned, but I never thought to fear. Baba would scoop me up at the last moment and carry me on his back.

The boots, the fists, the sobs, the yells—none of it was happening. They couldn’t hurt me.

Baba was coming.
“Two years after the revolution that sparked hope for a free Egypt, teenage student activist Abdelrahman ElGendy and his father were arrested at a brutal police crackdown during a mass demonstration, to then spend six years contending with bureaucracy and corruption while in prison. Fortified by the Arab world’s most enduring revolution song, ‘Sawfa Nabqa Huna’—translated as ‘We Will Remain Here’—Huna is the story of political resistance, survival, and liberation in the face of authoritarianism.”—National Book Award Judges’ Citation

“In Abdelrahman ElGendy’s hands, the brutal, idiotic DNA of authoritarianism has no chance, its grip is futile. ElGendy has purposely sweetened the nightmare, I hope readers learn the lesson. I will never be the same after reading Huna—a pivotal addition to world literature.”—Javier Zamora, New York Times bestselling author of Solito

“Huna is a beautifully written portrait of a radical political awakening—a portrait that does not prioritize the harms and brutalities of the state, even though they are endured. But a portrait that, instead, affords an immense patience and dignity to the land and its people.”—Hanif Abdurraqib, New York Times bestselling author of There’s Always This Year

“There are no words capable of describing the feeling I had—after spending months of my life immersed in Abdelrahman ElGendy’s Huna, the book itself becoming a comrade, a textual accomplice in my life.”—Mizna

“This riveting, extraordinary work communicates the literal experience of being a political prisoner within the emotional life of injustice. Abdelrahman ElGendy brings us closer to the physical suffering, the intellectual hunger, the deep friendships, the modes of survival, the petty brutalities of state players—not only of the regime of Egypt’s General Sisi, but of its resonance today in the United States.”—Sarah Schulman, author of The Fantasy and Necessity of Solidarity

“In documenting the arbitrary brutality of Egypt’s carceral system, ElGendy illuminates the plight of thousands of political prisoners suffering just out of sight. This memoir is a testament to the conscience they preserve in the darkest cells of the nation. It is a battle cry for their liberation.”—Noor Naga, author of If an Egyptian Cannot Speak English

“Abdelrahman ElGendy’s memoir Huna offers a powerful map of interconnected practices of resistance to surveillance, state violence, and the repression of political speech. A vital entry in the long tradition of narratives of political imprisonment, Huna reminds us that freedom is first in the mind.”—Zeyn Joukhadar, author of The Thirty Names of Night and The Map of Salt and Stars

“Huna is a clandestine letter, a lyrical act of resistance, and a transcendent song in the darkness. ElGendy recounts his political imprisonment and journey to critical consciousness with unflinching honesty, masterful precision, and radical love.”—Nadia Owusu, author of Aftershocks

“Call it a manual on schooling the self, a deployment of fury to romp through prison life, a philosophical meditation, a love poem to family, friends, and a fruit worm. ElGendy has gifted us a book like no other. Read it and be moved, delighted, informed, and wiser.”—Ahdaf Soueif, author of Cairo: Memoir of a City Transformed

“Riveting, cinematic memory and poetic prose.”—Fady Joudah, author of [...] and Exhibit G

“This book broke me apart and put me back together again.”—Tareq Baconi, author of Fire in Every Direction

“More than a political-coming-of-age, more than a call to courageous struggle—Huna is a miracle.”—Sarah Aziza, author of The Hollow Half

“This is the story of oppression by and resistance to a cruel power and an unjust prison sentence, pierced through with the gentle love of a son finding tenderness for his father in a situation riddled with guilt, depravity, and shame.”—Kirkus Reviews, starred review

“A stirring reflection on survival and resistance . . . [ElGendy] renders his ordeal in unflinching yet hopeful prose that charts the struggle of mind and spirit against a dehumanizing reality.”—Publishers Weekly
© Fadel Dawod
Abdelrahman ElGendy is an author and translator from Cairo. A winner of the Samir Kassir Press Freedom Award, he holds an MFA in Nonfiction Writing from the University of Pittsburgh, and his work appears in publications including The Washington Post, Foreign Policy, The Nation, and Guernica. His poetry and prose translations from Arabic appear in Ploughshares, Poetry Northwest, Literary Hub, Words Without Borders, and elsewhere. ElGendy's work has received awards or fellowships from the Elizabeth George Foundation, the Heinz Foundation, the de Groot Foundation, Virginia Center for Creative Arts, and the Arab American National Museum. Huna is his debut memoir. View titles by Abdelrahman ElGendy

About

NATIONAL BOOK AWARD FINALIST

A gripping, deeply moving memoir of survival, education, and resistance by a student protestor–turned–political prisoner in post-revolution Egypt.

“I will never be the same after reading Huna.”—Javier Zamora
“A beautifully written portrait of a radical political awakening.”—Hanif Abdurraqib
“The work of a truly liberated writer.”—Fady Joudah


“The story of political resistance, survival, and liberation in the face of authoritarianism.”—National Book Award Judges’ Citation

One of Publishers Weekly’s 10 Most Anticipated Books of the Year • A Kirkus Reviews Most Anticipated Book

In 2013, two years after the January 25 revolution, seventeen-year-old Abdelrahman ElGendy was a budding student activist in Cairo. Hope for a free Egypt had dissipated, and when that summer’s military coup unleashed unprecedented massacres of protesters, Abdelrahman didn’t hesitate—he joined the street movement. His father, fearing for his son’s safety, accompanied him to a mass demonstration. But minutes after they arrived, they were swept up in a brutal police crackdown, and their lives were shattered.

Crushed inside a holding cell, Abdelrahman first heard the words of the Arab world’s most enduring protest song, “Sawfa Nabqa Huna”—We Will Remain Here. He wondered: If no one wanted to remain behind bars, what was the “here” they chose to inhabit?

Abdelrahman would spend the next six years as a political prisoner chasing this Huna, shuffled, alongside his father, from jail cell, to pre-trial detention center, to The Scorpion, Egypt’s most infamous prison complex. As his body broke under the grind of incarceration with no end in sight, he turned to the only refuge left to him: the page. He earned his bachelor’s degree in engineering while imprisoned, read and wrote voraciously, and, through writing, bore witness.

In his remarkable debut, Abdelrahman offers not a promise of hope but a provocation. When the very things that can save you—tenderness, family, friendship, language—are used against you, how can you find the courage to love? Huna is a reckoning with what it takes—and what it costs—to remain when erased, and of what endures, perhaps more faithfully, beyond hope.

Excerpt

October 6, 2013

I gazed out the windshield. Our car windows hummed with the vibrations of the city. Baba steered us down Ramsis Street, and the noise crested like a wave. In my chest, a drumbeat. A hundred meters away, black banners whipped in the afternoon breeze, emblazoned with ﻳﺴﻘﻂ ﻳﺴﻘﻂ ﺣﻜﻢ اﻟﻌﺴﻜﺮ. Chant leaders sang it and swayed, “Down, down with military rule,” and the crowd, all the way to the other end of the street, reciprocated the call, fists punching the air.

Baba parked the car and refused to move any closer, the intersection a final divide between us and the protest. I stole a glance at him. His hands clutched the steering wheel, tense as he eyed the masses ahead. He glanced through the window to his left at each passerby racing to cross the street and join. His blue-and-white checkered shirt hugged his wide shoulders. When he shook his head at the sight before us, his short beard winked a white that vanished before you could catch it, a subtle prelude to his fifties, fast approaching. Trimmed like the borders of a homeland, it concealed soft pits in a face the color of damp Aswan earth, a softer shade of which I inherited.

Baba had no desire to be near the protest.

I, on the other hand, belonged nowhere else.

I wound down my window, pulled out my phone, and zoomed in. The silver of the phone caught the glint of Cairo’s afternoon sun. I opened the car door and stepped outside for a better angle. The percussion of chants and marching drums washed over me. “Down, down with military rule!”

Baba yelled at me, his voice strained: “No! Inside, now! This is too risky.”

I rolled my eyes but got back inside the car.

Switching my phone to video mode, I stuck my arm out of the window and continued shooting, a grin across my face.

“Put your hand inside,” Baba said, and I groaned. Baba followed Mama’s instructions to the letter, and the budding revolutionary inside me seethed. Wasn’t it enough that I remained cocooned inside the car like a coward?

A few minutes passed, then chants outside rose, urgent. Protesters’ fingers jabbed toward the street behind us, from which we had approached just minutes earlier. I twisted around and my breath caught in my throat. Armored police vans and trucks, their tires screeching against the asphalt, bore down upon us. Masked soldiers in navy blue camouflage, stationed at turrets on top of the black-and-white vehicles, trained the muzzles of their guns in our direction.

Gunfire split the air. Baba yelled at me to pull my arm inside as he turned the ignition key, but I was already recording the advance of the police forces. We had barely been there five minutes when the onslaught began.

“They’re firing live bullets!” I cried.

Twisting in my seat, I thrust my arm out the window, steadying the camera on the unfolding chaos. Though terrified, I thought of how I’d post it later to my social media for the world to see, and the rush of capturing such vivid footage electrified me.

Our car crawled forward, meters away from the crowd, toward the intersection with Soliman El- Halaby Street. Baba’s hands clenched around the steering wheel; he was ready to floor the gas pedal the moment we turned, leave the congested heart of Cairo behind.

The car door flung open. Someone grabbed my hoodie and dragged me out. A hand wrenched the phone from my grip, and another flattened my face onto the asphalt.

One of my attackers kicked a basketball injury from two days prior, still fresh: an opponent’s sharp elbow to my rib cage. My skin-and-bones frame had left it exposed. I lay splayed out on the ground before the car door, faintly hearing the shouts amid waves of nausea. “Terrorist! Ikhwan! Traitor! Shooting videos for Al Jazeera!” And from afar, a voice soothing like a lullaby despite its alarm: “He’s my son! He did nothing wrong! You’re hurting him!”

Mama said don’t leave the car. Mama said Baba will protect you.

The police had no regard for Mama’s rules, I learned, as the Arms pulled me up again, and a slap rattled my skull. I tasted blood; my braces slit the inside of my right cheek and upper lip.

Nothing will happen, I thought as the soldiers hauled me away. Like a wave they carried me, feral as the ones Baba hurled me into as a child. He’d laugh as I thrashed and gasped for air, shrieks skipping across the sands of Alexandria’s beach. How our chests heaved with laughter when he caught me. I’d pinwheel in the water, snorting salt until my sinuses burned, but I never thought to fear. Baba would scoop me up at the last moment and carry me on his back.

The boots, the fists, the sobs, the yells—none of it was happening. They couldn’t hurt me.

Baba was coming.

Reviews

“Two years after the revolution that sparked hope for a free Egypt, teenage student activist Abdelrahman ElGendy and his father were arrested at a brutal police crackdown during a mass demonstration, to then spend six years contending with bureaucracy and corruption while in prison. Fortified by the Arab world’s most enduring revolution song, ‘Sawfa Nabqa Huna’—translated as ‘We Will Remain Here’—Huna is the story of political resistance, survival, and liberation in the face of authoritarianism.”—National Book Award Judges’ Citation

“In Abdelrahman ElGendy’s hands, the brutal, idiotic DNA of authoritarianism has no chance, its grip is futile. ElGendy has purposely sweetened the nightmare, I hope readers learn the lesson. I will never be the same after reading Huna—a pivotal addition to world literature.”—Javier Zamora, New York Times bestselling author of Solito

“Huna is a beautifully written portrait of a radical political awakening—a portrait that does not prioritize the harms and brutalities of the state, even though they are endured. But a portrait that, instead, affords an immense patience and dignity to the land and its people.”—Hanif Abdurraqib, New York Times bestselling author of There’s Always This Year

“There are no words capable of describing the feeling I had—after spending months of my life immersed in Abdelrahman ElGendy’s Huna, the book itself becoming a comrade, a textual accomplice in my life.”—Mizna

“This riveting, extraordinary work communicates the literal experience of being a political prisoner within the emotional life of injustice. Abdelrahman ElGendy brings us closer to the physical suffering, the intellectual hunger, the deep friendships, the modes of survival, the petty brutalities of state players—not only of the regime of Egypt’s General Sisi, but of its resonance today in the United States.”—Sarah Schulman, author of The Fantasy and Necessity of Solidarity

“In documenting the arbitrary brutality of Egypt’s carceral system, ElGendy illuminates the plight of thousands of political prisoners suffering just out of sight. This memoir is a testament to the conscience they preserve in the darkest cells of the nation. It is a battle cry for their liberation.”—Noor Naga, author of If an Egyptian Cannot Speak English

“Abdelrahman ElGendy’s memoir Huna offers a powerful map of interconnected practices of resistance to surveillance, state violence, and the repression of political speech. A vital entry in the long tradition of narratives of political imprisonment, Huna reminds us that freedom is first in the mind.”—Zeyn Joukhadar, author of The Thirty Names of Night and The Map of Salt and Stars

“Huna is a clandestine letter, a lyrical act of resistance, and a transcendent song in the darkness. ElGendy recounts his political imprisonment and journey to critical consciousness with unflinching honesty, masterful precision, and radical love.”—Nadia Owusu, author of Aftershocks

“Call it a manual on schooling the self, a deployment of fury to romp through prison life, a philosophical meditation, a love poem to family, friends, and a fruit worm. ElGendy has gifted us a book like no other. Read it and be moved, delighted, informed, and wiser.”—Ahdaf Soueif, author of Cairo: Memoir of a City Transformed

“Riveting, cinematic memory and poetic prose.”—Fady Joudah, author of [...] and Exhibit G

“This book broke me apart and put me back together again.”—Tareq Baconi, author of Fire in Every Direction

“More than a political-coming-of-age, more than a call to courageous struggle—Huna is a miracle.”—Sarah Aziza, author of The Hollow Half

“This is the story of oppression by and resistance to a cruel power and an unjust prison sentence, pierced through with the gentle love of a son finding tenderness for his father in a situation riddled with guilt, depravity, and shame.”—Kirkus Reviews, starred review

“A stirring reflection on survival and resistance . . . [ElGendy] renders his ordeal in unflinching yet hopeful prose that charts the struggle of mind and spirit against a dehumanizing reality.”—Publishers Weekly

Author

© Fadel Dawod
Abdelrahman ElGendy is an author and translator from Cairo. A winner of the Samir Kassir Press Freedom Award, he holds an MFA in Nonfiction Writing from the University of Pittsburgh, and his work appears in publications including The Washington Post, Foreign Policy, The Nation, and Guernica. His poetry and prose translations from Arabic appear in Ploughshares, Poetry Northwest, Literary Hub, Words Without Borders, and elsewhere. ElGendy's work has received awards or fellowships from the Elizabeth George Foundation, the Heinz Foundation, the de Groot Foundation, Virginia Center for Creative Arts, and the Arab American National Museum. Huna is his debut memoir. View titles by Abdelrahman ElGendy
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