The complete plays of Christopher Marlowe, in which the lure of dark forces drives the shifting balances between weak and strong, sacred and profane

Marlowe's seven plays dramatise the fatal lure of potent forces, whether religious, occult or erotic. In the victories of Tamburlaine, Faustus's encounters with the demonic, the irreverence of Barabas in The Jew of Malta, and the humiliation of Edward II in his fall from power and influence, Marlowe explores the shifting balance between power and helplessness, the sacred and its desecration.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Christopher Marlowe (1564-1593) was born in Canterbury the year of Shakespeare’s birth. Like Shakespeare, he was of a prosperous middle-class family, but unlike Shakespeare he went to a university, Corpus Christi College, Cambridge, where he received the bachelor’s degree in 1584 and the master’s degree in 1587. The terms of his scholarship implied that he was preparing for the clergy but he did not become a clergyman. Shortly before he received his M.A. the University seems to have wished to withhold it, apparently suspecting him of conversion to Roman Catholicism, but the Queen’s Privy Council intervened on his behalf, stating that he “had done her majesty good service” and had been employed “in matters touching the benefit of the country.” His precise service is unknown. After Cambridge, Marlowe went to London, where he apparently lived a turbulent life (he had two brushes with the law and was said to be disreputable) while pursuing a career as a dramatist. He wrote seven plays--the dates of which are uncertain--before he was yet again in legal difficulties: he was arrested in 1593, accused of atheism. He was not imprisoned, and before his case could be decided he was dead, having been stabbed in a tavern while quarreling over the bill. View titles by Christopher Marlowe
The Complete PlaysPreface
Chronology
Introduction
"The Baines Note"
Further Reading
A Note on the Texts

Dido, Queen of Carthage
Tamburlaine the Great, Part One
Tamburlaine the Great, Part Two
The Jew of Malta
Doctor Faustus
Edward the Second
The Massacre at Paris

Appendix: The Massacre at Paris, Scene 19
Notes
Glossary
List of Mythological, Historical and Geographical Names

About

The complete plays of Christopher Marlowe, in which the lure of dark forces drives the shifting balances between weak and strong, sacred and profane

Marlowe's seven plays dramatise the fatal lure of potent forces, whether religious, occult or erotic. In the victories of Tamburlaine, Faustus's encounters with the demonic, the irreverence of Barabas in The Jew of Malta, and the humiliation of Edward II in his fall from power and influence, Marlowe explores the shifting balance between power and helplessness, the sacred and its desecration.

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Author

Christopher Marlowe (1564-1593) was born in Canterbury the year of Shakespeare’s birth. Like Shakespeare, he was of a prosperous middle-class family, but unlike Shakespeare he went to a university, Corpus Christi College, Cambridge, where he received the bachelor’s degree in 1584 and the master’s degree in 1587. The terms of his scholarship implied that he was preparing for the clergy but he did not become a clergyman. Shortly before he received his M.A. the University seems to have wished to withhold it, apparently suspecting him of conversion to Roman Catholicism, but the Queen’s Privy Council intervened on his behalf, stating that he “had done her majesty good service” and had been employed “in matters touching the benefit of the country.” His precise service is unknown. After Cambridge, Marlowe went to London, where he apparently lived a turbulent life (he had two brushes with the law and was said to be disreputable) while pursuing a career as a dramatist. He wrote seven plays--the dates of which are uncertain--before he was yet again in legal difficulties: he was arrested in 1593, accused of atheism. He was not imprisoned, and before his case could be decided he was dead, having been stabbed in a tavern while quarreling over the bill. View titles by Christopher Marlowe

Table of Contents

The Complete PlaysPreface
Chronology
Introduction
"The Baines Note"
Further Reading
A Note on the Texts

Dido, Queen of Carthage
Tamburlaine the Great, Part One
Tamburlaine the Great, Part Two
The Jew of Malta
Doctor Faustus
Edward the Second
The Massacre at Paris

Appendix: The Massacre at Paris, Scene 19
Notes
Glossary
List of Mythological, Historical and Geographical Names