"Illuminating, heartbreaking, hilarious, romantic, terrifying, thrilling, baffling, joyous—such is life! And such are the diaries of our great writer Thomas Mallon, who has preserved in The Very Heart of It one precious moment in time told in his inestimable style. I found myself reading addictively. A world opens up in these pages. What a book!" —Andrew Sean Greer, Pulitzer Prize–winning author of Less and Less Is Lost
"While reading The Very Heart of It, I tried to discipline myself, but suddenly it was 4 AM. Thomas Mallon’s diaries, focusing on the 1980s through the early 90s, depict that era with heartbreaking accuracy, from the dread of an AIDS test to the glory of living, on cobbled-together funds, in the social and cultural capitol of New York City. His portraits of the rancorous literary scene, political ferment and his hectic love life are witty, original and sinfully entertaining (it’s a rare work that travels from Robert Mapplethorpe to Dan Quayle). Upon reaching the final page all I wanted was more." —Paul Rudnick, author of What is Wrong with You?
"Thomas Mallon’s The Very Heart of It is a big-hearted account of his life from 1983 to 1994, as he was becoming the distinguished American man of letters and man-about-town that he manifestly is now. It’s also a modern-day, Defoe-esque diary of the plague years, when AIDS swept through the country, scything its grim swath through the artist community. It’s fittingly ironic that Mallon, arguably our best living historical novelist, made his first splash with a non-fictional book about famous diarists. With this book, he joins those ranks." —Christopher Buckley, author of Losing Mum and Pup: A Memoir
“Moving [and] bittersweet. . . . The many human moments (funny, sad, witty, horrible, and beautiful) populating Mallon’s diaries collectively (and vicariously) illuminate a supremely resilient community that soldiered on (and kept dancing) despite insurmountable loss and pain. An exquisitely evocative glimpse into an unparalleled era in queer history steeped in joy, sex, and death.” —Kirkus (starred review)
“Compulsively browsable. . . . Mallon’s diaries paint an arresting panorama of Reagan-era New York City, full of droll character studies. . . . [Mallon’s] prose conveys deep emotion with clear-eyed, matter-of-fact detail. It amounts to an engrossing evocation of an artist and a city in transition.” —Publisher’s Weekly
