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A New New Me

A Novel

Read by Fleur De Wit
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"Equal parts mischievous, moony, and tart...Her prose offers, in a single page, poetic candor, sly wit, dad jokes, and contemporary therapyspeak." ― The New Yorker

“Her weirdest and funniest yet — in the best way possible.” ― Los Angeles Times

"Audacious, incisive and very funny." ― Daily Mail

A masterful story that asks: What if the different sides of your personality had trust issues with each other?


New Day, New You!

Kinga is a woman who is just trying to make it through the week. There’s a Kinga for every day: On Mondays, you can catch Kinga-A deleting food delivery apps. By Friday, Kinga-E is happy to spend the days soaking, wine-drunk, in the bath.

Kingas A–G, perhaps unsurprisingly, live a varied life—between them is a professional matchmaker, a scent-crazed perfumer, and a window cleaner, all with varying degrees of apathy, anger, introversion, and bossiness. At least three of them are Team Toxic.

It’s an arrangement that’s not without its fair share of admin, grudges, and half-truths. But when Kinga-A discovers a man tied up in their apartment, the Kingas have to reckon with the possibility that one of them might be planning to destroy them all.

How many versions of oneself can one self safely contain?
Monday

Hi girls, Kinga-Alojzia here. It’s almost bedtime, and I’m at the kitchen table beginning our diary for the week of February 26, 2024.

This is a voice transcription. It had to be. I’ve got lots to tell you; it’d take ages to write it down. I’m whispering as a precaution against being overheard, so I’m not sure how this will turn out. I’ll check the punctuation before I close my eyes. For now I’m watching these words rushing along the screen, crashing into each other, splitting, trembling for the blink of an eye as letters are substituted. Vowels spin like roulette wheels while the program waits for me to finish pronouncing a word. It’s you I’m talking to, not my phone . . . still, it’s hard to imagine a keener listener than AI.

An example: Just today I exchanged personalized news alerts with Eva from work. We began doing that with the expectation that sooner or later the information that’s been gathered about our browsing habits will lead us to the same corners of the internet. That’s what’s supposed
to happen when an algorithm scans the online behavior of two women in their early forties who send each other copious amounts of memes, sign the same petitions, have the same reproduced map of Narnia hung up on the wall behind their desks, and pounce on the same bargains at the same times: Christmas decorations on December 26, yes. Real chocolate—that is, the French, Swiss, or Belgian stuff— the day after Saint Valentine’s, yes. Black Friday, no. But we’ve been comparing notes for seven years, and our news alerts are yet to meet in the middle. “So, what’s today’s top bulletin?” Eva asked me.

“Oh . . . these are such troubling times, Eva. The Luxury Enamel Posse has struck again.”

“What? The what?”

“The Luxury Enamel Posse,” I said, enunciating as clearly as I could.

“No, I understood that part,” Eva said. “You speak such nice Czech, Kinga— (Sorry, girls, I couldn’t resist taking this moment to imitate Eva in Condescending Mode. It’s possibly her cutest mode. I genuinely mean that, but also patronizing one’s patronizer is a victory of sorts, so just let me have it.) “You speak such nice Czech, Kinga, but what is this Posse?”

“Oh, you never heard about them? They invade your home just before dawn, fold you up into a suitcase, and fill the remaining suitcase space with loose teeth and blank checks. Then they zip up the case and leave.”

Eva began stapling forms, BAM, BAM, BAM. “Ježíš Maria,” she said. “As if we don’t have enough on our plates.”

I raised my phone so she could see I was referring to a reputable news source. “So, ah, as it says here, this time the LEP visited a family of three in Chodov. Mother, father, ten-​year-​old
son, all three toothed up and checked out. The kid’s suitcase was left partially unzipped, so he managed to get out and unpack his parents, but I think gymnastics classes are the real hero here, because when you look at how they had his arms around his ankles—”

“Is that their main stomping ground, then? Chodov?” Eva was getting her hopes up, looking for ways to make this one neighborhood’s concern. She lives in Střešovice, so all she knows is the soft life. Because what’s Střešovice, really. . . If you ask me, that place isn’t much more than a garden with houses sprinkled on top.

“No,” I told her. “So far they’ve popped up all over Prague. I suppose if they stuck to one postal code they’d have been caught long ago.”

That elicited another Ježíš Maria from my work-​wife, and a question: “When we say ‘crew,’ are we talking about five or six people?”

“More like thirteen or fourteen, or so their victims say. Some of them do the tooth and check stuffing, while others, ah, stand around pointing and laughing, or eating snacks they’ve actually brought with them. In a couple of instances, neighbors who think they’re hearing a house party have knocked on the front door to have a grumble, and the Crew immediately dropped everything and swooped out onto the street”—I consulted my phone—“like a flock of bats.”

“So now I’ve got to lie in bed trying to decide whether the racket from the floor above is just some selfishness I can sleep through, or if I’m listening to this Luxury Crew’s latest target and only my hostility can shorten the ordeal? It’s too exasperating. What exactly is their objective?”

“That’s what we’d all love to know, Eva. But no one even has a clue where to begin speculating.”

“All right, setting aside the checks, what about all those loose teeth? Who do they belong to?”

“That’s still under investigation.”

“They must have had at least a few of those teeth analyzed at a lab by now,” Eva said, pointing her stapler at me and narrowing her eyes.

“Apparently the teeth don’t match dental records held anywhere in the country. Look, I’m not happy about it either, but what can we do? Now: What did your phone urgently want to tell you today?”

“Oh, it’s wonderful news,” Eva said, showing me a somewhat blurred photo. Its subject, a lean and brindled rabbit, appeared to be snarling slightly. Three gold medals lay at the rabbit’s feet. You could sense that this had been a tricky photo shoot. This was a portrait of a winner who’d guarded her medals, refusing to be decorated with them and making it clear that a close-up shot was out of the question. “Marketa’s the only bunny in the entire history of the European Rabbit Hop Championships to take first place in three different events. She got gold medals for the flat track, park run, and long jump events. And the best part is, she’s Czech. A hardworking resident of Ústí nad Labem who trained every day, rain or shine.”

An inspiration to us all. Franta, Valérie, Pavlína, and I took a five-​minute break and gathered around Eva’s computer to watch Marketa of the former Sudetenland conquer every obstacle set in her path. The Rabbit Hop Champion left me no room for my usual skepticism as to whether I’m dealing with a person who’s really trying their best. This Marketa was a compact unit of concentration, pounding away at the air like a fist. She was news I wouldn’t have had the faintest inkling of if not for Eva.
One of:
The New Yorker
's "Best Books of the Year So Far"
Lit Hub
's "Ultimate Summer Reading List" and "Most Anticipated Books of 2025"
Vox
's "Summer Reading Picks"
AARP's "35 Summer Books to Add to Your 2025 Reading List"
The New Statesman's "Best Summer Reads 2025"

Praise for A New New Me:

“[Oyeyemi] imbues her books with wit, delight and an endearing matter-of-factness in the face of the world’s absurdity and cruelty. This complex harmony is essential to Oyeyemi’s success. . . . Enchanting. . . . [with] a climax worthy of Lewis Carroll. . . . A New New Me is in conversation with, among others, the great 20th-century satirists of the Czech Republic and Poland. . . . Oyeyemi ultimately asks the (now sadly provocative) question: Aren’t we all actually in the same boat?”
The New York Times

“[Oyeyemi is] a writer whose style is equal parts mischievous, moony, and tart. . . . If the self-help cant of the title seems to glitch or stutter, the book’s contents shimmer with the same strangeness. . . . Oyeyemi’s prose is propelled by a subtle animism; her sentences sometimes seem to contain the whole book in miniature. . . . If Butler’s The New Me lampooned the self-improvement industry, Oyeyemi's A New New Me pushes the logic of perpetual upgrades to the point that self-help is indistinguishable from self-erasure. . . . Some novels insist on being read as prescriptions for living; Oyeyemi’s simply depicts a process: one splinter of a soul briefly gains control of a body, and goes out to be engulfed by the world.”
—The New Yorker

“Adventurous readers will enjoy following its twisty path.”
—Publishers Weekly

“A surrealist romp. . . . Oyeyemi offers us an existential farce that wrestles with what it means to reconcile all the pieces of yourself, especially when they're in constant disagreement about how best to live a life.”
—Kirkus Reviews

“A wild ride. . . . [A New New Me] belongs with Oyeyemi’s more recent works: playful, self-aware tales that revel in the hijinks of storytelling. . . . A comedy about the masks we wear, if you will, as well as an existential mystery. . . . The denouement, when it finally comes, is so gloriously absurd, you can't help but salute Oyeyemi's knack for artful nonsense. She is a gleefully unapologetic trickster;whether you adore this novel or chuck it across the room may come down to how much mischief for the sake of mischief you can handle. My bet is you’ll finish it, as I did, feeling bemused but also perversely entertained, and grateful for the ride.”
The Guardian (UK), Book of the Day

“[Oyeyemi] as also been increasingly interested in deconstructing the nature of fiction itself, probing and prodding at the ways a narrative can be manipulated to interrogate the uncertainty and changeability of life itself. A New New Me extends this practice into the area of human consciousness. . . . Indeed, it is impossible to find a suitable comparison for the kind of fiction Oyeyemi produces. Perhaps, in the end, her novels are like the seven Kingas: each comparable only to itself.”
The Globe and Mail

"Helen Oyeyemi occupies a similar space as Wes Anderson in my creative consciousness. . . . It’s bringing to mind Shirley Jackson’s The Bird’s Nest, except weirder."
—Literary Hub

“Oyeyemi continues to sound and write like nobody else. . . . Helen Oyeyemi’s prose feels freshly squeezed, zesty and stimulating, while her reader awaits a plot line to emerge like a Magic Eye puzzle. She is a skilful writer in a way that seems ever more rare, lexically precise, grammatically exact.”
Times Literary Supplement

“Readers familiar with Oyeyemi’s work know to expect a surrealist adventure with stories within stories, matryoshka-doll-style, and fans of her complex tales will find much to enjoy in this dazzling novel that cleverly explores the many different selves that make up one woman navigating modern life.”
Booklist

“Oyeyemi is such a confident writer, her details always specific and alive, that you know you’re in good hands even if you’re not entirely sure what material those hands are made of, where they’re taking you, or how much they’ll jiggle and jostle you along the way . . . A New New Me is thoroughly enjoyable and is very likely to reward repeat readings. I’m off to start it over again myself.”
Los Angeles Times

“Wildly imaginative.”
AARP


“Dizzyingly funny. . . . The story’s crowning jewel is the author’s ability to create seven unique voices belonging to one individual.”
The New Statesman (UK)

“Helen Oyeyemi is one of the most imaginative writers around, and her latest—A New New Me—might be her best yet. . . . It’s fast-paced, funny, a bit dark and totally unique. . . . Absolutely worth the ride.”
Press Association

“A brilliantly fun set-up. . . . In a sense it becomes a whodunnit as told through a kaleidoscope. . . . There is hardly a sentence here that won’t make you smile.”
The Observer (UK)

“Screams ‘commercial break out’. . . . An audacious, incisive and very funny novel about self knowledge in today’s tech mediated age.”
Daily Mail (UK)

“Helen Oyeyemi is a brilliant and deeply imaginative writer, so it is no surprise that her latest offering A New New Me is an intellectually provocative story that will keep you on the edge of your seat. In her innovative new novel, Oyeyemi introduces us to Kinga, a woman who has a different personality for every day of the week. . . . A masterful storyteller, Oyeyemi takes us on a wild ride as Kinga. . . . tries to keep her many lives from exploding. A New New Me is a clever and original story that makes you think about how one's identity is shaped and whether it can be controlled. A must-read.”
—NPR

“In A New New Me, Helen Oyeyemi ramps up her surrealistic wit to tell the story of a woman, Kinga, with a different identity for each day of the week — a funny but also weirdly apt way a lot of us seem to be living life in these technologically mediated times."
The The Boston Globe

“A short and sweet speculative literary fiction, a punchy story about a woman who splits herself seven ways to get through the week.”
USA TODAY

“Dizzyingly smart.”
iNews

Praise for Helen Oyeyemi:

“Every Oyeyemi novel should be an Event. There ought to be parties with strange, nigh-incomprehensible themes and chaotic treats that inspire people to unlikely conversations. She is a national treasure in at least three or four nations. And no, her books aren’t strictly speculative...They’re not strictly anything, which is part of what makes them so wonderful."
—Reactor Magazine
© Katerina Janisova
Helen Oyeyemi is the author of seven novels, including Peaces, Gingerbread, and Boy, Snow, Bird, and of the story collection What Is Not Yours Is Not Yours. Winner of the PEN Open Book and the Hurston/Wright Legacy Award, and a finalist for the Los Angeles Times Book Prize, Oyeyemi was named one of Granta’s Best Young British Novelists. View titles by Helen Oyeyemi

About

"Equal parts mischievous, moony, and tart...Her prose offers, in a single page, poetic candor, sly wit, dad jokes, and contemporary therapyspeak." ― The New Yorker

“Her weirdest and funniest yet — in the best way possible.” ― Los Angeles Times

"Audacious, incisive and very funny." ― Daily Mail

A masterful story that asks: What if the different sides of your personality had trust issues with each other?


New Day, New You!

Kinga is a woman who is just trying to make it through the week. There’s a Kinga for every day: On Mondays, you can catch Kinga-A deleting food delivery apps. By Friday, Kinga-E is happy to spend the days soaking, wine-drunk, in the bath.

Kingas A–G, perhaps unsurprisingly, live a varied life—between them is a professional matchmaker, a scent-crazed perfumer, and a window cleaner, all with varying degrees of apathy, anger, introversion, and bossiness. At least three of them are Team Toxic.

It’s an arrangement that’s not without its fair share of admin, grudges, and half-truths. But when Kinga-A discovers a man tied up in their apartment, the Kingas have to reckon with the possibility that one of them might be planning to destroy them all.

How many versions of oneself can one self safely contain?

Excerpt

Monday

Hi girls, Kinga-Alojzia here. It’s almost bedtime, and I’m at the kitchen table beginning our diary for the week of February 26, 2024.

This is a voice transcription. It had to be. I’ve got lots to tell you; it’d take ages to write it down. I’m whispering as a precaution against being overheard, so I’m not sure how this will turn out. I’ll check the punctuation before I close my eyes. For now I’m watching these words rushing along the screen, crashing into each other, splitting, trembling for the blink of an eye as letters are substituted. Vowels spin like roulette wheels while the program waits for me to finish pronouncing a word. It’s you I’m talking to, not my phone . . . still, it’s hard to imagine a keener listener than AI.

An example: Just today I exchanged personalized news alerts with Eva from work. We began doing that with the expectation that sooner or later the information that’s been gathered about our browsing habits will lead us to the same corners of the internet. That’s what’s supposed
to happen when an algorithm scans the online behavior of two women in their early forties who send each other copious amounts of memes, sign the same petitions, have the same reproduced map of Narnia hung up on the wall behind their desks, and pounce on the same bargains at the same times: Christmas decorations on December 26, yes. Real chocolate—that is, the French, Swiss, or Belgian stuff— the day after Saint Valentine’s, yes. Black Friday, no. But we’ve been comparing notes for seven years, and our news alerts are yet to meet in the middle. “So, what’s today’s top bulletin?” Eva asked me.

“Oh . . . these are such troubling times, Eva. The Luxury Enamel Posse has struck again.”

“What? The what?”

“The Luxury Enamel Posse,” I said, enunciating as clearly as I could.

“No, I understood that part,” Eva said. “You speak such nice Czech, Kinga— (Sorry, girls, I couldn’t resist taking this moment to imitate Eva in Condescending Mode. It’s possibly her cutest mode. I genuinely mean that, but also patronizing one’s patronizer is a victory of sorts, so just let me have it.) “You speak such nice Czech, Kinga, but what is this Posse?”

“Oh, you never heard about them? They invade your home just before dawn, fold you up into a suitcase, and fill the remaining suitcase space with loose teeth and blank checks. Then they zip up the case and leave.”

Eva began stapling forms, BAM, BAM, BAM. “Ježíš Maria,” she said. “As if we don’t have enough on our plates.”

I raised my phone so she could see I was referring to a reputable news source. “So, ah, as it says here, this time the LEP visited a family of three in Chodov. Mother, father, ten-​year-​old
son, all three toothed up and checked out. The kid’s suitcase was left partially unzipped, so he managed to get out and unpack his parents, but I think gymnastics classes are the real hero here, because when you look at how they had his arms around his ankles—”

“Is that their main stomping ground, then? Chodov?” Eva was getting her hopes up, looking for ways to make this one neighborhood’s concern. She lives in Střešovice, so all she knows is the soft life. Because what’s Střešovice, really. . . If you ask me, that place isn’t much more than a garden with houses sprinkled on top.

“No,” I told her. “So far they’ve popped up all over Prague. I suppose if they stuck to one postal code they’d have been caught long ago.”

That elicited another Ježíš Maria from my work-​wife, and a question: “When we say ‘crew,’ are we talking about five or six people?”

“More like thirteen or fourteen, or so their victims say. Some of them do the tooth and check stuffing, while others, ah, stand around pointing and laughing, or eating snacks they’ve actually brought with them. In a couple of instances, neighbors who think they’re hearing a house party have knocked on the front door to have a grumble, and the Crew immediately dropped everything and swooped out onto the street”—I consulted my phone—“like a flock of bats.”

“So now I’ve got to lie in bed trying to decide whether the racket from the floor above is just some selfishness I can sleep through, or if I’m listening to this Luxury Crew’s latest target and only my hostility can shorten the ordeal? It’s too exasperating. What exactly is their objective?”

“That’s what we’d all love to know, Eva. But no one even has a clue where to begin speculating.”

“All right, setting aside the checks, what about all those loose teeth? Who do they belong to?”

“That’s still under investigation.”

“They must have had at least a few of those teeth analyzed at a lab by now,” Eva said, pointing her stapler at me and narrowing her eyes.

“Apparently the teeth don’t match dental records held anywhere in the country. Look, I’m not happy about it either, but what can we do? Now: What did your phone urgently want to tell you today?”

“Oh, it’s wonderful news,” Eva said, showing me a somewhat blurred photo. Its subject, a lean and brindled rabbit, appeared to be snarling slightly. Three gold medals lay at the rabbit’s feet. You could sense that this had been a tricky photo shoot. This was a portrait of a winner who’d guarded her medals, refusing to be decorated with them and making it clear that a close-up shot was out of the question. “Marketa’s the only bunny in the entire history of the European Rabbit Hop Championships to take first place in three different events. She got gold medals for the flat track, park run, and long jump events. And the best part is, she’s Czech. A hardworking resident of Ústí nad Labem who trained every day, rain or shine.”

An inspiration to us all. Franta, Valérie, Pavlína, and I took a five-​minute break and gathered around Eva’s computer to watch Marketa of the former Sudetenland conquer every obstacle set in her path. The Rabbit Hop Champion left me no room for my usual skepticism as to whether I’m dealing with a person who’s really trying their best. This Marketa was a compact unit of concentration, pounding away at the air like a fist. She was news I wouldn’t have had the faintest inkling of if not for Eva.

Reviews

One of:
The New Yorker
's "Best Books of the Year So Far"
Lit Hub
's "Ultimate Summer Reading List" and "Most Anticipated Books of 2025"
Vox
's "Summer Reading Picks"
AARP's "35 Summer Books to Add to Your 2025 Reading List"
The New Statesman's "Best Summer Reads 2025"

Praise for A New New Me:

“[Oyeyemi] imbues her books with wit, delight and an endearing matter-of-factness in the face of the world’s absurdity and cruelty. This complex harmony is essential to Oyeyemi’s success. . . . Enchanting. . . . [with] a climax worthy of Lewis Carroll. . . . A New New Me is in conversation with, among others, the great 20th-century satirists of the Czech Republic and Poland. . . . Oyeyemi ultimately asks the (now sadly provocative) question: Aren’t we all actually in the same boat?”
The New York Times

“[Oyeyemi is] a writer whose style is equal parts mischievous, moony, and tart. . . . If the self-help cant of the title seems to glitch or stutter, the book’s contents shimmer with the same strangeness. . . . Oyeyemi’s prose is propelled by a subtle animism; her sentences sometimes seem to contain the whole book in miniature. . . . If Butler’s The New Me lampooned the self-improvement industry, Oyeyemi's A New New Me pushes the logic of perpetual upgrades to the point that self-help is indistinguishable from self-erasure. . . . Some novels insist on being read as prescriptions for living; Oyeyemi’s simply depicts a process: one splinter of a soul briefly gains control of a body, and goes out to be engulfed by the world.”
—The New Yorker

“Adventurous readers will enjoy following its twisty path.”
—Publishers Weekly

“A surrealist romp. . . . Oyeyemi offers us an existential farce that wrestles with what it means to reconcile all the pieces of yourself, especially when they're in constant disagreement about how best to live a life.”
—Kirkus Reviews

“A wild ride. . . . [A New New Me] belongs with Oyeyemi’s more recent works: playful, self-aware tales that revel in the hijinks of storytelling. . . . A comedy about the masks we wear, if you will, as well as an existential mystery. . . . The denouement, when it finally comes, is so gloriously absurd, you can't help but salute Oyeyemi's knack for artful nonsense. She is a gleefully unapologetic trickster;whether you adore this novel or chuck it across the room may come down to how much mischief for the sake of mischief you can handle. My bet is you’ll finish it, as I did, feeling bemused but also perversely entertained, and grateful for the ride.”
The Guardian (UK), Book of the Day

“[Oyeyemi] as also been increasingly interested in deconstructing the nature of fiction itself, probing and prodding at the ways a narrative can be manipulated to interrogate the uncertainty and changeability of life itself. A New New Me extends this practice into the area of human consciousness. . . . Indeed, it is impossible to find a suitable comparison for the kind of fiction Oyeyemi produces. Perhaps, in the end, her novels are like the seven Kingas: each comparable only to itself.”
The Globe and Mail

"Helen Oyeyemi occupies a similar space as Wes Anderson in my creative consciousness. . . . It’s bringing to mind Shirley Jackson’s The Bird’s Nest, except weirder."
—Literary Hub

“Oyeyemi continues to sound and write like nobody else. . . . Helen Oyeyemi’s prose feels freshly squeezed, zesty and stimulating, while her reader awaits a plot line to emerge like a Magic Eye puzzle. She is a skilful writer in a way that seems ever more rare, lexically precise, grammatically exact.”
Times Literary Supplement

“Readers familiar with Oyeyemi’s work know to expect a surrealist adventure with stories within stories, matryoshka-doll-style, and fans of her complex tales will find much to enjoy in this dazzling novel that cleverly explores the many different selves that make up one woman navigating modern life.”
Booklist

“Oyeyemi is such a confident writer, her details always specific and alive, that you know you’re in good hands even if you’re not entirely sure what material those hands are made of, where they’re taking you, or how much they’ll jiggle and jostle you along the way . . . A New New Me is thoroughly enjoyable and is very likely to reward repeat readings. I’m off to start it over again myself.”
Los Angeles Times

“Wildly imaginative.”
AARP


“Dizzyingly funny. . . . The story’s crowning jewel is the author’s ability to create seven unique voices belonging to one individual.”
The New Statesman (UK)

“Helen Oyeyemi is one of the most imaginative writers around, and her latest—A New New Me—might be her best yet. . . . It’s fast-paced, funny, a bit dark and totally unique. . . . Absolutely worth the ride.”
Press Association

“A brilliantly fun set-up. . . . In a sense it becomes a whodunnit as told through a kaleidoscope. . . . There is hardly a sentence here that won’t make you smile.”
The Observer (UK)

“Screams ‘commercial break out’. . . . An audacious, incisive and very funny novel about self knowledge in today’s tech mediated age.”
Daily Mail (UK)

“Helen Oyeyemi is a brilliant and deeply imaginative writer, so it is no surprise that her latest offering A New New Me is an intellectually provocative story that will keep you on the edge of your seat. In her innovative new novel, Oyeyemi introduces us to Kinga, a woman who has a different personality for every day of the week. . . . A masterful storyteller, Oyeyemi takes us on a wild ride as Kinga. . . . tries to keep her many lives from exploding. A New New Me is a clever and original story that makes you think about how one's identity is shaped and whether it can be controlled. A must-read.”
—NPR

“In A New New Me, Helen Oyeyemi ramps up her surrealistic wit to tell the story of a woman, Kinga, with a different identity for each day of the week — a funny but also weirdly apt way a lot of us seem to be living life in these technologically mediated times."
The The Boston Globe

“A short and sweet speculative literary fiction, a punchy story about a woman who splits herself seven ways to get through the week.”
USA TODAY

“Dizzyingly smart.”
iNews

Praise for Helen Oyeyemi:

“Every Oyeyemi novel should be an Event. There ought to be parties with strange, nigh-incomprehensible themes and chaotic treats that inspire people to unlikely conversations. She is a national treasure in at least three or four nations. And no, her books aren’t strictly speculative...They’re not strictly anything, which is part of what makes them so wonderful."
—Reactor Magazine

Author

© Katerina Janisova
Helen Oyeyemi is the author of seven novels, including Peaces, Gingerbread, and Boy, Snow, Bird, and of the story collection What Is Not Yours Is Not Yours. Winner of the PEN Open Book and the Hurston/Wright Legacy Award, and a finalist for the Los Angeles Times Book Prize, Oyeyemi was named one of Granta’s Best Young British Novelists. View titles by Helen Oyeyemi
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