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Murder by the Book

The Crime That Shocked Dickens's London

Read by Andy Secombe
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"Enthralling . . . A page-turner that can hold its own with any one of the many murder-minded podcasts out there."
—Jezebel

From the acclaimed biographer--the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder: Can a novel kill?


In May 1840, Lord William Russell, well known in London's highest social circles, was found with his throat cut. The brutal murder had the whole city talking. The police suspected Russell's valet, Courvoisier, but the evidence was weak. The missing clue, it turned out, lay in the unlikeliest place: what Courvoisier had been reading. In the years just before the murder, new printing methods had made books cheap and abundant, the novel form was on the rise, and suddenly everyone was reading. The best-selling titles were the most sensational true-crime stories. Even Dickens and Thackeray, both at the beginning of their careers, fell under the spell of these tales--Dickens publicly admiring them, Thackeray rejecting them. One such phenomenon was William Harrison Ainsworth's Jack Sheppard, the story of an unrepentant criminal who escaped the gallows time and again. When Lord William's murderer finally confessed his guilt, he would cite this novel in his defense. Murder By the Book combines this thrilling true-crime story with an illuminating account of the rise of the novel form and the battle for its early soul among the most famous writers of the time. It is superbly researched, vividly written, and captivating from first to last.
Introduction
 
Early in the morning of Wednesday 6 May 1840, on an ultra-respectable Mayfair street one block to the east of Park Lane, a footman called Young answered the door to a panic-stricken young woman, Sarah Mancer, the maid of the house opposite. Fetch a surgeon, fetch a constable, she cried; her master, Lord William Russell, was lying in bed with his throat cut.

It was thought at first to be a suicide; that is what the young Queen was told at noon, but later that day when her Secretary of State for the Colonies, Lord John Russell, arrived at the Palace it was with the melancholy news that his uncle had in fact been murdered, his throat cut so deeply that the windpipe was sliced right through and the head almost severed. The motive appeared to be robbery, as the drawing room of Lord William’s house had been turned upside down and a pile of valuables had been discovered near the front door. But the brutality of the crime was what struck the 21-year old monarch: ‘This is really too horrid’ she wrote in her diary; ‘It is almost an unparalleled thing for a person of Ld William’s rank, to be killed like that’. 

Lord William’s rank did indeed make him a notable corpse, however quiet and unobjectionable a live man he had been. Third and youngest son of the Marquess of Tavistock, he had passed the thirty years since the death of his wife mostly in travel and connoisseurship. He was known at Gore House, Holland House, the Royal Academy and at the Palace itself, but his status and means were nothing to those of his nephew Francis, the seventh Duke of Bedford (owner of Woburn Abbey and its priceless art collection), nor of his nephew Lord John Russell, who was one of the most influential politicians in the land. The house in Norfolk Street where he lived alone was modest by Mayfair standards and Lord William kept only three servants, a maid, a cook and a valet.  Two other employees, a coachman and groom, lived off the premises.

Who would want to butcher in his sleep this unobtrusive minor aristocrat, with his afternoons at Brooks’s and his restrained widower habits?  In the newspaper articles that were about to appear, no one could find much to say about Lord William’s ‘placid and benignant’ life and ‘unoffending days’ as a continental traveller and absentee M.P. ‘Aged and respected’ he was called in the Times, like a cheese. 
      
But as details emerged of the murder and the bungled burglary that seemed to have provoked it, fears grew that they might be symptoms of something more widespread and insidious. If such a person as Lord William was not safe in his bed, who could be? Such was the panic provoked by the crime, one newspaper declared, that ‘many families at the west-end, and more particularly aged persons living as the deceased had done in comparative retirement, entertain, perhaps for the first time, a feeling of insecurity’.

These were indeed nervous times for the ruling classes. London in 1840 was teeming with immigrants, the unemployed and a burgeoning working class who were more literate and organised than ever before. The winter just past had been one of mass rallies by Chartists demanding universal suffrage that in some places had turned into bloody riots and Lord Brougham had warned at the opening of Parliament in January that the country might in fact be on the brink of revolution, so marked was the change taking place in the disposition of the common people towards ‘all men in power’. When over two hundred Chartist demonstrators were arrested and twenty one found guilty of high treason after the uprising in Newport on 4 November 1839, the ancient and barbarous punishment of death by being hung, drawn and quartered seemed suitable to make an example of those convicted.  

Was Lord William Russell’s murder informed by the same ‘spirit of insubordination’, some people wondered? Class boundaries were changing rapidly; had he been chosen as a victim for what he represented as much as what he owned?

The crime soon had all London talking, from the thieves’ dens of Soho to Buckingham Palace itself, and for the first time, perhaps, politicians weren’t the only people being blamed for rousing up a volatile underclass. As the investigation into Lord William Russell’s death proceeded, several of the leading writers of the day were alarmed to find themselves suddenly under fire for having written fictions that were simply too popular and too convincing. Given the chance to mould the taste of a mass audience, many of them were now accused of pandering to the lowest, with books full of violent excitements and vulgarity, that could all too easily lead susceptible readers astray.

But to understand how the gory events in Norfolk Street were linked to this panic about ‘low’ culture, and one bestselling book in particular, we need to go back to the evening of Lord William’s murder and follow his movements on his last day alive.
“This beautifully produced and impressively researched historical account of a celebrated Victorian murder with a literary twist reads like a thriller. I devoured it in one sitting, and was at once enthralled and chilled. Highly recommended!”
—Alison Weir

“Its opening scene is the stuff that classic murder mysteries are made of . . . Ms. Harman is a tireless researcher and a droll stylist.”
—Maureen Corrigan, The Wall Street Journal
 
“Harman demonstrates a flair for distilling reams of research into a succinct, lively narrative. The book is an exemplar of how to write taut, issue-driven historical nonfiction. With an appreciation for pithy quotations, telling details and amusing gossip, she’s quick to spot a fascinating aside . . . As riveting as this true-crime story is, what elevates Murder by the Book above sensationalism is its focus on how this case heightened concern over the malevolent influence of violent entertainment.”
—Heller McAlpin, The Washington Post

“An assiduously researched and superbly written book that ends with Harman examining unanswered questions, and reminding us that truth can be stranger than fiction."
—Malcolm Forbes, The Minneapolis Star Tribune

“Compact and engrossing . . . [Harman] leaves readers to draw their own conclusions, and her compelling book is all the better for her tact."
The Economist

“A fascinating, exhaustively researched exploration into how art can influence society and vice versa, Murder by the Book turns an unflinching eye to the ways in which biases born of economic inequality affect the way crimes are investigated and prosecuted. It’s a true crime devotee’s delight.”
BookPage
 
“Harman effectively uses a novelist’s approach to recreate a now obscure 1840 English murder case that was a sensation at the time . . . By exploring concerns about the glorification of criminals in the fiction of the day and addressing some lingering mysteries, such as whether Courvoisier had an accomplice, Harman adds depth to a fascinating true crime narrative.”
Publishers Weekly, starred review
 
“An endlessly fascinating, bookish tale of true crime in Victorian England . . . Lovers of Drood, Sherlock, Jack the Ripper, and their kin real and fictional will relish the gruesome details of this entertaining book.”
Kirkus Reviews, starred review

“A remarkable story which Harman draws so skillfully . . . A brilliant piece of literary detective work. And though Harman is never so crass as to draw comparisons with today’s concerns over the effects of drill music or chic TV assassins (Killing Eve’s Villanelle?), the resonances ping from every page.”
—Marcus Field, London Evening Standard
© Caroline Forbes
CLAIRE HARMAN is the author of Charlotte Brontë: A Fiery Heart; Sylvia Townsend Warner, for which she won the John Llewellyn Rhys Prize; biographies of Fanny Burney and Robert Louis Stevenson; and Jane's Fame: How Jane Austen Conquered the World. She is a fellow of the Royal Society of Literature and a frequent reviewer. She divides her time between New York City and Oxford, England.

claireharman.com View titles by Claire Harman

About

"Enthralling . . . A page-turner that can hold its own with any one of the many murder-minded podcasts out there."
—Jezebel

From the acclaimed biographer--the fascinating, little-known story of a Victorian-era murder that rocked literary London, leading Charles Dickens, William Thackeray, and Queen Victoria herself to wonder: Can a novel kill?


In May 1840, Lord William Russell, well known in London's highest social circles, was found with his throat cut. The brutal murder had the whole city talking. The police suspected Russell's valet, Courvoisier, but the evidence was weak. The missing clue, it turned out, lay in the unlikeliest place: what Courvoisier had been reading. In the years just before the murder, new printing methods had made books cheap and abundant, the novel form was on the rise, and suddenly everyone was reading. The best-selling titles were the most sensational true-crime stories. Even Dickens and Thackeray, both at the beginning of their careers, fell under the spell of these tales--Dickens publicly admiring them, Thackeray rejecting them. One such phenomenon was William Harrison Ainsworth's Jack Sheppard, the story of an unrepentant criminal who escaped the gallows time and again. When Lord William's murderer finally confessed his guilt, he would cite this novel in his defense. Murder By the Book combines this thrilling true-crime story with an illuminating account of the rise of the novel form and the battle for its early soul among the most famous writers of the time. It is superbly researched, vividly written, and captivating from first to last.

Excerpt

Introduction
 
Early in the morning of Wednesday 6 May 1840, on an ultra-respectable Mayfair street one block to the east of Park Lane, a footman called Young answered the door to a panic-stricken young woman, Sarah Mancer, the maid of the house opposite. Fetch a surgeon, fetch a constable, she cried; her master, Lord William Russell, was lying in bed with his throat cut.

It was thought at first to be a suicide; that is what the young Queen was told at noon, but later that day when her Secretary of State for the Colonies, Lord John Russell, arrived at the Palace it was with the melancholy news that his uncle had in fact been murdered, his throat cut so deeply that the windpipe was sliced right through and the head almost severed. The motive appeared to be robbery, as the drawing room of Lord William’s house had been turned upside down and a pile of valuables had been discovered near the front door. But the brutality of the crime was what struck the 21-year old monarch: ‘This is really too horrid’ she wrote in her diary; ‘It is almost an unparalleled thing for a person of Ld William’s rank, to be killed like that’. 

Lord William’s rank did indeed make him a notable corpse, however quiet and unobjectionable a live man he had been. Third and youngest son of the Marquess of Tavistock, he had passed the thirty years since the death of his wife mostly in travel and connoisseurship. He was known at Gore House, Holland House, the Royal Academy and at the Palace itself, but his status and means were nothing to those of his nephew Francis, the seventh Duke of Bedford (owner of Woburn Abbey and its priceless art collection), nor of his nephew Lord John Russell, who was one of the most influential politicians in the land. The house in Norfolk Street where he lived alone was modest by Mayfair standards and Lord William kept only three servants, a maid, a cook and a valet.  Two other employees, a coachman and groom, lived off the premises.

Who would want to butcher in his sleep this unobtrusive minor aristocrat, with his afternoons at Brooks’s and his restrained widower habits?  In the newspaper articles that were about to appear, no one could find much to say about Lord William’s ‘placid and benignant’ life and ‘unoffending days’ as a continental traveller and absentee M.P. ‘Aged and respected’ he was called in the Times, like a cheese. 
      
But as details emerged of the murder and the bungled burglary that seemed to have provoked it, fears grew that they might be symptoms of something more widespread and insidious. If such a person as Lord William was not safe in his bed, who could be? Such was the panic provoked by the crime, one newspaper declared, that ‘many families at the west-end, and more particularly aged persons living as the deceased had done in comparative retirement, entertain, perhaps for the first time, a feeling of insecurity’.

These were indeed nervous times for the ruling classes. London in 1840 was teeming with immigrants, the unemployed and a burgeoning working class who were more literate and organised than ever before. The winter just past had been one of mass rallies by Chartists demanding universal suffrage that in some places had turned into bloody riots and Lord Brougham had warned at the opening of Parliament in January that the country might in fact be on the brink of revolution, so marked was the change taking place in the disposition of the common people towards ‘all men in power’. When over two hundred Chartist demonstrators were arrested and twenty one found guilty of high treason after the uprising in Newport on 4 November 1839, the ancient and barbarous punishment of death by being hung, drawn and quartered seemed suitable to make an example of those convicted.  

Was Lord William Russell’s murder informed by the same ‘spirit of insubordination’, some people wondered? Class boundaries were changing rapidly; had he been chosen as a victim for what he represented as much as what he owned?

The crime soon had all London talking, from the thieves’ dens of Soho to Buckingham Palace itself, and for the first time, perhaps, politicians weren’t the only people being blamed for rousing up a volatile underclass. As the investigation into Lord William Russell’s death proceeded, several of the leading writers of the day were alarmed to find themselves suddenly under fire for having written fictions that were simply too popular and too convincing. Given the chance to mould the taste of a mass audience, many of them were now accused of pandering to the lowest, with books full of violent excitements and vulgarity, that could all too easily lead susceptible readers astray.

But to understand how the gory events in Norfolk Street were linked to this panic about ‘low’ culture, and one bestselling book in particular, we need to go back to the evening of Lord William’s murder and follow his movements on his last day alive.

Reviews

“This beautifully produced and impressively researched historical account of a celebrated Victorian murder with a literary twist reads like a thriller. I devoured it in one sitting, and was at once enthralled and chilled. Highly recommended!”
—Alison Weir

“Its opening scene is the stuff that classic murder mysteries are made of . . . Ms. Harman is a tireless researcher and a droll stylist.”
—Maureen Corrigan, The Wall Street Journal
 
“Harman demonstrates a flair for distilling reams of research into a succinct, lively narrative. The book is an exemplar of how to write taut, issue-driven historical nonfiction. With an appreciation for pithy quotations, telling details and amusing gossip, she’s quick to spot a fascinating aside . . . As riveting as this true-crime story is, what elevates Murder by the Book above sensationalism is its focus on how this case heightened concern over the malevolent influence of violent entertainment.”
—Heller McAlpin, The Washington Post

“An assiduously researched and superbly written book that ends with Harman examining unanswered questions, and reminding us that truth can be stranger than fiction."
—Malcolm Forbes, The Minneapolis Star Tribune

“Compact and engrossing . . . [Harman] leaves readers to draw their own conclusions, and her compelling book is all the better for her tact."
The Economist

“A fascinating, exhaustively researched exploration into how art can influence society and vice versa, Murder by the Book turns an unflinching eye to the ways in which biases born of economic inequality affect the way crimes are investigated and prosecuted. It’s a true crime devotee’s delight.”
BookPage
 
“Harman effectively uses a novelist’s approach to recreate a now obscure 1840 English murder case that was a sensation at the time . . . By exploring concerns about the glorification of criminals in the fiction of the day and addressing some lingering mysteries, such as whether Courvoisier had an accomplice, Harman adds depth to a fascinating true crime narrative.”
Publishers Weekly, starred review
 
“An endlessly fascinating, bookish tale of true crime in Victorian England . . . Lovers of Drood, Sherlock, Jack the Ripper, and their kin real and fictional will relish the gruesome details of this entertaining book.”
Kirkus Reviews, starred review

“A remarkable story which Harman draws so skillfully . . . A brilliant piece of literary detective work. And though Harman is never so crass as to draw comparisons with today’s concerns over the effects of drill music or chic TV assassins (Killing Eve’s Villanelle?), the resonances ping from every page.”
—Marcus Field, London Evening Standard

Author

© Caroline Forbes
CLAIRE HARMAN is the author of Charlotte Brontë: A Fiery Heart; Sylvia Townsend Warner, for which she won the John Llewellyn Rhys Prize; biographies of Fanny Burney and Robert Louis Stevenson; and Jane's Fame: How Jane Austen Conquered the World. She is a fellow of the Royal Society of Literature and a frequent reviewer. She divides her time between New York City and Oxford, England.

claireharman.com View titles by Claire Harman