Wake Up and Open Your Eyes

Author Clay McLeod Chapman On Tour
Look inside
“Clay McLeod Chapman is one of my favorite horror storytellers working today.”—Jordan Peele

“Surreal, hypnotic, unrelenting, profoundly claustrophobic, and an absolutely scathing send-up of the pitfalls of American divisiveness.”—Keith Rosson, author of Fever House

From master of horror Clay McLeod Chapman, a relentless social horror novel about a family on the run from a demonic possession epidemic that spreads through media.


Noah has been losing his polite Southern parents to far-right cable news for years, so when his mother leaves him a voicemail warning him that the “Great Reawakening” is here, he assumes it’s related to one of her many conspiracy theories. But when his phone calls go unanswered, Noah makes the drive from Brooklyn to Richmond, Virginia. There, he discovers his childhood home in shambles and his parents locked in a terrifying trancelike state in front of the TV. Panicked, Noah attempts to snap them out of it.

Then Noah’s mother brutally attacks him.

But Noah isn’t the only person to be attacked by a loved one. Families across the country are tearing each other apart—literally—as people succumb to a form of possession that gets worse the more time they spend glued to a screen. In Noah’s Richmond-based family, only he and his young nephew Marcus are unaffected. Together, they must race back to the safe haven of Brooklyn—but can they make it before they fall prey to the violent hordes?

This ambitious, searing novel from one of horror's modern masters holds a mirror to our divided nation, and will shake readers to the core.
December 18
Get your family out of there, Noah. Please. The city isn’t safe anymore.
None of them are. If you’d been watching the news, you’d know this by
now. Please, honey. Please. For me. For your mother. You need to leave
New York before it’s too late, before your family gets hurt . . .


     Mom left another message.
     Noah didn’t even hear his phone ring this time. Her voicemails are digital mosquitoes buzzing about his ear at all hours of the day—and night—hungry for blood.
     This one landed at eleven. Shouldn’t she be in bed by now? Fast asleep?
     Paul Tammany must’ve just gotten off the air.
     “Everything okay?” Alicia props herself up on one elbow in their bed, sensing tension.
     Noah nods, still listening to his mother.
     “Is it her?”
     “Yeah.” The frequency of Mom’s calls has really ramped up since Thanksgiving. Something’s in the air. Or maybe it’s the fluoride in the water. Or the cell towers, all that 5G microwaving her brain.
     I just watched another news story and they said there have been more protests—these riots and I, oh God, Noah, I’m so worried for you . . . So worried about my grandbaby . . .
     When Noah was just a boy, growing up in Virginia, his mom would take him to the library. She’d let him check out two books. Any two. His choice. Their deal was simple: One for you and one for me. Mom would read one book to Noah at bedtime while he had to read the other on his own. He’d pick a picture book to tackle—the easy reads, Sendak or Silverstein—while for his mother, he’d tug the doorstoppers off the shelf. The cinder-block books. Tolkien. Dickens. King. He can still remember the sound of her voice, a soft southern lilt gamely taking on the personas of every last character, her words filling his bedroom, his mind, his dreams.
     Noah can still hear her voice now.
     When I think of you up there in that god-awful city, with all those awful people around, I—I don’t know. I wish you’d come home to us. You can’t be safe up there. Kelsey can’t be safe . . .
     He doesn’t recognize her at all.
     It’s not Mom. It can’t be.
     Technically, yes, that’s her voice. But . . . the words. They don’t sound like her thoughts at all. These are someone else’s words in her mouth. Her mind.
     It’s getting worse. She’s getting worse.
     “Is it bad?” Alicia’s voice is calm. Fair and balanced. Working as an admin at a nonprofit will do that—her uncanny knack for putting out fires with nothing but the serenity in her tone.
     “Pretty bad.”
     “How bad?”
     They’re talking about a reckoning, son . . .
     Noah stares at the ceiling, phone pressed to his ear, his mind’s eye filled with his mother’s distorted visions of a city on fire, of protests right outside their window, complete chaos.
     I know you don’t believe me and I know you think I’m overreacting, but I—I just wish you would wake up, honey, before it’s too late. I wish, I wish you would open your eyes.
     “Can I hear?” Alicia slides in closer. There’s that curiosity of hers. That mettle. Probably the first thing Noah remembers about meeting Alicia was how she was the one to approach him at that Antibalas show in Williamsburg—what? Thirteen years ago now?—in the back room at Black Betty. She kick-started the conversation, buying the next round. They danced with their drinks held up at their shoulders, those crinkly plastic cups, spilling G&Ts all over themselves. They both carried a hint of juniper all the way back to his apartment, seeped into their skin.
     “You don’t want to hear this,” Noah says.
     “What’s she saying?”
     Somebody ought to do something. Somebody ought to put a stop to these people—
     These people.
     “Nothing.” Noah deletes the message before he finishes listening to it. What Alicia hasn’t said, but what Noah’s sensed anyhow, is that she’s starting to ebb. Pull away from him. His family. And she’s pulling Kelsey away with her.
     When Thanksgiving discourse shifted to immigration, who’s creeping into the country, didn’t his parents notice Kelsey sitting across the table? Who just passed the mashed potatoes? Didn’t they realize their granddaughter is half Haitian?
     An invasion, Noah’s mom called it. Why can’t they all just stay in their own country?
What about me? What about Kelsey? Alicia asked Noah’s mother at the table, point-blank, in front of Ash and his whole fam, Christ, everyone, having held her tongue as long as the first serving of turkey. What do you see when you look at her? Your own granddaughter?
     Mom said, no, no, she wasn’t talking about her daughter-in-law or granddaughter. She was talking about those other people.
     Noah hasn’t picked up a call from her since; just lets Mom go to voicemail now. Lets her ramble on for as long as she wants, filling up his inbox with her endless messages. He traps them. Suffocates them, like bugs in a jar.
     But it’s not going away. Mom’s not stopping. This has festered for far too long.
     Noah needs to deal with this.
     “I’m gonna call,” he says, already dialing. It doesn’t matter how late it is.
     No answer.
     Strange. Mom always picks up. No matter what she’s in the middle of, she always makes time to talk to her boys. Particularly Noah. Mr. Golden Boy, Asher always jabs. Pampered Prince.
     So why isn’t she picking up? Why won’t she answer?
     “Maybe she’s asleep?” Alicia suggests.
     “Maybe.”
     Neither says anything for a breath. Alicia holds on to Noah’s eyes. Really takes him in. “Plenty of people are going through this,” she says, breaking the silence. “I read in The Atlantic—”
     Noah drags his pillow over his face and releases a low groan. “Pleeeease. No more articles about deprogramming your parents . . .”
     It’s far too late for an intervention. That ship sailed last Thanksgiving. Noah already tried dragging Mom and Dad back from the ideological brink of their batshit conspiracy-laden crackpottery. Before packing his fam in the car and plowing through traffic to get to Grammy and Grandpa’s house for Turkey Time, Noah Googled “how to deprogram your parents,” like he was cramming for an exam. He clicked a couple links. Printed a few articles. He even highlighted a couple sentences.
     Debate won’t help. Arguing only makes matters worse. Your loved ones are lost in a conspiracy theory loophole. They are falling down their own personal rabbit holes. Only patience and understanding will pull them out. Talk to them. See their side. Find common ground.
     Did the writers of these listicles even know folks like Noah’s father? He’s the most stubborn son of a bitch Noah’s ever met. He’s lived with his bullheadedness his entire life.
     But Mom . . .
     Not her.
     Mom is still Mom, isn’t she? Somewhere deep down? Trapped in her own body? There has to be a scrap of sanity left, just a glimmer of common sense buried deep beneath the calcifying wave of conspiracy theories shellacking her brain, one queasy meme after another.
     “You’re not alone,” Alicia says. “That’s all I’m saying.”
     Sure feels like it. This downward spiral may have started years ago, but this last month has been a wildfire of voicemails. Used to be just one a week. Now it’s up to three a day. Noah has felt so isolated from his family—his own mother—ever since she tumbled down the rabbit hole.
     Whatever crawled back up isn’t Mom anymore.
A Goodreads Readers’ Most Anticipated Horror Novel of 2025
A CrimeReads Horror Novel to Look Out For in 2025
A CrimeReads Most Anticipated Crime Book of 2025
A Vulture Book We Can’t Wait to Read in 2025
A LitHub Most Anticipated Book of 2025
A Paste Magazine Most Anticipated Horror Book of 2025


“If talking politics with family has become a horror show, this book’s for you.”—New York Times Book Review

“Readers may think they know where the book is heading, but Chapman offers more surprises as he ventures further into the apocalypse. There is some of Chapman’s signature humor present, but this work is his most terrifying yet.”—Lila Denning, Library Journal, starred review

“Chapman spins established possession and zombie tropes into an original tale that will hijack readers’ nervous systems. . . . A compelling, cinematic, visceral, and disturbing tale.”—Booklist, starred review

“Clay McLeod Chapman is one of my favorite horror storytellers working today.”—Jordan Peele

“The most ambitious novel yet from a writer quietly redefining the emotional contours of contemporary horror.”—Neil McRobert, Vulture

“[Wake Up and Open Your Eyes] is likely to be one of the most unforgettable reads of the whole year”—Emily Martin, Book Riot

“A damn roller coaster of a novel, the kind that leaves you shaking and shrieking and smiling. [Chapman] takes all that’s troubling our nation in the current day and, somehow, makes it all the more frightening.”—Victor LaValle, author of Lone Women

“The proximity of Chapman’s demons is enough to make one lock the doors, turn off the television, [and] curl into a ball in the dark. . . . A sparkling variety of narration, mad vivid energy, and even brilliantly funny bits.”—Josh Malerman, New York Times best-selling author of Incidents Around the House

“The Purge ain’t got nothin’ on this.”—Stephen Graham Jones, New York Times best-selling author of I Was a Teenage Slasher

“With Wake Up and Open Your Eyes, Chapman isn’t merely checking the pulse of America—he’s tapping the vein. And trust me, there’s blood everywhere. This book throbs with body horror and familial conflict and, most notably, the sociopolitical nightmare we find ourselves in.”—Chuck Wendig, best-selling author of The Book of Accidents and Black River Orchard

“Surreal, hypnotic, unrelenting, profoundly claustrophobic, and an absolutely scathing sendup of the pitfalls of American divisiveness.”—Keith Rosson, author of Fever House

“A profoundly terrifying, riveting, intense, nerve-shredding modern horror epic. This is Clay McLeod Chapman at the peak of his craft. Brilliant.”—Rachel Harrison, USA Today best-selling author of So Thirsty and Black Sheep

Wake Up and Open Your Eyes is supercharged, gloriously maximalist, terrifying, and disgusting. But mostly it’s tragic, and hits much closer to home than any of us want it to.”—C. J. Leede, author of Maeve Fly and American Rapture

“A searing and deeply unnerving apocalyptic thriller executed with the true nerve of a master storyteller.”—Eric LaRocca, author of Things Have Gotten Worse Since We Last Spoke

“This novel is relentless and utterly merciless. Chapman takes unflinching aim at modern American culture and nobody is safe in this brutal, insightful apocalypse!”—Christopher Golden, New York Times best-selling author of Road of Bones and The House of Last Resort

“Fabulously unhinged, this book is a hilarious and terrifying jamboree of modern-day horrors. Gory, chilling, and exhilarating, the book knows to relish its delicious madness. I haven’t had such a thrill in ages!”—Gerardo Sámano Córdova, author of Monstrilio

“Gut-wrenching, grief-soaked, the book perfectly embodies the panic of seeing the people you love transform into monsters. An utterly disconcerting mirror held up to the terror of our present.”—Cassandra Khaw, best-selling author of Nothing But Blackened Teeth

“A harrowing horror experience. Like watching through a window as the world explodes, realizing too late you should have sought shelter.”—Johnny Compton, author of The Spite House and Devils Kill Devils

Wake Up and Open Your Eyes is a fever-pitched maelstrom of modern-day anxieties and terrors.”—Nat Cassidy, author of Mary: An Awakening of Terror and Nestlings

Wake Up and Open Your Eyes is a pedal-to-the-metal, body horror mash-up of The Purge, Pontypool, and Malcolm Devlin’s And Then I Woke Up. Chapman has an absolute gift for the unforgettably, mind-saturatingly horrific, and I shall be sending him my therapy bill.”—Ally Wilkes, Bram Stoker Award–nominated author of All the White Spaces and Where the Dead Wait

Wake Up and Open Your Eyes doesn’t just hit close to home—it’s a needle sliding under your skin until you bleed, a rabbit hole stocked with terror all the way down.”—Christina Henry, author of Alice and The House That Horror Built

“A modern American classic. Clay McLeod Chapman’s panic-inducing, adrenaline-fueled epic digs its fingers into the cracks in twenty-first-century life and pries them open to expose the rot beneath.”—Josh Winning, author of Heads Will Roll

“An eye-opening sociopolitical fever nightmare that you won’t soon forget.”—Ai Jiang, Hugo Award nominee and author of Linghun

“Wake Up and Open Your Eyes is the scariest book I have read in years. It’s a book for our times and I can’t stop thinking about it.”—V. Castro, Bram Stoker Award nominee and author of The Haunting of Alejandra

“This is social horror at its most compelling.”—Cynthia Pelayo, Bram Stoker Award–winning author of Vanishing Daughters
Clay McLeod Chapman writes novels, comic books, and children’s books, as well as for film and TV. He is the author of the horror novels The Remaking, Whisper Down the Lane, Ghost Eaters, What Kind of Mother, and the upcoming Wake Up and Open Your Eyes. He also cowrote Quiet Part Loud, a horror podcast produced by Jordan Peele’s Monkeypaw Productions for Spotify. Visit him at claymcleodchapman.com. View titles by Clay McLeod Chapman

About

“Clay McLeod Chapman is one of my favorite horror storytellers working today.”—Jordan Peele

“Surreal, hypnotic, unrelenting, profoundly claustrophobic, and an absolutely scathing send-up of the pitfalls of American divisiveness.”—Keith Rosson, author of Fever House

From master of horror Clay McLeod Chapman, a relentless social horror novel about a family on the run from a demonic possession epidemic that spreads through media.


Noah has been losing his polite Southern parents to far-right cable news for years, so when his mother leaves him a voicemail warning him that the “Great Reawakening” is here, he assumes it’s related to one of her many conspiracy theories. But when his phone calls go unanswered, Noah makes the drive from Brooklyn to Richmond, Virginia. There, he discovers his childhood home in shambles and his parents locked in a terrifying trancelike state in front of the TV. Panicked, Noah attempts to snap them out of it.

Then Noah’s mother brutally attacks him.

But Noah isn’t the only person to be attacked by a loved one. Families across the country are tearing each other apart—literally—as people succumb to a form of possession that gets worse the more time they spend glued to a screen. In Noah’s Richmond-based family, only he and his young nephew Marcus are unaffected. Together, they must race back to the safe haven of Brooklyn—but can they make it before they fall prey to the violent hordes?

This ambitious, searing novel from one of horror's modern masters holds a mirror to our divided nation, and will shake readers to the core.

Excerpt

December 18
Get your family out of there, Noah. Please. The city isn’t safe anymore.
None of them are. If you’d been watching the news, you’d know this by
now. Please, honey. Please. For me. For your mother. You need to leave
New York before it’s too late, before your family gets hurt . . .


     Mom left another message.
     Noah didn’t even hear his phone ring this time. Her voicemails are digital mosquitoes buzzing about his ear at all hours of the day—and night—hungry for blood.
     This one landed at eleven. Shouldn’t she be in bed by now? Fast asleep?
     Paul Tammany must’ve just gotten off the air.
     “Everything okay?” Alicia props herself up on one elbow in their bed, sensing tension.
     Noah nods, still listening to his mother.
     “Is it her?”
     “Yeah.” The frequency of Mom’s calls has really ramped up since Thanksgiving. Something’s in the air. Or maybe it’s the fluoride in the water. Or the cell towers, all that 5G microwaving her brain.
     I just watched another news story and they said there have been more protests—these riots and I, oh God, Noah, I’m so worried for you . . . So worried about my grandbaby . . .
     When Noah was just a boy, growing up in Virginia, his mom would take him to the library. She’d let him check out two books. Any two. His choice. Their deal was simple: One for you and one for me. Mom would read one book to Noah at bedtime while he had to read the other on his own. He’d pick a picture book to tackle—the easy reads, Sendak or Silverstein—while for his mother, he’d tug the doorstoppers off the shelf. The cinder-block books. Tolkien. Dickens. King. He can still remember the sound of her voice, a soft southern lilt gamely taking on the personas of every last character, her words filling his bedroom, his mind, his dreams.
     Noah can still hear her voice now.
     When I think of you up there in that god-awful city, with all those awful people around, I—I don’t know. I wish you’d come home to us. You can’t be safe up there. Kelsey can’t be safe . . .
     He doesn’t recognize her at all.
     It’s not Mom. It can’t be.
     Technically, yes, that’s her voice. But . . . the words. They don’t sound like her thoughts at all. These are someone else’s words in her mouth. Her mind.
     It’s getting worse. She’s getting worse.
     “Is it bad?” Alicia’s voice is calm. Fair and balanced. Working as an admin at a nonprofit will do that—her uncanny knack for putting out fires with nothing but the serenity in her tone.
     “Pretty bad.”
     “How bad?”
     They’re talking about a reckoning, son . . .
     Noah stares at the ceiling, phone pressed to his ear, his mind’s eye filled with his mother’s distorted visions of a city on fire, of protests right outside their window, complete chaos.
     I know you don’t believe me and I know you think I’m overreacting, but I—I just wish you would wake up, honey, before it’s too late. I wish, I wish you would open your eyes.
     “Can I hear?” Alicia slides in closer. There’s that curiosity of hers. That mettle. Probably the first thing Noah remembers about meeting Alicia was how she was the one to approach him at that Antibalas show in Williamsburg—what? Thirteen years ago now?—in the back room at Black Betty. She kick-started the conversation, buying the next round. They danced with their drinks held up at their shoulders, those crinkly plastic cups, spilling G&Ts all over themselves. They both carried a hint of juniper all the way back to his apartment, seeped into their skin.
     “You don’t want to hear this,” Noah says.
     “What’s she saying?”
     Somebody ought to do something. Somebody ought to put a stop to these people—
     These people.
     “Nothing.” Noah deletes the message before he finishes listening to it. What Alicia hasn’t said, but what Noah’s sensed anyhow, is that she’s starting to ebb. Pull away from him. His family. And she’s pulling Kelsey away with her.
     When Thanksgiving discourse shifted to immigration, who’s creeping into the country, didn’t his parents notice Kelsey sitting across the table? Who just passed the mashed potatoes? Didn’t they realize their granddaughter is half Haitian?
     An invasion, Noah’s mom called it. Why can’t they all just stay in their own country?
What about me? What about Kelsey? Alicia asked Noah’s mother at the table, point-blank, in front of Ash and his whole fam, Christ, everyone, having held her tongue as long as the first serving of turkey. What do you see when you look at her? Your own granddaughter?
     Mom said, no, no, she wasn’t talking about her daughter-in-law or granddaughter. She was talking about those other people.
     Noah hasn’t picked up a call from her since; just lets Mom go to voicemail now. Lets her ramble on for as long as she wants, filling up his inbox with her endless messages. He traps them. Suffocates them, like bugs in a jar.
     But it’s not going away. Mom’s not stopping. This has festered for far too long.
     Noah needs to deal with this.
     “I’m gonna call,” he says, already dialing. It doesn’t matter how late it is.
     No answer.
     Strange. Mom always picks up. No matter what she’s in the middle of, she always makes time to talk to her boys. Particularly Noah. Mr. Golden Boy, Asher always jabs. Pampered Prince.
     So why isn’t she picking up? Why won’t she answer?
     “Maybe she’s asleep?” Alicia suggests.
     “Maybe.”
     Neither says anything for a breath. Alicia holds on to Noah’s eyes. Really takes him in. “Plenty of people are going through this,” she says, breaking the silence. “I read in The Atlantic—”
     Noah drags his pillow over his face and releases a low groan. “Pleeeease. No more articles about deprogramming your parents . . .”
     It’s far too late for an intervention. That ship sailed last Thanksgiving. Noah already tried dragging Mom and Dad back from the ideological brink of their batshit conspiracy-laden crackpottery. Before packing his fam in the car and plowing through traffic to get to Grammy and Grandpa’s house for Turkey Time, Noah Googled “how to deprogram your parents,” like he was cramming for an exam. He clicked a couple links. Printed a few articles. He even highlighted a couple sentences.
     Debate won’t help. Arguing only makes matters worse. Your loved ones are lost in a conspiracy theory loophole. They are falling down their own personal rabbit holes. Only patience and understanding will pull them out. Talk to them. See their side. Find common ground.
     Did the writers of these listicles even know folks like Noah’s father? He’s the most stubborn son of a bitch Noah’s ever met. He’s lived with his bullheadedness his entire life.
     But Mom . . .
     Not her.
     Mom is still Mom, isn’t she? Somewhere deep down? Trapped in her own body? There has to be a scrap of sanity left, just a glimmer of common sense buried deep beneath the calcifying wave of conspiracy theories shellacking her brain, one queasy meme after another.
     “You’re not alone,” Alicia says. “That’s all I’m saying.”
     Sure feels like it. This downward spiral may have started years ago, but this last month has been a wildfire of voicemails. Used to be just one a week. Now it’s up to three a day. Noah has felt so isolated from his family—his own mother—ever since she tumbled down the rabbit hole.
     Whatever crawled back up isn’t Mom anymore.

Reviews

A Goodreads Readers’ Most Anticipated Horror Novel of 2025
A CrimeReads Horror Novel to Look Out For in 2025
A CrimeReads Most Anticipated Crime Book of 2025
A Vulture Book We Can’t Wait to Read in 2025
A LitHub Most Anticipated Book of 2025
A Paste Magazine Most Anticipated Horror Book of 2025


“If talking politics with family has become a horror show, this book’s for you.”—New York Times Book Review

“Readers may think they know where the book is heading, but Chapman offers more surprises as he ventures further into the apocalypse. There is some of Chapman’s signature humor present, but this work is his most terrifying yet.”—Lila Denning, Library Journal, starred review

“Chapman spins established possession and zombie tropes into an original tale that will hijack readers’ nervous systems. . . . A compelling, cinematic, visceral, and disturbing tale.”—Booklist, starred review

“Clay McLeod Chapman is one of my favorite horror storytellers working today.”—Jordan Peele

“The most ambitious novel yet from a writer quietly redefining the emotional contours of contemporary horror.”—Neil McRobert, Vulture

“[Wake Up and Open Your Eyes] is likely to be one of the most unforgettable reads of the whole year”—Emily Martin, Book Riot

“A damn roller coaster of a novel, the kind that leaves you shaking and shrieking and smiling. [Chapman] takes all that’s troubling our nation in the current day and, somehow, makes it all the more frightening.”—Victor LaValle, author of Lone Women

“The proximity of Chapman’s demons is enough to make one lock the doors, turn off the television, [and] curl into a ball in the dark. . . . A sparkling variety of narration, mad vivid energy, and even brilliantly funny bits.”—Josh Malerman, New York Times best-selling author of Incidents Around the House

“The Purge ain’t got nothin’ on this.”—Stephen Graham Jones, New York Times best-selling author of I Was a Teenage Slasher

“With Wake Up and Open Your Eyes, Chapman isn’t merely checking the pulse of America—he’s tapping the vein. And trust me, there’s blood everywhere. This book throbs with body horror and familial conflict and, most notably, the sociopolitical nightmare we find ourselves in.”—Chuck Wendig, best-selling author of The Book of Accidents and Black River Orchard

“Surreal, hypnotic, unrelenting, profoundly claustrophobic, and an absolutely scathing sendup of the pitfalls of American divisiveness.”—Keith Rosson, author of Fever House

“A profoundly terrifying, riveting, intense, nerve-shredding modern horror epic. This is Clay McLeod Chapman at the peak of his craft. Brilliant.”—Rachel Harrison, USA Today best-selling author of So Thirsty and Black Sheep

Wake Up and Open Your Eyes is supercharged, gloriously maximalist, terrifying, and disgusting. But mostly it’s tragic, and hits much closer to home than any of us want it to.”—C. J. Leede, author of Maeve Fly and American Rapture

“A searing and deeply unnerving apocalyptic thriller executed with the true nerve of a master storyteller.”—Eric LaRocca, author of Things Have Gotten Worse Since We Last Spoke

“This novel is relentless and utterly merciless. Chapman takes unflinching aim at modern American culture and nobody is safe in this brutal, insightful apocalypse!”—Christopher Golden, New York Times best-selling author of Road of Bones and The House of Last Resort

“Fabulously unhinged, this book is a hilarious and terrifying jamboree of modern-day horrors. Gory, chilling, and exhilarating, the book knows to relish its delicious madness. I haven’t had such a thrill in ages!”—Gerardo Sámano Córdova, author of Monstrilio

“Gut-wrenching, grief-soaked, the book perfectly embodies the panic of seeing the people you love transform into monsters. An utterly disconcerting mirror held up to the terror of our present.”—Cassandra Khaw, best-selling author of Nothing But Blackened Teeth

“A harrowing horror experience. Like watching through a window as the world explodes, realizing too late you should have sought shelter.”—Johnny Compton, author of The Spite House and Devils Kill Devils

Wake Up and Open Your Eyes is a fever-pitched maelstrom of modern-day anxieties and terrors.”—Nat Cassidy, author of Mary: An Awakening of Terror and Nestlings

Wake Up and Open Your Eyes is a pedal-to-the-metal, body horror mash-up of The Purge, Pontypool, and Malcolm Devlin’s And Then I Woke Up. Chapman has an absolute gift for the unforgettably, mind-saturatingly horrific, and I shall be sending him my therapy bill.”—Ally Wilkes, Bram Stoker Award–nominated author of All the White Spaces and Where the Dead Wait

Wake Up and Open Your Eyes doesn’t just hit close to home—it’s a needle sliding under your skin until you bleed, a rabbit hole stocked with terror all the way down.”—Christina Henry, author of Alice and The House That Horror Built

“A modern American classic. Clay McLeod Chapman’s panic-inducing, adrenaline-fueled epic digs its fingers into the cracks in twenty-first-century life and pries them open to expose the rot beneath.”—Josh Winning, author of Heads Will Roll

“An eye-opening sociopolitical fever nightmare that you won’t soon forget.”—Ai Jiang, Hugo Award nominee and author of Linghun

“Wake Up and Open Your Eyes is the scariest book I have read in years. It’s a book for our times and I can’t stop thinking about it.”—V. Castro, Bram Stoker Award nominee and author of The Haunting of Alejandra

“This is social horror at its most compelling.”—Cynthia Pelayo, Bram Stoker Award–winning author of Vanishing Daughters

Author

Clay McLeod Chapman writes novels, comic books, and children’s books, as well as for film and TV. He is the author of the horror novels The Remaking, Whisper Down the Lane, Ghost Eaters, What Kind of Mother, and the upcoming Wake Up and Open Your Eyes. He also cowrote Quiet Part Loud, a horror podcast produced by Jordan Peele’s Monkeypaw Productions for Spotify. Visit him at claymcleodchapman.com. View titles by Clay McLeod Chapman