From master of espionage thriller and bestselling author of The Company Robert Littell, a spy classic following two once-legendary but still lethal CIA agents at the height of the Cold War, as they manipulate a KGB assassin into executing an international scheme on their behalf.

Legendary CIA agents Francis and Carroll were once called “the Sisters Death and Night” by their colleagues. As the duo approaches retirement, some within the Company say that they are past their prime. To shift the balance of power in America’s favor at the height of the Cold War, Francis and Carroll hatch a plan worthy of their former triumphs: awaken an infamous KGB assassin thought to be living in New York and trick him into implementing their master plot to assassinate the president of the United States.

They first deceive the Potter, former head of the KGB, into revealing the identity of his most notorious student. After realizing that he has betrayed his best sleeper agent, the Potter races to stop his protégé from committing the Sisters’ operation.

Praised for having “the plot of plots” by the New York Times, The Sisters is a spy classic swirling with brilliant puzzles, shocking double-crosses, and resonant questions about ideology.
Chapter 1

“I’m just thinking out loud,” Francis was saying. An angelic smile manned the usual fortifications of his face. “What if . . .” His voice trailed off uncertainly.

“What if what?” Carroll prompted. A muscle twitched impatiently in his cheek.

“What if—”

They were, by any standards, the Company’s odd couple. Office scuttlebutt held that when one itched the other scratched, but that wasn’t it; that wasn’t it at all. It was more a matter of symbiosis; of constituting two sides of the same coin. Looking at any given skyline, Francis would see forest, Carroll trees; Francis wrote music, Carroll lyrics; Francis would leap with almost feminine intuition in the general direction of unlikely ends while Carroll, a pedestrian at heart, would trail after him lingering over means.

“What if,” Francis was saying, “we were to put our man Friday onto someone with Mafia connections?”

“Mafia connections?”

Francis pulled thoughtfully at an earlobe that looked as if it had been pulled at before. “Exactly.”

Francis wore an outrageous silk bow tie that he had picked up for a song at a rummage sale. His sixth-floor neighbors thought it was out of character, which only showed that they didn’t really understand his character. It was the unexpected splash of color, the tiny touch of defiance, the unconventional link in an otherwise perfectly conformist chain that set him apart from everyone else.

Carroll, on the other hand, liked to look as if he belonged. He favored conventional three-piece suits and starched collars that left crimson welts clinging like leeches to his thin, pale neck. Laughing behind his back, the neighbors spoke about his penchant for hair shirts worn, so they assumed, to atone for unspecified sins.

They were half right. There were sins, though Carroll never felt the slightest urge to atone for them.

“The Mafia is out of the question,” Carroll announced flatly, a crooked forefinger patrolling between his collar and his neck. He looked past Francis the way he stared over the shoulder of anyone he deigned to talk to. “They will want to be paid in the end. And not necessarily in money. Besides, there’s no compartmentalization. If this thing is going to succeed, it has to be tightly compartmentalized. Like a submarine.”

“Quite right,” Francis remarked, blushing apologetically. “I can’t imagine what I could have been thinking of.” His face screwed up, his eyes narrowed into slits, a sure sign that his mind was leaping toward another unlikely end.

Francis and Carroll were minor legends in the Company. Somewhere along the line one of the CIA’s army of PhDs who majored in African dialects and minored in Whitman had dubbed them “The sisters Death and Night.” The name stuck. If you mentioned the Sisters in an intraoffice memo, and capitalized the S, almost everyone tucked away in the Company’s cradle-to-grave complex knew whom you were talking about. But only the handful with “eyes-only” authorizations in their dossiers had an inkling of what they actually did for a living.

What they did was plot.

And what they were plotting on that perfect August day was a perfect crime.

“What we will need,” Francis thought out loud, defining the problem, “is someone who can carry out an assignment without knowing it came from us.”

“Someone who thinks he is being employed by others,” Carroll ventured, lingering over means.

“Exactly,” Francis agreed enthusiastically.

In an organization where people knew secrets, or made it their business to look as if they did, Francis stood out with his aura of absolute innocence. He invariably wore an expression that fell midway between curious and reluctant, and a Cheshire cat’s pained smile that hinted at nothing more morally compromising than the death of an occasional rodent. It was common knowledge around the shop that he regularly lied about his name during the annual lie detector tests—and always managed to fool the black box.

Compared to Francis, Carroll was an open book. When he felt frustrated, it appeared on his face like a flag. He had started out in the business with “Wild Bill” Donovan’s Office of Strategic Services during the “Wrong War” (as he liked to call it; he felt that America had defeated the wrong enemy), and quickly made a name for himself by scribbling in the margin of one report: “The matter is of the highest possible importance and should accordingly be handled on the lowest possible level.” What he meant, of course, was that he should handle it; at the tender age of twenty-nine, he had already been convinced of everyone’s incompetence but his own. (Perhaps stunned by his audacity, his superiors gave him the brief. In due course Carroll engineered the defection of a German diplomat carrying a valise full of secret documents, and the betrayal to the Gestapo of the Soviet agent who had acted as their go-between. By 1945 Carroll was already focusing on the right enemy.)

Nowadays some of their Company colleagues whispered that the Sisters were past their prime, washed up, over the hill; old farts who amused the technocrats calling the tune; has-beens who gave the men in the Athenaeum (as the Sisters, classicists to the core, called the front office) something to talk about at in-house pours. (“The Sisters proposed that we . . .” “They weren’t serious?” “I’m afraid they were.” “What did you tell them?” “I told them they were mad!”) There were even a few with regular access to the Sisters’ product who recommended giving them medical discharges—and there was no suggestion that the problem was physical. They’d been around too long, it was said, they’d seen too much—as if being around too long and seeing too much inevitably led to deeper disorders. Still, several people in high places took them seriously enough to justify giving them space (which, with its Soviet magazines scattered around a shabby Formica coffee table, looked suspiciously like a dentist’s office in Tashkent), a man Friday (whose real name, believe it or not, was Thursday) and a gorgeous secretary with an incredibly short skirt and incredibly long legs and a way of clutching files to her breasts that left the rare visitor noticeably short of breath. After all, it was said, the Sisters had had their share of triumphs. Not that long ago, with an almost Machiavellian leap of imagination, they had ferreted out a Russian sleeper in the CIA’s ranks. While everyone else frantically searched the files for someone with a record of failed operations against the Russians, Francis thought the problem through from the Soviet point of view and decided that the merchants who ran the mole would have boosted his career with an occasional success. Working on that assumption, the Sisters combed the files looking for someone with one or two conspicuous successes and a string of failures. The suspect they uncovered was delivered to the tender mercies of the Company’s most experienced interrogator, one G. Sprowls. After an intense interrogation that lasted seven months, G. Sprowls came up with the right questions and the suspect came up with the wrong answers. There was no trial. The suspect simply disappeared from the face of the earth, at which point the CIA awarded a medal and a pension to his widow rather than acknowledge that it had been infiltrated.

“Someone who thinks he is being employed by others,” Carroll was saying thoughtfully—he appeared to be talking to the poster tacked to the back of the door that read “Fuck Communism!”—“can’t very well point a finger at us if he is caught, can he?”

There was a single soft knock at the door. Without waiting for permission, the gorgeous secretary, who drew pay and broke hearts under her married name, Mrs. Cresswell, sailed into the dentist’s office, wordlessly deposited a box of candies on the coffee table, and then, like a spider ducking soundlessly back into its hole, disappeared. Carroll tore off the lid and studied the contents. He detested nuts and cherries—one gave him hives, the other diarrhea—but could never for the life of him remember which ones didn’t have them.

“Look at the code on the back of the lid,” Francis said with an air of someone indulging his partner’s idiosyncrasy.

“I don’t understand codes,” Carroll muttered. He snatched a candy at random, peeled off the tinfoil and, baring decaying yellowish teeth, gingerly bit into it. “Caramel,” he announced with satisfaction, and he popped the rest of the candy into his mouth. He was working on his third caramel when he suddenly snapped his fingers. “I’ve got it!” he cried, though the caramel sticking to his teeth made his words difficult to understand. “What we need,” he explained when he could finally articulate, “is someone who is highly skilled, intelligent, trained in fieldwork and willing to follow orders without inquiring into their source as long as they arrive in the correct form.”

Francis said, “I don’t quite follow—”

Carroll rocked back onto the rear legs of his chair. “What we need—” His lips twisted into an expression of grim satisfaction; another flag snapping on the halyard of his face.

“What we need,” Francis repeated, his eyes watering in anticipation. Having come up with a perfect crime, he considered it in the nature of things that Carroll should come up with a perfect criminal.

“What we need—” Carroll whined, and because in his experience walls more often than not concealed ears, he plucked a pencil from a coffee table and finished the sentence on a sheet of scrap paper.

“—is a sleeper!”

“A sleeper, of course!” Francis wrote in turn.

Carroll retrieved the pencil. “But how on earth will we find one?” he wrote.

Francis grabbed the pencil out of Carroll’s fingers. “We might get the Potter to give us the use of one,” he wrote.

The Sisters melted back into their chairs, drained. Whistling softly through his teeth, Francis collected the scraps of paper they had written on; they had divided up office chores, and it was his job to shred all secret documents.

Carroll’s cheek muscle twitched uncontrollably. “He might just do it,” he said in a hollow voice, and in a gesture that had nothing, and everything, to do with ends and means, he waved vaguely, weakly toward the dirty window; toward the dirty city; toward the dirty world out there waiting to be manipulated.
Praise for The Sisters

"About a third of the way into Robert Littell's latest Cold War thriller, The Sisters, it dawns on the reader what the author is really up to this time. And it seems all at once so clever, outrageous and cynical that first your breath is taken away and then, when you remember it's only a story, you giggle. The giggle is embarrassing to confess, but I blame it completely on empathy with the mad, fascinating characters who populate this book."
The New York Times

"First-class entertainment."
The Washington Post

"Engrossing . . . Right up there with the novels of Le Carré, Deighton, and the rest of the best."
People

"Artfully constructed, well-written, and has more switchbacks than the road up Pike."
The Detroit News

"A masterful espionage novel . . . A tale full of intrigue, double agents, and betrayal."
The San Diego Tribune

"A thrill-a-minute ride that leads to an astonishing conclusion."
The Pittsburgh Press

"Witty, gritty, ingeniously plotted...full of twists and surprises, The Sisters is an engaging,
intelligent thriller."
Fort-Star Worth Telegram

“A sinister, twisting rollercoaster ride, the fastest since Day of the Jackal.”
—Joseph Wambaugh, author of The Delta Star and The Glitter Dome

“What Elmore Leonard is to mysteries, what Isaac Asimov is to science fiction, and what Stephen King is to horror—well, that’s what Robert Littell is to the novel of intrigue. He’s a first-rate writer.”
—Susan Isaacs, author of Almost Paradise

"Littell brilliantly weaves quirky characters and puzzle-piece vignettes into an intricate, bizarre and highly entertaining tale."
Publishers Weekly


Praise for Robert Littell

"I don't know of anyone who seems to have more fun spinning out complicated spy stories than Robert Littell . . . A Littell spy novel is always elaborately detailed, fun to read—and then just when you are being handed a few laughs, it blows up in your face."
The New York Times

“Besides being hugely entertaining, The Company is a serious look at how our nation exercised power, for good and ill, in the second half of the twentieth century.”
—The Washington Post Book World

“Reads like a breeze . . . guaranteed to suck you right back into the Alice-in-Wonderland world of spy vs. spy . . . A ripping good yarn—entertaining, chilling, insightful.”
Newsweek

“Since his Cold War classic, The Defection of A.J. Lewinter, Littell has been steadily creating his own subgenre, the counter-thriller, witty and highly original tales that play off the clichés of the Cold War thriller and subvert them.”
—Joseph Finder, The Washington Post

“Beautifully plotted . . . with a clever, ironic twist at the end . . . Littell’s craftsmanship shines through.”
Chicago Tribune
Robert Littell is the author of twenty-one other highly acclaimed novels, many about the Cold War and the Soviet Union, including his masterwork, New York Times bestseller The Company, and the Los Angeles Times Book Award winner for best mystery-thriller Legends. An American born in Brooklyn, Robert Littell now lives in France.

Sarah Weinman is the author of the nonfiction books The Real Lolita, Scoundrel, and Without Consent, and the Crime & Mystery columnist for the New York Times Book Review.

About

From master of espionage thriller and bestselling author of The Company Robert Littell, a spy classic following two once-legendary but still lethal CIA agents at the height of the Cold War, as they manipulate a KGB assassin into executing an international scheme on their behalf.

Legendary CIA agents Francis and Carroll were once called “the Sisters Death and Night” by their colleagues. As the duo approaches retirement, some within the Company say that they are past their prime. To shift the balance of power in America’s favor at the height of the Cold War, Francis and Carroll hatch a plan worthy of their former triumphs: awaken an infamous KGB assassin thought to be living in New York and trick him into implementing their master plot to assassinate the president of the United States.

They first deceive the Potter, former head of the KGB, into revealing the identity of his most notorious student. After realizing that he has betrayed his best sleeper agent, the Potter races to stop his protégé from committing the Sisters’ operation.

Praised for having “the plot of plots” by the New York Times, The Sisters is a spy classic swirling with brilliant puzzles, shocking double-crosses, and resonant questions about ideology.

Excerpt

Chapter 1

“I’m just thinking out loud,” Francis was saying. An angelic smile manned the usual fortifications of his face. “What if . . .” His voice trailed off uncertainly.

“What if what?” Carroll prompted. A muscle twitched impatiently in his cheek.

“What if—”

They were, by any standards, the Company’s odd couple. Office scuttlebutt held that when one itched the other scratched, but that wasn’t it; that wasn’t it at all. It was more a matter of symbiosis; of constituting two sides of the same coin. Looking at any given skyline, Francis would see forest, Carroll trees; Francis wrote music, Carroll lyrics; Francis would leap with almost feminine intuition in the general direction of unlikely ends while Carroll, a pedestrian at heart, would trail after him lingering over means.

“What if,” Francis was saying, “we were to put our man Friday onto someone with Mafia connections?”

“Mafia connections?”

Francis pulled thoughtfully at an earlobe that looked as if it had been pulled at before. “Exactly.”

Francis wore an outrageous silk bow tie that he had picked up for a song at a rummage sale. His sixth-floor neighbors thought it was out of character, which only showed that they didn’t really understand his character. It was the unexpected splash of color, the tiny touch of defiance, the unconventional link in an otherwise perfectly conformist chain that set him apart from everyone else.

Carroll, on the other hand, liked to look as if he belonged. He favored conventional three-piece suits and starched collars that left crimson welts clinging like leeches to his thin, pale neck. Laughing behind his back, the neighbors spoke about his penchant for hair shirts worn, so they assumed, to atone for unspecified sins.

They were half right. There were sins, though Carroll never felt the slightest urge to atone for them.

“The Mafia is out of the question,” Carroll announced flatly, a crooked forefinger patrolling between his collar and his neck. He looked past Francis the way he stared over the shoulder of anyone he deigned to talk to. “They will want to be paid in the end. And not necessarily in money. Besides, there’s no compartmentalization. If this thing is going to succeed, it has to be tightly compartmentalized. Like a submarine.”

“Quite right,” Francis remarked, blushing apologetically. “I can’t imagine what I could have been thinking of.” His face screwed up, his eyes narrowed into slits, a sure sign that his mind was leaping toward another unlikely end.

Francis and Carroll were minor legends in the Company. Somewhere along the line one of the CIA’s army of PhDs who majored in African dialects and minored in Whitman had dubbed them “The sisters Death and Night.” The name stuck. If you mentioned the Sisters in an intraoffice memo, and capitalized the S, almost everyone tucked away in the Company’s cradle-to-grave complex knew whom you were talking about. But only the handful with “eyes-only” authorizations in their dossiers had an inkling of what they actually did for a living.

What they did was plot.

And what they were plotting on that perfect August day was a perfect crime.

“What we will need,” Francis thought out loud, defining the problem, “is someone who can carry out an assignment without knowing it came from us.”

“Someone who thinks he is being employed by others,” Carroll ventured, lingering over means.

“Exactly,” Francis agreed enthusiastically.

In an organization where people knew secrets, or made it their business to look as if they did, Francis stood out with his aura of absolute innocence. He invariably wore an expression that fell midway between curious and reluctant, and a Cheshire cat’s pained smile that hinted at nothing more morally compromising than the death of an occasional rodent. It was common knowledge around the shop that he regularly lied about his name during the annual lie detector tests—and always managed to fool the black box.

Compared to Francis, Carroll was an open book. When he felt frustrated, it appeared on his face like a flag. He had started out in the business with “Wild Bill” Donovan’s Office of Strategic Services during the “Wrong War” (as he liked to call it; he felt that America had defeated the wrong enemy), and quickly made a name for himself by scribbling in the margin of one report: “The matter is of the highest possible importance and should accordingly be handled on the lowest possible level.” What he meant, of course, was that he should handle it; at the tender age of twenty-nine, he had already been convinced of everyone’s incompetence but his own. (Perhaps stunned by his audacity, his superiors gave him the brief. In due course Carroll engineered the defection of a German diplomat carrying a valise full of secret documents, and the betrayal to the Gestapo of the Soviet agent who had acted as their go-between. By 1945 Carroll was already focusing on the right enemy.)

Nowadays some of their Company colleagues whispered that the Sisters were past their prime, washed up, over the hill; old farts who amused the technocrats calling the tune; has-beens who gave the men in the Athenaeum (as the Sisters, classicists to the core, called the front office) something to talk about at in-house pours. (“The Sisters proposed that we . . .” “They weren’t serious?” “I’m afraid they were.” “What did you tell them?” “I told them they were mad!”) There were even a few with regular access to the Sisters’ product who recommended giving them medical discharges—and there was no suggestion that the problem was physical. They’d been around too long, it was said, they’d seen too much—as if being around too long and seeing too much inevitably led to deeper disorders. Still, several people in high places took them seriously enough to justify giving them space (which, with its Soviet magazines scattered around a shabby Formica coffee table, looked suspiciously like a dentist’s office in Tashkent), a man Friday (whose real name, believe it or not, was Thursday) and a gorgeous secretary with an incredibly short skirt and incredibly long legs and a way of clutching files to her breasts that left the rare visitor noticeably short of breath. After all, it was said, the Sisters had had their share of triumphs. Not that long ago, with an almost Machiavellian leap of imagination, they had ferreted out a Russian sleeper in the CIA’s ranks. While everyone else frantically searched the files for someone with a record of failed operations against the Russians, Francis thought the problem through from the Soviet point of view and decided that the merchants who ran the mole would have boosted his career with an occasional success. Working on that assumption, the Sisters combed the files looking for someone with one or two conspicuous successes and a string of failures. The suspect they uncovered was delivered to the tender mercies of the Company’s most experienced interrogator, one G. Sprowls. After an intense interrogation that lasted seven months, G. Sprowls came up with the right questions and the suspect came up with the wrong answers. There was no trial. The suspect simply disappeared from the face of the earth, at which point the CIA awarded a medal and a pension to his widow rather than acknowledge that it had been infiltrated.

“Someone who thinks he is being employed by others,” Carroll was saying thoughtfully—he appeared to be talking to the poster tacked to the back of the door that read “Fuck Communism!”—“can’t very well point a finger at us if he is caught, can he?”

There was a single soft knock at the door. Without waiting for permission, the gorgeous secretary, who drew pay and broke hearts under her married name, Mrs. Cresswell, sailed into the dentist’s office, wordlessly deposited a box of candies on the coffee table, and then, like a spider ducking soundlessly back into its hole, disappeared. Carroll tore off the lid and studied the contents. He detested nuts and cherries—one gave him hives, the other diarrhea—but could never for the life of him remember which ones didn’t have them.

“Look at the code on the back of the lid,” Francis said with an air of someone indulging his partner’s idiosyncrasy.

“I don’t understand codes,” Carroll muttered. He snatched a candy at random, peeled off the tinfoil and, baring decaying yellowish teeth, gingerly bit into it. “Caramel,” he announced with satisfaction, and he popped the rest of the candy into his mouth. He was working on his third caramel when he suddenly snapped his fingers. “I’ve got it!” he cried, though the caramel sticking to his teeth made his words difficult to understand. “What we need,” he explained when he could finally articulate, “is someone who is highly skilled, intelligent, trained in fieldwork and willing to follow orders without inquiring into their source as long as they arrive in the correct form.”

Francis said, “I don’t quite follow—”

Carroll rocked back onto the rear legs of his chair. “What we need—” His lips twisted into an expression of grim satisfaction; another flag snapping on the halyard of his face.

“What we need,” Francis repeated, his eyes watering in anticipation. Having come up with a perfect crime, he considered it in the nature of things that Carroll should come up with a perfect criminal.

“What we need—” Carroll whined, and because in his experience walls more often than not concealed ears, he plucked a pencil from a coffee table and finished the sentence on a sheet of scrap paper.

“—is a sleeper!”

“A sleeper, of course!” Francis wrote in turn.

Carroll retrieved the pencil. “But how on earth will we find one?” he wrote.

Francis grabbed the pencil out of Carroll’s fingers. “We might get the Potter to give us the use of one,” he wrote.

The Sisters melted back into their chairs, drained. Whistling softly through his teeth, Francis collected the scraps of paper they had written on; they had divided up office chores, and it was his job to shred all secret documents.

Carroll’s cheek muscle twitched uncontrollably. “He might just do it,” he said in a hollow voice, and in a gesture that had nothing, and everything, to do with ends and means, he waved vaguely, weakly toward the dirty window; toward the dirty city; toward the dirty world out there waiting to be manipulated.

Reviews

Praise for The Sisters

"About a third of the way into Robert Littell's latest Cold War thriller, The Sisters, it dawns on the reader what the author is really up to this time. And it seems all at once so clever, outrageous and cynical that first your breath is taken away and then, when you remember it's only a story, you giggle. The giggle is embarrassing to confess, but I blame it completely on empathy with the mad, fascinating characters who populate this book."
The New York Times

"First-class entertainment."
The Washington Post

"Engrossing . . . Right up there with the novels of Le Carré, Deighton, and the rest of the best."
People

"Artfully constructed, well-written, and has more switchbacks than the road up Pike."
The Detroit News

"A masterful espionage novel . . . A tale full of intrigue, double agents, and betrayal."
The San Diego Tribune

"A thrill-a-minute ride that leads to an astonishing conclusion."
The Pittsburgh Press

"Witty, gritty, ingeniously plotted...full of twists and surprises, The Sisters is an engaging,
intelligent thriller."
Fort-Star Worth Telegram

“A sinister, twisting rollercoaster ride, the fastest since Day of the Jackal.”
—Joseph Wambaugh, author of The Delta Star and The Glitter Dome

“What Elmore Leonard is to mysteries, what Isaac Asimov is to science fiction, and what Stephen King is to horror—well, that’s what Robert Littell is to the novel of intrigue. He’s a first-rate writer.”
—Susan Isaacs, author of Almost Paradise

"Littell brilliantly weaves quirky characters and puzzle-piece vignettes into an intricate, bizarre and highly entertaining tale."
Publishers Weekly


Praise for Robert Littell

"I don't know of anyone who seems to have more fun spinning out complicated spy stories than Robert Littell . . . A Littell spy novel is always elaborately detailed, fun to read—and then just when you are being handed a few laughs, it blows up in your face."
The New York Times

“Besides being hugely entertaining, The Company is a serious look at how our nation exercised power, for good and ill, in the second half of the twentieth century.”
—The Washington Post Book World

“Reads like a breeze . . . guaranteed to suck you right back into the Alice-in-Wonderland world of spy vs. spy . . . A ripping good yarn—entertaining, chilling, insightful.”
Newsweek

“Since his Cold War classic, The Defection of A.J. Lewinter, Littell has been steadily creating his own subgenre, the counter-thriller, witty and highly original tales that play off the clichés of the Cold War thriller and subvert them.”
—Joseph Finder, The Washington Post

“Beautifully plotted . . . with a clever, ironic twist at the end . . . Littell’s craftsmanship shines through.”
Chicago Tribune

Author

Robert Littell is the author of twenty-one other highly acclaimed novels, many about the Cold War and the Soviet Union, including his masterwork, New York Times bestseller The Company, and the Los Angeles Times Book Award winner for best mystery-thriller Legends. An American born in Brooklyn, Robert Littell now lives in France.

Sarah Weinman is the author of the nonfiction books The Real Lolita, Scoundrel, and Without Consent, and the Crime & Mystery columnist for the New York Times Book Review.
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