Library of Souls

The Third Novel of Miss Peregrine's Peculiar Children

The New York Times #1 best-selling series 

To find their friends, Jacob, Emma, and Addison go to Devil’s Acre, a crime-ridden Victorian underworld, but they uncover an operation far more sinister than they imagined . . .

In Victorian England, Jacob discovers the Library of Souls, a hidden collection that holds the key to saving his peculiar friends and the entire peculiar world. Inside the library, he encounters a ymbryne, a powerful ancient creature who possesses the ability to control time and manipulate souls. 

With time running out, Jacob must unlock his own peculiar abilities and confront his darkest fears to rescue his friends from the clutches of the malevolent wights. 

Filled with heart-pounding action, breathtaking twists, and the power of friendship, the third chapter of the Miss Peregrine’s Peculiar Children series is a thrilling adventure that tests the limits of courage and the strength of peculiar bonds. 

“Oh, my birds, I love this book! I’m obsessed with Ransom Riggs’s wildly creative world packed with heroic, heartwarming characters, super baddies, and incredible settings like Devil’s Acre and the Library of Souls.”—Justine magazine 

“Fans of the trilogy’s first two books will enjoy Library of Souls for its unique world, fast action, satisfying answers and a thorough tying up of loose ends.”—Free Lance-Star

“I enjoyed reading this book so much, the cliched ‘I couldn’t put it down’ doesn’t suffice.”—Geeks of Doom

“Readers are sure to leap right in after the cliffhanger ending of Hollow City, and they won’t be disappointed.”—RT Book Review, 4 1/2 of 5 stars
     The monster stood not a tongue’s length away, eyes fixed on our throats, shriveled brain crowded with fantasies of murder. Its hunger for us charged the air. Hollows are born lusting after the souls of peculiars, and here we were arrayed before it like a buffet: bite-sized Addison bravely standing his ground at my feet, tail at attention; Emma moored against me for support, still too dazed from the impact to make more than a match flame; our backs laddered against the wrecked phone booth. Beyond our grim circle, the underground station looked like the aftermath of a nightclub bombing. Steam from burst pipes shrieked forth in ghostly curtains. Splintered monitors swung broken-necked from the ceiling. A sea of shattered glass spread all the way to the tracks, flashing in the hysterical strobe of red emergency lights like an acre-wide disco ball. We were boxed in, a wall hard to one side and glass shin-deep on the other, two strides from a creature whose only natural instinct was to disassemble us—and yet it made no move to close the gap. It seemed rooted to the floor, swaying on its heels like a drunk or a sleepwalker, death’s head drooping, its tongues a nest of snakes I’d charmed to sleep.
     Me. I’d done that. Jacob Portman, boy nothing from Nowhere, Florida. It was not currently murdering us—this horror made of gathered dark and nightmares harvested from sleeping children—because I had asked it not to. Told it in no uncertain terms to unwrap its tongue from around my neck. Back off, I’d said. Stand, I’d said—in a language made of sounds I hadn’t known a human mouth could make—and miraculously it had, eyes challenging me while its body obeyed. Somehow I had tamed the nightmare, cast a spell over it. But sleeping things wake and spells wear off, especially those cast by accident, and beneath its placid surface I could feel the hollow boiling.
     Addison nudged my calf with his nose. “More wights will be coming. Will the beast let us pass?”
     “Talk to it again,” Emma said, her voice woozy and vague. “Tell it to sod off.”
     I searched for the words, but they’d gotten shy. “I don’t know how.”
     “You did a minute ago,” Addison said. “It sounded like there was a demon inside you.”
     A minute ago, before I’d known I could do it, the words had been right there on my tongue, just waiting to be spoken. Now that I wanted them back, it was like trying to catch fish with bare hands. Every time I touched one, it slipped out of my grasp.
     Go away! I shouted.
     The words came in English. The hollow didn’t move. I stiffened my back, glared into its inkpot eyes, and tried again.
     Get out of here! Leave us alone!
     English again. The hollow tilted its head like a curious dog but was otherwise a statue.
     “Is he gone?” Addison asked.
     The others couldn’t tell for sure; only I could see it. “Still there,” I said. “I don’t know what’s wrong.”
     I felt silly and deflated. Had my gift vanished so quickly?
     “Never mind,” Emma said. “Hollows aren’t meant to be reasoned with, anyway.” She stuck out a hand and tried to light a flame, but it fizzled. The effort seemed to sap her. I tightened my grip around her waist lest she topple over.
     “Save your strength, matchstick,” said Addison. “I’m sure we’ll need it.”
     “I’ll fight it with cold hands if I have to,” said Emma. “All that matters is we find the others before it’s too late.”
     The others. I could see them still, their afterimage fading by the tracks: Horace’s fine clothes a mess; Bronwyn’s strength no match for the wights’ guns; Enoch dizzy from the blast; Hugh using the chaos to pull off Olive’s heavy shoes and float her away; Olive caught by the heel and yanked down before she could rise out of reach. All of them weeping in terror, kicked onto the train at gunpoint, gone. Gone with the ymbryne we’d nearly killed ourselves to find, hurtling now through London’s guts toward a fate worse than death. It’s already too late, I thought. It was too late the moment Caul’s soldiers stormed Miss Wren’s frozen hideout. It was too late the night we mistook Miss Peregrine’s wicked brother for our beloved ymbryne.
     But I swore to myself that we’d find our friends and our ymbryne, no matter the cost, even if there were only bodies to recover—even if it meant adding our own to the pile.
     So, then: somewhere in the flashing dark was an escape to the street. A door, a staircase, an escalator, way off against the far wall.
     But how to reach them?
     Get the hell out of our way! I shouted at the hollow, giving it one last try.
     English, naturally. The hollow grunted like a cow but didn’t move. It was no use. The words were gone.
      “Plan B,” I said. “It won’t listen to me, so we go around it, hope it stays put.”
      “Go around it where?” said Emma.
     To give it a wide berth, we’d have to wade through heaps of glass—but the shards would slice Emma’s bare calves and Addison’s paws to ribbons. I considered alternatives: I could carry the dog, but that still left Emma. I could find a swordlike piece of glass and stab the thing in the eyes—a technique that had served me well in the past—but if I didn’t manage to kill it with the first strike, it would surely snap awake and kill us instead. The only other way around it was through a small, glass-free gap between the hollow and the wall.
      It was narrow, though—a foot, maybe a foot and a half wide. A tight squeeze even if we flattened our backs to the wall. I worried that getting so close to the hollow, or worse, touching it by accident, would break the fragile trance holding it in check. Short of growing wings and flying over its head, though, it seemed like our only option.
     “Can you walk a little?” I asked Emma. “Or at least hobble?”
     She locked her knees and loosened her grip on my waist, testing her weight. “I can limp.”
     “Then here’s what we’re going to do: slide past it, backs to the wall, through that gap there. It’s not a lot of space, but if we’re careful . . . ”
     Addison saw what I meant and shrank back into the phone booth. “Do you think we should get so close to it?”
      “Probably not.”
     “What if it wakes up while we’re . . . ?”
     “It won’t,” I said, faking confidence. “Just don’t make any sudden moves—and whatever you do, don’t touch it.”
     “You’re our eyes now,” Addison said. “Bird preserve us.”
     I chose a nice long shard from the floor and slid it into my pocket. Shuffling two steps to the wall, we pressed our backs to the cold tiles and began inching toward the hollow. Its eyes moved as we did, locked on me. A few creeping sidesteps later and we were enveloped by a pocket of hollow-stink so foul, it made my eyes water. Addison coughed and Emma cupped a hand over her nose.
     “Just a little farther,” I said, my voice reedy with forced calm. I took the glass from my pocket, gripping it with the pointed end out, then took another step, and another. We were close enough now that I could’ve touched the hollow with an outstretched arm. I heard its heart knocking inside its ribs, the beat quickening with each step we took. It was straining against me, fighting with every neuron to wrest my clumsy hands from its controls. Don’t move, I said, mouthing the words in English. You’re mine. I control you. Don’t move. I sucked in my chest, lined up and laddered each vertebra against the wall, then crab-walked into the tight gap between the wall and the hollow.
    Don’t move, don’t move.
     Slide, shuffle, slide. I held my breath while the hollow’s quickened, wet and wheezing, a vile black mist blooming from its nostrils. The urge to devour us must’ve been excruciating. So was my urge to run, but I ignored it; that would’ve been acting like prey, not master.
    Don’t move. Do not move.
     Another few steps, a few more feet, and we’d be past it. Its shoulder a hairsbreadth from my chest.
     Don’t
     —and then it did. In one swift motion the hollow swiveled its head and pivoted its body to face me.
     I went rigid. “Don’t move,” I said, this time aloud, to the others.
    Addison buried his face between his paws and Emma froze, her arm squeezing mine like a vise. I steeled myself for what was to come—its tongues, its teeth, the end.
    Get back, get back, get back.
    English, English, English.
    Seconds passed during which, astonishingly, we weren’t killed. But for the rising and falling of its chest, the creature seemingly had turned once again to stone.
    Experimentally, moving by millimeters, I slid along the wall. The hollow followed me with slight turns of its head—locked onto me like a compass needle, its body in perfect sympathy with mine—but it didn’t follow, didn’t open its jaws. If whatever spell I’d cast had been broken, we’d already be dead.
    The hollow was only watching me. Awaiting instructions I didn’t know how to give. “False alarm,” I said, and Emma breathed an audible sigh of relief.
    We slid out of the gap, peeled ourselves from the wall, and hurried away as fast as Emma could limp. When we’d put a little distance between us and the hollow, I looked back. It had turned allthe way around to face me.
    Stay, I muttered in English. Good.
“Oh, my birds, I love this book! I’m obsessed with Ransom Riggs’ wildly creative world packed with heroic, heartwarming characters, supper baddies, and incredible settings like Devil’s Acre and the Library of Souls.”—Annalyse, Justine Magazine

“Fans of the trilogy’s first two books will enjoy Library of Souls for its unique world, fast action, satisfying answers and a thorough tying up of loose ends.”—Free Lance-Star
 
Library of Souls will not disappoint.”—Forces of Geek

“I was blown away by the way the haunting photographs were woven so seamlessly into the incredible plot. And Library of Souls has simply the most perfect ending.”—Nikki, Justine Magazine

“The challenge Riggs faces in Library of Souls is to match the remarkably high standard set by the first two books in the series, either the mind-bending bafflements of the first book or the edge-of-your-seat action of the second. Riggs succeeds, delivering a thrilling conclusion to Jacob’s trilogy.”—Paste magazine 

“Fans will easily lose themselves in this most peculiar tale of all.”—Booklist 

“Thrilling and satisfying.”—School Library Journal
 
“Enthralling.”—Children's Bookwatch

“I enjoyed reading this book so much, the cliched, 'I couldn’t put it down,' doesn’t suffice.”—Geeks of Doom 
 
“Readers are sure to leap right in after the cliffhanger ending of Hollow City, and they won’t be disappointed.”—RT Book Review, 4 1/2 out of 5 stars 

“Non-stop wonder.”—Geeks of Doom

Praise for Miss Peregrine’s Home for Peculiar Children
 
“A tense, moving, and wondrously strange first novel. The photographs and text work together brilliantly to create an unforgettable story.”—John Green, New York Times best-selling author of Looking for Alaska and Paper Towns
 
“Readers searching for the next Harry Potter may want to visit Miss Peregrine’s Home for Peculiar Children.”—CNN

“Riggs deftly moves between fantasy and reality, prose and photography to create an enchanting and at times positively terrifying story.”—Associated Press

“I read all of the Miss Peregrine’s Peculiar Children books and I loved them.”—Florence of Florence + The Machine

“[A] thrilling, Tim Burton-esque tale with haunting photographs.”—USA Today Pop Candy 
 
“With its X-Men: First Class-meets-time-travel story line, David Lynchian imagery, and rich, eerie detail, it’s no wonder Miss Peregrine’s Home for Peculiar Children has been snapped up by Twentieth Century Fox. B+”—Entertainment Weekly 

“Peculiar’ doesn’t even begin to cover it. Riggs’ chilling, wondrous novel is already headed to the movies.”—People

“You'll love it if you want a good thriller for the summer. It's a mystery, and you'll race to solve it before Jacob figures it out for himself.”—Seventeen

“This peculiar parable is pure perfection.”—Justine magazine

“One of the coolest, creepiest YA books.”—PopSugar
 
Praise for Hollow City
 
“I was blown away...Hollow City is fantastic.”—USAToday.com

“A worthy follow-up, and as addictive a read as the first.”—Hypable
 
Hollow City mixes spooky vintage photos and action-packed storytelling to continue the story of Jacob Portman and his fellow “peculiars” as they travel through time to war-torn London.”—Dan Kois, Slate
 
“A perfect blend of creepiness and thoughtfulness.”—PopMatters
 
“A stunning achievement… Hollow City is even richer than Riggs’s imaginative debut, Miss Peregrine’s Home for Peculiar Children.”—Boston Globe
 
“What makes the series soar, however, is not the world-building, as intriguing as it is, but the heartfelt intensity of the emotions.”—Virginian-Pilot
 
“Ideal for fans of Neil Gaiman and Daniel Kraus, Hollow City blends fantasy and horror into a world that will engross readers and leave them eager for more.”—Shelf Awareness for Readers
 
“A tasty adventure for any reader with an appetite for the…peculiar.”—Kirkus Reviews

“New readers of the series will find this novel a treat...Fans of the first title will find this book a treasure. The only downside: waiting for the third installment to find out what happens to Jacob and his peculiar friends.”—School Library Journal

“Riggs has created a fresh and original world in these Peregrine novels, with likable, quirky characters and a very readable style.”—Library Journal Xpress Review
Ransom Riggs is the #1 New York Times best-selling author of the Miss Peregrine’s Peculiar Children novels. Riggs was born on a farm in Maryland and grew up in southern Florida. He studied literature at Kenyon College and film at the University of Southern California. He lives in Los Angeles with his wife, the best-selling author Tahereh Mafi, and their family. View titles by Ransom Riggs

About

The New York Times #1 best-selling series 

To find their friends, Jacob, Emma, and Addison go to Devil’s Acre, a crime-ridden Victorian underworld, but they uncover an operation far more sinister than they imagined . . .

In Victorian England, Jacob discovers the Library of Souls, a hidden collection that holds the key to saving his peculiar friends and the entire peculiar world. Inside the library, he encounters a ymbryne, a powerful ancient creature who possesses the ability to control time and manipulate souls. 

With time running out, Jacob must unlock his own peculiar abilities and confront his darkest fears to rescue his friends from the clutches of the malevolent wights. 

Filled with heart-pounding action, breathtaking twists, and the power of friendship, the third chapter of the Miss Peregrine’s Peculiar Children series is a thrilling adventure that tests the limits of courage and the strength of peculiar bonds. 

“Oh, my birds, I love this book! I’m obsessed with Ransom Riggs’s wildly creative world packed with heroic, heartwarming characters, super baddies, and incredible settings like Devil’s Acre and the Library of Souls.”—Justine magazine 

“Fans of the trilogy’s first two books will enjoy Library of Souls for its unique world, fast action, satisfying answers and a thorough tying up of loose ends.”—Free Lance-Star

“I enjoyed reading this book so much, the cliched ‘I couldn’t put it down’ doesn’t suffice.”—Geeks of Doom

“Readers are sure to leap right in after the cliffhanger ending of Hollow City, and they won’t be disappointed.”—RT Book Review, 4 1/2 of 5 stars

Excerpt

     The monster stood not a tongue’s length away, eyes fixed on our throats, shriveled brain crowded with fantasies of murder. Its hunger for us charged the air. Hollows are born lusting after the souls of peculiars, and here we were arrayed before it like a buffet: bite-sized Addison bravely standing his ground at my feet, tail at attention; Emma moored against me for support, still too dazed from the impact to make more than a match flame; our backs laddered against the wrecked phone booth. Beyond our grim circle, the underground station looked like the aftermath of a nightclub bombing. Steam from burst pipes shrieked forth in ghostly curtains. Splintered monitors swung broken-necked from the ceiling. A sea of shattered glass spread all the way to the tracks, flashing in the hysterical strobe of red emergency lights like an acre-wide disco ball. We were boxed in, a wall hard to one side and glass shin-deep on the other, two strides from a creature whose only natural instinct was to disassemble us—and yet it made no move to close the gap. It seemed rooted to the floor, swaying on its heels like a drunk or a sleepwalker, death’s head drooping, its tongues a nest of snakes I’d charmed to sleep.
     Me. I’d done that. Jacob Portman, boy nothing from Nowhere, Florida. It was not currently murdering us—this horror made of gathered dark and nightmares harvested from sleeping children—because I had asked it not to. Told it in no uncertain terms to unwrap its tongue from around my neck. Back off, I’d said. Stand, I’d said—in a language made of sounds I hadn’t known a human mouth could make—and miraculously it had, eyes challenging me while its body obeyed. Somehow I had tamed the nightmare, cast a spell over it. But sleeping things wake and spells wear off, especially those cast by accident, and beneath its placid surface I could feel the hollow boiling.
     Addison nudged my calf with his nose. “More wights will be coming. Will the beast let us pass?”
     “Talk to it again,” Emma said, her voice woozy and vague. “Tell it to sod off.”
     I searched for the words, but they’d gotten shy. “I don’t know how.”
     “You did a minute ago,” Addison said. “It sounded like there was a demon inside you.”
     A minute ago, before I’d known I could do it, the words had been right there on my tongue, just waiting to be spoken. Now that I wanted them back, it was like trying to catch fish with bare hands. Every time I touched one, it slipped out of my grasp.
     Go away! I shouted.
     The words came in English. The hollow didn’t move. I stiffened my back, glared into its inkpot eyes, and tried again.
     Get out of here! Leave us alone!
     English again. The hollow tilted its head like a curious dog but was otherwise a statue.
     “Is he gone?” Addison asked.
     The others couldn’t tell for sure; only I could see it. “Still there,” I said. “I don’t know what’s wrong.”
     I felt silly and deflated. Had my gift vanished so quickly?
     “Never mind,” Emma said. “Hollows aren’t meant to be reasoned with, anyway.” She stuck out a hand and tried to light a flame, but it fizzled. The effort seemed to sap her. I tightened my grip around her waist lest she topple over.
     “Save your strength, matchstick,” said Addison. “I’m sure we’ll need it.”
     “I’ll fight it with cold hands if I have to,” said Emma. “All that matters is we find the others before it’s too late.”
     The others. I could see them still, their afterimage fading by the tracks: Horace’s fine clothes a mess; Bronwyn’s strength no match for the wights’ guns; Enoch dizzy from the blast; Hugh using the chaos to pull off Olive’s heavy shoes and float her away; Olive caught by the heel and yanked down before she could rise out of reach. All of them weeping in terror, kicked onto the train at gunpoint, gone. Gone with the ymbryne we’d nearly killed ourselves to find, hurtling now through London’s guts toward a fate worse than death. It’s already too late, I thought. It was too late the moment Caul’s soldiers stormed Miss Wren’s frozen hideout. It was too late the night we mistook Miss Peregrine’s wicked brother for our beloved ymbryne.
     But I swore to myself that we’d find our friends and our ymbryne, no matter the cost, even if there were only bodies to recover—even if it meant adding our own to the pile.
     So, then: somewhere in the flashing dark was an escape to the street. A door, a staircase, an escalator, way off against the far wall.
     But how to reach them?
     Get the hell out of our way! I shouted at the hollow, giving it one last try.
     English, naturally. The hollow grunted like a cow but didn’t move. It was no use. The words were gone.
      “Plan B,” I said. “It won’t listen to me, so we go around it, hope it stays put.”
      “Go around it where?” said Emma.
     To give it a wide berth, we’d have to wade through heaps of glass—but the shards would slice Emma’s bare calves and Addison’s paws to ribbons. I considered alternatives: I could carry the dog, but that still left Emma. I could find a swordlike piece of glass and stab the thing in the eyes—a technique that had served me well in the past—but if I didn’t manage to kill it with the first strike, it would surely snap awake and kill us instead. The only other way around it was through a small, glass-free gap between the hollow and the wall.
      It was narrow, though—a foot, maybe a foot and a half wide. A tight squeeze even if we flattened our backs to the wall. I worried that getting so close to the hollow, or worse, touching it by accident, would break the fragile trance holding it in check. Short of growing wings and flying over its head, though, it seemed like our only option.
     “Can you walk a little?” I asked Emma. “Or at least hobble?”
     She locked her knees and loosened her grip on my waist, testing her weight. “I can limp.”
     “Then here’s what we’re going to do: slide past it, backs to the wall, through that gap there. It’s not a lot of space, but if we’re careful . . . ”
     Addison saw what I meant and shrank back into the phone booth. “Do you think we should get so close to it?”
      “Probably not.”
     “What if it wakes up while we’re . . . ?”
     “It won’t,” I said, faking confidence. “Just don’t make any sudden moves—and whatever you do, don’t touch it.”
     “You’re our eyes now,” Addison said. “Bird preserve us.”
     I chose a nice long shard from the floor and slid it into my pocket. Shuffling two steps to the wall, we pressed our backs to the cold tiles and began inching toward the hollow. Its eyes moved as we did, locked on me. A few creeping sidesteps later and we were enveloped by a pocket of hollow-stink so foul, it made my eyes water. Addison coughed and Emma cupped a hand over her nose.
     “Just a little farther,” I said, my voice reedy with forced calm. I took the glass from my pocket, gripping it with the pointed end out, then took another step, and another. We were close enough now that I could’ve touched the hollow with an outstretched arm. I heard its heart knocking inside its ribs, the beat quickening with each step we took. It was straining against me, fighting with every neuron to wrest my clumsy hands from its controls. Don’t move, I said, mouthing the words in English. You’re mine. I control you. Don’t move. I sucked in my chest, lined up and laddered each vertebra against the wall, then crab-walked into the tight gap between the wall and the hollow.
    Don’t move, don’t move.
     Slide, shuffle, slide. I held my breath while the hollow’s quickened, wet and wheezing, a vile black mist blooming from its nostrils. The urge to devour us must’ve been excruciating. So was my urge to run, but I ignored it; that would’ve been acting like prey, not master.
    Don’t move. Do not move.
     Another few steps, a few more feet, and we’d be past it. Its shoulder a hairsbreadth from my chest.
     Don’t
     —and then it did. In one swift motion the hollow swiveled its head and pivoted its body to face me.
     I went rigid. “Don’t move,” I said, this time aloud, to the others.
    Addison buried his face between his paws and Emma froze, her arm squeezing mine like a vise. I steeled myself for what was to come—its tongues, its teeth, the end.
    Get back, get back, get back.
    English, English, English.
    Seconds passed during which, astonishingly, we weren’t killed. But for the rising and falling of its chest, the creature seemingly had turned once again to stone.
    Experimentally, moving by millimeters, I slid along the wall. The hollow followed me with slight turns of its head—locked onto me like a compass needle, its body in perfect sympathy with mine—but it didn’t follow, didn’t open its jaws. If whatever spell I’d cast had been broken, we’d already be dead.
    The hollow was only watching me. Awaiting instructions I didn’t know how to give. “False alarm,” I said, and Emma breathed an audible sigh of relief.
    We slid out of the gap, peeled ourselves from the wall, and hurried away as fast as Emma could limp. When we’d put a little distance between us and the hollow, I looked back. It had turned allthe way around to face me.
    Stay, I muttered in English. Good.

Reviews

“Oh, my birds, I love this book! I’m obsessed with Ransom Riggs’ wildly creative world packed with heroic, heartwarming characters, supper baddies, and incredible settings like Devil’s Acre and the Library of Souls.”—Annalyse, Justine Magazine

“Fans of the trilogy’s first two books will enjoy Library of Souls for its unique world, fast action, satisfying answers and a thorough tying up of loose ends.”—Free Lance-Star
 
Library of Souls will not disappoint.”—Forces of Geek

“I was blown away by the way the haunting photographs were woven so seamlessly into the incredible plot. And Library of Souls has simply the most perfect ending.”—Nikki, Justine Magazine

“The challenge Riggs faces in Library of Souls is to match the remarkably high standard set by the first two books in the series, either the mind-bending bafflements of the first book or the edge-of-your-seat action of the second. Riggs succeeds, delivering a thrilling conclusion to Jacob’s trilogy.”—Paste magazine 

“Fans will easily lose themselves in this most peculiar tale of all.”—Booklist 

“Thrilling and satisfying.”—School Library Journal
 
“Enthralling.”—Children's Bookwatch

“I enjoyed reading this book so much, the cliched, 'I couldn’t put it down,' doesn’t suffice.”—Geeks of Doom 
 
“Readers are sure to leap right in after the cliffhanger ending of Hollow City, and they won’t be disappointed.”—RT Book Review, 4 1/2 out of 5 stars 

“Non-stop wonder.”—Geeks of Doom

Praise for Miss Peregrine’s Home for Peculiar Children
 
“A tense, moving, and wondrously strange first novel. The photographs and text work together brilliantly to create an unforgettable story.”—John Green, New York Times best-selling author of Looking for Alaska and Paper Towns
 
“Readers searching for the next Harry Potter may want to visit Miss Peregrine’s Home for Peculiar Children.”—CNN

“Riggs deftly moves between fantasy and reality, prose and photography to create an enchanting and at times positively terrifying story.”—Associated Press

“I read all of the Miss Peregrine’s Peculiar Children books and I loved them.”—Florence of Florence + The Machine

“[A] thrilling, Tim Burton-esque tale with haunting photographs.”—USA Today Pop Candy 
 
“With its X-Men: First Class-meets-time-travel story line, David Lynchian imagery, and rich, eerie detail, it’s no wonder Miss Peregrine’s Home for Peculiar Children has been snapped up by Twentieth Century Fox. B+”—Entertainment Weekly 

“Peculiar’ doesn’t even begin to cover it. Riggs’ chilling, wondrous novel is already headed to the movies.”—People

“You'll love it if you want a good thriller for the summer. It's a mystery, and you'll race to solve it before Jacob figures it out for himself.”—Seventeen

“This peculiar parable is pure perfection.”—Justine magazine

“One of the coolest, creepiest YA books.”—PopSugar
 
Praise for Hollow City
 
“I was blown away...Hollow City is fantastic.”—USAToday.com

“A worthy follow-up, and as addictive a read as the first.”—Hypable
 
Hollow City mixes spooky vintage photos and action-packed storytelling to continue the story of Jacob Portman and his fellow “peculiars” as they travel through time to war-torn London.”—Dan Kois, Slate
 
“A perfect blend of creepiness and thoughtfulness.”—PopMatters
 
“A stunning achievement… Hollow City is even richer than Riggs’s imaginative debut, Miss Peregrine’s Home for Peculiar Children.”—Boston Globe
 
“What makes the series soar, however, is not the world-building, as intriguing as it is, but the heartfelt intensity of the emotions.”—Virginian-Pilot
 
“Ideal for fans of Neil Gaiman and Daniel Kraus, Hollow City blends fantasy and horror into a world that will engross readers and leave them eager for more.”—Shelf Awareness for Readers
 
“A tasty adventure for any reader with an appetite for the…peculiar.”—Kirkus Reviews

“New readers of the series will find this novel a treat...Fans of the first title will find this book a treasure. The only downside: waiting for the third installment to find out what happens to Jacob and his peculiar friends.”—School Library Journal

“Riggs has created a fresh and original world in these Peregrine novels, with likable, quirky characters and a very readable style.”—Library Journal Xpress Review

Author

Ransom Riggs is the #1 New York Times best-selling author of the Miss Peregrine’s Peculiar Children novels. Riggs was born on a farm in Maryland and grew up in southern Florida. He studied literature at Kenyon College and film at the University of Southern California. He lives in Los Angeles with his wife, the best-selling author Tahereh Mafi, and their family. View titles by Ransom Riggs