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Milk Glass Moon

A Big Stone Gap Novel

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To unify her family, Ave Maria must harness the power of love and its abiding truth in this lyrical and heartfelt novel, the third installment of the New York Times bestselling Big Stone Gap series

“Trigiani can make you laugh in one sentence then break your heart in the next.”—Mississippi Clarion-Ledger
 
Ave Maria Mulligan MacChesney has never been a devotee of tarot cards or crystal balls. And yet when the fortune-teller at the county fair suggests that it is time for her to “redream” her life, Ave Maria realizes she is wide open to suggestion. Not a bad idea considering that her beloved daughter, Etta, is growing up fast. In the face of the trials of adolescence, Ave Maria tries to prepare herself for the day when Etta will rebel big-time. Of course, everyone in Big Stone Gap sees it’s coming: Cranky cashier Fleeta has warned her, county sexpert Iva Lou has consoled her, even Pearl, now a mother herself, has lent her sympathy—but that doesn’t make the changes in Etta any easier to handle. 
 
Milk Glass Moon chronicles the challenges Ave Maria faces in her parenting and in her marriage, with more surprising twists and turns than on the mountain roads of southwest Virginia.
 
Don’t miss any of Adriana Trigiani’s beloved Big Stone Gap series
BIG STONE GAP • BIG CHERRY HOLLER • MILK GLASS MOON • HOME TO BIG STONE GAP
Chapter One

The Wise County Fair is my daughter’s favorite event of the year, and I think it’s safe to say that includes Christmas. Etta has been on her best behavior for the past two weeks, so perfect down to the smallest detail (including unassigned chores like making my bed and weeding my garden) that I’m worried.

We have the window flaps of the Jeep down, and the warm August air whipping through is sweet with honeysuckle. Still, it is no match for Iva Lou’s perfume, which wafts up to the front seat whenever we peel around a curve. Etta looks out the window for road signs, searching for proof that we’re almost there. I’ve taken the quicker route, the valley road out of Big Stone Gap up to Norton. As we ascend the mountains in twilight, we pass Coeburn nestled in the valley below, where the cluster of lights twinkles like a scoop of emeralds. Etta smoothes her braids and settles back in her seat.

“Here’s the plan. First we eat,” Iva Lou announces as she unfolds the special to the newspaper. “I myself am having a jumbo caramel apple with nuts, and if I have to go see Doc Guest for a bridge on Monday, then so be it. Them caramel apples are worth a molar.”

“I want the blue cotton candy,” Etta decides.

“I want a chili dog with onions,” I reply.

“I have a lot of money,” Etta says proudly as she sifts through her change purse.

“Ask Dad to spring for dinner. That will leave you more money for the games of chance.”

Etta smiles and carefully counts her money without lifting it out of the purse. I see a five-dollar bill folded neatly into a small square (some lucky clay-pigeon operator is about to score a windfall).

“What if we can’t find him?” she asks.

“We’ll find him.”

“Just go straight to the outdoor the-a-ter. He’s up there with all them men checking out the rehearsal for Miss Lonesome Pine.”

“He built the stage,” I remind Iva Lou in a tone that says, Don’t start with that again.

“That’s as good a reason as any, then.” Iva Lou meets my eye in the rearview mirror and winks.

We find a parking spot under a tree overlooking the fairgrounds and climb out of the Jeep. Iva Lou checks her hair in the driver’s side mirror and then smiles at us, ready to go. She’s wearing a pair of dark blue denim pedal pushers and a red bandanna-print blouse tied at the waist. Her Diamonelle hoop earrings peek out from under her platinum bob like giant waterwheels. Iva Lou is ageless; you would never know she is fifty-something. Her look, however, is best viewed from a distance, like a fine painting. You don’ t want to get so close that you get lost in the details.

Etta looks at the fairgrounds with a clinical eye, surveying the faded striped tents surrounded by torches like birthday candles. She smiles when she spots the Ferris wheel. “Ma, will you go on the rides with me?”

“Sure.” But Etta knows that at the last second in line, when we’re ready to go up the metal plank, I’ll send her father with her instead.

“Do we have to go to the beauty pageant?” she asks.

“I thought you liked it.”

“I like the dresses all right. The talent’s always terrible.” Etta shrugs. She’s right. Last year, leggy blond Ellen Tierney, representing Big Stone Gap, did a dance routine to “Happy to Keep Your Dinner Warm”; her tap shoe flew off when she did a high kick, clocked a man in the first row, and knocked him out. The victim was rushed to the hospital and revived, but he may have the imprint of the metal tap on his forehead for life. “And I hate the physical-fitness part when they come out and jump around in bathing suits. Anybody can do that stuff.”

“Etta, hon, it don’t take a lot of talent to look good in a bathing suit. That you’re born with.” Iva Lou breathes deeply and straightens her shoulders. “I ought to know.”

“I’m never gonna be in a beauty pageant,” Etta announces.

“Me neither.” I give my daughter a quick hug.

The benches in the outdoor theater are filling up fast. The aisles are covered in Astroturf runners; the stage is banked in garlands of red paper roses; the backdrop is a cutout of a giant pine tree with miss lonesome pine written in gold leaf.

School starts in a few weeks. I can’t believe Etta is twelve years old and going into the seventh grade. My mother would have been sixty-six this year. I feel oddly lost between them: not old yet, not young anymore. I thought motherhood was a job with security, but it’ s not. It’s the least permanent job in the world, the only job in which your skills become obsolete overnight. It was that way from the beginning. When I finally got a handle on breast-feeding, it was time for solid food. I worried that Etta wasn’ t turning over in the crib on her own, but soon she was crawling, and then, before I knew it, walking. When she went to school, I thought she’d need me more, but all of a sudden she had a life apart from me and was just fine. And now, after we’ve established a routine as a family, in which Etta has responsibilities, she’s developed a newfound independence and her own opinions. This is, of course, the point of all of it—preparing your children to leave you—yet I’m so afraid to let go. I don’t know how I’ll handle it when she’s eighteen and leaves for college. How did my mother do it? I wish she were here to lead me through these changes.

“Dad!” Etta waves to Jack, who waves back to her from a platform at the side of the stage. He finishes helping the spot operator set the light levels, then climbs down the ladder to join us. My husband is still agile; his strong arms hook down the ladder rhythmically. His jeans are faded to dusty blue, and his white T-shirt frames his gray hair beautifully. Sometimes, when I see him in the distance, I forget he’s mine and think, What a fine-looking man. He still makes my heart race—quite a feat after all these years. His straight nose and lips are surrounded not by wrinkles but by expression lines. He’s damn cute, my husband. I try not to hate him for aging so well.

Otto Olinger approaches, wiping his face with a bandanna. “We barely got that stage up in time. Ain’t that right, Worley?” Otto turns to his son, whose white hair makes him look around the same age as his father.

“It was rough,” Worley agrees.

“ ’Cause you ain’t got your minds on your work. Too busy ogling the girls,” Iva Lou tells them.

“We did us some looking.” Worley smiles.

Otto shrugs. “Can’t hardly help it, they’s so purty. Of course, I ain’t never seen me no ugly women, just some that’s purtier than others.”

Jack gives me a kiss and takes Etta’s hand. “You want to watch from up there?” he asks her.

“Yeah!”

“We’ve got a couple of seats down front for you.”

I turn to Iva Lou. “Do you want to stay?”

“What do you want to do?”

“I’d rather wander around.”

“Let’ s wander, then.” Iva Lou turns to go up the ramp.

“Okay, we’ll catch up with you later.” Jack Mac takes Etta to the ladder and helps her to the top. She kneels on the platform as her father explains something about the equipment. She listens and nods. I can’t believe she’s my kid and not afraid of heights. In fact, she’s fearless about everything—picking up stray animals, speaking in public, boys. Etta cares about how things work; in that way, she is just like her father. She is all MacChesney, and that’s not always easy for me to accept.

“What are we gonna do?” Iva Lou asks.

“We’re going to see Sister Claire.”

“Who the hell is that? A Catholic?”

“No. She’ s a fortune-teller.”

“No voodoo for me, girlfriend.”

“Come on. After she makes you drink a cocktail of eye of newt and puts a spell on you, it’s all uphill.”

Sister Claire has a small dark green tent by the edge of the grounds. Two folding chairs are set up outside the flap. I’m surprised there isn’t a line of people waiting. Sister Claire is well known in these parts; she’s from the mountains of North Carolina near Greensboro. A pharmaceutical salesman out of Raleigh who traveled through Big Stone encouraged me to see Sister if she was ever in the area. He told me that she was the genuine article, a true mystic. I’m surprised when a small, gentle woman of sixty, with a heart-shaped face and skin the color of strong tea, emerges from the tent to greet us.

“Are you here to see me?” she asks. “I’m Sister Claire.”

Iva Lou turns away and grabs my arm to return to the hub of the fair, where no one knows the future, not even the judges of the Miss Lonesome Pine Contest.

“Yes ma’ am. We are.” Iva Lou shoots me a look, so I correct myself. “I am,” I say earnestly, not knowing exactly how to address a psychic.

“Welcome.”

“I think most of the people are at the beauty pageant,” I tell her, apologizing for her lack of clientele.

Sister Claire turns to Iva Lou and looks her straight in the eye. “I understand if the idea of a reading makes you uncomfortable. I don’t like to have my cards read.”
“[Trigiani’s] characters [are] the perfect antidote to an angst-filled world.”The Denver Post
 
“Delightfully eccentric . . . chock-full of the homespun characters and the earthy wisdom readers have come to expect from this utterly charming series.”Booklist
 
“Tasty fare . . . Trigiani is a chatty host, serving up southern-fried storytelling (complete with a recipe for chocolate Coca-Cola cake) with a few Italian side dishes (the story takes a detour into Tuscany) while catching us up with her down-home cast. . . . Trigiani sews the pieces of her crazy quilt together.”People
 
“Delightful . . . Trigiani’s unerring portrayal of the singular personalities that make up the small southwest Virginia town brings humor and poignancy to Ave’s richly drawn life in Big Stone Gap. . . . As always, it is the day-to-day details of life in the charming backwater town of Big Stone Gap that make the story shine.”Publishers Weekly

“A happy book, sprinkled with gentle, down-home humor and a rich sense of place . . . Trigiani does a fine job of resolving twenty-year story lines while still leaving readers wanting more. Fans of the previous novels will savor this title as well.”Library Journal
© Tim Stephenson c 2022 New York City
Adriana Trigiani is the New York Times bestselling author of twenty books of fiction and nonfiction, including The Shoemaker’s Wife. Her books have been published in thirty-eight languages around the world. She is an award-winning playwright, television writer/producer, and filmmaker. Among her screen credits, Trigiani wrote and directed the major motion picture adaptation of her debut novel, Big Stone Gap. Adriana grew up in the Blue Ridge Mountains of Virginia, where she co-founded the Origin Project. Trigiani is proud to serve on the New York State Council on the Arts. She lives in New York City with her family. View titles by Adriana Trigiani

About

To unify her family, Ave Maria must harness the power of love and its abiding truth in this lyrical and heartfelt novel, the third installment of the New York Times bestselling Big Stone Gap series

“Trigiani can make you laugh in one sentence then break your heart in the next.”—Mississippi Clarion-Ledger
 
Ave Maria Mulligan MacChesney has never been a devotee of tarot cards or crystal balls. And yet when the fortune-teller at the county fair suggests that it is time for her to “redream” her life, Ave Maria realizes she is wide open to suggestion. Not a bad idea considering that her beloved daughter, Etta, is growing up fast. In the face of the trials of adolescence, Ave Maria tries to prepare herself for the day when Etta will rebel big-time. Of course, everyone in Big Stone Gap sees it’s coming: Cranky cashier Fleeta has warned her, county sexpert Iva Lou has consoled her, even Pearl, now a mother herself, has lent her sympathy—but that doesn’t make the changes in Etta any easier to handle. 
 
Milk Glass Moon chronicles the challenges Ave Maria faces in her parenting and in her marriage, with more surprising twists and turns than on the mountain roads of southwest Virginia.
 
Don’t miss any of Adriana Trigiani’s beloved Big Stone Gap series
BIG STONE GAP • BIG CHERRY HOLLER • MILK GLASS MOON • HOME TO BIG STONE GAP

Excerpt

Chapter One

The Wise County Fair is my daughter’s favorite event of the year, and I think it’s safe to say that includes Christmas. Etta has been on her best behavior for the past two weeks, so perfect down to the smallest detail (including unassigned chores like making my bed and weeding my garden) that I’m worried.

We have the window flaps of the Jeep down, and the warm August air whipping through is sweet with honeysuckle. Still, it is no match for Iva Lou’s perfume, which wafts up to the front seat whenever we peel around a curve. Etta looks out the window for road signs, searching for proof that we’re almost there. I’ve taken the quicker route, the valley road out of Big Stone Gap up to Norton. As we ascend the mountains in twilight, we pass Coeburn nestled in the valley below, where the cluster of lights twinkles like a scoop of emeralds. Etta smoothes her braids and settles back in her seat.

“Here’s the plan. First we eat,” Iva Lou announces as she unfolds the special to the newspaper. “I myself am having a jumbo caramel apple with nuts, and if I have to go see Doc Guest for a bridge on Monday, then so be it. Them caramel apples are worth a molar.”

“I want the blue cotton candy,” Etta decides.

“I want a chili dog with onions,” I reply.

“I have a lot of money,” Etta says proudly as she sifts through her change purse.

“Ask Dad to spring for dinner. That will leave you more money for the games of chance.”

Etta smiles and carefully counts her money without lifting it out of the purse. I see a five-dollar bill folded neatly into a small square (some lucky clay-pigeon operator is about to score a windfall).

“What if we can’t find him?” she asks.

“We’ll find him.”

“Just go straight to the outdoor the-a-ter. He’s up there with all them men checking out the rehearsal for Miss Lonesome Pine.”

“He built the stage,” I remind Iva Lou in a tone that says, Don’t start with that again.

“That’s as good a reason as any, then.” Iva Lou meets my eye in the rearview mirror and winks.

We find a parking spot under a tree overlooking the fairgrounds and climb out of the Jeep. Iva Lou checks her hair in the driver’s side mirror and then smiles at us, ready to go. She’s wearing a pair of dark blue denim pedal pushers and a red bandanna-print blouse tied at the waist. Her Diamonelle hoop earrings peek out from under her platinum bob like giant waterwheels. Iva Lou is ageless; you would never know she is fifty-something. Her look, however, is best viewed from a distance, like a fine painting. You don’ t want to get so close that you get lost in the details.

Etta looks at the fairgrounds with a clinical eye, surveying the faded striped tents surrounded by torches like birthday candles. She smiles when she spots the Ferris wheel. “Ma, will you go on the rides with me?”

“Sure.” But Etta knows that at the last second in line, when we’re ready to go up the metal plank, I’ll send her father with her instead.

“Do we have to go to the beauty pageant?” she asks.

“I thought you liked it.”

“I like the dresses all right. The talent’s always terrible.” Etta shrugs. She’s right. Last year, leggy blond Ellen Tierney, representing Big Stone Gap, did a dance routine to “Happy to Keep Your Dinner Warm”; her tap shoe flew off when she did a high kick, clocked a man in the first row, and knocked him out. The victim was rushed to the hospital and revived, but he may have the imprint of the metal tap on his forehead for life. “And I hate the physical-fitness part when they come out and jump around in bathing suits. Anybody can do that stuff.”

“Etta, hon, it don’t take a lot of talent to look good in a bathing suit. That you’re born with.” Iva Lou breathes deeply and straightens her shoulders. “I ought to know.”

“I’m never gonna be in a beauty pageant,” Etta announces.

“Me neither.” I give my daughter a quick hug.

The benches in the outdoor theater are filling up fast. The aisles are covered in Astroturf runners; the stage is banked in garlands of red paper roses; the backdrop is a cutout of a giant pine tree with miss lonesome pine written in gold leaf.

School starts in a few weeks. I can’t believe Etta is twelve years old and going into the seventh grade. My mother would have been sixty-six this year. I feel oddly lost between them: not old yet, not young anymore. I thought motherhood was a job with security, but it’ s not. It’s the least permanent job in the world, the only job in which your skills become obsolete overnight. It was that way from the beginning. When I finally got a handle on breast-feeding, it was time for solid food. I worried that Etta wasn’ t turning over in the crib on her own, but soon she was crawling, and then, before I knew it, walking. When she went to school, I thought she’d need me more, but all of a sudden she had a life apart from me and was just fine. And now, after we’ve established a routine as a family, in which Etta has responsibilities, she’s developed a newfound independence and her own opinions. This is, of course, the point of all of it—preparing your children to leave you—yet I’m so afraid to let go. I don’t know how I’ll handle it when she’s eighteen and leaves for college. How did my mother do it? I wish she were here to lead me through these changes.

“Dad!” Etta waves to Jack, who waves back to her from a platform at the side of the stage. He finishes helping the spot operator set the light levels, then climbs down the ladder to join us. My husband is still agile; his strong arms hook down the ladder rhythmically. His jeans are faded to dusty blue, and his white T-shirt frames his gray hair beautifully. Sometimes, when I see him in the distance, I forget he’s mine and think, What a fine-looking man. He still makes my heart race—quite a feat after all these years. His straight nose and lips are surrounded not by wrinkles but by expression lines. He’s damn cute, my husband. I try not to hate him for aging so well.

Otto Olinger approaches, wiping his face with a bandanna. “We barely got that stage up in time. Ain’t that right, Worley?” Otto turns to his son, whose white hair makes him look around the same age as his father.

“It was rough,” Worley agrees.

“ ’Cause you ain’t got your minds on your work. Too busy ogling the girls,” Iva Lou tells them.

“We did us some looking.” Worley smiles.

Otto shrugs. “Can’t hardly help it, they’s so purty. Of course, I ain’t never seen me no ugly women, just some that’s purtier than others.”

Jack gives me a kiss and takes Etta’s hand. “You want to watch from up there?” he asks her.

“Yeah!”

“We’ve got a couple of seats down front for you.”

I turn to Iva Lou. “Do you want to stay?”

“What do you want to do?”

“I’d rather wander around.”

“Let’ s wander, then.” Iva Lou turns to go up the ramp.

“Okay, we’ll catch up with you later.” Jack Mac takes Etta to the ladder and helps her to the top. She kneels on the platform as her father explains something about the equipment. She listens and nods. I can’t believe she’s my kid and not afraid of heights. In fact, she’s fearless about everything—picking up stray animals, speaking in public, boys. Etta cares about how things work; in that way, she is just like her father. She is all MacChesney, and that’s not always easy for me to accept.

“What are we gonna do?” Iva Lou asks.

“We’re going to see Sister Claire.”

“Who the hell is that? A Catholic?”

“No. She’ s a fortune-teller.”

“No voodoo for me, girlfriend.”

“Come on. After she makes you drink a cocktail of eye of newt and puts a spell on you, it’s all uphill.”

Sister Claire has a small dark green tent by the edge of the grounds. Two folding chairs are set up outside the flap. I’m surprised there isn’t a line of people waiting. Sister Claire is well known in these parts; she’s from the mountains of North Carolina near Greensboro. A pharmaceutical salesman out of Raleigh who traveled through Big Stone encouraged me to see Sister if she was ever in the area. He told me that she was the genuine article, a true mystic. I’m surprised when a small, gentle woman of sixty, with a heart-shaped face and skin the color of strong tea, emerges from the tent to greet us.

“Are you here to see me?” she asks. “I’m Sister Claire.”

Iva Lou turns away and grabs my arm to return to the hub of the fair, where no one knows the future, not even the judges of the Miss Lonesome Pine Contest.

“Yes ma’ am. We are.” Iva Lou shoots me a look, so I correct myself. “I am,” I say earnestly, not knowing exactly how to address a psychic.

“Welcome.”

“I think most of the people are at the beauty pageant,” I tell her, apologizing for her lack of clientele.

Sister Claire turns to Iva Lou and looks her straight in the eye. “I understand if the idea of a reading makes you uncomfortable. I don’t like to have my cards read.”

Reviews

“[Trigiani’s] characters [are] the perfect antidote to an angst-filled world.”The Denver Post
 
“Delightfully eccentric . . . chock-full of the homespun characters and the earthy wisdom readers have come to expect from this utterly charming series.”Booklist
 
“Tasty fare . . . Trigiani is a chatty host, serving up southern-fried storytelling (complete with a recipe for chocolate Coca-Cola cake) with a few Italian side dishes (the story takes a detour into Tuscany) while catching us up with her down-home cast. . . . Trigiani sews the pieces of her crazy quilt together.”People
 
“Delightful . . . Trigiani’s unerring portrayal of the singular personalities that make up the small southwest Virginia town brings humor and poignancy to Ave’s richly drawn life in Big Stone Gap. . . . As always, it is the day-to-day details of life in the charming backwater town of Big Stone Gap that make the story shine.”Publishers Weekly

“A happy book, sprinkled with gentle, down-home humor and a rich sense of place . . . Trigiani does a fine job of resolving twenty-year story lines while still leaving readers wanting more. Fans of the previous novels will savor this title as well.”Library Journal

Author

© Tim Stephenson c 2022 New York City
Adriana Trigiani is the New York Times bestselling author of twenty books of fiction and nonfiction, including The Shoemaker’s Wife. Her books have been published in thirty-eight languages around the world. She is an award-winning playwright, television writer/producer, and filmmaker. Among her screen credits, Trigiani wrote and directed the major motion picture adaptation of her debut novel, Big Stone Gap. Adriana grew up in the Blue Ridge Mountains of Virginia, where she co-founded the Origin Project. Trigiani is proud to serve on the New York State Council on the Arts. She lives in New York City with her family. View titles by Adriana Trigiani