"Not perhaps since Samuel Johnson has a critic explained to a general audience as ably as Mr. Bloom does how much Shakespeare matters to our sense of who we are." —New York Times
One: Inferring Hamlet
Two: Horatio
Three: Plays Within Plays Within Plays
Four: Two Soliloquies
Five: Ophelia
Six: Shakespeare to the Players
Seven: The Mousetrap: Contrary Will
Eight: Gertrude
Nine: Claudius
Ten: The Impostume
Eleven: The Grave-Digger
Twelve: Wonder-Wounded Hearers
Thirteen: In My Heart There was a Kind of Fighting
Fourteen: We Defy Augury
Fifteen: Let It Be
Sixteen: Apotheosis and Tragedy
Seventeen: Hamlet and the High Places
Eighteen: Fortinbras
Nineteen: Had I But Time—O, I Could Tell You
Twenty: Annihilation: Hamlet's Wake
Twenty-One: The Fusion of High and Popular Art
Twenty-Two: Hamlet As the Limit of Stage Drama
Twenty-Three: The End of Our Time
Twenty-Four: The Hero of Consciousness
Twenty-Five: Hamlet and No End
"Not perhaps since Samuel Johnson has a critic explained to a general audience as ably as Mr. Bloom does how much Shakespeare matters to our sense of who we are." —New York Times
One: Inferring Hamlet
Two: Horatio
Three: Plays Within Plays Within Plays
Four: Two Soliloquies
Five: Ophelia
Six: Shakespeare to the Players
Seven: The Mousetrap: Contrary Will
Eight: Gertrude
Nine: Claudius
Ten: The Impostume
Eleven: The Grave-Digger
Twelve: Wonder-Wounded Hearers
Thirteen: In My Heart There was a Kind of Fighting
Fourteen: We Defy Augury
Fifteen: Let It Be
Sixteen: Apotheosis and Tragedy
Seventeen: Hamlet and the High Places
Eighteen: Fortinbras
Nineteen: Had I But Time—O, I Could Tell You
Twenty: Annihilation: Hamlet's Wake
Twenty-One: The Fusion of High and Popular Art
Twenty-Two: Hamlet As the Limit of Stage Drama
Twenty-Three: The End of Our Time
Twenty-Four: The Hero of Consciousness
Twenty-Five: Hamlet and No End
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