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Giant Love

Edna Ferber, Her Best-selling Novel of Texas, and the Making of a Classic American Film

Author Julie Gilbert On Tour
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A book that explores the great American novelist and playwright Edna Ferber, winner of the Pulitzer Prize for Ficton, whose work was made into many Academy Award-winning movies; the writing of her controversial, international best-selling novel about Texas, and the making of George Stevens’ Academy Award winning epic film of the same name, Giant.

The stupendous publication of Edna Ferber's Giant in 1952 set off a storm of protest over the novel's portrayal of Texas manners, money and mores with oil-rich Texans threatening to shoot, lynch or ban Ferber from ever entering the state again.

In Giant Love, Julie Gilbert writes of the internationally best-selling Ferber, one of the most widely read writers in the first half of the 20th Century – her evolution from mid-west maverick girl-reporter to Pulitzer Prize winning, beloved American novelist, from her want-to-be actress days to becoming Broadway's acclaimed prize-winning playwright whose collaborators – George S. Kauffman and Moss Hart, among them, were, along with Ferber, herself, the most successful playwrights of their time.

Here is the making of an American classic novel and the film that followed in its wake. We see how George Stevens, Academy-Award winning director, wooed the prickly, stubborn Ferber, ultimately getting her to agree to everything including writing, for the first time ever, a draft of a screenplay, to her okaying James Dean for the part of the ranch hand, Jett Rink, something she was dead set against.

Here is the casting of Elizabeth Taylor, Rock Hudson, James Dean and their backstory triangle of sex and seduction – each becoming a huge star because of the film; the frustrated Stevens trying to direct the instinctive but undisciplined Dean, and the months long landmark filming in the sleepy town of Marfa, Texas, suddenly invaded by a battalion of a film crew and some of the biggest stars in the rising celebrity culture.
A Most Anticipated Book from The New York Times, The Los Angeles Times, and Alta

“A tender and patient homage to a titan of American letters. . . . With [Gilbert’s] efforts, Ferber’s fire burns on.”
The New York Times
 
“A vivid portrait of the woman who produced a landmark novel that inspired a film that has become essential to modern cinema. . . . [A] beautifully rendered account of [Gilbert’s] great aunt and her famous novel [Giant].”
The Washington Post
 
“Scrupulously researched, profusely illustrated, and deftly written.”
Dallas Morning News
 
“A splendid recounting of the high points of Ferber’s life, with particular emphasis on the research, production, and success of Giant. . . . Compelling.”
San Diego Jewish World

“Immaculately thorough and beautifully perceptive. . . . Gilbert expertly guides the reader through the writing, publication, and reception of Ferber's novel . . . [and] her book really takes off when she settles into the making of Stevens’ movie. . . . Superb.”
The American Conservative

“Impressive. . . . Vividly recounted. . . . Ferber enthusiasts will relish the scope and depth of this fine and captivating narrative.”
Library Journal, starred review
 
“An extraordinarily illuminating account of the making of an essential literary and cinematic work and a vital portrait of brilliant, righteous, and gutsy Ferber.”
Booklist

“[An] in-depth account of the writing of Ferber’s greatest novel, Giant, and its transformation into a classic American film. . . . Readers will enjoy the book’s thorough analysis of the filming of director George Steven’ masterful adaptation.”
Kirkus Reviews

“In this riveting narrative, Gilbert deftly balances first-person encounters with reportorial objectivity—the result is a multi-dimensional portrait of a writer’s creative process, accompanied by a vibrant history of the making of the film Giant.  While details of the film’s production are well-known, Gilbert, tuned in to her characters and her subject, endows them with new life. Nonetheless, the enigma of Ferber, an instinctive and unwavering feminist, forever alone and forever vigilant, hovers over the chronicle, and Edna herself is the star here, stealing the spotlight from all the others. Gilbert’s writing has the snap, the love of piling on adjectives in a flowing, unstoppable rhythm, the descriptive power and eye for riveting detail of a Ferber best-seller. Ferber could sweep the reader into the worlds she created in her meticulously researched novels; Julie Gilbert displays the same family gifts in her chronicle of the making of an American epic.”
—Foster Hirsch, author of Hollywood and the Movies of the Fifties

“The magnificent Julie Gilbert proves that there is no better biographer of the life and work of her aunt Edna Ferber, than she. Giant Love is a study in the development of source material in Hollywood, including the importance of the translation of the voice from novel to script and a juicy behind the scenes look at how great movies are made. It's all here, through Edna's point of view, peppered with the personalities and talents of the time. In the author's hands, the vibrant story comes to life, and it feels a lot like the first time I saw Giant on a big screen in a revival house. Mesmerizing!”
—Adriana Trigiani, bestselling author of The Good Left Undone

“For much of the 20th century, Edna Ferber wrote novels in which resolute women gradually civilized lunk-headed men against the backdrop of changing times. Ferber’s earlier works, Show Boat and Cimarron, were just coming attractions for Giant. In Giant Love, Julie Gilbert writes the story of her grand-aunt’s novel, and especially of George Steven’s landmark movie adaptation, from the inside, with an intimate knowledge of family and the passion of a great narrative historian.”
—Scott Eyman, author of Charlie Chaplin vs. America

“A brilliant evocation of a remarkable woman and her achievements. One is left with the feeling—’Edna, thou shouldst be living (and writing) at this hour. We need you!’”
—Barry Day, editor of The Letters of Noel Coward and author of Coward on Film

Giant Love is one of those rare books you can’t put down and don’t ever want to end. Well-researched, lucid, and beautifully written, it manages to take three stories—the life of the great Edna Ferber, the writing of the epic novel Giant, and the vivid and complex making of the film—and seamlessly blends them into one. Julie Gilbert has written a frank and beautiful tribute to the art of making art.”
—Andre Bishop, Producing Artistic Director of the Lincoln Center Theater

Giant Love is a portrait of the indomitable artist—in this case, the pioneering spirit Edna Ferber—embracing the integrity of her vision in the face of intractable odds, including the male-dominated, subtlety-challenged world of Hollywood. Edna Ferber created ‘bingeworthy’ epics before sound pictures and television even existed and this marvelous book is an affectionate tribute to an un(der)sung American original.”
—Laurence Maslon, theater historian and host of the NPR radio program Broadway to Main Street
 
“At the end of this marvelous book, Julie Gilbert says of her great aunt Edna Ferber: ‘She was a serious . . . writer who happened to be female.’ Much the same can be said about Gilbert, who has taken us on a remarkable journey.  With access to what seems like every scrap of paper and correspondence ever created—where did she find it all?—Gilbert explains Ferber the person, Ferber the brave, Ferber the visionary, Ferber the stubborn, and overall, Ferber the major figure who must not be overlooked.  Pivoting around her controversial book Giant and its award-winning movie version, the story told here feels complete.  If only the politics of Giant were outdated; it feels all too relevant today. Reading the book made me go back and watch the film again—and made me see anew how revelatory Edna Ferber’s work still is.”
—Ted Chapin, author of Everything Was Possible: The Birth of the Musical Follies
© Capehart Photography
JULIE GILBERT was born in New York City and was educated at Boston University. She is the author of four books, among them a biography of her great aunt, Edna Ferber, Edna Ferber and Her Circle and Opposite Attraction: The Lives of Erich Maria Remarque and Paulette Goddard, Gilbert is a member of The Dramatists Guild, The Writers Guild of America, East, The Authors Guild, Actors’ Equity, and League of Professional Theater Women. She has taught Creative Writing at New York University’s School of Continuing Education and currently heads The Writers Academy at The Kravis Center for the Performing Arts in West Palm Beach, Florida where she lives part time, as well as in New York City. View titles by Julie Gilbert

About

A book that explores the great American novelist and playwright Edna Ferber, winner of the Pulitzer Prize for Ficton, whose work was made into many Academy Award-winning movies; the writing of her controversial, international best-selling novel about Texas, and the making of George Stevens’ Academy Award winning epic film of the same name, Giant.

The stupendous publication of Edna Ferber's Giant in 1952 set off a storm of protest over the novel's portrayal of Texas manners, money and mores with oil-rich Texans threatening to shoot, lynch or ban Ferber from ever entering the state again.

In Giant Love, Julie Gilbert writes of the internationally best-selling Ferber, one of the most widely read writers in the first half of the 20th Century – her evolution from mid-west maverick girl-reporter to Pulitzer Prize winning, beloved American novelist, from her want-to-be actress days to becoming Broadway's acclaimed prize-winning playwright whose collaborators – George S. Kauffman and Moss Hart, among them, were, along with Ferber, herself, the most successful playwrights of their time.

Here is the making of an American classic novel and the film that followed in its wake. We see how George Stevens, Academy-Award winning director, wooed the prickly, stubborn Ferber, ultimately getting her to agree to everything including writing, for the first time ever, a draft of a screenplay, to her okaying James Dean for the part of the ranch hand, Jett Rink, something she was dead set against.

Here is the casting of Elizabeth Taylor, Rock Hudson, James Dean and their backstory triangle of sex and seduction – each becoming a huge star because of the film; the frustrated Stevens trying to direct the instinctive but undisciplined Dean, and the months long landmark filming in the sleepy town of Marfa, Texas, suddenly invaded by a battalion of a film crew and some of the biggest stars in the rising celebrity culture.

Reviews

A Most Anticipated Book from The New York Times, The Los Angeles Times, and Alta

“A tender and patient homage to a titan of American letters. . . . With [Gilbert’s] efforts, Ferber’s fire burns on.”
The New York Times
 
“A vivid portrait of the woman who produced a landmark novel that inspired a film that has become essential to modern cinema. . . . [A] beautifully rendered account of [Gilbert’s] great aunt and her famous novel [Giant].”
The Washington Post
 
“Scrupulously researched, profusely illustrated, and deftly written.”
Dallas Morning News
 
“A splendid recounting of the high points of Ferber’s life, with particular emphasis on the research, production, and success of Giant. . . . Compelling.”
San Diego Jewish World

“Immaculately thorough and beautifully perceptive. . . . Gilbert expertly guides the reader through the writing, publication, and reception of Ferber's novel . . . [and] her book really takes off when she settles into the making of Stevens’ movie. . . . Superb.”
The American Conservative

“Impressive. . . . Vividly recounted. . . . Ferber enthusiasts will relish the scope and depth of this fine and captivating narrative.”
Library Journal, starred review
 
“An extraordinarily illuminating account of the making of an essential literary and cinematic work and a vital portrait of brilliant, righteous, and gutsy Ferber.”
Booklist

“[An] in-depth account of the writing of Ferber’s greatest novel, Giant, and its transformation into a classic American film. . . . Readers will enjoy the book’s thorough analysis of the filming of director George Steven’ masterful adaptation.”
Kirkus Reviews

“In this riveting narrative, Gilbert deftly balances first-person encounters with reportorial objectivity—the result is a multi-dimensional portrait of a writer’s creative process, accompanied by a vibrant history of the making of the film Giant.  While details of the film’s production are well-known, Gilbert, tuned in to her characters and her subject, endows them with new life. Nonetheless, the enigma of Ferber, an instinctive and unwavering feminist, forever alone and forever vigilant, hovers over the chronicle, and Edna herself is the star here, stealing the spotlight from all the others. Gilbert’s writing has the snap, the love of piling on adjectives in a flowing, unstoppable rhythm, the descriptive power and eye for riveting detail of a Ferber best-seller. Ferber could sweep the reader into the worlds she created in her meticulously researched novels; Julie Gilbert displays the same family gifts in her chronicle of the making of an American epic.”
—Foster Hirsch, author of Hollywood and the Movies of the Fifties

“The magnificent Julie Gilbert proves that there is no better biographer of the life and work of her aunt Edna Ferber, than she. Giant Love is a study in the development of source material in Hollywood, including the importance of the translation of the voice from novel to script and a juicy behind the scenes look at how great movies are made. It's all here, through Edna's point of view, peppered with the personalities and talents of the time. In the author's hands, the vibrant story comes to life, and it feels a lot like the first time I saw Giant on a big screen in a revival house. Mesmerizing!”
—Adriana Trigiani, bestselling author of The Good Left Undone

“For much of the 20th century, Edna Ferber wrote novels in which resolute women gradually civilized lunk-headed men against the backdrop of changing times. Ferber’s earlier works, Show Boat and Cimarron, were just coming attractions for Giant. In Giant Love, Julie Gilbert writes the story of her grand-aunt’s novel, and especially of George Steven’s landmark movie adaptation, from the inside, with an intimate knowledge of family and the passion of a great narrative historian.”
—Scott Eyman, author of Charlie Chaplin vs. America

“A brilliant evocation of a remarkable woman and her achievements. One is left with the feeling—’Edna, thou shouldst be living (and writing) at this hour. We need you!’”
—Barry Day, editor of The Letters of Noel Coward and author of Coward on Film

Giant Love is one of those rare books you can’t put down and don’t ever want to end. Well-researched, lucid, and beautifully written, it manages to take three stories—the life of the great Edna Ferber, the writing of the epic novel Giant, and the vivid and complex making of the film—and seamlessly blends them into one. Julie Gilbert has written a frank and beautiful tribute to the art of making art.”
—Andre Bishop, Producing Artistic Director of the Lincoln Center Theater

Giant Love is a portrait of the indomitable artist—in this case, the pioneering spirit Edna Ferber—embracing the integrity of her vision in the face of intractable odds, including the male-dominated, subtlety-challenged world of Hollywood. Edna Ferber created ‘bingeworthy’ epics before sound pictures and television even existed and this marvelous book is an affectionate tribute to an un(der)sung American original.”
—Laurence Maslon, theater historian and host of the NPR radio program Broadway to Main Street
 
“At the end of this marvelous book, Julie Gilbert says of her great aunt Edna Ferber: ‘She was a serious . . . writer who happened to be female.’ Much the same can be said about Gilbert, who has taken us on a remarkable journey.  With access to what seems like every scrap of paper and correspondence ever created—where did she find it all?—Gilbert explains Ferber the person, Ferber the brave, Ferber the visionary, Ferber the stubborn, and overall, Ferber the major figure who must not be overlooked.  Pivoting around her controversial book Giant and its award-winning movie version, the story told here feels complete.  If only the politics of Giant were outdated; it feels all too relevant today. Reading the book made me go back and watch the film again—and made me see anew how revelatory Edna Ferber’s work still is.”
—Ted Chapin, author of Everything Was Possible: The Birth of the Musical Follies

Author

© Capehart Photography
JULIE GILBERT was born in New York City and was educated at Boston University. She is the author of four books, among them a biography of her great aunt, Edna Ferber, Edna Ferber and Her Circle and Opposite Attraction: The Lives of Erich Maria Remarque and Paulette Goddard, Gilbert is a member of The Dramatists Guild, The Writers Guild of America, East, The Authors Guild, Actors’ Equity, and League of Professional Theater Women. She has taught Creative Writing at New York University’s School of Continuing Education and currently heads The Writers Academy at The Kravis Center for the Performing Arts in West Palm Beach, Florida where she lives part time, as well as in New York City. View titles by Julie Gilbert