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The Memory Theater

A Novel

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Hardcover
$25.95 US
| $34.95 CAN
On sale Feb 16, 2021 | 240 Pages | 9781524748333
Grades 9-12 + AP/IB
From the award-winning author of Amatka and Jagannath—a fantastical tour de force about friendship, interdimensional theater, and a magical place where no one ages, except the young

In a world just parallel to ours exists a mystical realm known only as the Gardens. It’s a place where feasts never end, games of croquet have devastating consequences, and teenagers are punished for growing up. For a select group of masters, it’s a decadent paradise where time stands still. But for those who serve them, it’s a slow torture where their lives can be ended in a blink. In a bid to escape before their youth betrays them, Dora and Thistle—best friends and confidants—set out on a remarkable journey through time and space. Traveling between their world and ours, they hunt for the one person who can grant them freedom. Along the way, they encounter a mysterious traveler who trades in favors and never forgets debts, a crossroads at the center of the universe, our own world on the brink of war, and a traveling troupe of actors with the ability to unlock the fabric of reality.
 
Endlessly inventive, The Memory Theater takes us to a wondrous place where destiny has yet to be written, life is a performance, and magic can erupt at any moment. It is Karin Tidbeck’s most engrossing and irresistible tale yet.
 1
 
Dora and Thistle spent the party hiding under a side table. The lords and ladies twirled between the marble statues on the dance floor, heels clattering on the cracked cobblestones to a rhythm that slid back and forth in uneven and hypnotic syncopation. One-two-three-four-five, one-two-three-four-five-six. Satin skirts brushed against brocade coats; playful eyes glittered in powdered faces. Lady Mnemosyne, resplendent in her laurel wreath and leafy dress, watched from her throne. It was like any other feast in this place, in eternal twilight, under a summer sky. At the edge of the dance floor, servants waited by buffet tables laden with cornucopias and drink.
 
Thistle sighed. “You’ve got grass all over your front.”
 
Dora blinked and peered down at her pinafore. It did have grass on it. The dress itself smelled sour and sat too tight over her chest and upper back, and the edges of the veil around her shoul­ders were frayed. She was not at all as clean and neat as Thistle, who sat with the coattails of his celadon livery neatly folded in his lap. His lips and cheeks were rouged, his hazel eyes rimmed with black, his cropped auburn curls slicked against his skull.
 
Dora reached out and rubbed the collar of Thistle’s coat be­tween her fingers. The velvet felt like mouse fur. Thistle gently pried her hand off.
 
“You need to be more careful,” he said.
A loud crash made them jump, and Dora lifted the tablecloth to peek outside. One of the ladies had upended a buffet table and sprawled in the ruins of a cornucopia. She laughed and smeared fruit over her skirts. Thistle took Dora’s free hand and began to clean her nails with a small rosewood stick.
 
“Servants!”
 
Heels clicked over the stones. A hoarse voice called out: “Ser­vants! Servants!”
 
It was Lady Augusta, Thistle’s mistress. Dora dropped the tablecloth. Thistle quickly veiled Dora’s face and crawled away to find his lady. A shock of lily of the valley perfume stung Dora’s nose, and she tried to stifle a sneeze. There was a rustle and This­tle returned and settled down next to her. He folded the veil back again.
 
“It’s nothing. Nothing you have to worry about. Here, dry your nose.”
 
Thistle smiled at Dora and gave her a handkerchief. His face was pale under the rouge. He continued Dora’s manicure, and she gnawed on the cuticles of her other hand. Somewhere above them, Lady Mnemosyne’s voice boomed in the air: “Drink to eternal beauty, my friends! Revel in our glory. Now dance and kiss and be joyful!”
 
Dora let the noise of applause and shouts wash over her and relaxed into the good little pain of Thistle digging for dirt under her nails.
 
When she opened her eyes again, it was quiet.
 
“They’ve gone to sleep,” Thistle said. “We can go.”
 
They crawled out from under the table and picked their way across cobblestones littered with cups and crystal shards.
 
Thistle led Dora in an arc around the debris to where the dance floor ended and the path through the birch grove began. The black soil swallowed the sound of their footsteps, and Thistle let out a long breath. Dora took his hand as they walked between the trees in silence.
 
In the middle of the grove, Porla was asleep in her pool. She floated just under the surface, blond hair waving in the water like seaweed. Her greenish face looked innocent: you’d never know that her teeth were sharp and she kept the body of a dead servant under the roots of a tree that grew next to the water. She had been a lady; then she dived into the water and never left. She had tried to lure Dora and Thistle in for “tea” more than once. They gave the pool a wide berth.
 
A breeze wafted into the grove, thick with the smell of apples. Dora and Thistle stepped out from between the birch trees and into the orchard under the big ultramarine bowl of sky. The air bit into Dora’s lungs.
 
The orchard’s gnarled apple trees were planted in neat rows. You could stand in any spot and stretch out your arms and pre-tend that the trees streamed from your fingertips. The branches hung heavy with fruit: every other tree carried big red apples, and the rest juicy- looking green ones. Dora had compared most of the trees. They all looked the same, down to the smallest twig and fruit. The apples tasted the same, too: hard and tongue- shriveling sour for the green, mealy and sweet for the red. Dora sniffed an apple on the nearest tree, then bit into it. It smelled better than it tasted. Her feet made a swishing noise in the damp grass. Next to her, Thistle was quiet. She glanced at him. His steps were so light; he moved like a wading bird, like the lords and ladies. He looked so frail next to her, little stolen boy. Dora should be minding him instead of the other way around. She didn’t say this out loud, just stopped and held him close.
 
“What are you doing?” Thistle mumbled against her shoulder.
 
He had stopped speaking in the boy voice now that they were alone. Male servants with low voices were doomed. The lords and ladies hadn’t noticed because Thistle was short and good at shaving.
 
“You’re so small.”
 
He chuckled. “I can’t breathe.”
 
Dora let go again. Thistle looked up at her and smiled. The paint around his eyes was smudged.
 
“Come on, sister.” He took her hand.
ONE OF THE WASHINGTON POST'S BEST BOOKS OF THE YEAR • One of Buzzfeed's 21 Fantasy Books to Get Excited About This Winter • One of Tor's 30 Most Anticipated SFF Books of The Year

The Memory Theater is exquisite and astonishing. The prose has a sculpted precision, every sentence both tense as a watch spring and serene as a mountain. Tidbeck skips from horror to wonder to humor like a stone skimming water, and is equally nimble in managing characters; each one steps onto the page fully formed no matter how minor the role.”
—Amal El-Mohtar, The New York Times

“Blending fairy-tale atmosphere with ‘the real world,’ Karin Tidbeck’s The Memory Theater is lovely, dark, and hopeful all at the same time.”  
—Ann Leckie, author of the Imperial Radch Trilogy and The Raven Tower

"At once arrestingly strange and hauntingly familiar, The Memory Theater is a brand new fairy tale you can almost remember hearing before."
—Lara Elena Donnelly, author of the Amberlough Dossier 

The Memory Theater is a wonder, sparkling with magic and menace. Karin Tidbeck has written a taut, engrossing fable about identity, time and home that wanders through worlds that lie hidden beyond the veil of our own.”
Shawn Vestal, author of Daredevils

“Karin Tidbeck is one of the finest writers of fantastic fiction in the world. The Memory Theater is as intricate and as gorgeous as a Swiss watch, only this watch comes from the realm of the Fae. Tidbeck's second novel is beguiling, terrifying, and hugely compassionate. A cause for celebration.” 
—Nathan Ballingrud, author of North American Lake Monsters and Wounds
 
“Inventive, surreal, at times violent, [The Memory Theater] has a timeless, durable quality . . . The Memory Theater maintains a kind of gentleness and fascination with the world—childlike and serious at once . . . a strange and ultimately quite delightful tale.”
—Jake Casella Brookins, Chicago Review of Books

“Wonderful . . . [The Memory Theater], boasting no translator, is [Karin Tidbeck’s] own coinage, and it shows a level of unassuming but beautiful prose which many a native speaker might envy . . . Taken all in all, this sophomore novel from Tidbeck is a remarkable accomplishment, full of eerie magic, human pathos, and mystical urgings. I suspect the Memory Theater troupe is applauding themselves for introducing this book to our reality.”
—Paul Di Filippo, Locus

“[The Memory Theater] left me grateful for the experience of reading . . . Rich, multiversal, all-encompassing . . . A nesting doll of interconnected worlds and lives, a kaleidoscopic reflection of our reality, made magical and strange.”
—Molly Templeton, Tor


The Memory Theater is as inventive and eerie as Swedish author Karin Tidbeck’s previous works, though more fantastical and fairytale-like.” 
—Buzzfeed, “21 Fantasy Books to Get Excited About This Winter”
 
The Memory Theater is a truly immersive experience, and absolutely blew my mind.” 
—Tor, “The 30 Most Anticipated SFF Books of 2021”

“A dark, new fairy tale about the haves and the have-nots.” 
—K.W. Colyard, Bustle

"Sharp and glittering. . . . Tidbeck [creates] a world where love, cruelty, and wonder all exist side by side. Highly recommended for fans of Tanith Lee, Michael Moorcock, or Mervyn Peake.”
—Booklist, starred review

“Expansive and wildly imaginative . . . Tidbeck straddles fantasy, coming-of-age drama, and horror with an exciting, sometimes wrenching tale of friendship and time travel . . . This fast-paced fantasy will please fans of quest stories who don’t mind a bit of darkness.”
—Publishers Weekly

"Strange and unique . . . A dark fairy tale that snakes through the multiverse."
—Kirkus

KARIN TIDBECK lives in Malmö, Sweden, where they work as a translator and creative writing teacher and write fiction in Swedish and English. Their English-language debut, the story collection Jagannath, received the IAFA William L. Crawford Fantasy Award and was shortlisted for the World Fantasy Award. They are also the author of the novel Amatka. View titles by Karin Tidbeck

About

From the award-winning author of Amatka and Jagannath—a fantastical tour de force about friendship, interdimensional theater, and a magical place where no one ages, except the young

In a world just parallel to ours exists a mystical realm known only as the Gardens. It’s a place where feasts never end, games of croquet have devastating consequences, and teenagers are punished for growing up. For a select group of masters, it’s a decadent paradise where time stands still. But for those who serve them, it’s a slow torture where their lives can be ended in a blink. In a bid to escape before their youth betrays them, Dora and Thistle—best friends and confidants—set out on a remarkable journey through time and space. Traveling between their world and ours, they hunt for the one person who can grant them freedom. Along the way, they encounter a mysterious traveler who trades in favors and never forgets debts, a crossroads at the center of the universe, our own world on the brink of war, and a traveling troupe of actors with the ability to unlock the fabric of reality.
 
Endlessly inventive, The Memory Theater takes us to a wondrous place where destiny has yet to be written, life is a performance, and magic can erupt at any moment. It is Karin Tidbeck’s most engrossing and irresistible tale yet.

Excerpt

 1
 
Dora and Thistle spent the party hiding under a side table. The lords and ladies twirled between the marble statues on the dance floor, heels clattering on the cracked cobblestones to a rhythm that slid back and forth in uneven and hypnotic syncopation. One-two-three-four-five, one-two-three-four-five-six. Satin skirts brushed against brocade coats; playful eyes glittered in powdered faces. Lady Mnemosyne, resplendent in her laurel wreath and leafy dress, watched from her throne. It was like any other feast in this place, in eternal twilight, under a summer sky. At the edge of the dance floor, servants waited by buffet tables laden with cornucopias and drink.
 
Thistle sighed. “You’ve got grass all over your front.”
 
Dora blinked and peered down at her pinafore. It did have grass on it. The dress itself smelled sour and sat too tight over her chest and upper back, and the edges of the veil around her shoul­ders were frayed. She was not at all as clean and neat as Thistle, who sat with the coattails of his celadon livery neatly folded in his lap. His lips and cheeks were rouged, his hazel eyes rimmed with black, his cropped auburn curls slicked against his skull.
 
Dora reached out and rubbed the collar of Thistle’s coat be­tween her fingers. The velvet felt like mouse fur. Thistle gently pried her hand off.
 
“You need to be more careful,” he said.
A loud crash made them jump, and Dora lifted the tablecloth to peek outside. One of the ladies had upended a buffet table and sprawled in the ruins of a cornucopia. She laughed and smeared fruit over her skirts. Thistle took Dora’s free hand and began to clean her nails with a small rosewood stick.
 
“Servants!”
 
Heels clicked over the stones. A hoarse voice called out: “Ser­vants! Servants!”
 
It was Lady Augusta, Thistle’s mistress. Dora dropped the tablecloth. Thistle quickly veiled Dora’s face and crawled away to find his lady. A shock of lily of the valley perfume stung Dora’s nose, and she tried to stifle a sneeze. There was a rustle and This­tle returned and settled down next to her. He folded the veil back again.
 
“It’s nothing. Nothing you have to worry about. Here, dry your nose.”
 
Thistle smiled at Dora and gave her a handkerchief. His face was pale under the rouge. He continued Dora’s manicure, and she gnawed on the cuticles of her other hand. Somewhere above them, Lady Mnemosyne’s voice boomed in the air: “Drink to eternal beauty, my friends! Revel in our glory. Now dance and kiss and be joyful!”
 
Dora let the noise of applause and shouts wash over her and relaxed into the good little pain of Thistle digging for dirt under her nails.
 
When she opened her eyes again, it was quiet.
 
“They’ve gone to sleep,” Thistle said. “We can go.”
 
They crawled out from under the table and picked their way across cobblestones littered with cups and crystal shards.
 
Thistle led Dora in an arc around the debris to where the dance floor ended and the path through the birch grove began. The black soil swallowed the sound of their footsteps, and Thistle let out a long breath. Dora took his hand as they walked between the trees in silence.
 
In the middle of the grove, Porla was asleep in her pool. She floated just under the surface, blond hair waving in the water like seaweed. Her greenish face looked innocent: you’d never know that her teeth were sharp and she kept the body of a dead servant under the roots of a tree that grew next to the water. She had been a lady; then she dived into the water and never left. She had tried to lure Dora and Thistle in for “tea” more than once. They gave the pool a wide berth.
 
A breeze wafted into the grove, thick with the smell of apples. Dora and Thistle stepped out from between the birch trees and into the orchard under the big ultramarine bowl of sky. The air bit into Dora’s lungs.
 
The orchard’s gnarled apple trees were planted in neat rows. You could stand in any spot and stretch out your arms and pre-tend that the trees streamed from your fingertips. The branches hung heavy with fruit: every other tree carried big red apples, and the rest juicy- looking green ones. Dora had compared most of the trees. They all looked the same, down to the smallest twig and fruit. The apples tasted the same, too: hard and tongue- shriveling sour for the green, mealy and sweet for the red. Dora sniffed an apple on the nearest tree, then bit into it. It smelled better than it tasted. Her feet made a swishing noise in the damp grass. Next to her, Thistle was quiet. She glanced at him. His steps were so light; he moved like a wading bird, like the lords and ladies. He looked so frail next to her, little stolen boy. Dora should be minding him instead of the other way around. She didn’t say this out loud, just stopped and held him close.
 
“What are you doing?” Thistle mumbled against her shoulder.
 
He had stopped speaking in the boy voice now that they were alone. Male servants with low voices were doomed. The lords and ladies hadn’t noticed because Thistle was short and good at shaving.
 
“You’re so small.”
 
He chuckled. “I can’t breathe.”
 
Dora let go again. Thistle looked up at her and smiled. The paint around his eyes was smudged.
 
“Come on, sister.” He took her hand.

Reviews

ONE OF THE WASHINGTON POST'S BEST BOOKS OF THE YEAR • One of Buzzfeed's 21 Fantasy Books to Get Excited About This Winter • One of Tor's 30 Most Anticipated SFF Books of The Year

The Memory Theater is exquisite and astonishing. The prose has a sculpted precision, every sentence both tense as a watch spring and serene as a mountain. Tidbeck skips from horror to wonder to humor like a stone skimming water, and is equally nimble in managing characters; each one steps onto the page fully formed no matter how minor the role.”
—Amal El-Mohtar, The New York Times

“Blending fairy-tale atmosphere with ‘the real world,’ Karin Tidbeck’s The Memory Theater is lovely, dark, and hopeful all at the same time.”  
—Ann Leckie, author of the Imperial Radch Trilogy and The Raven Tower

"At once arrestingly strange and hauntingly familiar, The Memory Theater is a brand new fairy tale you can almost remember hearing before."
—Lara Elena Donnelly, author of the Amberlough Dossier 

The Memory Theater is a wonder, sparkling with magic and menace. Karin Tidbeck has written a taut, engrossing fable about identity, time and home that wanders through worlds that lie hidden beyond the veil of our own.”
Shawn Vestal, author of Daredevils

“Karin Tidbeck is one of the finest writers of fantastic fiction in the world. The Memory Theater is as intricate and as gorgeous as a Swiss watch, only this watch comes from the realm of the Fae. Tidbeck's second novel is beguiling, terrifying, and hugely compassionate. A cause for celebration.” 
—Nathan Ballingrud, author of North American Lake Monsters and Wounds
 
“Inventive, surreal, at times violent, [The Memory Theater] has a timeless, durable quality . . . The Memory Theater maintains a kind of gentleness and fascination with the world—childlike and serious at once . . . a strange and ultimately quite delightful tale.”
—Jake Casella Brookins, Chicago Review of Books

“Wonderful . . . [The Memory Theater], boasting no translator, is [Karin Tidbeck’s] own coinage, and it shows a level of unassuming but beautiful prose which many a native speaker might envy . . . Taken all in all, this sophomore novel from Tidbeck is a remarkable accomplishment, full of eerie magic, human pathos, and mystical urgings. I suspect the Memory Theater troupe is applauding themselves for introducing this book to our reality.”
—Paul Di Filippo, Locus

“[The Memory Theater] left me grateful for the experience of reading . . . Rich, multiversal, all-encompassing . . . A nesting doll of interconnected worlds and lives, a kaleidoscopic reflection of our reality, made magical and strange.”
—Molly Templeton, Tor


The Memory Theater is as inventive and eerie as Swedish author Karin Tidbeck’s previous works, though more fantastical and fairytale-like.” 
—Buzzfeed, “21 Fantasy Books to Get Excited About This Winter”
 
The Memory Theater is a truly immersive experience, and absolutely blew my mind.” 
—Tor, “The 30 Most Anticipated SFF Books of 2021”

“A dark, new fairy tale about the haves and the have-nots.” 
—K.W. Colyard, Bustle

"Sharp and glittering. . . . Tidbeck [creates] a world where love, cruelty, and wonder all exist side by side. Highly recommended for fans of Tanith Lee, Michael Moorcock, or Mervyn Peake.”
—Booklist, starred review

“Expansive and wildly imaginative . . . Tidbeck straddles fantasy, coming-of-age drama, and horror with an exciting, sometimes wrenching tale of friendship and time travel . . . This fast-paced fantasy will please fans of quest stories who don’t mind a bit of darkness.”
—Publishers Weekly

"Strange and unique . . . A dark fairy tale that snakes through the multiverse."
—Kirkus

Author

KARIN TIDBECK lives in Malmö, Sweden, where they work as a translator and creative writing teacher and write fiction in Swedish and English. Their English-language debut, the story collection Jagannath, received the IAFA William L. Crawford Fantasy Award and was shortlisted for the World Fantasy Award. They are also the author of the novel Amatka. View titles by Karin Tidbeck