Amazing Spider-Man/Venom: Death Spiral

Illustrated by Jesus Saiz, Ed McGuinness
Paperback
$34.99 US
| $43.75 CAN
On sale Nov 24, 2026 | 248 Pages | 9781302969059

Spider-Man and Venom team up to face Carnage — and face fresh Torment!

A new super-powered serial killer is on the loose — and they’re coming for Spidey, Venom and everyone in between. Worse still, thanks to his bond with Eddie Brock, Carnage knows the truth: that Peter Parker is Spider-Man. But there’s another revelation yet to come, because Peter still has no idea Mary Jane Watson is Venom! The ex-couple have some major talking to do. But first they’ve got to solve the one murder neither of them -— or their villains — ever expected to face! Meanwhile, Eddie is back — with a connection to the mystery you’ll have to see to believe! Get ready for the most unexpected team-up in Spidey history! And even if Peter wins, he may still lose.

COLLECTING: Amazing Spider-Man/Venom: Death Spiral (2026) #1, Amazing Spider-Man (2025) #23-27, Venom (2025) #255-257, and material from Free Comic Book Day 2025: Amazing Spider-Man/Ultimate Universe #1

Written by: Joe Kelly, Al Ewing & Charles Soule
Penciled by: Jesús Saiz, Ed McGuinness, Carlos Gómez & More
Joe Kelly broke into Marvel in 1997, adding his own style of irreverence to Deadpool and turning the title into a cult sensation. After runs on Daredevil and X-Men, Kelly departed for DC Comics, where he delivered award-winning work on Action Comics and Superboy. He subsequently returned to Marvel, collaborating with the “Spider-Man Brain Trust” and penning several memorable arcs on Amazing Spider-Man. Kelly combined the two Marvel characters with which he is most closely associated in the riotous team-up series Spider-Man/Deadpool. Along with several fellow comic creators, Kelly established Man of Action, the studio that has produced the Ben 10 animated series.

Writer Al Ewing began his career on the British anthology 2000 AD. Since breaking into American comics, he has written Jennifer Blood and spin-off series The Ninjettes for Dynamite Entertainment, and the Age of Ultron tie-in issues of Avengers Assemble for Marvel Comics. Ewing’s novels include the Pax Britannia series as well as The Fictional Man. With artist Greg Land, he relaunched Marvel’s Mighty Avengers; for All-New Marvel NOW!, gave the god of mischief a new assignment in Loki: Agent of Asgard. Ewing then took revamped versions of New Avengers and Ultimates, debuted U.S.Avengers; and joined the writing team for the “No Surrender” storyline in Avengers, which brought the Hulk back from the dead. His subsequent titles include Valkyrie, Guardians of the Galaxy, Defenders, the event series Empyre and the critically revered smash hit Immortal Hulk. Ewing has cemented his place in the Krakoan era of the X-Men titles comics with S.W.O.R.D. and X-Men: Red.

Jesús Saiz made his name with Spanish readers with the fanzine 451º, and then the Azoth miniseries. His first American work, “Iron Reich 3000,” was published in Dark Horse Presents, and he followed it with a story for Star Wars Tales. His work for DC Comics includes Birds of Prey, Swamp Thing and an Eisner Award-nominated collaboration with J. Michael Straczynski on The Brave & the Bold. Saiz moved to Marvel to illustrate Captain America: Steve Rogers, which he followed with such titles as Doctor Strange, Star Wars and Punisher.

Artist Ed McGuinness came to prominence with his work on Harris Comics’ Vampirella and Marvel’s Deadpool. At Awesome Entertainment, McGuinness participated in a Fighting American revamp with writer Jeph Loeb, who would become a longtime collaborator. A short run on WildStorm’s Mr. Majestic led to a longer one on DC Comics’ Superman and the launch of Superman/Batman with Loeb. Back at Marvel, McGuinness reunited with Loeb for Fallen Son: The Death of Captain America, Hulk and Avengers: X-Sanction before launching Amazing X-Men with Jason Aaron. McGuinness has reteamed with his Deadpool scribe Joe Kelly for Spider-Man/Deadpool and with Aaron on a blockbuster relaunch of Avengers.

About

Spider-Man and Venom team up to face Carnage — and face fresh Torment!

A new super-powered serial killer is on the loose — and they’re coming for Spidey, Venom and everyone in between. Worse still, thanks to his bond with Eddie Brock, Carnage knows the truth: that Peter Parker is Spider-Man. But there’s another revelation yet to come, because Peter still has no idea Mary Jane Watson is Venom! The ex-couple have some major talking to do. But first they’ve got to solve the one murder neither of them -— or their villains — ever expected to face! Meanwhile, Eddie is back — with a connection to the mystery you’ll have to see to believe! Get ready for the most unexpected team-up in Spidey history! And even if Peter wins, he may still lose.

COLLECTING: Amazing Spider-Man/Venom: Death Spiral (2026) #1, Amazing Spider-Man (2025) #23-27, Venom (2025) #255-257, and material from Free Comic Book Day 2025: Amazing Spider-Man/Ultimate Universe #1

Written by: Joe Kelly, Al Ewing & Charles Soule
Penciled by: Jesús Saiz, Ed McGuinness, Carlos Gómez & More

Author

Joe Kelly broke into Marvel in 1997, adding his own style of irreverence to Deadpool and turning the title into a cult sensation. After runs on Daredevil and X-Men, Kelly departed for DC Comics, where he delivered award-winning work on Action Comics and Superboy. He subsequently returned to Marvel, collaborating with the “Spider-Man Brain Trust” and penning several memorable arcs on Amazing Spider-Man. Kelly combined the two Marvel characters with which he is most closely associated in the riotous team-up series Spider-Man/Deadpool. Along with several fellow comic creators, Kelly established Man of Action, the studio that has produced the Ben 10 animated series.

Writer Al Ewing began his career on the British anthology 2000 AD. Since breaking into American comics, he has written Jennifer Blood and spin-off series The Ninjettes for Dynamite Entertainment, and the Age of Ultron tie-in issues of Avengers Assemble for Marvel Comics. Ewing’s novels include the Pax Britannia series as well as The Fictional Man. With artist Greg Land, he relaunched Marvel’s Mighty Avengers; for All-New Marvel NOW!, gave the god of mischief a new assignment in Loki: Agent of Asgard. Ewing then took revamped versions of New Avengers and Ultimates, debuted U.S.Avengers; and joined the writing team for the “No Surrender” storyline in Avengers, which brought the Hulk back from the dead. His subsequent titles include Valkyrie, Guardians of the Galaxy, Defenders, the event series Empyre and the critically revered smash hit Immortal Hulk. Ewing has cemented his place in the Krakoan era of the X-Men titles comics with S.W.O.R.D. and X-Men: Red.

Jesús Saiz made his name with Spanish readers with the fanzine 451º, and then the Azoth miniseries. His first American work, “Iron Reich 3000,” was published in Dark Horse Presents, and he followed it with a story for Star Wars Tales. His work for DC Comics includes Birds of Prey, Swamp Thing and an Eisner Award-nominated collaboration with J. Michael Straczynski on The Brave & the Bold. Saiz moved to Marvel to illustrate Captain America: Steve Rogers, which he followed with such titles as Doctor Strange, Star Wars and Punisher.

Artist Ed McGuinness came to prominence with his work on Harris Comics’ Vampirella and Marvel’s Deadpool. At Awesome Entertainment, McGuinness participated in a Fighting American revamp with writer Jeph Loeb, who would become a longtime collaborator. A short run on WildStorm’s Mr. Majestic led to a longer one on DC Comics’ Superman and the launch of Superman/Batman with Loeb. Back at Marvel, McGuinness reunited with Loeb for Fallen Son: The Death of Captain America, Hulk and Avengers: X-Sanction before launching Amazing X-Men with Jason Aaron. McGuinness has reteamed with his Deadpool scribe Joe Kelly for Spider-Man/Deadpool and with Aaron on a blockbuster relaunch of Avengers.
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