Steve   Englehart’s history-making contributions to the Marvel   Universe began with the Beast’s solo feature in Amazing   Adventures, in which the eloquent X-Man first   assumed furry form. As Avengers writer, he masterminded such major events as “The   Avengers/Defenders War” (in both teams’ titles) and “The Celestial Madonna   Saga.” In Captain America,   he identified and solved the “mystery” of the 1950s Captain America (later   revived by Ed Brubaker), and gave the true Cap the alternate identity of   Nomad. Englehart’s Dr. Strange storyline in Marvel   Premiere established the character as Sorcerer   Supreme and covered the creation of the universe itself. At DC, he helped   revamp Batman, Green Lantern, Superman and other major heroes for the 1970s.   Back at Marvel, he wrote the first few years of West   Coast Avengers and Silver   Surfer. His published novels include Countdown to Flight, Hellstorm (part of the TALON Force series), Majorca, The   Point Man and, with wife Terry Beach, books in the   DNAgers young-adult   series. Englehart has also written TV episodes and designed video games.
Peter   David is one of the industry’s most prolific and   versatile writers whose record-breaking stint on Incredible   Hulk remains a fan-favorite to this day. His   similarly long-running — and critically acclaimed — association with X-Factor began in the early 1990s   and continued in 2005. His other Marvel work includes Captain Marvel, two lengthy stints   on Spider-Man 2099, Ben Reilly: Scarlet Spider and the   smash-hit Symbiote Spider-Man limited series with artist Greg Land. David is also a novelist   and screenwriter. Among his credits are some forty Star   Trek tie-ins; original novels such as Sir Apropos of Nothing, Howling Mad and Knight Life; movies Trancers 4 and Trancers 5; and episodes of Babylon 5 and Crusade. He also co-created the TV   show Space Cases with   actor-writer Bill Mumy.
John   Buscema (1927-2002) literally wrote the book on being a   Marvel artist — namely, How To Draw Comics the   Marvel Way — and few were better qualified. His   career dated back to the Timely/Atlas era of the late ’40s and early ’50s.   Soon after beginning the Marvel Age of Comics, Stan Lee recruited Buscema   from the advertising field to the Marvel Bullpen. Buscema followed a long run   on Avengers with the   long-anticipated first Silver Surfer series. He subsequently succeeded Jack Kirby on Fantastic Four, Thor and other titles. By the time   of his retirement in 1996, Buscema had penciled nearly every Marvel title —   including his personal favorite, Conan the   Barbarian.
After   a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders,   Incredible Hulk and   more. Famed for his ability to meet tight deadlines, he spread his talents   across multiple genres. His 1970s work ranged from Ms.   Marvel and Nova to Sub-Mariner and Spider-Woman’s first appearance in Marvel Spotlight. He was the   uninterrupted artist on Spectacular Spider-Man for more than one hundred issues and penciled the   web-slinger’s adventures in Marvel Team-Up, in which he and writer Bill Mantlo introduced Captain Jean   DeWolff. After handling more team-ups in the Thing’s Marvel Two-in-One, he reunited with   brother John on Steve Englehart’s Fantastic Four. He later provided inks for Tom DeFalco’s Spider-Girl titles and Thunderstrike miniseries.
Bernie   Wrightson’s artwork has graced the covers and interiors   of multiple anthologies at both Marvel and DC. He illustrated two Punisher miniseries for the former   and, with Len Wein, co-created Swamp Thing for the latter. He has also worked for Warren Publishing and   Dark Horse Comics. A multiple Shazam winner, Wrightson collaborated with   Stephen King on the Creepshow adaptation. He has also illustrated Cycle   of the Werewolf, Wolves   of the Calla and other King works.