Roger Stern enjoyed well-regarded runs on Amazing Spider-Man, in which he   introduced Captain Marvel (Monica Rambeau) and the Hobgoblin; Avengers; and Captain America. He launched West Coast Avengers and wrote   numerous tie-in miniseries starring Earth’s Mightiest Heroes. At DC, he   relaunched Atom and co-created Starman (Will Payton) before participating in   one of comics’ most shocking events: the 1992 “Death of Superman.” He later   returned to Marvel to write Amazing Spider-Man and related titles.
Peter B. Gillis began as a 1970s freelancer   on Marvel Two-in-One, Super-Villain Team-Up and other   titles. Later, he became regular writer on Defenders, Eternals   and Strange Tales, in   which he subjected Doctor Strange to a soul-searching gamut of good and evil   magic. Elsewhere in the Marvel multiverse, he wrote Micronauts:   The New Voyages and launched Strikeforce: Morituri with Brent   Anderson, telling tales of a universe in which superhumans must embrace death   to protect the Earth. He has also written for First Comics, TSR Games and   others; he co-created Shatter, the first digital comic.
John Byrne has worked continuously in the   comics industry as both writer and artist since 1975. After he initially   collaborated with writer Chris Claremont on Iron   Fist, Byrne and Claremont moved on to X-Men for a run still regarded as   one of the title’s finest. Byrne contributed an equally famed stint on Fantastic Four, earning comparisons   to the original Lee/Kirby issues for his imaginative plotlines and dynamic   artwork. He also spun Alpha Flight into its own title. In 1986, he revamped DC’s flagship hero,   Superman, reimagining the Man of Steel in a historic project heralded by a Time magazine cover. His remarkable   contribution to the Marvel Universe extends to memorable associations with   virtually every major hero, including celebrated runs on Captain America, Iron Man, Sensational   She-Hulk, Namor the   Sub-Mariner and Thing. In the 21st century, Byrne’s considerable body of work   includes IDW’s Star Trek   and Angel.
After a start as inker to his older brother John, Sal Buscema penciled Captain America, Defenders, Incredible   Hulk and more. Famed for his ability to meet tight   deadlines, he spread his talents across multiple genres. His 1970s work   ranged from Ms. Marvel   and Nova to Sub-Mariner and Spider-Woman’s first   appearance in Marvel Spotlight. He was the uninterrupted artist on Spectacular   Spider-Man for more than one hundred issues and   penciled the web-slinger’s adventures in Marvel   Team-Up, in which he and writer Bill Mantlo   introduced Captain Jean DeWolff. After handling more team-ups in the Thing’s Marvel Two-in-One, he reunited with   brother John on Steve Englehart’s Fantastic Four. He later provided inks for Tom DeFalco’s Spider-Girl titles and Thunderstrike miniseries.
Steve Ditko (1927 - 2018) began his comics   career in the anthologies of the 1950s, where his unique style and   perspective quickly earned recognition and respect. Recruited to join Stan   Lee’s Atlas Comics, later Marvel, in 1958, his nuances contrasted well with   Jack Kirby’s bombast. In 1962, in the pages of Amazing   Fantasy, Ditko and Lee brought to life Peter   Parker, the Amazing Spider-Man, changing the industry forever. Leaving Marvel   in 1966, he drew Blue Beetle and Captain Atom for Charlton, Creeper and Shade the Changing Man for DC, and his independent effort Mr.   A. Ditko returned to Marvel during the late 1970s   and remained for much of the 1980s, co-creating Speedball, Squirrel Girl and   other characters who would prove of unexpected importance in Marvel’s later   years.
Following Golden Age work at Marvel predecessor Timely Comics — as well as at Fawcett, Hillman and   others — Carmine   Infantino (d. 2013) made history at DC Comics,   helping usher in the industry’s Silver Age with the reintroduction of the   Flash, within whose title he cocreated the Elongated Man and several members   of the hero’s famed Rogues’ Gallery. His 1961 story “Flash of Two Worlds,” which literally reshaped the DC   Universe by introducing the Earth-1/Earth-2 concept, won Infantino two of his   eventual 12 Alley Awards. After serving as DC’s art director and publisher, Infantino returned to penciling   on several titles; for Marvel, he provided notable runs on Nova, Spider-Woman and Star Wars, along with brief stints on Daredevil, Ghost Rider and Iron Man. He also drew Superman vs. the   Amazing Spider-Man, the historic first Marvel/DC   crossover.