Jill Ciment weaves an unforgettable tale of survival, compassion, and courage, in this haunting recollection of a child surrounded by confusion and madness, and her struggle to find an identity.

Half a Life traces Jill Ciment's family from Toronto to the California desert—a landscape and culture so alien to her father that the last vestiges of sanity leave him. As madness engulfs him he becomes increasingly brutal and the family, grasping at survival, throws him out the door. Having no understanding that he has done anything wrong, he first lives in his car at the end of the driveway, waiting to be invited back in, before exiting completely from their lives.

Poor and fatherless, Ciment spends the years from age fourteen to seventeen, as a gang girl, a professional forger, a stripper, a corporate spy, and finally, a high school dropout who by age eighteen has seduced her art teacher, a man nearly three decades her senior and bluffed her way into college in an effort to shape a  future.  

Ciment is cutting, insightful and clearly unapologetic as she details the confusion and bravado of a child heroine whose dreams and tenacity allow her finally, to create the life she has been so desperately seeking.
That weekend, my mother called. Her voice sounded nervous, with a ping of unadulterated panic. Knowing how touchy I could be, she mentioned only a couple of the incidents Jack had enumerated- -my difficult job search, my new, dreamy attitude about work. Then, with dire restraint, she brought up Yvette and asked if what Jack had told her was true.

I sighed deeply. I said she knew perfectly well how strait-laced Jack was, how judgmental. The boy must have been a vicar in another life. She should have faith in my perception of people, a little trust in her own daughter. I said she had absolutely nothing to worry about.

My mother had everything to worry about. Yvette was crazy. Or on the iffy brink of it. Over the next few weeks, I watched her collect near-mortal fiascoes and hysterical encounters the way other people collect glass figurines or Faberge eggs. She fought with every grocer for blocks around, with every neighbor who shared a common wall. She never returned from a cab ride without the driver having tried to rob or rape her. She rarely returned from a walk without a "perfectly respectable-looking" pervert having tried to flash her. She taped flesh-colored Band-Aids over her nipples, then wandered the streets in a loose-knit rope vest with see-through gaps the size of checkerboard squares. When men followed her, frothed for her, she screamed obscenities back at them. One day she came home breathless and announced with pride that a construction worker had toppled off a second-story scaffold while trying to ogle her. Another time, she greeted the Chinese delivery boy in only one of those Johnson & Johnson pasties, and when he gaped, she threatened to have him deported.

She wanted me to partake in her madness. She badgered me into wearing tank tops as thin as cheesecloth, short shorts as tight as Ace bandages. I mostly obeyed her; I didn't want her to find out I was a virgin. I had told her so many lies about myself, matched every one of her lewd experiences with a made-up wanton encounter, that if she discovered the meager truth, I'd have shriveled up from shame. So I let her re-vamp me.

One afternoon, she had me dress to the nines -- short skirt, slinky jersey, and platform shoes. She said she was taking me out to lunch, her treat. The restaurant she chose was near Wall Street, a garnet red room woolly with cigar smoke. We were the only women present. The maitre d' whisked us across the floor, then stuck us in a corner. Yvette ordered for me, a dish I'd never tasted before. When lunch arrived, she leaned across the table and informed me, in a voice breathless with dervish giddiness, that she'd forgotten her purse and hadn't a dime on her. I froze, but she ate with relish. By the way she stared me down, I knew I had better eat, too. I chewed on my pressed duck and lentils as if they were cardboard and gruel. When the bill came, Yvette performed her big scene, all fluster and pouts and crocodile tears until one of the men came to her rescue. Then, without so much as thanking him, she nudged me out the door, whispering, "I told you men were easy."
© Arnold Mesches
JILL CIMENT, the author, most recently, of the novel The Body in Question (a New York Times Notable Book), has been the recipient of numerous honors, among them a National Endowment for the Arts fellowship, two New York Foundation for the Arts fellowships, the Janet Heidinger Kafka Prize, and a Guggenheim fellowship. Ciment, a professor emeritus at the University of Florida, was born in Montreal, Canada; she now lives in Gainesville and New York City. View titles by Jill Ciment

About

Jill Ciment weaves an unforgettable tale of survival, compassion, and courage, in this haunting recollection of a child surrounded by confusion and madness, and her struggle to find an identity.

Half a Life traces Jill Ciment's family from Toronto to the California desert—a landscape and culture so alien to her father that the last vestiges of sanity leave him. As madness engulfs him he becomes increasingly brutal and the family, grasping at survival, throws him out the door. Having no understanding that he has done anything wrong, he first lives in his car at the end of the driveway, waiting to be invited back in, before exiting completely from their lives.

Poor and fatherless, Ciment spends the years from age fourteen to seventeen, as a gang girl, a professional forger, a stripper, a corporate spy, and finally, a high school dropout who by age eighteen has seduced her art teacher, a man nearly three decades her senior and bluffed her way into college in an effort to shape a  future.  

Ciment is cutting, insightful and clearly unapologetic as she details the confusion and bravado of a child heroine whose dreams and tenacity allow her finally, to create the life she has been so desperately seeking.

Excerpt

That weekend, my mother called. Her voice sounded nervous, with a ping of unadulterated panic. Knowing how touchy I could be, she mentioned only a couple of the incidents Jack had enumerated- -my difficult job search, my new, dreamy attitude about work. Then, with dire restraint, she brought up Yvette and asked if what Jack had told her was true.

I sighed deeply. I said she knew perfectly well how strait-laced Jack was, how judgmental. The boy must have been a vicar in another life. She should have faith in my perception of people, a little trust in her own daughter. I said she had absolutely nothing to worry about.

My mother had everything to worry about. Yvette was crazy. Or on the iffy brink of it. Over the next few weeks, I watched her collect near-mortal fiascoes and hysterical encounters the way other people collect glass figurines or Faberge eggs. She fought with every grocer for blocks around, with every neighbor who shared a common wall. She never returned from a cab ride without the driver having tried to rob or rape her. She rarely returned from a walk without a "perfectly respectable-looking" pervert having tried to flash her. She taped flesh-colored Band-Aids over her nipples, then wandered the streets in a loose-knit rope vest with see-through gaps the size of checkerboard squares. When men followed her, frothed for her, she screamed obscenities back at them. One day she came home breathless and announced with pride that a construction worker had toppled off a second-story scaffold while trying to ogle her. Another time, she greeted the Chinese delivery boy in only one of those Johnson & Johnson pasties, and when he gaped, she threatened to have him deported.

She wanted me to partake in her madness. She badgered me into wearing tank tops as thin as cheesecloth, short shorts as tight as Ace bandages. I mostly obeyed her; I didn't want her to find out I was a virgin. I had told her so many lies about myself, matched every one of her lewd experiences with a made-up wanton encounter, that if she discovered the meager truth, I'd have shriveled up from shame. So I let her re-vamp me.

One afternoon, she had me dress to the nines -- short skirt, slinky jersey, and platform shoes. She said she was taking me out to lunch, her treat. The restaurant she chose was near Wall Street, a garnet red room woolly with cigar smoke. We were the only women present. The maitre d' whisked us across the floor, then stuck us in a corner. Yvette ordered for me, a dish I'd never tasted before. When lunch arrived, she leaned across the table and informed me, in a voice breathless with dervish giddiness, that she'd forgotten her purse and hadn't a dime on her. I froze, but she ate with relish. By the way she stared me down, I knew I had better eat, too. I chewed on my pressed duck and lentils as if they were cardboard and gruel. When the bill came, Yvette performed her big scene, all fluster and pouts and crocodile tears until one of the men came to her rescue. Then, without so much as thanking him, she nudged me out the door, whispering, "I told you men were easy."

Author

© Arnold Mesches
JILL CIMENT, the author, most recently, of the novel The Body in Question (a New York Times Notable Book), has been the recipient of numerous honors, among them a National Endowment for the Arts fellowship, two New York Foundation for the Arts fellowships, the Janet Heidinger Kafka Prize, and a Guggenheim fellowship. Ciment, a professor emeritus at the University of Florida, was born in Montreal, Canada; she now lives in Gainesville and New York City. View titles by Jill Ciment