The Empire of the Senses

A Novel

***2015 National Jewish Book Award Finalist***

A sweeping, gorgeously written debut: a novel of duty to family and country, the dictates of passion, and blood ties unraveling in the charged political climate of Berlin between the world wars.
 
Lev Perlmutter, an assimilated, cultured German Jew, enlists to fight in World War I, leaving behind his gentile wife, Josephine, and their children, Franz and Vicki. Moving between Lev’s and Josephine’s points of view, the first part of the novel focuses on Lev’s experiences on the Eastern Front—both in war and in love—which render his life at home a pale aftermath by comparison. The second part of the novel takes us to Berlin, 1927–28. Now young adults, the Perlmutter children grapple with their own questions: Franz, drawn into the Nazi brown shirt movement, struggles with his unexpressed homosexuality; Vicki, seduced by the Jazz Age and everything new, bobs her hair and falls in love with a young man who wants to take her to Palestine.
 
Unlike many historical novels of its kind, The Empire of the Senses is not about the Holocaust but about the juxtaposition of events that led to it, and about why it was unimaginable to ordinary people like Lev and his wife. Plotted with meticulous precision and populated with characters who feel and dream to the fullest, it holds us rapt as the tides of cultural loss and ethnic hatred come to coexist with those of love, passion, and the power of the human spirit.

1
 
The Eastern Front, August 1914
 
At first, the men were drunk off the euphoria of leaving Berlin, dreaming of virgin battlefields, singing and sharing flasks of whiskey when night fell. But Lev could not join in, blocked by a numb indifference that had settled over him as he observed the others with a clinical eye, picking apart their features, imagining how grotesque some of these men would appear if he sketched them asleep, their open mouths inviting flies. Yes, he’d volunteered when war was announced—but that day, only two days ago, already appeared fantastical, full of heated parades and brass bands, too much drink, his oxford shirt sticking to his chest in the humid air, and Josephine, waiting for him at home in the shaded courtyard, clutching her hat in her hands. She’d nearly ruined it, the one with the velvet flowers. He gently took it away from her and explained how he’d volunteered, to ensure he’d be called up first, to ensure no one would accuse him of shirking. He had said no one darkly because they both knew whom he meant—her mother and father, her brother, her whole Christian family, who despised him because he was a Jew. Even after seven years of marriage, seven biblical years, they hated him.
 
Josephine had blinked back tears, mumbling something about how perhaps a shortage of equipment would delay his leave.
 
No, no, he said. It wouldn’t. “And where did you hear that, about lack of equipment?”
 
“Marthe.”
 
He suppressed a laugh. “Still consulting your housemaid on such matters?”
 
She shrugged.
 
Lev nodded, trying to sympathize, but really, procuring information from Marthe? Large bumbling Marthe, who, although she expertly ironed the bedsheets and brought in afternoon tea at three o’clock sharp, never forgetting the lemon wedges, knew nothing of military matters.
 
Josephine brushed a hair out of her eyes. “But why must you go directly?” Here she was, acting like a girl of eighteen when at twenty-five she had already suffered the agonies of childbirth, twice, giving him Franz and then Vicki. The children were asleep, napping in the nursery. Soon Marthe would wake them. He pushed away the thought of their warm sleepy bodies, of how they clung to him when they woke, as if he might slip away, as if they had already dreamed this. Tonight, Lev would explain his departure to Franz, who, at six, would understand, and Vicki, only four, who might not. After he went, Josephine would weave a grand story they could all believe, a story repeated over dinner and again at bedtime. A story that would lessen the blow of his absence. Was she capable? Or would she become so wrapped in her own sorrow, the tale would not hold? He must tell her what to say, exactly how to phrase it, so the children would understand why he had evaporated, like the receding condensation on the bathroom mirror Franz traced his finger through after Lev’s daily shave, drawing a gun with his pinky.
 
He looked at her face. Admiral-blue eyes, as if spun from colored glass. The delicate bridge of her nose framed by high cheekbones. Her arched eyebrows the color of wheat, which now drew together in worry. Please tell them a good story, he thought.
 
“But we still have some time?”
 
He inhaled sharply. “I’m leaving tomorrow. On the three o’clock transport train.” Saying tomorrow made his heart pound, for her and for him. Too soon. So little time. He wondered if she would let him inside her tonight, their last night. On special occasions, she proved more compliant. Tonight, he thought, was a special occasion. The thought of her turning away, saying her head hurt, flashing that half-apologetic smile, infuriated him.
 
He stared down at his lace-up oxfords. Scuffed tips. Should take them in, he thought. No point—tomorrow he’d be gone. He pictured his empty shoes standing in his dark closet, perfectly in line with the other pairs.
 
Josephine touched his arm. “What are you thinking?”
 
The courtyard’s uneven stones made their chairs lean slightly off kilter, and for a moment, it looked as if she might slide off.
 
“My shoes are scuffed.”
 
“What?” she said.
 
How afraid should he feel of war? The question burned. But it didn’t matter how much fear he felt or didn’t feel—he was already in it, signed up and registered. And desertion promised death. They made sure everyone understood that.
 
“How can you think of shoes, of all things? You’ll be gone by nightfall tomorrow and you don’t even know how to hold a gun.” He detected a hint of malice in her voice, as if he should know how to hold a gun properly, like her brother did, from shooting pheasant in Grunewald forest. But Lev had grown up in the city. Never touched a gun in his life. Never killed, not even a deer or a bird. Jews don’t hunt, he remembered his mother saying. Nor do they ride horses, sail, swim, fight in duels, or drink. And he remembered thinking: What do Jews do then? All the valiant heroic activities were reserved for gentiles. For men like Josephine’s brother, Karl von Stressing, who taunted Lev with his gray-and-white dappled steed as he trotted through the Tiergarten, with his saber and his hunting rifle and his tall black boots. But now they were both privates enlisted in the German army, both fighting for Germany, both shooting and killing and then afterward, drinking in the trenches. Lev already tasted the vodka, clear and pure and burning in his throat.
 
“How will you learn in time?” Josephine asked, more gently.
 
“Training’s in the barracks close to the front, for four weeks, and then we’ll be sent off into the jaws of Hell,” he said, realizing how flat it sounded.
 
“Please don’t say that.”
 
“I’m sorry.” He looked into her watery light eyes. “Back by Christmas. I promise.” When his mouth closed in on that word, promise, Lev knew it was a lie.
...

“Elegantly crafted and psychologically astute...compelling ....Such stunning imagery is interwoven with pitch-perfect and often spare dialogue, creating a doubly vivid resonance.” —San Francisco Chronicle
 
“Richly appointed . . . functions as a kind of extended séance, conjuring up the look and feel of experiences from the glamorous—a decadent party in Weimar Berlin—to the arduous—a field hospital on the Eastern Front . . . . In scene after scene, settings and objects and people are described in meticulous and usually attractive terms . . . . The destruction of their world makes Landau’s evocation of its fleeting beauty all the more poignant.” —Tablet

“Vivid . . . Landau evokes the Weimar Republic era with spellbinding detail and nuance, deftly capturing the zeitgeist in the characters’ colorful pursuits . . . . Lev’s struggle with his Jewish identity is also fascinating.” —Publishers Weekly

“A top-notch literary saga with a gripping plotline . . . Each perfectly crafted individual is fully involved in the surrounding world. In Landau’s hands, even a simple trip to the barber becomes meaningful and illustrative of the novel’s themes. The characters’ actions and thoughts are so three-dimensionally human that readers may forget they’re reading fiction.” —Booklist, starred review
 
“Landau’s debut is lush, smart, sexy, affecting, interesting, beautifully researched, and well made. Spending time in the world of this novel is an absolute pleasure.” —Aimee Bender, author of The Particular Sadness of Lemon Cake
 
“A gripping, beautifully written saga of an ordinary German family’s slow immersion into the simmering cauldron that is Germany in the 1920s and 1930s. Like most of us, the characters in this novel make choices determined by love and desire; their personal secrets and preoccupations often loom larger than the encroaching danger. Ultimately, their fates are determined as much by their passions as by history. As the novel builds toward its riveting conclusion, Landau explores how the unimaginable can become real—and in the process offers a fresh and moving perspective on a piece of history we thought we already knew.” —Christina Baker Kline, New York Times #1 best-selling author of Orphan Train
© Daniel Sahlberg
ALEXIS LANDAU is a graduate of Vassar College and received an MFA from Emerson College and a PhD in English literature and creative writing from the University of Southern California. She is the author of The Empire of the Senses and Those Who Are Saved. She lives with her husband and two children in Los Angeles. View titles by Alexis Landau

About

***2015 National Jewish Book Award Finalist***

A sweeping, gorgeously written debut: a novel of duty to family and country, the dictates of passion, and blood ties unraveling in the charged political climate of Berlin between the world wars.
 
Lev Perlmutter, an assimilated, cultured German Jew, enlists to fight in World War I, leaving behind his gentile wife, Josephine, and their children, Franz and Vicki. Moving between Lev’s and Josephine’s points of view, the first part of the novel focuses on Lev’s experiences on the Eastern Front—both in war and in love—which render his life at home a pale aftermath by comparison. The second part of the novel takes us to Berlin, 1927–28. Now young adults, the Perlmutter children grapple with their own questions: Franz, drawn into the Nazi brown shirt movement, struggles with his unexpressed homosexuality; Vicki, seduced by the Jazz Age and everything new, bobs her hair and falls in love with a young man who wants to take her to Palestine.
 
Unlike many historical novels of its kind, The Empire of the Senses is not about the Holocaust but about the juxtaposition of events that led to it, and about why it was unimaginable to ordinary people like Lev and his wife. Plotted with meticulous precision and populated with characters who feel and dream to the fullest, it holds us rapt as the tides of cultural loss and ethnic hatred come to coexist with those of love, passion, and the power of the human spirit.

Excerpt

1
 
The Eastern Front, August 1914
 
At first, the men were drunk off the euphoria of leaving Berlin, dreaming of virgin battlefields, singing and sharing flasks of whiskey when night fell. But Lev could not join in, blocked by a numb indifference that had settled over him as he observed the others with a clinical eye, picking apart their features, imagining how grotesque some of these men would appear if he sketched them asleep, their open mouths inviting flies. Yes, he’d volunteered when war was announced—but that day, only two days ago, already appeared fantastical, full of heated parades and brass bands, too much drink, his oxford shirt sticking to his chest in the humid air, and Josephine, waiting for him at home in the shaded courtyard, clutching her hat in her hands. She’d nearly ruined it, the one with the velvet flowers. He gently took it away from her and explained how he’d volunteered, to ensure he’d be called up first, to ensure no one would accuse him of shirking. He had said no one darkly because they both knew whom he meant—her mother and father, her brother, her whole Christian family, who despised him because he was a Jew. Even after seven years of marriage, seven biblical years, they hated him.
 
Josephine had blinked back tears, mumbling something about how perhaps a shortage of equipment would delay his leave.
 
No, no, he said. It wouldn’t. “And where did you hear that, about lack of equipment?”
 
“Marthe.”
 
He suppressed a laugh. “Still consulting your housemaid on such matters?”
 
She shrugged.
 
Lev nodded, trying to sympathize, but really, procuring information from Marthe? Large bumbling Marthe, who, although she expertly ironed the bedsheets and brought in afternoon tea at three o’clock sharp, never forgetting the lemon wedges, knew nothing of military matters.
 
Josephine brushed a hair out of her eyes. “But why must you go directly?” Here she was, acting like a girl of eighteen when at twenty-five she had already suffered the agonies of childbirth, twice, giving him Franz and then Vicki. The children were asleep, napping in the nursery. Soon Marthe would wake them. He pushed away the thought of their warm sleepy bodies, of how they clung to him when they woke, as if he might slip away, as if they had already dreamed this. Tonight, Lev would explain his departure to Franz, who, at six, would understand, and Vicki, only four, who might not. After he went, Josephine would weave a grand story they could all believe, a story repeated over dinner and again at bedtime. A story that would lessen the blow of his absence. Was she capable? Or would she become so wrapped in her own sorrow, the tale would not hold? He must tell her what to say, exactly how to phrase it, so the children would understand why he had evaporated, like the receding condensation on the bathroom mirror Franz traced his finger through after Lev’s daily shave, drawing a gun with his pinky.
 
He looked at her face. Admiral-blue eyes, as if spun from colored glass. The delicate bridge of her nose framed by high cheekbones. Her arched eyebrows the color of wheat, which now drew together in worry. Please tell them a good story, he thought.
 
“But we still have some time?”
 
He inhaled sharply. “I’m leaving tomorrow. On the three o’clock transport train.” Saying tomorrow made his heart pound, for her and for him. Too soon. So little time. He wondered if she would let him inside her tonight, their last night. On special occasions, she proved more compliant. Tonight, he thought, was a special occasion. The thought of her turning away, saying her head hurt, flashing that half-apologetic smile, infuriated him.
 
He stared down at his lace-up oxfords. Scuffed tips. Should take them in, he thought. No point—tomorrow he’d be gone. He pictured his empty shoes standing in his dark closet, perfectly in line with the other pairs.
 
Josephine touched his arm. “What are you thinking?”
 
The courtyard’s uneven stones made their chairs lean slightly off kilter, and for a moment, it looked as if she might slide off.
 
“My shoes are scuffed.”
 
“What?” she said.
 
How afraid should he feel of war? The question burned. But it didn’t matter how much fear he felt or didn’t feel—he was already in it, signed up and registered. And desertion promised death. They made sure everyone understood that.
 
“How can you think of shoes, of all things? You’ll be gone by nightfall tomorrow and you don’t even know how to hold a gun.” He detected a hint of malice in her voice, as if he should know how to hold a gun properly, like her brother did, from shooting pheasant in Grunewald forest. But Lev had grown up in the city. Never touched a gun in his life. Never killed, not even a deer or a bird. Jews don’t hunt, he remembered his mother saying. Nor do they ride horses, sail, swim, fight in duels, or drink. And he remembered thinking: What do Jews do then? All the valiant heroic activities were reserved for gentiles. For men like Josephine’s brother, Karl von Stressing, who taunted Lev with his gray-and-white dappled steed as he trotted through the Tiergarten, with his saber and his hunting rifle and his tall black boots. But now they were both privates enlisted in the German army, both fighting for Germany, both shooting and killing and then afterward, drinking in the trenches. Lev already tasted the vodka, clear and pure and burning in his throat.
 
“How will you learn in time?” Josephine asked, more gently.
 
“Training’s in the barracks close to the front, for four weeks, and then we’ll be sent off into the jaws of Hell,” he said, realizing how flat it sounded.
 
“Please don’t say that.”
 
“I’m sorry.” He looked into her watery light eyes. “Back by Christmas. I promise.” When his mouth closed in on that word, promise, Lev knew it was a lie.
...

Reviews

“Elegantly crafted and psychologically astute...compelling ....Such stunning imagery is interwoven with pitch-perfect and often spare dialogue, creating a doubly vivid resonance.” —San Francisco Chronicle
 
“Richly appointed . . . functions as a kind of extended séance, conjuring up the look and feel of experiences from the glamorous—a decadent party in Weimar Berlin—to the arduous—a field hospital on the Eastern Front . . . . In scene after scene, settings and objects and people are described in meticulous and usually attractive terms . . . . The destruction of their world makes Landau’s evocation of its fleeting beauty all the more poignant.” —Tablet

“Vivid . . . Landau evokes the Weimar Republic era with spellbinding detail and nuance, deftly capturing the zeitgeist in the characters’ colorful pursuits . . . . Lev’s struggle with his Jewish identity is also fascinating.” —Publishers Weekly

“A top-notch literary saga with a gripping plotline . . . Each perfectly crafted individual is fully involved in the surrounding world. In Landau’s hands, even a simple trip to the barber becomes meaningful and illustrative of the novel’s themes. The characters’ actions and thoughts are so three-dimensionally human that readers may forget they’re reading fiction.” —Booklist, starred review
 
“Landau’s debut is lush, smart, sexy, affecting, interesting, beautifully researched, and well made. Spending time in the world of this novel is an absolute pleasure.” —Aimee Bender, author of The Particular Sadness of Lemon Cake
 
“A gripping, beautifully written saga of an ordinary German family’s slow immersion into the simmering cauldron that is Germany in the 1920s and 1930s. Like most of us, the characters in this novel make choices determined by love and desire; their personal secrets and preoccupations often loom larger than the encroaching danger. Ultimately, their fates are determined as much by their passions as by history. As the novel builds toward its riveting conclusion, Landau explores how the unimaginable can become real—and in the process offers a fresh and moving perspective on a piece of history we thought we already knew.” —Christina Baker Kline, New York Times #1 best-selling author of Orphan Train

Author

© Daniel Sahlberg
ALEXIS LANDAU is a graduate of Vassar College and received an MFA from Emerson College and a PhD in English literature and creative writing from the University of Southern California. She is the author of The Empire of the Senses and Those Who Are Saved. She lives with her husband and two children in Los Angeles. View titles by Alexis Landau
  • More Websites from
    Penguin Random House
  • Common Reads
  • Library Marketing