Nora Roberts' The Inn Boonsboro Trilogy

Join the Montgomery brothers as they bring an intimate bed-and-breakfast to life in their Maryland hometown in this collection that includes all three novels in #1 New York Times bestselling author Nora Roberts' Inn BoonsBoro Trilogy.

THE NEXT ALWAYS

As the architect of the family, Beckett has little time for a social life. But there’s another project he’s got his eye on: Clare Brewster, the girl he’s been waiting to kiss since he was sixteen.

THE LAST BOYFRIEND

Owen is the organizer of the Montgomery clan, running the family’s construction business with an iron fist—and an even less flexible spreadsheet. The only thing he didn’t plan for was Avery McTavish...
 
THE PERFECT HOPE

Ryder is surly and unsociable, but when he straps on a tool belt, no woman can resist his sexy swagger. Except apparently Hope Beaumont, the innkeeper of his own Inn BoonsBoro…

CHAPTER ONE

The stone walls stood as they had for more than two centuries, simple, sturdy, and strong. Mined from the hills and the valleys, they rose in testament to man’s inherent desire to leave his mark, to build and create.

Over those two centuries man married the stone with brick, with wood and glass, enlarging, transforming, enhancing to suit the needs, the times, the whims. Throughout, the building on the crossroads watched as the settlement became a town, as more buildings sprang up.

The dirt road became asphalt; horse and carriage gave way to cars. Fashions flickered by in the blink of an eye. Still it stood, rising on its corner of The Square, an enduring landmark in the cycle of change.

It knew war, heard the echo of gunfire, the cries of the wounded, the prayers of the fearful. It knew blood and tears, joy and fury. Birth and death.

It thrived in good times, endured the hard times. It changed hands and purpose, yet the stone walls stood.

In time, the wood of its graceful double porches began to sag. Glass broke; mortar cracked and crumbled. Some who stopped at the light on the town square might glance over to see pigeons flutter in and out of broken windows and wonder what the old building had been in its day. Then the light turned green, and they drove on.

Beckett knew.

He stood on the opposite corner of The Square, thumbs tucked into the pockets of his jeans. Thick with summer, the air held still. With the road empty, he could have crossed Main Street against the light, but he continued to wait. Opaque blue tarps draped the building from roof to street level, curtaining the front of the building. Over the winter it had served to hold the heat in for the crew. Now it helped block the beat of the sun—and the view.

But he knew—how it looked at that moment, and how it would look when the rehab was complete. After all, he’d designed it—he, his two brothers, his mother. But the blueprints bore his name as architect, his primary function as a partner in Montgomery Family Contractors.

He crossed over, his tennis shoes nearly silent on the road in the breathless hush of three a.m. He walked under the scaffolding, along the side of the building, down St. Paul, pleased to see in the glow of the streetlight how well the stone and brick had cleaned up.

It looked old—it was old, he thought, and that was part of its beauty and appeal. But now, for the first time in his memory, it looked tended.

He rounded the back, walked over the sunbaked dirt, through the construction rubble scattered over what would be a courtyard. Here the porches that spanned both the second and third stories ran straight and true. Custom-made pickets—designed to replicate those from old photographs of the building, and the remnants found during excavation—hung freshly primed and drying on a length of wire.

He knew his eldest brother, Ryder, in his role as head contractor, had the rails and pickets scheduled for install.

He knew because Owen, the middle of the three Montgomery brothers, plagued them all over schedules, calendars, projections, and ledgers—and kept Beckett informed of every nail hammered.

Whether he wanted to be or not.

In this case, he supposed as he dug out his key, he wanted to be—usually. The old hotel had become a family obsession.

It had him by the throat, he admitted as he opened the unfinished and temporary door to what would be The Lobby. And by the heart—and hell, it had him by the balls. No other project they’d ever worked on had ever gotten its hooks in him, in all of them, like this. He suspected none ever would again.

He hit the switch, and the work light dangling from the ceiling flashed on to illuminate bare concrete floors, roughed-in walls, tools, tarps, material.

It smelled of wood and concrete dust and, faintly, of the grilled onions someone must have ordered for lunch.

He’d do a more thorough inspection of the first and second floors in the morning when he had better light. Stupid to have come over at this hour anyway, when he couldn’t really see crap, and was dog tired. But he couldn’t resist it.

By the balls, he thought again, passing under a wide archway, its edges of stone still rough and exposed. Then, flipping on his flashlight, he headed toward the front and the work steps that led up.

There was something about the place in the middle of the night, when the noise of nail guns, saws, radios, and voices ended, and the shadows took over. Something not altogether quiet, not altogether still. Something that brushed fingers over the back of his neck.

Something else he couldn’t resist.

He swept his light around the second floor, noted the brown-bag backing on the walls. As always, Owen’s report had been accurate. Ry and his crew had the insulation completed on this level.

Though he’d intended to go straight up, he roamed here with a grin spreading over his sharply boned face, the pleasure of it lighting eyes the color of blue shadows.

“Coming along,” he said into the silence in a voice gravelly from lack of sleep.

He moved through the dark, following his beam of light, a tall man with narrow hips, the long Montgomery legs, and the waving mass of brown hair with hints of chestnut that came down from the Riley—his maternal side.

He had to remind himself that if he kept poking around he’d have to get up before he got to bed, so he climbed up to the third floor.

“Now that’s what I’m talking about.” Pure delight scattered thoughts of sleep as he traced a finger down the taped seam of freshly hung drywall.

He played his light over the holes cut out for electric, moved into what would be the innkeeper’s apartment, and noted the same for plumbing in the kitchen and bath. He spent more time wandering through what would be their most elaborate suite, nodding approval at the floating wall dividing the generous space in the bath.

“You’re a frigging genius, Beck. Now, for God’s sake, go home.”

But giddy with fatigue and anticipation, he took one more good look before he made his way down the steps.

He heard it as he reached the second floor. A kind of humming—and distinctly female. As the sound reached him, so did the scent. Honeysuckle, sweet and wild and ripe with summer.

His belly did a little dance, but he held the flashlight steady as he swept it down the hall into unfinished guest rooms. He shook his head as both sound and scent drifted away.

“I know you’re here.” He spoke clearly, and his voice echoed back to him. “And I guess you’ve been here for a while. We’re bringing her back, and then some. She deserves it. I hope to hell you like it when she’s done because, well, that’s the way it’s going to be.”

He waited a minute or two, fanciful enough—or tired enough—to imagine whoever, or whatever, inhabited the place settled on a wait-and-see mode.

“Anyway.” He shrugged. “We’re giving her the best we’ve got, and we’re pretty damn good.”

He walked down, noted the work light no longer shone. Beckett turned it on again, switched it back off with another shrug. It wouldn’t be the first time the current resident had messed with one of them.

“Good night,” he called out, then locked up.

This time he didn’t wait for the light, but crossed diagonally. Vesta Pizzeria and Family Restaurant spread over another corner of The Square, with his apartment and office above. He walked down the sloping sidewalk to the back parking lot, grabbed his bag from the cab of his truck. Deciding he’d murder anyone who called him before eight a.m., Beckett unlocked the stairwell, then climbed past the restaurant level to his door.

He didn’t bother with the light, but moved by memory and the backwash of streetlights through the apartment. He stripped by the bed, letting the clothes drop.

He flopped facedown on the mattress, and fell asleep thinking of honeysuckle.

THE CELL PHONE he’d left in his jeans pocket went off at six fifty-five.

“Son of a bitch.”

He crawled out of bed, over the floor, dug his phone out of the pocket. Realized he was holding his wallet up to his ear when nobody answered.

“Shit.”

Dropped the wallet, fumbled out the phone.

“What the hell do you want?”

“Good morning to you, too,” Owen responded. “I’m walking out of Sheetz, with coffee and donuts. They’ve got a new clerk on the morning shift. She’s pretty hot.”

“I’ll kill you with a hammer.”

“Then you won’t get any coffee and donuts. I’m on my way to the site. Ry should be there already. Morning meeting.”

“That’s at ten.”

“Didn’t you read the text I sent you?”

“Which one? I’m gone two days and you sent me a million freaking texts.”

“The one that told you we rescheduled for seven fifteen. Put some pants on,” Owen suggested and hung up.

“Hell.”

He grabbed a two-minute shower, and put some pants on.

The clouds that rolled in overnight had managed to lock the heat in, so stepping outside was like swimming fully dressed through a warm river.

He heard the thump of nail guns, the jingle of music, the whine of saws as he crossed the street. From inside, somebody laughed like a lunatic.

He turned the corner of the building as Owen pulled his truck into the parking lot behind the projected courtyard. The truck gleamed from a recent wash, and the silver toolboxes on the sides of the bed sparkled.

Owen stepped out. Jeans, a white T-shirt tucked into his belt—and on the belt the damn phone that did everything but kiss him good night (and Beckett wasn’t taking bets against that)—marginally scuffed work boots. His bark brown hair sat tidily on his head. He’d obviously had time to shave his pretty face, Beckett thought resentfully.

He shot Beckett a grin, and Beckett imagined the eyes behind those bronze lenses were cheerful and alert.

“Give me the damn coffee.”

Owen took a tall go-cup, marked with a B, from its slot in the tray.

“I didn’t get in till three.” Beckett took the first, deep, lifesaving gulp.

“Why?”

“I didn’t get out of Richmond until close to ten, then I hit a parking lot on 95. And don’t, just do not tell me I should’ve checked the traffic report before getting on. Give me a fucking donut.”

Owen opened the enormous box, and the smell of yeast, sugar, and fat oozed into the thick air. Beckett grabbed a jelly, wolfed half of it, washed it down with more coffee.

“Pickets are going to look good,” Owen said in his easy way. “They’re going to be worth the time and money.” He cocked his head toward the truck on the other side of his. “Drywall’s up on the third floor. They’re going to get the second coat of mud on today. Roofers ran out of copper, so they’re going to fall a little behind schedule on that, but they’re working on the slate until the material comes in.”

“I can hear that,” Beckett commented as the stone saws shrilled.

Owen continued the updates as they crossed to the lobby door, and the coffee woke up Beckett’s brain.

The noise level spiked, but now that Beckett had some sugar and caffeine in his system, it sounded like music. He exchanged greetings with a couple of the crew hanging insulation, then followed Owen through the side arch and into what would be the laundry, and currently served as an on-site office.

Ryder stood scowling down at blueprints spread over a table of plywood on sawhorses. Dumbass, his homely and purehearted mutt—and constant companion—sprawled snoring at his feet.

Until a whiff of donut had his eyes popping open, his scruffy tail thumping. Beckett broke off a bite of donut, tossed it, and the dog nipped it neatly out of the air.

D.A. saw no logical purpose in the fetching of sticks or balls. He concentrated his skills on fielding food of any kind.

“If you’re going to ask for another change, I’ll kill you instead of Owen.”

Ryder only grunted, held out a hand for coffee. “We need to move this panel box, then we can box in this space here, use it for second-floor utility.”

Beckett took another donut, considered as Ryder ran through a handful of other changes.

Little tweaks, Beckett thought, that wouldn’t hurt and would probably improve. Ryder was, after all, the one of them who lived most intimately with the building. But when Ryder moved to eliminating the coffered dining room ceiling—a thin bone of contention between them—Beckett dug in.

“It goes in, just as on the plans. It makes a statement.”

“It doesn’t need to make a statement.”

“Every room in this place is going to make a statement. The dining room makes one with—among other things, a coffered ceiling. It suits the room, plays off the panels we’re making for the side of the windows. The depth of the windows, the ceiling, the arch of stone on the back wall.”

“Pain in the ass.” Ryder scanned the donuts, opted for a cinnamon twist. He didn’t so much as glance toward the madly thumping tail as he tore off the end, flipped it into the air.

D.A.’s teeth snapped together as he caught it.

“How’d it go down in Richmond?”

“The next time I volunteer to design and help build a covered deck for a friend, knock me unconscious.”

“Always a pleasure.” Ryder grinned around the donut. His hair, a deep dense brown that edged toward black, sprang out from under his paint-stained MFC gimme cap. His eyebrows lifted over eyes of gold-flecked green. “I thought you were mostly doing it to get into Drew’s sister’s pants.”

“It was part of the motivation.”

“How’d that go for you?”

“She hooked up with somebody a couple weeks ago, a detail nobody bothered to pass on to me. I never even saw her. So I’m bunked down in Drew’s spare room trying to pretend I can’t hear him and Jen fighting every damn night, and listening to him complain how she’s making his life hell every damn day.”

He drained the coffee. “The deck looks good though.”

“Now that you’re back I could use some help on the built-ins for The Library,” Owen told him.

“I’ve got some catching up to do, but I can give you some time after noon.”

“That’ll work.” Owen handed him a file. “Mom’s been down to Bast’s,” he said, speaking of the furniture store down the street. “Copies of what she’s after—with dimensions, and the room they’re for. She wants you to draw it up.”

“I just did the last batch before I went to Drew’s. How fast can she shop?”

“She’s meeting Aunt Carolee there tomorrow. They’re talking fabrics, so she wants to see if and how what she’s got going fits ASAP. You’re the one who took off a couple days hoping to get laid,” Owen reminded him.

“Struck out, too.”

“Shut up, Ry.” Beckett tucked the file under his arm. “I’d better get started.”

“Don’t you want to go up, take a look?”

“I did a walk-through last night.”

“At three in the morning?” Owen asked.

“Yeah, at three in the morning. It’s looking good.”

One of the crew stuck his head in. “Hey, Beck. Ry, the drywaller’s got a question up in five.”

“Be there in a minute.” Ryder pulled a handwritten list off his clipboard, passed it to Owen. “Materials. Go on and order. I want to get the front porch framed in.”

“I’ll take care of it. Do you need me around here this morning?”

“We’ve got a few million pickets to prime, a mile or two of insulation to hang, and we’re decking the second-story porch, front. What do you think?”

“I think I’ll get my tool belt after I order this material.”

“I’ll swing back through before I head out to the shop this afternoon,” Beckett told them, then got out before he ended up with a nail gun in his hand.

Praise for the Inn BoonsBoro Trilogy

“Paints a charming picture of small-town life.”—Publishers Weekly
 
“[Roberts] writes a great story with likeable characters so warm and real—nobody does it better.”—New York Journal of Books
 
“Roberts opens her heart and invites the die-hard romantics to stick around and snuggle with this poignant tale about trust, commitment, and optimism.”—USA Today

“No one writes relationships as well as Ms. Roberts, with the subtleties and quirkiness of the give-and-take of friendship and romance.”—Fresh Fiction

“[An] emotionally engaging, exceptionally entertaining contemporary trilogy.”—Booklist

"With stellar pacing, humorous flair, and unerring insight into what makes families tick, Roberts wraps up another winning trilogy.”—Library Journal
Nora Roberts is the #1 New York Times bestselling author of more than 200 novels. She is also the author of the bestselling In Death series written under the pen name J. D. Robb. There are more than 500 million copies of her books in print. View titles by Nora Roberts

About

Join the Montgomery brothers as they bring an intimate bed-and-breakfast to life in their Maryland hometown in this collection that includes all three novels in #1 New York Times bestselling author Nora Roberts' Inn BoonsBoro Trilogy.

THE NEXT ALWAYS

As the architect of the family, Beckett has little time for a social life. But there’s another project he’s got his eye on: Clare Brewster, the girl he’s been waiting to kiss since he was sixteen.

THE LAST BOYFRIEND

Owen is the organizer of the Montgomery clan, running the family’s construction business with an iron fist—and an even less flexible spreadsheet. The only thing he didn’t plan for was Avery McTavish...
 
THE PERFECT HOPE

Ryder is surly and unsociable, but when he straps on a tool belt, no woman can resist his sexy swagger. Except apparently Hope Beaumont, the innkeeper of his own Inn BoonsBoro…

Excerpt

CHAPTER ONE

The stone walls stood as they had for more than two centuries, simple, sturdy, and strong. Mined from the hills and the valleys, they rose in testament to man’s inherent desire to leave his mark, to build and create.

Over those two centuries man married the stone with brick, with wood and glass, enlarging, transforming, enhancing to suit the needs, the times, the whims. Throughout, the building on the crossroads watched as the settlement became a town, as more buildings sprang up.

The dirt road became asphalt; horse and carriage gave way to cars. Fashions flickered by in the blink of an eye. Still it stood, rising on its corner of The Square, an enduring landmark in the cycle of change.

It knew war, heard the echo of gunfire, the cries of the wounded, the prayers of the fearful. It knew blood and tears, joy and fury. Birth and death.

It thrived in good times, endured the hard times. It changed hands and purpose, yet the stone walls stood.

In time, the wood of its graceful double porches began to sag. Glass broke; mortar cracked and crumbled. Some who stopped at the light on the town square might glance over to see pigeons flutter in and out of broken windows and wonder what the old building had been in its day. Then the light turned green, and they drove on.

Beckett knew.

He stood on the opposite corner of The Square, thumbs tucked into the pockets of his jeans. Thick with summer, the air held still. With the road empty, he could have crossed Main Street against the light, but he continued to wait. Opaque blue tarps draped the building from roof to street level, curtaining the front of the building. Over the winter it had served to hold the heat in for the crew. Now it helped block the beat of the sun—and the view.

But he knew—how it looked at that moment, and how it would look when the rehab was complete. After all, he’d designed it—he, his two brothers, his mother. But the blueprints bore his name as architect, his primary function as a partner in Montgomery Family Contractors.

He crossed over, his tennis shoes nearly silent on the road in the breathless hush of three a.m. He walked under the scaffolding, along the side of the building, down St. Paul, pleased to see in the glow of the streetlight how well the stone and brick had cleaned up.

It looked old—it was old, he thought, and that was part of its beauty and appeal. But now, for the first time in his memory, it looked tended.

He rounded the back, walked over the sunbaked dirt, through the construction rubble scattered over what would be a courtyard. Here the porches that spanned both the second and third stories ran straight and true. Custom-made pickets—designed to replicate those from old photographs of the building, and the remnants found during excavation—hung freshly primed and drying on a length of wire.

He knew his eldest brother, Ryder, in his role as head contractor, had the rails and pickets scheduled for install.

He knew because Owen, the middle of the three Montgomery brothers, plagued them all over schedules, calendars, projections, and ledgers—and kept Beckett informed of every nail hammered.

Whether he wanted to be or not.

In this case, he supposed as he dug out his key, he wanted to be—usually. The old hotel had become a family obsession.

It had him by the throat, he admitted as he opened the unfinished and temporary door to what would be The Lobby. And by the heart—and hell, it had him by the balls. No other project they’d ever worked on had ever gotten its hooks in him, in all of them, like this. He suspected none ever would again.

He hit the switch, and the work light dangling from the ceiling flashed on to illuminate bare concrete floors, roughed-in walls, tools, tarps, material.

It smelled of wood and concrete dust and, faintly, of the grilled onions someone must have ordered for lunch.

He’d do a more thorough inspection of the first and second floors in the morning when he had better light. Stupid to have come over at this hour anyway, when he couldn’t really see crap, and was dog tired. But he couldn’t resist it.

By the balls, he thought again, passing under a wide archway, its edges of stone still rough and exposed. Then, flipping on his flashlight, he headed toward the front and the work steps that led up.

There was something about the place in the middle of the night, when the noise of nail guns, saws, radios, and voices ended, and the shadows took over. Something not altogether quiet, not altogether still. Something that brushed fingers over the back of his neck.

Something else he couldn’t resist.

He swept his light around the second floor, noted the brown-bag backing on the walls. As always, Owen’s report had been accurate. Ry and his crew had the insulation completed on this level.

Though he’d intended to go straight up, he roamed here with a grin spreading over his sharply boned face, the pleasure of it lighting eyes the color of blue shadows.

“Coming along,” he said into the silence in a voice gravelly from lack of sleep.

He moved through the dark, following his beam of light, a tall man with narrow hips, the long Montgomery legs, and the waving mass of brown hair with hints of chestnut that came down from the Riley—his maternal side.

He had to remind himself that if he kept poking around he’d have to get up before he got to bed, so he climbed up to the third floor.

“Now that’s what I’m talking about.” Pure delight scattered thoughts of sleep as he traced a finger down the taped seam of freshly hung drywall.

He played his light over the holes cut out for electric, moved into what would be the innkeeper’s apartment, and noted the same for plumbing in the kitchen and bath. He spent more time wandering through what would be their most elaborate suite, nodding approval at the floating wall dividing the generous space in the bath.

“You’re a frigging genius, Beck. Now, for God’s sake, go home.”

But giddy with fatigue and anticipation, he took one more good look before he made his way down the steps.

He heard it as he reached the second floor. A kind of humming—and distinctly female. As the sound reached him, so did the scent. Honeysuckle, sweet and wild and ripe with summer.

His belly did a little dance, but he held the flashlight steady as he swept it down the hall into unfinished guest rooms. He shook his head as both sound and scent drifted away.

“I know you’re here.” He spoke clearly, and his voice echoed back to him. “And I guess you’ve been here for a while. We’re bringing her back, and then some. She deserves it. I hope to hell you like it when she’s done because, well, that’s the way it’s going to be.”

He waited a minute or two, fanciful enough—or tired enough—to imagine whoever, or whatever, inhabited the place settled on a wait-and-see mode.

“Anyway.” He shrugged. “We’re giving her the best we’ve got, and we’re pretty damn good.”

He walked down, noted the work light no longer shone. Beckett turned it on again, switched it back off with another shrug. It wouldn’t be the first time the current resident had messed with one of them.

“Good night,” he called out, then locked up.

This time he didn’t wait for the light, but crossed diagonally. Vesta Pizzeria and Family Restaurant spread over another corner of The Square, with his apartment and office above. He walked down the sloping sidewalk to the back parking lot, grabbed his bag from the cab of his truck. Deciding he’d murder anyone who called him before eight a.m., Beckett unlocked the stairwell, then climbed past the restaurant level to his door.

He didn’t bother with the light, but moved by memory and the backwash of streetlights through the apartment. He stripped by the bed, letting the clothes drop.

He flopped facedown on the mattress, and fell asleep thinking of honeysuckle.

THE CELL PHONE he’d left in his jeans pocket went off at six fifty-five.

“Son of a bitch.”

He crawled out of bed, over the floor, dug his phone out of the pocket. Realized he was holding his wallet up to his ear when nobody answered.

“Shit.”

Dropped the wallet, fumbled out the phone.

“What the hell do you want?”

“Good morning to you, too,” Owen responded. “I’m walking out of Sheetz, with coffee and donuts. They’ve got a new clerk on the morning shift. She’s pretty hot.”

“I’ll kill you with a hammer.”

“Then you won’t get any coffee and donuts. I’m on my way to the site. Ry should be there already. Morning meeting.”

“That’s at ten.”

“Didn’t you read the text I sent you?”

“Which one? I’m gone two days and you sent me a million freaking texts.”

“The one that told you we rescheduled for seven fifteen. Put some pants on,” Owen suggested and hung up.

“Hell.”

He grabbed a two-minute shower, and put some pants on.

The clouds that rolled in overnight had managed to lock the heat in, so stepping outside was like swimming fully dressed through a warm river.

He heard the thump of nail guns, the jingle of music, the whine of saws as he crossed the street. From inside, somebody laughed like a lunatic.

He turned the corner of the building as Owen pulled his truck into the parking lot behind the projected courtyard. The truck gleamed from a recent wash, and the silver toolboxes on the sides of the bed sparkled.

Owen stepped out. Jeans, a white T-shirt tucked into his belt—and on the belt the damn phone that did everything but kiss him good night (and Beckett wasn’t taking bets against that)—marginally scuffed work boots. His bark brown hair sat tidily on his head. He’d obviously had time to shave his pretty face, Beckett thought resentfully.

He shot Beckett a grin, and Beckett imagined the eyes behind those bronze lenses were cheerful and alert.

“Give me the damn coffee.”

Owen took a tall go-cup, marked with a B, from its slot in the tray.

“I didn’t get in till three.” Beckett took the first, deep, lifesaving gulp.

“Why?”

“I didn’t get out of Richmond until close to ten, then I hit a parking lot on 95. And don’t, just do not tell me I should’ve checked the traffic report before getting on. Give me a fucking donut.”

Owen opened the enormous box, and the smell of yeast, sugar, and fat oozed into the thick air. Beckett grabbed a jelly, wolfed half of it, washed it down with more coffee.

“Pickets are going to look good,” Owen said in his easy way. “They’re going to be worth the time and money.” He cocked his head toward the truck on the other side of his. “Drywall’s up on the third floor. They’re going to get the second coat of mud on today. Roofers ran out of copper, so they’re going to fall a little behind schedule on that, but they’re working on the slate until the material comes in.”

“I can hear that,” Beckett commented as the stone saws shrilled.

Owen continued the updates as they crossed to the lobby door, and the coffee woke up Beckett’s brain.

The noise level spiked, but now that Beckett had some sugar and caffeine in his system, it sounded like music. He exchanged greetings with a couple of the crew hanging insulation, then followed Owen through the side arch and into what would be the laundry, and currently served as an on-site office.

Ryder stood scowling down at blueprints spread over a table of plywood on sawhorses. Dumbass, his homely and purehearted mutt—and constant companion—sprawled snoring at his feet.

Until a whiff of donut had his eyes popping open, his scruffy tail thumping. Beckett broke off a bite of donut, tossed it, and the dog nipped it neatly out of the air.

D.A. saw no logical purpose in the fetching of sticks or balls. He concentrated his skills on fielding food of any kind.

“If you’re going to ask for another change, I’ll kill you instead of Owen.”

Ryder only grunted, held out a hand for coffee. “We need to move this panel box, then we can box in this space here, use it for second-floor utility.”

Beckett took another donut, considered as Ryder ran through a handful of other changes.

Little tweaks, Beckett thought, that wouldn’t hurt and would probably improve. Ryder was, after all, the one of them who lived most intimately with the building. But when Ryder moved to eliminating the coffered dining room ceiling—a thin bone of contention between them—Beckett dug in.

“It goes in, just as on the plans. It makes a statement.”

“It doesn’t need to make a statement.”

“Every room in this place is going to make a statement. The dining room makes one with—among other things, a coffered ceiling. It suits the room, plays off the panels we’re making for the side of the windows. The depth of the windows, the ceiling, the arch of stone on the back wall.”

“Pain in the ass.” Ryder scanned the donuts, opted for a cinnamon twist. He didn’t so much as glance toward the madly thumping tail as he tore off the end, flipped it into the air.

D.A.’s teeth snapped together as he caught it.

“How’d it go down in Richmond?”

“The next time I volunteer to design and help build a covered deck for a friend, knock me unconscious.”

“Always a pleasure.” Ryder grinned around the donut. His hair, a deep dense brown that edged toward black, sprang out from under his paint-stained MFC gimme cap. His eyebrows lifted over eyes of gold-flecked green. “I thought you were mostly doing it to get into Drew’s sister’s pants.”

“It was part of the motivation.”

“How’d that go for you?”

“She hooked up with somebody a couple weeks ago, a detail nobody bothered to pass on to me. I never even saw her. So I’m bunked down in Drew’s spare room trying to pretend I can’t hear him and Jen fighting every damn night, and listening to him complain how she’s making his life hell every damn day.”

He drained the coffee. “The deck looks good though.”

“Now that you’re back I could use some help on the built-ins for The Library,” Owen told him.

“I’ve got some catching up to do, but I can give you some time after noon.”

“That’ll work.” Owen handed him a file. “Mom’s been down to Bast’s,” he said, speaking of the furniture store down the street. “Copies of what she’s after—with dimensions, and the room they’re for. She wants you to draw it up.”

“I just did the last batch before I went to Drew’s. How fast can she shop?”

“She’s meeting Aunt Carolee there tomorrow. They’re talking fabrics, so she wants to see if and how what she’s got going fits ASAP. You’re the one who took off a couple days hoping to get laid,” Owen reminded him.

“Struck out, too.”

“Shut up, Ry.” Beckett tucked the file under his arm. “I’d better get started.”

“Don’t you want to go up, take a look?”

“I did a walk-through last night.”

“At three in the morning?” Owen asked.

“Yeah, at three in the morning. It’s looking good.”

One of the crew stuck his head in. “Hey, Beck. Ry, the drywaller’s got a question up in five.”

“Be there in a minute.” Ryder pulled a handwritten list off his clipboard, passed it to Owen. “Materials. Go on and order. I want to get the front porch framed in.”

“I’ll take care of it. Do you need me around here this morning?”

“We’ve got a few million pickets to prime, a mile or two of insulation to hang, and we’re decking the second-story porch, front. What do you think?”

“I think I’ll get my tool belt after I order this material.”

“I’ll swing back through before I head out to the shop this afternoon,” Beckett told them, then got out before he ended up with a nail gun in his hand.

Reviews

Praise for the Inn BoonsBoro Trilogy

“Paints a charming picture of small-town life.”—Publishers Weekly
 
“[Roberts] writes a great story with likeable characters so warm and real—nobody does it better.”—New York Journal of Books
 
“Roberts opens her heart and invites the die-hard romantics to stick around and snuggle with this poignant tale about trust, commitment, and optimism.”—USA Today

“No one writes relationships as well as Ms. Roberts, with the subtleties and quirkiness of the give-and-take of friendship and romance.”—Fresh Fiction

“[An] emotionally engaging, exceptionally entertaining contemporary trilogy.”—Booklist

"With stellar pacing, humorous flair, and unerring insight into what makes families tick, Roberts wraps up another winning trilogy.”—Library Journal

Author

Nora Roberts is the #1 New York Times bestselling author of more than 200 novels. She is also the author of the bestselling In Death series written under the pen name J. D. Robb. There are more than 500 million copies of her books in print. View titles by Nora Roberts