Laish

A novel

A caravan of Jews wanders through Eastern Europe at the end of the nineteenth century on a heartbreaking quest. Spiritual seekers and the elderly, widows and orphans, the sick and the dying, con artists and adventurers, victims of pogroms who have no place else to go–they are all on a pilgrimage to the Holy Land, but the journey is filled with unexpected detours and unanticipated disaster.

Among them is Laish, a fifteen-year-old orphan, through whose eyes we observe the interactions within this ragtag group of dreamers, holy men, misfits, and thieves as they battle with one another, try to stay one step ahead of the gendarmes, and do what little they can to keep up their flagging spirits. With the death of the rabbi who brought the group together, they are now led by men whom Laish refers to as “the dealers”–black-market traders whose motives are questionable but who periodically infuse the group with the money they need to get to the next town.

Years pass, tempers start to fray, and the caravan grows smaller as people die or abandon the venture. A brutal winter and typhoid epidemic further decimate the ranks, and the pilgrims have begun to reach the limits of their endurance. The dream of Jerusalem keeps the remnant going, and against all odds they finally arrive–emotionally and physically exhausted–at the port city of Galacz. They see their ship in the harbor, but whether they will actually make it onto that ship is suddenly and tragically thrown into doubt.

This magnificent new novel from Aharon Appelfeld (“One of the greatest writers of the age” —The Guardian) resonates with a universality of experience: the will to survive, the struggle to hold on to hope.
1

My name is Laish, and those who like me call me Laishu. I have yet to run into anyone with such a strange name. There are people who are bemused, but most just accept it. I've heard that the name comes from Hungary. Who knows?--my parents died young. A few years ago, I could still see them in a blurred way. Now I'm fifteen, and their features have been effaced from my memory. At times, they'll surprise me in a dream, calling my name. If I ran into them in the street, I wouldn't recognize them. And I, too, must surely have been forgotten by them.

For the past two years I've been helping a man by the name of Fingerhut--a man of middling height, with the look of someone sure of himself. But that's just his outward appearance. He is sick, with an agonizing illness that weakens him relentlessly. I thought that suffering might soften his anger, but I was wrong. His anger, or, actually, his roars, have only become more dreadful over the course of time. If his morning coffee isn't served at precisely six a.m., he's ready to overturn everything. In return for my help, he gives me half a loaf of bread each day and a little milk. On Fridays, there is a piece of chicken with a pickle. If he's in a good mood and he's satisfied with how I serve him, he'll give me more. Once he bought me a bar of halvah. But most days he is immersed in his pain and his anger, and he takes it out on me. I don't answer him. I've learned not to respond. His anger eventually weakens him, and first he falls silent and then he falls asleep.

Once he caught me by surprise, asking me about my name. I told him it means lion. He advised me to change it.

"A name like yours stirs up anger, and people will make fun of you."

"Do you have a name for me?" I asked.
 
"Why don't you call yourself Shimshon?"
 
I laughed.

"Why do you laugh? The name will give you strength."

Most of the day Fingerhut lies prone on his wagon, swathed in blankets, writhing in pain. Toward evening he might rally and start talking with those around him. People have no respect for him, but they are still afraid of him. He is a man of means, and many need him.

"Why do you only come begging to me?" he rebukes those who gather around him, driving them away. People do not stand on their pride, and they come back and ask again, both for loans and for charity. Instead of a pawn ticket, he might give a loan, but not outright charity. When anyone asks for financial help, he says, "No one gave me anything."

Fingerhut is very sick, but he never talks about his illness. At one of our resting places, a medic declared that he should go to Vienna for an operation. Since then he hasn't visited a medic. What keeps him going is the power of the hot-water bottles that I prepare for him. When a bottle makes him feel better, he gives me a few pennies.

"Why don't you go see a doctor," grumble the people whose sleep is disturbed by his nightly groans.

"What help will the doctors be?"

"They'll operate on you and they'll give you back your health."

"I don't believe it."

"And what do you believe in?"

This he doesn't answer.

There is never bad without some good. Fingerhut's sickness makes him prescient: he knows what to buy and what to sell, and he always profits. Naturally, he reveals the secret to no one, but I know that this merit comes from his sickness, from his interrupted sleep and constant pains. For nights on end he doesn't sleep. Once he used to be at the center of things, and at night he would terrorize people, but since he fell sick the other dealers keep their distance. His grim face instills terror, and were it not for some thugs, whom he constantly bribes, it is doubtful that people would let him stay on the wagon. And yet he still does not restrain himself: at least once each night he raises himself up, exposes the upper part of his body, and shouts in a grating voice, "Cheats!"

We are a motley crew, making our way along the roads in six wagons. There used to be eight. The wagons are wide, laden with people and all their belongings. There are some remarkably old men and women. The convoy, so they say, is headed toward Jerusalem. I doubt it. There are a few old people who rise early to pray, but most of the others are absorbed by their own affairs and don't have patience for matters of belief.

I get up among the early risers, light a bonfire, and serve Fingerhut a mug of coffee. The morning hours are my best hours of the day. I sit next to the bonfire and sip coffee. As I already said, I don't believe that the convoy intends to reach Jerusalem, even though wherever we arrive, the dealers declare our destination at the top of their lungs. But there can be no doubt about one thing: the name Jerusalem holds great enchantment. When we reach a small town--and most of them are small towns--the locals immediately come out of their squat houses and stand there marveling. Not an hour goes by before the women serve us drinks and sandwiches. In the summer they give us fruit from their gardens. In the cold and the rainy months we sleep in the synagogue. These are the days when fortune smiles upon me. In the synagogue, I always find some quiet, neglected corner where I can stretch out my legs and sleep without being cramped. And the main thing is that I'm given many errands. In return for my services I get a coin or a pretzel. Fingerhut rages at me, saying that I'm neglecting him and threatening to fire me. I've learned how to placate him. At night I bring him a mug of coffee. He smiles, and that's the sign that my wrongdoing has been forgiven.

Once Fingerhut told me that he used to believe that Jerusalem would heal his sickness, but he no longer believes it. The convoy is no more than a fraud. Were it not for the money that people owe him, he would leave it without delay. The opinion of Fingerhut's wagon mates is completely different. They claim that when he joined the convoy he was desperately poor. Over time, he would exploit the weaknesses of his fellow creatures, pretending to be on the governing committee, ingratiating himself with everyone to get rich. It's true that over the past year he has no longer been pretending, but he remains wicked. If he would help those in need, they would in recompense pray for his recovery, but because he's a miser they ignore him, and he's left to wallow in his sickness.

Once he asked me if I would be prepared to leave with him. I was surprised, and I didn't know what to answer. Finally, I coughed and said that I also wanted to ascend to Jerusalem. I was happy that I said "ascend to," which, by the way, is an expression that people often use. Fingerhut glared at me and said, "Either you're a fool or you're wicked."

"But everyone says we'll ascend to Jerusalem."

"Those words sicken me more than the ulcer."

"My mistake."

"You can steal, you can cheat, but you're not allowed to use those words."

"What should I say?"

"There are words that shouldn't be used. Using them is a fraud. You understand?"

I found it hard to understand him.

Here they quarrel about everything, but not about the deception itself. In the name of Jerusalem we are always welcomed with piety; we are blessed and given charity. This plodding along enables all of us to make a living. Only once, I recall, did a group of furious Jews attack us, driving us away with blows and pitchforks, forcing us to turn off the main road. Entreaties were of no use. They beat the horses in fury, shouting, "You scum! Enough of this mouthing the name of Jerusalem just to bring light to eyes that have lost their glimmer and to turn ordinary folk into generous people."

Fingerhut does not try to hide his thoughts from me, and in the early morning hours, as he sips the coffee that I've made for him, he tells me again and again that this way of proceeding is nothing but a deception, nothing but treading in place. It reflects neither nobility nor the ascent of the soul, but a shameless weltering. His words, spoken early in the morning, are a frightening disclosure of what he really thinks.

"One of these days, they'll throw me off as well," he says, revealing just a bit of his fears to me.

"Why?"

"They always throw off the sick, in the end."

"I'll join you."

"I find that hard to believe."

"I promise you."

"It's not your fault. Man is rotten by nature." He tries to placate me.

From time to time he will say, "Don't leave me."

"I won't."

In return for this promise, he gives me a few candies or a pretzel, but when the black mood is upon him, he leaves no doubt. "You'll abandon me as well." It seems that this is his deepest fear.

One night, one of the old men came up to me, held out a notebook, and said, "In another day I'll be leaving this world, and I want to entrust you with this notebook. I've written in it the names of those who died, and the day of their passing. From tomorrow on, you'll write in it. That's it. Nothing more."

"Grandfather." A tremor escaped from my throat.

"Don't be afraid."

"I don't know how to write."

"It's very simple."

"I'm afraid."

"It's your fate, my son, and you cannot refuse."

"Where should I put the notebook?"

"In the lining of your coat."

"Why did you choose me from all the others, Grandfather?" I trembled.

"That's how it is."

"I'm a thief, Grandfather, and I'm a liar, too."

"Quiet!" The old man raised his voice to me.

I wanted to run away, but my legs were rooted to the spot. I picked up the notebook and slipped it into my coat lining. The old man laid his hand on my head and said, "May the Almighty bless you from His place in heaven." He pushed a coin into my palm and was gone.

The next day I still saw him sitting in his wagon and praying. He prayed quietly, in a normal voice, like a man who is in no hurry. No sign of bad things clouded his face. I decided that I would return the notebook to him that night. But before I could do it, he passed away, as he had said he would. I hurried to get change for the coin he had given me and added some pennies of my own. The funeral was cold and brisk and without ceremony. After the funeral I distributed the pennies to the poor. The wretched people took them from me without questions and without thanks. One took his share, and with a furious glance said to me, "Where did you get this money, you thief?"

2

Here, everyone's a thief. Even in the summer, people sleep in their coats. If you have a package, you tie it to your body, but even this is no guarantee. Fingerhut, who gives me my daily bread, doesn't trust his heavy coat and sews his money into the shirt next to his body, but they still manage to steal from him. I have no parcels and no money. Whenever I get a few pennies I spend them the same day. Two years ago, one of the old men had a stroke and died after his savings were stolen during the night. Even this tragedy did not put a stop to the stealing. Moreover, sometimes a man may get up and declare, "I went stealing last night." Yet the look on his face is like a drunk who hasn't sobered up. Strange things take place here. Every day I'm astonished anew.

And as for me, since Old Ya'akov gave me that notebook, I find it hard to sleep at night. I don't dare open it. It seems as if the names of the dead recorded in the notebook are asking me to free them from their death. I would take the notebook out from my lining and bury it, if I weren't afraid to.

There have been many times when I've wanted to tell Fingerhut about this. He's indifferent to such disclosures, usually citing the well-known verse The heavens are the heavens of the Lord, but the earth He has given to mankind. It has a frightening meaning: Don't raise your eyes to the heavens; cast them downward and worry about tomorrow. Fingerhut's pains have become more intense over the past month, and I'm kept busy for hours preparing hot-water bottles for him. "The hot-water bottles save my life," he says again and again, groaning, and gives me a coin or two.

"Hand out some of your money to those who need it, and things will go better for you. Why do you even need so much money?" People goad him.

"And who's going to support me in Jerusalem?"

"In Jerusalem, God will look after you."

At night, the talk is bitter. The words are removed from their sheaths. Fingerhut refuses to be beholden to anyone. At every hurt he strikes back.

"I'm a bad man, but I'm not self-righteous," he'll say, with a twist of the knife.

"You're rotten through and through."

"What of it?"

Even the intense pains haven't affected his mind. His pains give him strength, if one can say this. Whenever he draws out a word, it's as though it is a poisoned arrow: words like "let's suppose" or "so what?" Tiny words that stoke the fire.

"If you behaved decently, people would love you." They resume their taunts.

"I don't want to be loved," he'll shoot back.

Meanwhile, it's summer and we sleep outside. The small bonfires by the light of the blazing sunset remind me of a different life. Where this life was, I cannot remember.

At times when we stop by a river, the water unexpectedly brings to mind shadows from my childhood. The shadows are very slight, like the light that clings to them. They make me dizzy. I clutch my face with my hands to dull their searing touch.

The long summer evenings that go on deep into the night flood me with longing for my nameless parents. Some of those in the convoy knew them well, but for some reason they haven't told me anything about them.
“The appearance of simplicity, the look of unpremeditated speech, is of course a familiar paradox, the result of care and control, and the success with which it is achieved, and the art disguised, is one of the most notable and impressive features of this strikingly original novel, comparable in its way though very different in tone, to some of the early work of Ernest Hemingway . . . . Very powerfully, this wandering community is made to represent the historic Jewish quest for a home . . . . [A ] remarkable novel.”
The New York Times Book Review

"Philip Roth has remarked that Appelfeld's fiction hovers 'midway between parable and history'—an apt description of this beautiful, dreamlike novel."
Ha'aretz
 
"[A] melancholy yet lyrical narrative, part picaresque novel and part enigmatic fable . . . . Mixing memory and imagination, Appelfeld produces a kind of timeless fictional realm . . . . There are gems to discover along its winding path."
Forward
 
"The narrative of these desperate pilgrims trying to reach the Holy Land is vintage Appelfeld:  equal parts fable, folktale, Torah, and Kafka . . . rendered with the author's trademark precision. . . . In his growing body of fiction–a novelistic kaddish–Appelfeld employs the right words, the only words, to pass along the story that should never have been. Being labeled a Holocaust writer might irritate Appelfeld, but no living novelist—not Elie Wiesel, not Amos Oz—better chronicles the spiritual vacuum and extreme disorientation that ensued in the aftermath of Auschwitz. Whatever critics choose to call him, we require his witness."
—bookforum.com
 
 "Concentration camp survivor Appelfeld delivers a beautifully written, deeply disturbing tale of pilgrims en route to Jerusalem in pre-WW II Eastern Europe . . . . His gorgeous writing creates a stirring atmosphere, while Laish's observations and experiences illustrate some harsh truths about survival."
Publisher's Weekly
 
"A quite narrative of high expectation and muted desperation . . . . Appelfeld writes in an unadorned yet forceful style . . . that is, paradoxically, low-key and intense."
Kirkus Reviews
 
© Frederic Brenner

AHARON APPELFELD is the author of more than forty works of fiction and nonfiction, including The Iron Tracks, Until the Dawn's Light (both winners of the National Jewish Book Award), The Story of a Life (winner of the Prix Médicis Étranger), and Badenheim 1939. Other honors he has received include the Giovanni Boccaccio Literary Prize, the Nelly Sachs Prize, the Israel Prize, the Bialik Prize, and the MLA Commonwealth Award. Blooms of Darkness won the Independent Foreign Fiction Prize in 2012 and was short-listed for the Man Booker International Prize in 2013. Born in Czernowitz, Bukovina (now part of Ukraine), in 1932, Appelefeld died in Israel in 2018.

View titles by Aharon Appelfeld

About

A caravan of Jews wanders through Eastern Europe at the end of the nineteenth century on a heartbreaking quest. Spiritual seekers and the elderly, widows and orphans, the sick and the dying, con artists and adventurers, victims of pogroms who have no place else to go–they are all on a pilgrimage to the Holy Land, but the journey is filled with unexpected detours and unanticipated disaster.

Among them is Laish, a fifteen-year-old orphan, through whose eyes we observe the interactions within this ragtag group of dreamers, holy men, misfits, and thieves as they battle with one another, try to stay one step ahead of the gendarmes, and do what little they can to keep up their flagging spirits. With the death of the rabbi who brought the group together, they are now led by men whom Laish refers to as “the dealers”–black-market traders whose motives are questionable but who periodically infuse the group with the money they need to get to the next town.

Years pass, tempers start to fray, and the caravan grows smaller as people die or abandon the venture. A brutal winter and typhoid epidemic further decimate the ranks, and the pilgrims have begun to reach the limits of their endurance. The dream of Jerusalem keeps the remnant going, and against all odds they finally arrive–emotionally and physically exhausted–at the port city of Galacz. They see their ship in the harbor, but whether they will actually make it onto that ship is suddenly and tragically thrown into doubt.

This magnificent new novel from Aharon Appelfeld (“One of the greatest writers of the age” —The Guardian) resonates with a universality of experience: the will to survive, the struggle to hold on to hope.

Excerpt

1

My name is Laish, and those who like me call me Laishu. I have yet to run into anyone with such a strange name. There are people who are bemused, but most just accept it. I've heard that the name comes from Hungary. Who knows?--my parents died young. A few years ago, I could still see them in a blurred way. Now I'm fifteen, and their features have been effaced from my memory. At times, they'll surprise me in a dream, calling my name. If I ran into them in the street, I wouldn't recognize them. And I, too, must surely have been forgotten by them.

For the past two years I've been helping a man by the name of Fingerhut--a man of middling height, with the look of someone sure of himself. But that's just his outward appearance. He is sick, with an agonizing illness that weakens him relentlessly. I thought that suffering might soften his anger, but I was wrong. His anger, or, actually, his roars, have only become more dreadful over the course of time. If his morning coffee isn't served at precisely six a.m., he's ready to overturn everything. In return for my help, he gives me half a loaf of bread each day and a little milk. On Fridays, there is a piece of chicken with a pickle. If he's in a good mood and he's satisfied with how I serve him, he'll give me more. Once he bought me a bar of halvah. But most days he is immersed in his pain and his anger, and he takes it out on me. I don't answer him. I've learned not to respond. His anger eventually weakens him, and first he falls silent and then he falls asleep.

Once he caught me by surprise, asking me about my name. I told him it means lion. He advised me to change it.

"A name like yours stirs up anger, and people will make fun of you."

"Do you have a name for me?" I asked.
 
"Why don't you call yourself Shimshon?"
 
I laughed.

"Why do you laugh? The name will give you strength."

Most of the day Fingerhut lies prone on his wagon, swathed in blankets, writhing in pain. Toward evening he might rally and start talking with those around him. People have no respect for him, but they are still afraid of him. He is a man of means, and many need him.

"Why do you only come begging to me?" he rebukes those who gather around him, driving them away. People do not stand on their pride, and they come back and ask again, both for loans and for charity. Instead of a pawn ticket, he might give a loan, but not outright charity. When anyone asks for financial help, he says, "No one gave me anything."

Fingerhut is very sick, but he never talks about his illness. At one of our resting places, a medic declared that he should go to Vienna for an operation. Since then he hasn't visited a medic. What keeps him going is the power of the hot-water bottles that I prepare for him. When a bottle makes him feel better, he gives me a few pennies.

"Why don't you go see a doctor," grumble the people whose sleep is disturbed by his nightly groans.

"What help will the doctors be?"

"They'll operate on you and they'll give you back your health."

"I don't believe it."

"And what do you believe in?"

This he doesn't answer.

There is never bad without some good. Fingerhut's sickness makes him prescient: he knows what to buy and what to sell, and he always profits. Naturally, he reveals the secret to no one, but I know that this merit comes from his sickness, from his interrupted sleep and constant pains. For nights on end he doesn't sleep. Once he used to be at the center of things, and at night he would terrorize people, but since he fell sick the other dealers keep their distance. His grim face instills terror, and were it not for some thugs, whom he constantly bribes, it is doubtful that people would let him stay on the wagon. And yet he still does not restrain himself: at least once each night he raises himself up, exposes the upper part of his body, and shouts in a grating voice, "Cheats!"

We are a motley crew, making our way along the roads in six wagons. There used to be eight. The wagons are wide, laden with people and all their belongings. There are some remarkably old men and women. The convoy, so they say, is headed toward Jerusalem. I doubt it. There are a few old people who rise early to pray, but most of the others are absorbed by their own affairs and don't have patience for matters of belief.

I get up among the early risers, light a bonfire, and serve Fingerhut a mug of coffee. The morning hours are my best hours of the day. I sit next to the bonfire and sip coffee. As I already said, I don't believe that the convoy intends to reach Jerusalem, even though wherever we arrive, the dealers declare our destination at the top of their lungs. But there can be no doubt about one thing: the name Jerusalem holds great enchantment. When we reach a small town--and most of them are small towns--the locals immediately come out of their squat houses and stand there marveling. Not an hour goes by before the women serve us drinks and sandwiches. In the summer they give us fruit from their gardens. In the cold and the rainy months we sleep in the synagogue. These are the days when fortune smiles upon me. In the synagogue, I always find some quiet, neglected corner where I can stretch out my legs and sleep without being cramped. And the main thing is that I'm given many errands. In return for my services I get a coin or a pretzel. Fingerhut rages at me, saying that I'm neglecting him and threatening to fire me. I've learned how to placate him. At night I bring him a mug of coffee. He smiles, and that's the sign that my wrongdoing has been forgiven.

Once Fingerhut told me that he used to believe that Jerusalem would heal his sickness, but he no longer believes it. The convoy is no more than a fraud. Were it not for the money that people owe him, he would leave it without delay. The opinion of Fingerhut's wagon mates is completely different. They claim that when he joined the convoy he was desperately poor. Over time, he would exploit the weaknesses of his fellow creatures, pretending to be on the governing committee, ingratiating himself with everyone to get rich. It's true that over the past year he has no longer been pretending, but he remains wicked. If he would help those in need, they would in recompense pray for his recovery, but because he's a miser they ignore him, and he's left to wallow in his sickness.

Once he asked me if I would be prepared to leave with him. I was surprised, and I didn't know what to answer. Finally, I coughed and said that I also wanted to ascend to Jerusalem. I was happy that I said "ascend to," which, by the way, is an expression that people often use. Fingerhut glared at me and said, "Either you're a fool or you're wicked."

"But everyone says we'll ascend to Jerusalem."

"Those words sicken me more than the ulcer."

"My mistake."

"You can steal, you can cheat, but you're not allowed to use those words."

"What should I say?"

"There are words that shouldn't be used. Using them is a fraud. You understand?"

I found it hard to understand him.

Here they quarrel about everything, but not about the deception itself. In the name of Jerusalem we are always welcomed with piety; we are blessed and given charity. This plodding along enables all of us to make a living. Only once, I recall, did a group of furious Jews attack us, driving us away with blows and pitchforks, forcing us to turn off the main road. Entreaties were of no use. They beat the horses in fury, shouting, "You scum! Enough of this mouthing the name of Jerusalem just to bring light to eyes that have lost their glimmer and to turn ordinary folk into generous people."

Fingerhut does not try to hide his thoughts from me, and in the early morning hours, as he sips the coffee that I've made for him, he tells me again and again that this way of proceeding is nothing but a deception, nothing but treading in place. It reflects neither nobility nor the ascent of the soul, but a shameless weltering. His words, spoken early in the morning, are a frightening disclosure of what he really thinks.

"One of these days, they'll throw me off as well," he says, revealing just a bit of his fears to me.

"Why?"

"They always throw off the sick, in the end."

"I'll join you."

"I find that hard to believe."

"I promise you."

"It's not your fault. Man is rotten by nature." He tries to placate me.

From time to time he will say, "Don't leave me."

"I won't."

In return for this promise, he gives me a few candies or a pretzel, but when the black mood is upon him, he leaves no doubt. "You'll abandon me as well." It seems that this is his deepest fear.

One night, one of the old men came up to me, held out a notebook, and said, "In another day I'll be leaving this world, and I want to entrust you with this notebook. I've written in it the names of those who died, and the day of their passing. From tomorrow on, you'll write in it. That's it. Nothing more."

"Grandfather." A tremor escaped from my throat.

"Don't be afraid."

"I don't know how to write."

"It's very simple."

"I'm afraid."

"It's your fate, my son, and you cannot refuse."

"Where should I put the notebook?"

"In the lining of your coat."

"Why did you choose me from all the others, Grandfather?" I trembled.

"That's how it is."

"I'm a thief, Grandfather, and I'm a liar, too."

"Quiet!" The old man raised his voice to me.

I wanted to run away, but my legs were rooted to the spot. I picked up the notebook and slipped it into my coat lining. The old man laid his hand on my head and said, "May the Almighty bless you from His place in heaven." He pushed a coin into my palm and was gone.

The next day I still saw him sitting in his wagon and praying. He prayed quietly, in a normal voice, like a man who is in no hurry. No sign of bad things clouded his face. I decided that I would return the notebook to him that night. But before I could do it, he passed away, as he had said he would. I hurried to get change for the coin he had given me and added some pennies of my own. The funeral was cold and brisk and without ceremony. After the funeral I distributed the pennies to the poor. The wretched people took them from me without questions and without thanks. One took his share, and with a furious glance said to me, "Where did you get this money, you thief?"

2

Here, everyone's a thief. Even in the summer, people sleep in their coats. If you have a package, you tie it to your body, but even this is no guarantee. Fingerhut, who gives me my daily bread, doesn't trust his heavy coat and sews his money into the shirt next to his body, but they still manage to steal from him. I have no parcels and no money. Whenever I get a few pennies I spend them the same day. Two years ago, one of the old men had a stroke and died after his savings were stolen during the night. Even this tragedy did not put a stop to the stealing. Moreover, sometimes a man may get up and declare, "I went stealing last night." Yet the look on his face is like a drunk who hasn't sobered up. Strange things take place here. Every day I'm astonished anew.

And as for me, since Old Ya'akov gave me that notebook, I find it hard to sleep at night. I don't dare open it. It seems as if the names of the dead recorded in the notebook are asking me to free them from their death. I would take the notebook out from my lining and bury it, if I weren't afraid to.

There have been many times when I've wanted to tell Fingerhut about this. He's indifferent to such disclosures, usually citing the well-known verse The heavens are the heavens of the Lord, but the earth He has given to mankind. It has a frightening meaning: Don't raise your eyes to the heavens; cast them downward and worry about tomorrow. Fingerhut's pains have become more intense over the past month, and I'm kept busy for hours preparing hot-water bottles for him. "The hot-water bottles save my life," he says again and again, groaning, and gives me a coin or two.

"Hand out some of your money to those who need it, and things will go better for you. Why do you even need so much money?" People goad him.

"And who's going to support me in Jerusalem?"

"In Jerusalem, God will look after you."

At night, the talk is bitter. The words are removed from their sheaths. Fingerhut refuses to be beholden to anyone. At every hurt he strikes back.

"I'm a bad man, but I'm not self-righteous," he'll say, with a twist of the knife.

"You're rotten through and through."

"What of it?"

Even the intense pains haven't affected his mind. His pains give him strength, if one can say this. Whenever he draws out a word, it's as though it is a poisoned arrow: words like "let's suppose" or "so what?" Tiny words that stoke the fire.

"If you behaved decently, people would love you." They resume their taunts.

"I don't want to be loved," he'll shoot back.

Meanwhile, it's summer and we sleep outside. The small bonfires by the light of the blazing sunset remind me of a different life. Where this life was, I cannot remember.

At times when we stop by a river, the water unexpectedly brings to mind shadows from my childhood. The shadows are very slight, like the light that clings to them. They make me dizzy. I clutch my face with my hands to dull their searing touch.

The long summer evenings that go on deep into the night flood me with longing for my nameless parents. Some of those in the convoy knew them well, but for some reason they haven't told me anything about them.

Reviews

“The appearance of simplicity, the look of unpremeditated speech, is of course a familiar paradox, the result of care and control, and the success with which it is achieved, and the art disguised, is one of the most notable and impressive features of this strikingly original novel, comparable in its way though very different in tone, to some of the early work of Ernest Hemingway . . . . Very powerfully, this wandering community is made to represent the historic Jewish quest for a home . . . . [A ] remarkable novel.”
The New York Times Book Review

"Philip Roth has remarked that Appelfeld's fiction hovers 'midway between parable and history'—an apt description of this beautiful, dreamlike novel."
Ha'aretz
 
"[A] melancholy yet lyrical narrative, part picaresque novel and part enigmatic fable . . . . Mixing memory and imagination, Appelfeld produces a kind of timeless fictional realm . . . . There are gems to discover along its winding path."
Forward
 
"The narrative of these desperate pilgrims trying to reach the Holy Land is vintage Appelfeld:  equal parts fable, folktale, Torah, and Kafka . . . rendered with the author's trademark precision. . . . In his growing body of fiction–a novelistic kaddish–Appelfeld employs the right words, the only words, to pass along the story that should never have been. Being labeled a Holocaust writer might irritate Appelfeld, but no living novelist—not Elie Wiesel, not Amos Oz—better chronicles the spiritual vacuum and extreme disorientation that ensued in the aftermath of Auschwitz. Whatever critics choose to call him, we require his witness."
—bookforum.com
 
 "Concentration camp survivor Appelfeld delivers a beautifully written, deeply disturbing tale of pilgrims en route to Jerusalem in pre-WW II Eastern Europe . . . . His gorgeous writing creates a stirring atmosphere, while Laish's observations and experiences illustrate some harsh truths about survival."
Publisher's Weekly
 
"A quite narrative of high expectation and muted desperation . . . . Appelfeld writes in an unadorned yet forceful style . . . that is, paradoxically, low-key and intense."
Kirkus Reviews
 

Author

© Frederic Brenner

AHARON APPELFELD is the author of more than forty works of fiction and nonfiction, including The Iron Tracks, Until the Dawn's Light (both winners of the National Jewish Book Award), The Story of a Life (winner of the Prix Médicis Étranger), and Badenheim 1939. Other honors he has received include the Giovanni Boccaccio Literary Prize, the Nelly Sachs Prize, the Israel Prize, the Bialik Prize, and the MLA Commonwealth Award. Blooms of Darkness won the Independent Foreign Fiction Prize in 2012 and was short-listed for the Man Booker International Prize in 2013. Born in Czernowitz, Bukovina (now part of Ukraine), in 1932, Appelefeld died in Israel in 2018.

View titles by Aharon Appelfeld