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Lives of the Poets

A Novella and Six Stories

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Innocence is lost to unforgettable experience in these brilliant stories by E. L. Doctorow, as full of mystery and meaning as any of the longer works by this American master. In “The Writer in the Family,” a young man learns the difference between lying and literature after he is induced into deceiving a relative through letters. In “Wili,” an early-twentieth-century idyll is destroyed by infidelity. In “The Foreign Legation,” a girl and an act of political anarchy collide with devastating results. These and other stories flow into the novella “Lives of the Poets,” in which the images and themes of the earlier stories become part of the narrator’s unsparing confessions about his own mind, offering a rare look at the creative process and its connection to the heart.
The Writer in the Family
 
IN 1955 MY FATHER died with his ancient mother still alive in a nursing home. The old lady was ninety and hadn’t even known he was ill. Thinking the shock might kill her, my aunts told her that he had moved to Arizona for his bronchitis. To the immigrant generation of my grandmother, Arizona was the American equivalent of the Alps, it was where you went for your health. More accurately, it was where you went if you had the money. Since my father had failed in all the business enterprises of his life, this was the aspect of the news my grandmother dwelled on, that he had finally had some success. And so it came about that as we mourned him at home in our stocking feet, my grandmother was bragging to her cronies about her son’s new life in the dry air of the desert.
 
My aunts had decided on their course of action without consulting us. It meant neither my mother nor my brother nor I could visit Grandma because we were supposed to have moved west too, a family, after all. My brother Harold and I didn’t mind—it was always a nightmare at the old people’s home, where they all sat around staring at us while we tried to make conversation with Grandma. She looked terrible, had numbers of ailments, and her mind wandered. Not seeing her was no disappointment either for my mother, who had never gotten along with the old woman and did not visit when she could have. But what was disturbing was that my aunts had acted in the manner of that side of the family of making government on everyone’s behalf, the true citizens by blood and the lesser citizens by marriage. It was exactly this attitude that had tormented my mother all her married life. She claimed Jack’s family had never accepted her. She had battled them for twenty-five years as an outsider.
 
A few weeks after the end of our ritual mourning my Aunt Frances phoned us from her home in Larchmont. Aunt Frances was the wealthier of my father’s sisters. Her husband was a lawyer, and both her sons were at Amherst. She had called to say that Grandma was asking why she didn’t hear from Jack. I had answered the phone. “You’re the writer in the family,” my aunt said. “Your father had so much faith in you. Would you mind making up something? Send it to me and I’ll read it to her. She won’t know the difference.”
 
That evening, at the kitchen table, I pushed my homework aside and composed a letter. I tried to imagine my father’s response to his new life. He had never been west. He had never traveled anywhere. In his generation the great journey was from the working class to the professional class. He hadn’t managed that either. But he loved New York, where he had been born and lived his life, and he was always discovering new things about it. He especially loved the old parts of the city below Canal Street, where he would find ships’ chandlers or firms that wholesaled in spices and teas. He was a salesman for an appliance jobber with accounts all over the city. He liked to bring home rare cheeses or exotic foreign vegetables that were sold only in certain neighborhoods. Once he brought home a barometer, another time an antique ship’s telescope in a wooden case with a brass snap.
 
“Dear Mama,” I wrote. “Arizona is beautiful. The sun shines all day and the air is warm and I feel better than I have in years. The desert is not as barren as you would expect, but filled with wildflowers and cactus plants and peculiar crooked trees that look like men holding their arms out. You can see great distances in whatever direction you turn and to the west is a range of mountains maybe fifty miles from here, but in the morning with the sun on them you can see the snow on their crests.”
 
My aunt called some days later and told me it was when she read this letter aloud to the old lady that the full effect of Jack’s death came over her. She had to excuse herself and went out in the parking lot to cry. “I wept so,” she said. “I felt such terrible longing for him. You’re so right, he loved to go places, he loved life, he loved everything.”
 
WE BEGAN trying to organize our lives. My father had borrowed money against his insurance and there was very little left. Some commissions were still due but it didn’t look as if his firm would honor them. There was a couple of thousand dollars in a savings bank that had to be maintained there until the estate was settled. The lawyer involved was Aunt Frances’ husband and he was very proper. “The estate!” my mother muttered, gesturing as if to pull out her hair. “The estate!” She applied for a job part-time in the admissions office of the hospital where my father’s terminal illness had been diagnosed, and where he had spent some months until they had sent him home to die. She knew a lot of the doctors and staff and she had learned “from bitter experience,” as she told them, about the hospital routine. She was hired.
 
I hated that hospital, it was dark and grim and full of tortured people. I thought it was masochistic of my mother to seek out a job there, but did not tell her so.
 
We lived in an apartment on the corner of 175th Street and the Grand Concourse, one flight up. Three rooms. I shared the bedroom with my brother. It was jammed with furniture because when my father had required a hospital bed in the last weeks of his illness we had moved some of the living-room pieces into the bedroom and made over the living room for him. We had to navigate bookcases, beds, a gateleg table, bureaus, a record player and radio console, stacks of 78 albums, my brother’s trombone and music stand, and so on. My mother continued to sleep on the convertible sofa in the living room that had been their bed before his illness. The two rooms were connected by a narrow hall made even narrower by bookcases along the wall. Off the hall were a small kitchen and dinette and a bathroom. There were lots of appliances in the kitchen—broiler, toaster, pressure cooker, counter-top dishwasher, blender—that my father had gotten through his job, at cost. A treasured phrase in our house: at cost. But most of these fixtures went unused because my mother did not care for them. Chromium devices with timers or gauges that required the reading of elaborate instructions were not for her. They were in part responsible for the awful clutter of our lives and now she wanted to get rid of them. “We’re being buried,” she said. “Who needs them!”
 
So we agreed to throw out or sell anything inessential. While I found boxes for the appliances and my brother tied the boxes with twine, my mother opened my father’s closet and took out his clothes. He had several suits because as a salesman he needed to look his best. My mother wanted us to try on his suits to see which of them could be altered and used. My brother refused to try them on. I tried on one jacket which was too large for me. The lining inside the sleeves chilled my arms and the vaguest scent of my father’s being came to me.
 
“This is way too big,” I said.
 
“Don’t worry,” my mother said. “I had it cleaned. Would I let you wear it if I hadn’t?”
 
It was the evening, the end of winter, and snow was coming down on the windowsill and melting as it settled. The ceiling bulb glared on a pile of my father’s suits and trousers on hangers flung across the bed in the shape of a dead man. We refused to try on anything more, and my mother began to cry.
 
“What are you crying for?” my brother shouted. “You wanted to get rid of things, didn’t you?”
“Extraordinary beauty and power . . . a book to fall in love with.”—Chicago Tribune Book World
 
“Better than any fiction I know, Lives of the Poets illuminates the sources from which fiction springs.”—Newsweek
 
“Doctorow is an impeccable stylist, a man who writes with exceptional clarity and precision.”—Publishers Weekly
 
“Invaluable . . . Doctorow’s subtlest work of fiction.”—New York Times Book Review
© Gasper Tringale
E. L. Doctorow’s works of fiction include Andrew’s Brain, Homer & Langley, The March, Billy Bathgate, Ragtime, The Book of Daniel, City of God, Welcome to Hard Times, Loon Lake, World’s Fair, The Waterworks, and All the Time in the World. Among his honors are the National Book Award, three National Book Critics Circle awards, two PEN/Faulkner awards, and the presidentially conferred National Humanities Medal. In 2009 he was shortlisted for the Man Booker International Prize, honoring a writer’s lifetime achievement in fiction, and in 2012 he was inducted into the New York State Writers Hall of Fame and won the PEN/Saul Bellow Award for Achievement in American Fiction, which is given to an author whose “scale of achievement over a sustained career [places] him in the highest rank of American literature.” In 2013 he received the Gold Medal for Fiction from the American Academy of Arts and Letters and the Medal for Distinguished Contribution to American Letters from the National Book Foundation. Doctorow died in 2015. View titles by E.L. Doctorow

About

Innocence is lost to unforgettable experience in these brilliant stories by E. L. Doctorow, as full of mystery and meaning as any of the longer works by this American master. In “The Writer in the Family,” a young man learns the difference between lying and literature after he is induced into deceiving a relative through letters. In “Wili,” an early-twentieth-century idyll is destroyed by infidelity. In “The Foreign Legation,” a girl and an act of political anarchy collide with devastating results. These and other stories flow into the novella “Lives of the Poets,” in which the images and themes of the earlier stories become part of the narrator’s unsparing confessions about his own mind, offering a rare look at the creative process and its connection to the heart.

Excerpt

The Writer in the Family
 
IN 1955 MY FATHER died with his ancient mother still alive in a nursing home. The old lady was ninety and hadn’t even known he was ill. Thinking the shock might kill her, my aunts told her that he had moved to Arizona for his bronchitis. To the immigrant generation of my grandmother, Arizona was the American equivalent of the Alps, it was where you went for your health. More accurately, it was where you went if you had the money. Since my father had failed in all the business enterprises of his life, this was the aspect of the news my grandmother dwelled on, that he had finally had some success. And so it came about that as we mourned him at home in our stocking feet, my grandmother was bragging to her cronies about her son’s new life in the dry air of the desert.
 
My aunts had decided on their course of action without consulting us. It meant neither my mother nor my brother nor I could visit Grandma because we were supposed to have moved west too, a family, after all. My brother Harold and I didn’t mind—it was always a nightmare at the old people’s home, where they all sat around staring at us while we tried to make conversation with Grandma. She looked terrible, had numbers of ailments, and her mind wandered. Not seeing her was no disappointment either for my mother, who had never gotten along with the old woman and did not visit when she could have. But what was disturbing was that my aunts had acted in the manner of that side of the family of making government on everyone’s behalf, the true citizens by blood and the lesser citizens by marriage. It was exactly this attitude that had tormented my mother all her married life. She claimed Jack’s family had never accepted her. She had battled them for twenty-five years as an outsider.
 
A few weeks after the end of our ritual mourning my Aunt Frances phoned us from her home in Larchmont. Aunt Frances was the wealthier of my father’s sisters. Her husband was a lawyer, and both her sons were at Amherst. She had called to say that Grandma was asking why she didn’t hear from Jack. I had answered the phone. “You’re the writer in the family,” my aunt said. “Your father had so much faith in you. Would you mind making up something? Send it to me and I’ll read it to her. She won’t know the difference.”
 
That evening, at the kitchen table, I pushed my homework aside and composed a letter. I tried to imagine my father’s response to his new life. He had never been west. He had never traveled anywhere. In his generation the great journey was from the working class to the professional class. He hadn’t managed that either. But he loved New York, where he had been born and lived his life, and he was always discovering new things about it. He especially loved the old parts of the city below Canal Street, where he would find ships’ chandlers or firms that wholesaled in spices and teas. He was a salesman for an appliance jobber with accounts all over the city. He liked to bring home rare cheeses or exotic foreign vegetables that were sold only in certain neighborhoods. Once he brought home a barometer, another time an antique ship’s telescope in a wooden case with a brass snap.
 
“Dear Mama,” I wrote. “Arizona is beautiful. The sun shines all day and the air is warm and I feel better than I have in years. The desert is not as barren as you would expect, but filled with wildflowers and cactus plants and peculiar crooked trees that look like men holding their arms out. You can see great distances in whatever direction you turn and to the west is a range of mountains maybe fifty miles from here, but in the morning with the sun on them you can see the snow on their crests.”
 
My aunt called some days later and told me it was when she read this letter aloud to the old lady that the full effect of Jack’s death came over her. She had to excuse herself and went out in the parking lot to cry. “I wept so,” she said. “I felt such terrible longing for him. You’re so right, he loved to go places, he loved life, he loved everything.”
 
WE BEGAN trying to organize our lives. My father had borrowed money against his insurance and there was very little left. Some commissions were still due but it didn’t look as if his firm would honor them. There was a couple of thousand dollars in a savings bank that had to be maintained there until the estate was settled. The lawyer involved was Aunt Frances’ husband and he was very proper. “The estate!” my mother muttered, gesturing as if to pull out her hair. “The estate!” She applied for a job part-time in the admissions office of the hospital where my father’s terminal illness had been diagnosed, and where he had spent some months until they had sent him home to die. She knew a lot of the doctors and staff and she had learned “from bitter experience,” as she told them, about the hospital routine. She was hired.
 
I hated that hospital, it was dark and grim and full of tortured people. I thought it was masochistic of my mother to seek out a job there, but did not tell her so.
 
We lived in an apartment on the corner of 175th Street and the Grand Concourse, one flight up. Three rooms. I shared the bedroom with my brother. It was jammed with furniture because when my father had required a hospital bed in the last weeks of his illness we had moved some of the living-room pieces into the bedroom and made over the living room for him. We had to navigate bookcases, beds, a gateleg table, bureaus, a record player and radio console, stacks of 78 albums, my brother’s trombone and music stand, and so on. My mother continued to sleep on the convertible sofa in the living room that had been their bed before his illness. The two rooms were connected by a narrow hall made even narrower by bookcases along the wall. Off the hall were a small kitchen and dinette and a bathroom. There were lots of appliances in the kitchen—broiler, toaster, pressure cooker, counter-top dishwasher, blender—that my father had gotten through his job, at cost. A treasured phrase in our house: at cost. But most of these fixtures went unused because my mother did not care for them. Chromium devices with timers or gauges that required the reading of elaborate instructions were not for her. They were in part responsible for the awful clutter of our lives and now she wanted to get rid of them. “We’re being buried,” she said. “Who needs them!”
 
So we agreed to throw out or sell anything inessential. While I found boxes for the appliances and my brother tied the boxes with twine, my mother opened my father’s closet and took out his clothes. He had several suits because as a salesman he needed to look his best. My mother wanted us to try on his suits to see which of them could be altered and used. My brother refused to try them on. I tried on one jacket which was too large for me. The lining inside the sleeves chilled my arms and the vaguest scent of my father’s being came to me.
 
“This is way too big,” I said.
 
“Don’t worry,” my mother said. “I had it cleaned. Would I let you wear it if I hadn’t?”
 
It was the evening, the end of winter, and snow was coming down on the windowsill and melting as it settled. The ceiling bulb glared on a pile of my father’s suits and trousers on hangers flung across the bed in the shape of a dead man. We refused to try on anything more, and my mother began to cry.
 
“What are you crying for?” my brother shouted. “You wanted to get rid of things, didn’t you?”

Reviews

“Extraordinary beauty and power . . . a book to fall in love with.”—Chicago Tribune Book World
 
“Better than any fiction I know, Lives of the Poets illuminates the sources from which fiction springs.”—Newsweek
 
“Doctorow is an impeccable stylist, a man who writes with exceptional clarity and precision.”—Publishers Weekly
 
“Invaluable . . . Doctorow’s subtlest work of fiction.”—New York Times Book Review

Author

© Gasper Tringale
E. L. Doctorow’s works of fiction include Andrew’s Brain, Homer & Langley, The March, Billy Bathgate, Ragtime, The Book of Daniel, City of God, Welcome to Hard Times, Loon Lake, World’s Fair, The Waterworks, and All the Time in the World. Among his honors are the National Book Award, three National Book Critics Circle awards, two PEN/Faulkner awards, and the presidentially conferred National Humanities Medal. In 2009 he was shortlisted for the Man Booker International Prize, honoring a writer’s lifetime achievement in fiction, and in 2012 he was inducted into the New York State Writers Hall of Fame and won the PEN/Saul Bellow Award for Achievement in American Fiction, which is given to an author whose “scale of achievement over a sustained career [places] him in the highest rank of American literature.” In 2013 he received the Gold Medal for Fiction from the American Academy of Arts and Letters and the Medal for Distinguished Contribution to American Letters from the National Book Foundation. Doctorow died in 2015. View titles by E.L. Doctorow