The Memoirs of Miss Chief Eagle Testickle: Vol. 2

A True and Exact Accounting of the History of Turtle Island

From global art superstar Kent Monkman and his longtime collaborator Gisèle Gordon, a transformational work of true stories and imagined history that will remake readers' understanding of the land called North America.

For decades, the singular and provocative paintings by Cree artist Kent Monkman have featured a recurring character—an alter ego of sorts, a shape-shifting, time-travelling elemental being named Miss Chief Eagle Testickle. Though we have glimpsed her across the years, and on countless canvases, it is finally time to hear her story, in her own words. And, in doing so, to hear the whole history of Turtle Island anew. The Memoirs of Miss Chief Eagle Testickle: A True and Exact Accounting of the History of Turtle Island is a genre-demolishing work of genius, the imagined history of a legendary figure through which a profound truths emerge—a deeply Cree and gloriously queer understanding of our shared world, its past, its present, and its possibilities.

Volume Two, which takes us from the moment of confederation to the present day, is a heartbreaking and intimate examination of the tragedies of the nineteenth and twentieth century. Zeroing in on the story of one family told across generations, Miss Chief bears witness to the genocidal forces and structures that dispossessed and attempted to erase Indigenous peoples. Featuring many figures pulled from history as well as new individuals created for this story, Volume Two explores the legacy of colonial violence in the children’s work camps (called residential schools by some), the Sixties Scoop, and the urban disconnection of contemporary life. Ultimately, it is a story of resilience and reconnection, and charts the beginnings of an Indigenous future that is deeply rooted in an experience of Indigenous history—a perspective Miss Chief, a millennia-old legendary being, can offer like none other.

Blending history, fiction, and memoir in bold new ways, The Memoirs of Miss Chief Eagle Testickle are unlike anything published before. And in their power to reshape our shared understanding, they promise to change the way we see everything that lies ahead.
Finalist for the VMI Betsy Warland Between Genres Award

"Long a persona stalking the paintings of provocative Cree artist Kent Monkman, Miss Chief Eagle Testickle steps off the canvas to tell her own story—and that of the Indigenous peoples of Turtle Island—in a two volume collaboration with Gisèle Gordon. Lavishly illustrated with Monkman’s paintings, The Memoirs of Miss Chief Eagle Testickle is at once (and seamlessly) a unique story of an even more unique deity, an exposition of nêhiyaw (Cree) beliefs and a primer in nêhiyawêwin (Cree Language), and a deeply researched history of contact, colonization, and resurgence. A full-blown remediation of the politically-charged and erotic world of Monkman’s paintings, these books educate, inspire, entertain, and leave the reader breathless."
—Steve Collis, 2024 VMI Betsy Warland Between Genres Award judge
© Aaron Wynia
KENT MONKMAN is an interdisciplinary Cree visual artist. A member of Fisher River Cree Nation in Treaty 5 Territory (Manitoba, Canada), he lives and works in Dish With One Spoon Territory (Toronto, Canada).
 
Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle often appears in his work as a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. His painting and installation works are held in the public collections of institutions such as the Metropolitan Museum of Art; Denver Art Museum; Hirshhorn Museum; National Gallery of Canada; Musée des beaux-arts de Montréal; Art Gallery of Ontario; and La maison rouge, Paris. View titles by Kent Monkman

About

From global art superstar Kent Monkman and his longtime collaborator Gisèle Gordon, a transformational work of true stories and imagined history that will remake readers' understanding of the land called North America.

For decades, the singular and provocative paintings by Cree artist Kent Monkman have featured a recurring character—an alter ego of sorts, a shape-shifting, time-travelling elemental being named Miss Chief Eagle Testickle. Though we have glimpsed her across the years, and on countless canvases, it is finally time to hear her story, in her own words. And, in doing so, to hear the whole history of Turtle Island anew. The Memoirs of Miss Chief Eagle Testickle: A True and Exact Accounting of the History of Turtle Island is a genre-demolishing work of genius, the imagined history of a legendary figure through which a profound truths emerge—a deeply Cree and gloriously queer understanding of our shared world, its past, its present, and its possibilities.

Volume Two, which takes us from the moment of confederation to the present day, is a heartbreaking and intimate examination of the tragedies of the nineteenth and twentieth century. Zeroing in on the story of one family told across generations, Miss Chief bears witness to the genocidal forces and structures that dispossessed and attempted to erase Indigenous peoples. Featuring many figures pulled from history as well as new individuals created for this story, Volume Two explores the legacy of colonial violence in the children’s work camps (called residential schools by some), the Sixties Scoop, and the urban disconnection of contemporary life. Ultimately, it is a story of resilience and reconnection, and charts the beginnings of an Indigenous future that is deeply rooted in an experience of Indigenous history—a perspective Miss Chief, a millennia-old legendary being, can offer like none other.

Blending history, fiction, and memoir in bold new ways, The Memoirs of Miss Chief Eagle Testickle are unlike anything published before. And in their power to reshape our shared understanding, they promise to change the way we see everything that lies ahead.

Reviews

Finalist for the VMI Betsy Warland Between Genres Award

"Long a persona stalking the paintings of provocative Cree artist Kent Monkman, Miss Chief Eagle Testickle steps off the canvas to tell her own story—and that of the Indigenous peoples of Turtle Island—in a two volume collaboration with Gisèle Gordon. Lavishly illustrated with Monkman’s paintings, The Memoirs of Miss Chief Eagle Testickle is at once (and seamlessly) a unique story of an even more unique deity, an exposition of nêhiyaw (Cree) beliefs and a primer in nêhiyawêwin (Cree Language), and a deeply researched history of contact, colonization, and resurgence. A full-blown remediation of the politically-charged and erotic world of Monkman’s paintings, these books educate, inspire, entertain, and leave the reader breathless."
—Steve Collis, 2024 VMI Betsy Warland Between Genres Award judge

Author

© Aaron Wynia
KENT MONKMAN is an interdisciplinary Cree visual artist. A member of Fisher River Cree Nation in Treaty 5 Territory (Manitoba, Canada), he lives and works in Dish With One Spoon Territory (Toronto, Canada).
 
Monkman’s gender-fluid alter ego Miss Chief Eagle Testickle often appears in his work as a time-travelling, shape-shifting, supernatural being who reverses the colonial gaze to challenge received notions of history and Indigenous peoples. His painting and installation works are held in the public collections of institutions such as the Metropolitan Museum of Art; Denver Art Museum; Hirshhorn Museum; National Gallery of Canada; Musée des beaux-arts de Montréal; Art Gallery of Ontario; and La maison rouge, Paris. View titles by Kent Monkman