1
VILNIUS (VILNA)
 July 1941
Motl. Jewish cowpoke. Brisket Boy. My grandfather.
As usual, he was bent over the kitchen table, his mottled and hairy nose deep in the pale valley of a book, half-finished plate of herring beside his elbow, half-eaten egg bread slumped beside a Shabbos  candlestick.  His  old  mother  was  out  shopping  for  food while she still could.
So, this Motl, was he a reader?
If the world was ending, he would keep reading.
The world 
was ending. He was still reading.
So, what was this book he had to read despite everything?
One of the great westerns of the American frontier, of course. Even though he knew that Hitler adored them.
“The master race should be brave as Indianers,” 
Der Führer had said, and sent boxes of Karl May’s Winnetou noble savage novels to the eastern front to inspire his troops—those same manifest destiny soldiers crossing the country with orders to kill Motl, his mother and all the other Jews.
Did Motl intend to do something about this?
Yes. He would sit at the table, his shlumpy jacket turned up at the collar, his hat like a shroud of mice askew on his sallow head, and read.
Was Motl a man of action?
“If parking his tuches all day and all night on a chair doing nothing but reading is action,” his mother would say, “he’s a man of action. Action, sure. Every day he gets older and more in my way.”
Why was he still reading this western?
Because Motl, this Litvak, this Lithuanian Jew, this inconceivable  zaidy,  my  grandfather,  this  citizen  of  the  Wild  East—that brave  old  world  of  ever-present  sorrow,  a  sorrow  that  had  just gotten worse—had chosen the life of the cowboy.
He would be that hombre who sits on his chair and imagines being  calm  and  steady  and  manly,  speaking  only  the  fewest  of well-chosen words, doing only what he wanted and what he must under that vast, unpatented western sky.
“And why not?” he would say. “Should my life be nothing but the minced despair and boiled hope of an aging Jew, too thin to be anything but borscht made by Nazis? I choose to think myself a Paleface chuck line rider of the doleful countenance, a Quixotic Ashkenazi of the bronco, riding the Ostland trail. Like my mother said  when  I  told  her  I  wanted  to  be  a  doctor,  ‘
Mazel  tov,  Motl. Nothing is impossible when it’s an illusion.’”
He would say, “What’s the difference between a Jewish cowpoke and beef jerky? It’s the hat. And feeling empty as a broken barrel.  Jerky  don’t  never  feel  such  hollowness,  least  not  by  the time it’s jerky. But the cowboy, the cowboy keeps riding. He don’t look back. Eventually, if he’s lucky, he too becomes leathern and feels only what jerky feels.”
Motl. Citizen of Vilna. Saddlebag of pain. Feedbag of regret.
At  forty-five,  he  had  a  history.  As  a  Lithuanian  Jew,  he  was pickled in it.
But though neither he nor his mother knew it at the time, something  had  changed.  Somewhere,  deep  down  in  the  overworked mine  shaft  of  his  imagination,  it  had  been  determined  that  he would set out on a perilous adventure, this time of his own choosing. He would get up on his horse and ride.
And he would have a child.
At his age.
 And avoid being killed. Sometimes you have to save your own bacon, when you’re a Jew.
The next day, he went to the barber’s. Even a grown man will cave in to his mother’s demands that he groom if she won’t make food for him. Eyes closed, a Texas reverie floating through his mind like the scent of campfire, Motl lay back in the red chair and awaited his shave.
 But then:
“Under a hot towel, a cowpoke can think big thoughts, but to act he must stand up,” he said.
He stood up.
For a moment, the towel hung from his jowls, the Santabeard of a Hebrew god. Then it fell away.
“Barber,”  Motl  said.  “I  must  seize  these  last  days  while  the possibility of life remains.”
The  barber  said  nothing,  wet  blade  held  between  trembling fingers.
 “The kabbalists speak of repairing the world, healing what is broken. It’s my time,” Motl said, looking round that hair-strewn palace of strop and whisker, that little shop of Hebrews. “Barber, I thank you, for I have learned much under your towel.”
Shave and a haircut.
 —Did the barber, Shmuel, expect payment?—
Two bits.
Did  Motl  toss  him  these  two  coins  before  his  impromptu departure?
Having  had  neither  shave  nor  haircut,  he  only  waved,  then hightailed it into the bright sun of Shnipishok, that region of Vilna whose name sounds like scissor blades. He ran through its streets, feeling open to possibility and getaway.
Did Shmuel chase him with his blade?
Let’s say it was a close shave.
This day, as the towel fell from his bristly chins, Motl saw beyond his scraggy self and straight into his crimpled yet resilient heart. He understood that it could become pink and new as the callow fundament  of  a  child.  How?  He  recalled  that  there  remained  a means by which he could become procreator and thus begetter. In this time of murder and loss, to make new life would be to make life new. It would be a salve for the broken world. He could say, both to his child and to himself, “It is worth being born into this world. It is worth being born.”
And this fathering, would it involve the usual squirming ministrations known since our ancestors first began to beget?
It would not.
But  first,  he  had  to  retrieve  his  old  saddle  of  a  kvetching mother  and  get  them  both  the  galloping  Gehenna  out  of  the 
Einsatzgruppening hell that Vilna would soon be.
The  cavalry  were  coming,  or—raised  as  they  were  on  Karl May—they’d more likely imagine themselves Aryan elves of the plains, Rhineland braves with bellies like six-packs of strudel.
Noble cabbages.
Coming  to  lead  their  band  of  Lithuanian  Lakota  against  the godless  yellowstars,  locals  happy  to  have  the  excuse  for  an anti-Semitic whoop-up.
 Besides, if a boychik cowpoke was going to ride off in quest of new life, who else to bring but his mama?
But first, before he even retrieved this mama, we must go back nearly twenty years and speak of the family jewels because, in the end, that’s where all roads begin.								
									 Copyright © 2021 by Gary Barwin. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.