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The Compound: A GMA Book Club Pick

A Novel

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Hardcover
$29.00 US
| $39.00 CAN
On sale Jun 24, 2025 | 304 Pages | 9780593977279
Grades 9-12 + AP/IB

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GOOD MORNING AMERICA BOOK CLUB PICK

Nothing to lose. Everything to gain. Winner takes all.

“Every bit as addictive as your favorite guilty pleasure binge-watch, but with all the substance of a literary classic.”—Oprah Daily

“It’s fun to watch hot people do psychotic things in this novel. . . . Smart and provocative [and] so damn addictive.”—The New York Times Book Review

ONE THE BOOKS OF THE SUMMER: The New York Times, Vulture, Time, Harper’s Bazaar, Good Housekeeping, Forbes, Betches, Publishers Weekly

Lily—a bored, beautiful twenty-something—wakes up on a remote desert compound, alongside nineteen other contestants competing on a massively popular reality show. To win, she must outlast her housemates to stay in the Compound the longest, while competing in challenges for luxury rewards like champagne and lipstick, plus communal necessities to outfit their new home, like food, appliances, and a front door.

Cameras are catching all her angles, good and bad, but Lily has no desire to leave: why would she, when the world outside is falling apart? As the competition intensifies, intimacy between the players deepens, and it becomes increasingly difficult to distinguish between desire and desperation. When the unseen producers raise the stakes, forcing contestants into upsetting, even dangerous situations, the line between playing the game and surviving it begins to blur. If Lily makes it to the end, she’ll receive prizes beyond her wildest dreams—but what will she have to do to win?

Addictive and prescient, The Compound is an explosive debut from a major new voice in fiction and will linger in your mind long after the game ends.
One

I woke up first. There was no particular significance to it, only that I have always slept poorly and generally wake early in the morning. I had no way to tell the time, but I thought that I had slept a while: my limbs were heavy and stiff from a long, motionless sleep. The room was dark and windowless, with only a small skylight directly above my bed, though it didn’t smell of sleep, or musk: it smelled fresh and airy, as if it had recently been cleaned. I thought I could detect the slightest trace of air freshener, citrus-scented, or maybe pine. There were ten beds, though only one aside from my own was occupied. The girl in the bed across from me was slowly emerging from sleep. She sat up and looked at me. She was beautiful, but that was to be expected.

“Hello,” I said after a few seconds. “I’m Lily.”

“I’m Jacintha,” she said. “Nice to meet you.”

I put my feet on the floor, feeling newly born. I stretched, arms high above my head, and heard my joints pop. There was air conditioning whirring, but I could feel the heat that lurked behind it, thick and cloying. When I looked over, Jacintha was standing. She was wearing underwear and a tank top. Looking down, I saw that I was wearing something similar.

It might have been awkward, but she smiled at me. “Will we find the others?”

We made our way through the house, exploring as we went. The house was at once familiar and entirely new to me. On either side of the bedroom were the dressing rooms: the boys’ to the left, ours to the right. The boys’ room held no interest for us, and we went directly to our own. It was enormous, much bigger than the bedroom. It was where we could keep all of our things, once we had them. The room was mostly composed of storage space: built-in wardrobes, chests of drawers, cupboards, and some glittery boxes, similar to one I had used to store my dress-up costumes as a young girl. Running through the center of the room was a gray laminate-covered table, with a bench on each side. Along the table were lighted mirrors and the little screens. I touched one, but the screen remained black.

While the bedroom had been clean, the dressing room was distinctly untidy: there were clothes strewn across the floor, and makeup stains along the table, with the lingering scent of feminine products still hanging in the air. Jacintha and I looked through the drawers and storage spaces and found mostly clothes, the majority of them cheap and worn: swimsuits that had been stretched to the point of translucency, stained dresses, and tired-looking T-shirts. There were a couple of nice pieces, possibly designer—a few dresses, a skirt, and a jacket. They were stiff and creaseless, and I thought that they likely had never been worn.

Down the hallway was the bathroom, tiled and pristine. There were two toilets, a urinal running along the length of the wall, a shower, and a bath, large and inviting, shaped like an oversized canoe. There was a sleek gold bar on which towels hung, matching gold knobs on the cabinet doors, and a similar gold bar over the mirror by the sink. The taps were a fine brass color, with an impressive number of soaps lined along a shelf, and an artfully arranged stack of toilet paper. On the wall beside the bath was a painting, large and abstract. It was the only piece of art I had ever seen in the house. I knew that the place had changed drastically over the years, but the same piece of art stayed, unmoved. The bedroom and dressing rooms had been nice enough, but they were designed for practicality. The bathroom was pure luxury: perfect, except that it had no door.

Jacintha and I went downstairs. There were a number of empty rooms, perhaps four or five. There were some empty boxes left in them, and I thought that the rooms must have been used for storage. There were two more bathrooms, and though they were nice enough, they were clearly the lesser bathrooms.

We came to the living room and paused uneasily in the doorway. While the dressing room had been messy, this room had been trashed. There was no sofa, but there were folding chairs that lay in one corner. There was a mirror on the ground, shards of which reflected the mess around it: a dented wall, a legless coffee table, a shattered vase. Nearly everything in the room had been broken or destroyed, except for the big screen, which hung on the wall, untouched. Like the little screens, the big screen was blank. Neither Jacintha nor myself commented on the mess, but we stayed standing in the doorway for a minute or so, waiting to see if the big screen would turn on.

Then there was the kitchen, large and mercifully well stocked. There were granite countertops with the usual appliances, and a small island with three barstools. The kitchen had an industrial feel to it, designed to accommodate several people cooking at the same time, or cooking in large amounts. Jacintha and I spent a while there, rooting through cupboards and drawers. There was enough food to last for a long time—weeks, at least.

Although it was well built and well supplied, it was incredibly messy; bewilderingly so. There were eggshells on the ground, splashes of sauce on the wall, and dishes in the sink. The floor was dirty, the counters sticky. The bins were overflowing and smelled of rotting meat.

“There’s no freezer,” Jacintha said.

“The fridge is huge, though,” I said. I opened the chrome double doors, admiring its wingspan, and smiled at her. She looked at me like she wasn’t sure about me yet.

There was a large window above the sink that stretched almost the length of the wall. It had a nice effect, though it meant that the kitchen was uncomfortably warm, almost pulsing with heat. Through it, I could spot the swimming pool in the distance. It was only when I saw the blue-tinted water, glinting in the sun, that I fully came to terms with where I was and what we were doing.

“Look,” Jacintha said. It took me a minute to see the girl, curled up as she was, sleeping on the ground at the lip of the pool.

We went out to inspect her. When we approached her, she didn’t move. I wondered briefly if she was dead. Jacintha crouched down and shook her by the shoulder. For a second, looking down at her, I thought that she looked a lot like myself, and felt a pulse of worry. Then the girl woke, and I could see that she didn’t actually look like me: she was just thin and blond too. She was faintly pink all over from lying in the sun. The girl looked up at us, adjusting her hair.

“Hey, guys,” she said. “I’m Susie.” Jacintha and I introduced ourselves, and Susie smiled and nodded. “Those are great names,” she said with energy.

We looked at each other, trying to think of something to say.

“Isn’t the pool incredible?” Susie asked.

I said, “I was just thinking that.”

“I don’t know how I woke up here. I don’t remember going to sleep, but that doesn’t really matter now, does it? Oh,” she said, looking around her. “There’s so much sand. Wow. It’s warm, too. I’ve only just woken up, and I don’t think I’ve ever been so warm in my life! Where did you two wake up?”

“We both were in the bedroom,” Jacintha said. Susie looked a little thrown, so I said, “You’re the first we’ve found.” She looked happier, and we set out to find the others.

As we wandered, we were able to take in, for the first time, the scale of the place where we would be living. The compound spilled out, varied and brilliant: red-brown earth, yellowed grass in some places and startling, vivid greenery in others; pebbled paths, small bits of vegetation and amenities, and surrounding it all, separated from us by a ring of bushes, the desert stretching endlessly to the horizon. Toward the back of the compound, the grass and vegetation bloomed, and an irrigation system spat lazy drizzles of water, the light casting rainbows through the droplets, a casual sort of beauty that contrasted almost garishly with the monotonous plains that lay beyond. The sight of the desert gave me pause; I had seen it before on the television, of course, but it was a different thing entirely to see it before me. The pale gold sand and the flat, barren land seemed as though it had never been tempered by human feet. It was from there that the boys would come, and to there that we would be banished, if it came to that.

While the sheer size of the compound was incredible, it was distinctly run-down. It looked a lot like the home of a billionaire, if the billionaire’s staff had gone on strike.

Directly in front of the house was a patio, wrapping around the side. To the west of the house the grounds were lush and attractive, with long paths intersecting pretty flower beds. There was a pond glimmering in the distance, and gates and walls that led to nowhere as though someone had started to section off parts, but had given up. At the furthest western point sat an immense maze, green and imposing.

The west was picturesque, while the east was functional. There was a tennis court: no net or equipment, but the ground had been properly marked. There was a small outdoor gym with a bench and a step machine. A little farther beyond, there was a ping-pong table, which looked fairly new, and a trampoline with rusted springs and tired, sagging canvas.
“A disorienting view of a world that doesn’t seem too far removed from how we are already living—trapped between the desire for connection and the impulse to only look out for ourselves.”—Vulture

“Definitely a vibe.”—Betches

The Compound joins a budding genre of fiction that uses disturbing televised competitions to critique our social norms, including Chain-Gang All-Stars and The Hunger Games. . . . Thrilling and haunting.”—The New York Times Book Review

“Every bit as addictive as your favorite guilty pleasure binge-watch, but with all the substance of a literary classic.”—Oprah Daily

“An Animal Farm for our age of relentless materialism.”—The New York Times

“A clever and delicious treat that’s even more addicting than the reality television it lambastes . . . I dare you not to tear through The Compound at lightning speed.”—Zakiya Dalila Harris, author of The Other Black Girl

The Compound is a blistering takedown of reality TV in our capitalist world, where the gamification of love and power is sold as entertainment.”—Michelle Min Sterling, New York Times bestselling author of Camp Zero

This is the book to read this summer. I was riveted from the first page and couldn’t put it down.”—Cecelia Ahern, bestselling author of PS, I Love You and In a Thousand Different Ways

“A fresh, original debut, searing in its interrogation of modern life—utterly engrossing, everyone should read it.”—Andrea Mara, bestselling author of Someone in the Attic

Love Island meets Lord of the Flies. . . . Manna to fans of reality TV and some haters as well.”—Kirkus Reviews

The Compound is as addicting as the shows it satirizes, so relentlessly gripping that its cleverness sneaks up on you.”—Abigail Dean, New York Times bestselling author of Girl A and The Death of Us

The Compound is utterly addictive—I devoured it in one gulp, completely immersed.”—Catherine Ryan Howard, internationally bestselling author of 56 Days and The Nothing Man

“Riveting and deeply unsettling . . . Aisling Rawle has written a book for our times: I flew through it and kept thinking about it long after the last page.”—Janelle Brown, author of What Kind of Paradise

“I couldn’t put The Compound down—it is that rare combination of propulsive and brilliant. I read it in one big gulp and then brought it up at two different dinners to talk about its mix of gender dynamics, capitalism, and power.”—Megan Giddings, author of Lakewood

“In The Compound, Rawle has built an eerily familiar yet unparalleled landscape—one that expertly juggles the most gruesome and tender human traits—with page-turning, nail-biting force.”—Olivia Gatwood, author of Whoever You Are, Honey

“This smart, stirring eyeball-peeler of a debut slices into our modern morass of capitalism and media with the appeal of the most transfixing reality series. You will have your face pressed to the windows of The Compound.”—Katie Williams, author of My Murder

“With nuanced characters and a sharp examination of the tearing threads of modern society, The Compound is an astounding must-read.”Booklist, starred review

Love Island meets Lord of the Flies.”—Kirkus Reviews

“This portrait of a vapid world contains remarkable depth.”Publishers Weekly
© Steve Langan
Aisling Rawle was born in 1998 and raised in County Leitrim in the West of Ireland. She now lives in Dublin. The Compound is her first book. View titles by Aisling Rawle

About

GOOD MORNING AMERICA BOOK CLUB PICK

Nothing to lose. Everything to gain. Winner takes all.

“Every bit as addictive as your favorite guilty pleasure binge-watch, but with all the substance of a literary classic.”—Oprah Daily

“It’s fun to watch hot people do psychotic things in this novel. . . . Smart and provocative [and] so damn addictive.”—The New York Times Book Review

ONE THE BOOKS OF THE SUMMER: The New York Times, Vulture, Time, Harper’s Bazaar, Good Housekeeping, Forbes, Betches, Publishers Weekly

Lily—a bored, beautiful twenty-something—wakes up on a remote desert compound, alongside nineteen other contestants competing on a massively popular reality show. To win, she must outlast her housemates to stay in the Compound the longest, while competing in challenges for luxury rewards like champagne and lipstick, plus communal necessities to outfit their new home, like food, appliances, and a front door.

Cameras are catching all her angles, good and bad, but Lily has no desire to leave: why would she, when the world outside is falling apart? As the competition intensifies, intimacy between the players deepens, and it becomes increasingly difficult to distinguish between desire and desperation. When the unseen producers raise the stakes, forcing contestants into upsetting, even dangerous situations, the line between playing the game and surviving it begins to blur. If Lily makes it to the end, she’ll receive prizes beyond her wildest dreams—but what will she have to do to win?

Addictive and prescient, The Compound is an explosive debut from a major new voice in fiction and will linger in your mind long after the game ends.

Excerpt

One

I woke up first. There was no particular significance to it, only that I have always slept poorly and generally wake early in the morning. I had no way to tell the time, but I thought that I had slept a while: my limbs were heavy and stiff from a long, motionless sleep. The room was dark and windowless, with only a small skylight directly above my bed, though it didn’t smell of sleep, or musk: it smelled fresh and airy, as if it had recently been cleaned. I thought I could detect the slightest trace of air freshener, citrus-scented, or maybe pine. There were ten beds, though only one aside from my own was occupied. The girl in the bed across from me was slowly emerging from sleep. She sat up and looked at me. She was beautiful, but that was to be expected.

“Hello,” I said after a few seconds. “I’m Lily.”

“I’m Jacintha,” she said. “Nice to meet you.”

I put my feet on the floor, feeling newly born. I stretched, arms high above my head, and heard my joints pop. There was air conditioning whirring, but I could feel the heat that lurked behind it, thick and cloying. When I looked over, Jacintha was standing. She was wearing underwear and a tank top. Looking down, I saw that I was wearing something similar.

It might have been awkward, but she smiled at me. “Will we find the others?”

We made our way through the house, exploring as we went. The house was at once familiar and entirely new to me. On either side of the bedroom were the dressing rooms: the boys’ to the left, ours to the right. The boys’ room held no interest for us, and we went directly to our own. It was enormous, much bigger than the bedroom. It was where we could keep all of our things, once we had them. The room was mostly composed of storage space: built-in wardrobes, chests of drawers, cupboards, and some glittery boxes, similar to one I had used to store my dress-up costumes as a young girl. Running through the center of the room was a gray laminate-covered table, with a bench on each side. Along the table were lighted mirrors and the little screens. I touched one, but the screen remained black.

While the bedroom had been clean, the dressing room was distinctly untidy: there were clothes strewn across the floor, and makeup stains along the table, with the lingering scent of feminine products still hanging in the air. Jacintha and I looked through the drawers and storage spaces and found mostly clothes, the majority of them cheap and worn: swimsuits that had been stretched to the point of translucency, stained dresses, and tired-looking T-shirts. There were a couple of nice pieces, possibly designer—a few dresses, a skirt, and a jacket. They were stiff and creaseless, and I thought that they likely had never been worn.

Down the hallway was the bathroom, tiled and pristine. There were two toilets, a urinal running along the length of the wall, a shower, and a bath, large and inviting, shaped like an oversized canoe. There was a sleek gold bar on which towels hung, matching gold knobs on the cabinet doors, and a similar gold bar over the mirror by the sink. The taps were a fine brass color, with an impressive number of soaps lined along a shelf, and an artfully arranged stack of toilet paper. On the wall beside the bath was a painting, large and abstract. It was the only piece of art I had ever seen in the house. I knew that the place had changed drastically over the years, but the same piece of art stayed, unmoved. The bedroom and dressing rooms had been nice enough, but they were designed for practicality. The bathroom was pure luxury: perfect, except that it had no door.

Jacintha and I went downstairs. There were a number of empty rooms, perhaps four or five. There were some empty boxes left in them, and I thought that the rooms must have been used for storage. There were two more bathrooms, and though they were nice enough, they were clearly the lesser bathrooms.

We came to the living room and paused uneasily in the doorway. While the dressing room had been messy, this room had been trashed. There was no sofa, but there were folding chairs that lay in one corner. There was a mirror on the ground, shards of which reflected the mess around it: a dented wall, a legless coffee table, a shattered vase. Nearly everything in the room had been broken or destroyed, except for the big screen, which hung on the wall, untouched. Like the little screens, the big screen was blank. Neither Jacintha nor myself commented on the mess, but we stayed standing in the doorway for a minute or so, waiting to see if the big screen would turn on.

Then there was the kitchen, large and mercifully well stocked. There were granite countertops with the usual appliances, and a small island with three barstools. The kitchen had an industrial feel to it, designed to accommodate several people cooking at the same time, or cooking in large amounts. Jacintha and I spent a while there, rooting through cupboards and drawers. There was enough food to last for a long time—weeks, at least.

Although it was well built and well supplied, it was incredibly messy; bewilderingly so. There were eggshells on the ground, splashes of sauce on the wall, and dishes in the sink. The floor was dirty, the counters sticky. The bins were overflowing and smelled of rotting meat.

“There’s no freezer,” Jacintha said.

“The fridge is huge, though,” I said. I opened the chrome double doors, admiring its wingspan, and smiled at her. She looked at me like she wasn’t sure about me yet.

There was a large window above the sink that stretched almost the length of the wall. It had a nice effect, though it meant that the kitchen was uncomfortably warm, almost pulsing with heat. Through it, I could spot the swimming pool in the distance. It was only when I saw the blue-tinted water, glinting in the sun, that I fully came to terms with where I was and what we were doing.

“Look,” Jacintha said. It took me a minute to see the girl, curled up as she was, sleeping on the ground at the lip of the pool.

We went out to inspect her. When we approached her, she didn’t move. I wondered briefly if she was dead. Jacintha crouched down and shook her by the shoulder. For a second, looking down at her, I thought that she looked a lot like myself, and felt a pulse of worry. Then the girl woke, and I could see that she didn’t actually look like me: she was just thin and blond too. She was faintly pink all over from lying in the sun. The girl looked up at us, adjusting her hair.

“Hey, guys,” she said. “I’m Susie.” Jacintha and I introduced ourselves, and Susie smiled and nodded. “Those are great names,” she said with energy.

We looked at each other, trying to think of something to say.

“Isn’t the pool incredible?” Susie asked.

I said, “I was just thinking that.”

“I don’t know how I woke up here. I don’t remember going to sleep, but that doesn’t really matter now, does it? Oh,” she said, looking around her. “There’s so much sand. Wow. It’s warm, too. I’ve only just woken up, and I don’t think I’ve ever been so warm in my life! Where did you two wake up?”

“We both were in the bedroom,” Jacintha said. Susie looked a little thrown, so I said, “You’re the first we’ve found.” She looked happier, and we set out to find the others.

As we wandered, we were able to take in, for the first time, the scale of the place where we would be living. The compound spilled out, varied and brilliant: red-brown earth, yellowed grass in some places and startling, vivid greenery in others; pebbled paths, small bits of vegetation and amenities, and surrounding it all, separated from us by a ring of bushes, the desert stretching endlessly to the horizon. Toward the back of the compound, the grass and vegetation bloomed, and an irrigation system spat lazy drizzles of water, the light casting rainbows through the droplets, a casual sort of beauty that contrasted almost garishly with the monotonous plains that lay beyond. The sight of the desert gave me pause; I had seen it before on the television, of course, but it was a different thing entirely to see it before me. The pale gold sand and the flat, barren land seemed as though it had never been tempered by human feet. It was from there that the boys would come, and to there that we would be banished, if it came to that.

While the sheer size of the compound was incredible, it was distinctly run-down. It looked a lot like the home of a billionaire, if the billionaire’s staff had gone on strike.

Directly in front of the house was a patio, wrapping around the side. To the west of the house the grounds were lush and attractive, with long paths intersecting pretty flower beds. There was a pond glimmering in the distance, and gates and walls that led to nowhere as though someone had started to section off parts, but had given up. At the furthest western point sat an immense maze, green and imposing.

The west was picturesque, while the east was functional. There was a tennis court: no net or equipment, but the ground had been properly marked. There was a small outdoor gym with a bench and a step machine. A little farther beyond, there was a ping-pong table, which looked fairly new, and a trampoline with rusted springs and tired, sagging canvas.

Reviews

“A disorienting view of a world that doesn’t seem too far removed from how we are already living—trapped between the desire for connection and the impulse to only look out for ourselves.”—Vulture

“Definitely a vibe.”—Betches

The Compound joins a budding genre of fiction that uses disturbing televised competitions to critique our social norms, including Chain-Gang All-Stars and The Hunger Games. . . . Thrilling and haunting.”—The New York Times Book Review

“Every bit as addictive as your favorite guilty pleasure binge-watch, but with all the substance of a literary classic.”—Oprah Daily

“An Animal Farm for our age of relentless materialism.”—The New York Times

“A clever and delicious treat that’s even more addicting than the reality television it lambastes . . . I dare you not to tear through The Compound at lightning speed.”—Zakiya Dalila Harris, author of The Other Black Girl

The Compound is a blistering takedown of reality TV in our capitalist world, where the gamification of love and power is sold as entertainment.”—Michelle Min Sterling, New York Times bestselling author of Camp Zero

This is the book to read this summer. I was riveted from the first page and couldn’t put it down.”—Cecelia Ahern, bestselling author of PS, I Love You and In a Thousand Different Ways

“A fresh, original debut, searing in its interrogation of modern life—utterly engrossing, everyone should read it.”—Andrea Mara, bestselling author of Someone in the Attic

Love Island meets Lord of the Flies. . . . Manna to fans of reality TV and some haters as well.”—Kirkus Reviews

The Compound is as addicting as the shows it satirizes, so relentlessly gripping that its cleverness sneaks up on you.”—Abigail Dean, New York Times bestselling author of Girl A and The Death of Us

The Compound is utterly addictive—I devoured it in one gulp, completely immersed.”—Catherine Ryan Howard, internationally bestselling author of 56 Days and The Nothing Man

“Riveting and deeply unsettling . . . Aisling Rawle has written a book for our times: I flew through it and kept thinking about it long after the last page.”—Janelle Brown, author of What Kind of Paradise

“I couldn’t put The Compound down—it is that rare combination of propulsive and brilliant. I read it in one big gulp and then brought it up at two different dinners to talk about its mix of gender dynamics, capitalism, and power.”—Megan Giddings, author of Lakewood

“In The Compound, Rawle has built an eerily familiar yet unparalleled landscape—one that expertly juggles the most gruesome and tender human traits—with page-turning, nail-biting force.”—Olivia Gatwood, author of Whoever You Are, Honey

“This smart, stirring eyeball-peeler of a debut slices into our modern morass of capitalism and media with the appeal of the most transfixing reality series. You will have your face pressed to the windows of The Compound.”—Katie Williams, author of My Murder

“With nuanced characters and a sharp examination of the tearing threads of modern society, The Compound is an astounding must-read.”Booklist, starred review

Love Island meets Lord of the Flies.”—Kirkus Reviews

“This portrait of a vapid world contains remarkable depth.”Publishers Weekly

Author

© Steve Langan
Aisling Rawle was born in 1998 and raised in County Leitrim in the West of Ireland. She now lives in Dublin. The Compound is her first book. View titles by Aisling Rawle
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