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The Glass Girl

Author Kathleen Glasgow On Tour
Read by Gail Shalan
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From the #1 New York Times bestselling author of Girl in Pieces comes a raw, heart-wrenching novel about a teenager facing down her struggles with alcohol—and the journey she must take to heal.

“A must-read.” —Laura Nowlin, #1 New York Times bestselling author of If He Had Been with Me

“Everyone needs this book.” —Sloan Harlow, New York Times bestselling author of Everything We Never Said

Everyone in fifteen-year-old Bella’s life needs something from her. Her mom needs her to help around the house, her dad needs her to not make waves, her ex needs her to not be so much. The only person who never needed anything from her was her grandmother—and now she’s dead.

There’s only one thing that dulls the pressure: alcohol. Vodka, beer, peppermint schnapps—alcohol smooths the sharp edges of Bella’s life. And what’s the big deal? Everyone drinks. Besides, Bella can stop whenever she wants. But after she gets blackout drunk at a Thanksgiving party and wakes up in the hospital, it’s time to face reality. And for Bella, reality means rehab.

Gorgeously written and deeply compassionate, Kathleen Glasgow’s The Glass Girl is a candid exploration of the forces pushing young women toward addiction—and what it really takes to help them get better.
Friday


It’s like we’re playing spin the bottle, but without the actual bottle. I know exactly how it will go. The imaginary bottle will spin among us in a dizzying way and then slow, eventually pointing to me.

Cherie doesn’t want to be the one. She says she’s not good at it, even though she’s only done it twice. She says she doesn’t like the way people look at her.

Amber says forget it. Since she’s the only one with a car and a license, she drives and says that’s enough. If she has to stay sober, she shouldn’t be the one. I’m the ferry captain, she says. I’m navigating this drunken ship, so not me. She doesn’t like drinking, anyway. She tried it once and everything seemed okay; she was giggling along with the rest of us in Kristen’s room as we passed Dixie cups of creme de menthe around, but then she vomited in her lap. We had to undress her and put her in the shower, me volunteering to stand in there with her so she wouldn’t fall. I shampooed the chunks of vomit from the ends of her long hair as she cried. It’s a good thing Kristen’s mom was at her boyfriend’s for the night. We found the creme de menthe on the very top shelf of a kitchen cabinet, the bottle dusty from neglect. It looked and smelled candyish, so we tried it. We were thirteen; what kid doesn’t like candy? Anyway, that was the first and only time for Amber.

Kristen is pressed against the car door, pigtails with red bows fluttering in the wind drifting in the half-open window.

“Bella, you do it. You’re the best. You don’t care,” she says, waving her vape pen.

“That’s so disgusting,” Amber tells her. “Sincerely gross.”

“Everything is gross when you think about it,” Kristen replies. “Who cares?”

In the back seat, next to Cherie, I sigh.

The bottle has landed on me. What Kristen said is what everyone always says to me, for everything, in various versions:

Bella, you do it.

Bella, tell your sister it’s time to get off her tablet and come to dinner.

Bella, tell your father he’s late with the check again.

Bella, find out if that guy thinks I’m hot.

Bella, I didn’t read the book, tell me what happened so I can write this stupid friggin’ paper.

Bella, Bella, Bella.

I close my eyes. I wish I was alone, but I’m not allowed to be alone, after Dylan, and I know I should be grateful my friends are trying to take care of me, but sometimes I just want some peace and quiet, no noise, nothing. Just . . . nothing.

Sometimes it feels like I live in a pinball machine and I’m the scratched-up ball, being knocked from one nook to the next, lights blaring, bells ringing. I can never stop the game because I am the game.

Amber pulls up to the curb around the block from the store. Some of the red letters on the sign above the store have gone dark, so it reads L_ C_Y L_Q_ _R.

Lucky Liquor. Some of the older guys at school call it Lucy Licker. Me and Lucy Licker hung out last night. Explaining away puffy eyes, bad breath, as if anyone would actually care they were hungover. Honestly, no one ever cares what guys do. Only what girls do.

Everyone in the car is quiet, waiting for me.

I make them wait a few minutes longer, like I always do. This is our routine. It never changes.

If Kristen drives, she says she can’t do it. If Amber isn’t driving, she says it makes her feel weird and she doesn’t really like drinking anyway, so everyone forgives her. Cherie never does it anymore because a gross dude once grabbed the pocket of her hoodie and ripped it off. It’s round and round, all the time, spin the bottle. It doesn’t matter what we play: the pebble of our booze hopscotch always lands on me.

It lands on me because they know I’ll do it.

Bella is always up for adventure. Bella will do it. Bella is good at it. Bella will come through. Bella, come on.

Kristen and Cherie hold out their money and I listen to them breathe. Amber’s eyes are turned to the left, toward the darkness outside the driver’s-side window, so I can’t see them in the rearview. I think she’s mad, but she won’t say it out loud.

Fine, I say. Fine, you cowards. I snatch the money, warm and wrinkled, from their hands.

Bella, they say. Bella, you’re the best.

I’m not the best. I’m the worst. But it doesn’t matter. All I want right now is to dull the sharpness inside me. The stuff that no one can see. The stuff poking me and making me bleed.

I open the car door and get out.

There are rules you have to follow, things you have to remember.

Like waiting a little bit, but not too long, and not too close to the store or somebody might get suspicious. An older lady in a Lexus, pulling into the store, pretending she’s there just for Arizona Iced Tea and Altoids. Those ladies are righteously judgmental and need to be avoided, even though they’ll come out with plastic bags of wine they’ll probably finish in a couple of hours. I mean, come on. The reason they’re at this crappy liquor store in a crappy neighborhood is so nobody they know sees them buying all that wine in their own neighborhood. Because they drink a lot and don’t want anyone to know how much. And there’s always some old suit heading inside, frowning at the girl on the sidewalk (me) pretending to check her phone. You need something? he might say, his bald head shining. You lost? Even though that’s not really what he’s asking. You can tell because they always look you up and down. You can’t pick them. They’ll want to walk you back to the car, “make sure you’re safe,” check out your friends, be pervy. They probably have daughters and would die if they knew their daughters did this. We are all someone’s daughter.

You have to choose carefully. It can never be a lady unless she’s slightly disheveled and kind of dumpy (flannel shirt, cigs in pocket, flip-flops), which signifies she doesn’t give a damn. She might do it, say, You be careful with your party, now, as she hands over the bag. Don’t get into any trouble.

It can be a guy in his twenties, maybe, but not too cool, not too slick, maybe lonely-looking (taped eyeglasses, T-shirt with inscrutable cultural reference, dirty sneakers), but you can’t let him think he can walk back to the car with you, or get your number, and you can’t talk to him too long or it turns into a thing, which did actually happen once and ended with Kristen literally catching the guy’s fingers in the car window as she furiously rolled it up, him calling us names, and Amber hitting the gas. We screamed hysterically in the car, everyone’s voices blending together in a high pitch, but soon enough we were buzzed (not Amber) and laughing hysterically. That’s the kind of nice thing about drinking: what seemed to be one thing becomes an entirely different thing once you’re drunk.

That can also be bad but I’m trying to stay away from bad stuff and thoughts. Like Dylan. Which was definitely a situation where one thing became another, and not in a good way. That was the night I had what Kristen refers to as Bella’s Extremely Unfortunate Public Downfall.

Anyway, you need a person who doesn’t care. A person going into the store for their own reasons. You want a person who doesn’t even bat an eye, just listens to you and takes the money and comes back with their bag and gives you yours and takes the change and goes back to their car or walks down the sidewalk into the night without even saying goodbye or where you partying or be safe, because they’ve got to get on with the night, too. You need to scope out who is absolutely here for alcohol, who has to have it now, like you, and doesn’t mind making an extra ten for their trouble.

You have to make it quick and clean. Blunt. I’ve learned a lot just from the few times we’ve done it this way.

Hey, will you buy me a fifth of vodka? You can keep the change.

You want a guy. Oldish, hair messy, ball cap, band T-shirt under a sports jacket, shuffling along in his low-rise Converse, smelling like cigarettes. Like one of my dad’s friends, actually: used to be in a band “or something” and on the wrong side of cool now. Maybe thought he’d be a rock star, but now he’s cubicle-bound during the day, dreams dead and gone in a blur of Excel spreadsheets. All he’s got comes from this store.

On the sidewalk, I jiggle my toes inside my sneakers, pretending to scroll on my phone but peeking up furtively every few seconds to scope out the situation. If I’m being honest, I don’t actually mind doing this, because I know where I’ll end up: feeling better. And a tiny part of me gets a little thrill from it.

Then I see him.

I can tell; he’ll do it. This guy doesn’t give a damn. Eyes on the sidewalk; doesn’t care if I’m cute or hot or not. He doesn’t give a crap about me. He’s here for the same thing I am: to get drunk.

Right when he’s about to pass me by, out it comes.

“Hey, could you buy me some vodka? You can keep the extra money.” I make sure my voice is neutral my face expressionless. “A fifth. Not the little bottle.”

He doesn’t stop to stare at me. Look me up and down like the guys in suits. He’s got things to do.

He barely stops. Nods. His hands have ink on them and his skin is dry as he takes the money and says, “Yeah, sure.”

There’s always that moment when my heart beats too quickly and my hairline prickles with sweat. Will he come out and take off in the opposite direction? I can’t chase someone down. Will he come back and walk right by me, give me an evil grin, and say Stupid kid as he taps the bags and keeps going? That’s happened a couple of times.

I track his progress through the barred glass windows of the store. Chips aisle, Gatorade, beer cooler, liquor aisle, then the counter, his lips moving, his nod to the cashier, the bottles being bagged up, my heart still racing, my palms a little wet.

I text Kristen. All good.

She texts back. Hero.

The gentle bing-bong bell of the door as he pushes it open and walks across the parking lot to the back edge, where I’m standing on the sidewalk, half hidden by a shrub.

He’s got the bag in one hand and a case of beer in the other, the Gatorade shoved in his jacket pocket, its weight making the fabric sag.

“Cheers,” he says, and that’s that, he’s gone, shuffling down the sidewalk.

When I’m back inside the car, Kristen and Cherie cheer, but Amber stays silent.

“Bella!” they shout. “Bella, our queen!”

“First one’s mine,” I say, cracking the bottle and pouring as much as I think I can get away with into my half-empty bottle of Sprite.

It always is.

Amber is looking at me in the rearview mirror, her eyes darkening slightly.

“Jesus, take it easy,” she murmurs.

“It’s Friday,” I tell her. “Just chill.”


Kristen’s fingers tremble as she scrolls on her phone. The nights are getting colder and she’s not even wearing a hoodie or anything, just a thin tank top and jeans with holes in the knees. The tips of her ponytails brush against her bony shoulders. “People are hanging at Cole’s,” she says.

At the exact same time, Amber and Cherie say “No” and point to me.

Kristen sighs, shoving her phone in the back pocket of her jeans and jumping up and down to keep warm.

We’re sitting on a picnic bench in the park, just four girls with bottles of Sprite and a bag of cheese popcorn on a Friday night. Innocence and fun. We won’t be able to stay here long. The park closes at ten, and there are some sketchy-looking people drifting around.

But for now we’re okay. I take a long sip of my drink, the vodka spreading in my body like a rush of warm water. The feeling I’ve wanted all day.

“You guys are like hobos, you know, boozing it up in the park,” Amber says.

One by one, we giggle.

“What else are we supposed to do, Amber?” Cherie asks. “There’s nothing to do.”

It seems like such a long time ago that we just stayed in, watching movies, practicing cat’s-eye makeup with YouTube videos, falling asleep in heaps of blankets and pajamas and messy ponytails, and now here we are. This is what we do. The park or parties or someone’s garage. It’s what everybody does.

How did it change, and where and when? This is just kind of life now. There was a life before, and sometimes it seems like one day I woke up and everything was different.

I don’t really like to think about it, how things changed so suddenly, because then I’d have to think about Laurel, and thinking of her feels like being squeezed by a very large, mean person. So tight that I can’t get away and I can’t breathe.

“How long is she going to be on social probation anyway? This is getting old.” Kristen turns to me. “Can you just get over him, already?”

I raise my head and take a long drink of my Sprodka, as Cherie calls it. The combination of sweet and strong feels good as it goes down. I start to loosen.

Sometimes I’m so wound up I think my body is going to crack in a million pieces.

Okay, not sometimes. All the time.

“I’m totally over him,” I say, keeping my voice smooth and light. “I’ve loved and lost and learned my lesson.”

“Liar,” Amber says, scrolling on her phone.

“Agree,” Cherie says. “I saw you staring at him yesterday in the courtyard. You totally looked ready to cry.” Her hand on my back is gentle.

The tiniest pain races through my heart when she does that, so I take another sip and move slightly to make her hand fall away.

“You can’t go to any parties until we’re sure you won’t flip out again,” Amber says, looking up from her phone. “That last time was bad.”

“It was kind of funny, in retrospect,” Kristen says. “Bella’s Extremely Unfortunate Public Downfall.” She takes out her vape pen.
★ “Glasgow’s gift for writing is in full force here … Glasgow already has a strong following and will surely attract more with this addition to her body of work. Consider purchasing multiple copies.” —Booklist, starred review

★ "Combining The Bell Jar with Euphoria, this heart wrenching read offers a resonant and compassionate look at teenage substance reliance." —Publishers Weekly, starred review

★ "This compelling novel leaves it up to Bella alone to admit she needs help and is an education—and a warning—about the depths of addiction." —School Library Journal, starred review

"A visceral, weighty read." —Kirkus Reviews

Inspiring, hopeful, and very necessary. Glasgow leads with empathy in a subject that is far too often misunderstood and judged. Stunning in every sense of the word.” —Josh Silver, author of HappyHead

“Glasgow’s characters are raw and nuanced individuals that feel like someone you used to know or could have been in a different life. Add to that Glasgow’s haunting lyricism and trademark ability to break your heart and remake it stronger, and you know why The Glass Girl is a must-read.” —Laura Nowlin, #1 New York Times bestselling author of If He Had Been with Me
 
“I wish The Glass Girl had been around when I was in high school. You don’t have to be a teen or have struggled with alcohol to need this book. You just have to be a human being. Everyone needs this book.” —Sloan Harlow, New York Times bestselling author of Everything We Never Said

Deeply honest, wholly compassionate, and desperately needed. I fell hard for Bella, a girl torn between her brain and her heart who carries far too much on her own at just fifteen—and who deserves so much better than to carry it alone. The Glass Girl is Kathleen Glasgow at her finest.”Meredith Adamo, author of Not Like Other Girls
 
“Kathleen Glasgow has an unparalleled ability to breathe humanity into her characters, to make us hurt and hope and heal alongside them; it is this quality that shines most brightly in The Glass Girl. Nothing short of a modern masterpiece, it is a powerful, necessary, and gorgeously written journey into the depths of addiction—and there is no guide better equipped to lead readers through this darkness to a state of light, recovery, and hope than Glasgow.” —Amber Smith, New York Times bestselling author of The Way I Used to Be and The Way I Am Now

A fiercely powerful story of recovery, hope, redemption, and strength. I read The Glass Girl in one feverish, tear-soaked sitting, and it haunted me for weeks. It still haunts me in the very best way. Kathleen Glasgow’s prose is as beautiful and lyrical as her stories are unflinchingly honest and real. I wish I could press a copy into the hands of every teen and adult. Read this. It’s a masterpiece.” —Jennifer Niven, #1 New York Times bestselling author of All the Bright Places
© Kathleen Glasgow
Kathleen Glasgow is the author of the New York Times bestselling novel Girl in Pieces, as well as How to Make Friends with the Dark and You'd Be Home Now. She lives and writes in Tucson, Arizona. To learn more about Kathleen and her writing, visit her website, kathleenglasgowbooks.com, or follow @kathglasgow on Twitter and @misskathleenglasgow on Instagram. View titles by Kathleen Glasgow

Discussion Guide for The Glass Girl

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About

From the #1 New York Times bestselling author of Girl in Pieces comes a raw, heart-wrenching novel about a teenager facing down her struggles with alcohol—and the journey she must take to heal.

“A must-read.” —Laura Nowlin, #1 New York Times bestselling author of If He Had Been with Me

“Everyone needs this book.” —Sloan Harlow, New York Times bestselling author of Everything We Never Said

Everyone in fifteen-year-old Bella’s life needs something from her. Her mom needs her to help around the house, her dad needs her to not make waves, her ex needs her to not be so much. The only person who never needed anything from her was her grandmother—and now she’s dead.

There’s only one thing that dulls the pressure: alcohol. Vodka, beer, peppermint schnapps—alcohol smooths the sharp edges of Bella’s life. And what’s the big deal? Everyone drinks. Besides, Bella can stop whenever she wants. But after she gets blackout drunk at a Thanksgiving party and wakes up in the hospital, it’s time to face reality. And for Bella, reality means rehab.

Gorgeously written and deeply compassionate, Kathleen Glasgow’s The Glass Girl is a candid exploration of the forces pushing young women toward addiction—and what it really takes to help them get better.

Excerpt

Friday


It’s like we’re playing spin the bottle, but without the actual bottle. I know exactly how it will go. The imaginary bottle will spin among us in a dizzying way and then slow, eventually pointing to me.

Cherie doesn’t want to be the one. She says she’s not good at it, even though she’s only done it twice. She says she doesn’t like the way people look at her.

Amber says forget it. Since she’s the only one with a car and a license, she drives and says that’s enough. If she has to stay sober, she shouldn’t be the one. I’m the ferry captain, she says. I’m navigating this drunken ship, so not me. She doesn’t like drinking, anyway. She tried it once and everything seemed okay; she was giggling along with the rest of us in Kristen’s room as we passed Dixie cups of creme de menthe around, but then she vomited in her lap. We had to undress her and put her in the shower, me volunteering to stand in there with her so she wouldn’t fall. I shampooed the chunks of vomit from the ends of her long hair as she cried. It’s a good thing Kristen’s mom was at her boyfriend’s for the night. We found the creme de menthe on the very top shelf of a kitchen cabinet, the bottle dusty from neglect. It looked and smelled candyish, so we tried it. We were thirteen; what kid doesn’t like candy? Anyway, that was the first and only time for Amber.

Kristen is pressed against the car door, pigtails with red bows fluttering in the wind drifting in the half-open window.

“Bella, you do it. You’re the best. You don’t care,” she says, waving her vape pen.

“That’s so disgusting,” Amber tells her. “Sincerely gross.”

“Everything is gross when you think about it,” Kristen replies. “Who cares?”

In the back seat, next to Cherie, I sigh.

The bottle has landed on me. What Kristen said is what everyone always says to me, for everything, in various versions:

Bella, you do it.

Bella, tell your sister it’s time to get off her tablet and come to dinner.

Bella, tell your father he’s late with the check again.

Bella, find out if that guy thinks I’m hot.

Bella, I didn’t read the book, tell me what happened so I can write this stupid friggin’ paper.

Bella, Bella, Bella.

I close my eyes. I wish I was alone, but I’m not allowed to be alone, after Dylan, and I know I should be grateful my friends are trying to take care of me, but sometimes I just want some peace and quiet, no noise, nothing. Just . . . nothing.

Sometimes it feels like I live in a pinball machine and I’m the scratched-up ball, being knocked from one nook to the next, lights blaring, bells ringing. I can never stop the game because I am the game.

Amber pulls up to the curb around the block from the store. Some of the red letters on the sign above the store have gone dark, so it reads L_ C_Y L_Q_ _R.

Lucky Liquor. Some of the older guys at school call it Lucy Licker. Me and Lucy Licker hung out last night. Explaining away puffy eyes, bad breath, as if anyone would actually care they were hungover. Honestly, no one ever cares what guys do. Only what girls do.

Everyone in the car is quiet, waiting for me.

I make them wait a few minutes longer, like I always do. This is our routine. It never changes.

If Kristen drives, she says she can’t do it. If Amber isn’t driving, she says it makes her feel weird and she doesn’t really like drinking anyway, so everyone forgives her. Cherie never does it anymore because a gross dude once grabbed the pocket of her hoodie and ripped it off. It’s round and round, all the time, spin the bottle. It doesn’t matter what we play: the pebble of our booze hopscotch always lands on me.

It lands on me because they know I’ll do it.

Bella is always up for adventure. Bella will do it. Bella is good at it. Bella will come through. Bella, come on.

Kristen and Cherie hold out their money and I listen to them breathe. Amber’s eyes are turned to the left, toward the darkness outside the driver’s-side window, so I can’t see them in the rearview. I think she’s mad, but she won’t say it out loud.

Fine, I say. Fine, you cowards. I snatch the money, warm and wrinkled, from their hands.

Bella, they say. Bella, you’re the best.

I’m not the best. I’m the worst. But it doesn’t matter. All I want right now is to dull the sharpness inside me. The stuff that no one can see. The stuff poking me and making me bleed.

I open the car door and get out.

There are rules you have to follow, things you have to remember.

Like waiting a little bit, but not too long, and not too close to the store or somebody might get suspicious. An older lady in a Lexus, pulling into the store, pretending she’s there just for Arizona Iced Tea and Altoids. Those ladies are righteously judgmental and need to be avoided, even though they’ll come out with plastic bags of wine they’ll probably finish in a couple of hours. I mean, come on. The reason they’re at this crappy liquor store in a crappy neighborhood is so nobody they know sees them buying all that wine in their own neighborhood. Because they drink a lot and don’t want anyone to know how much. And there’s always some old suit heading inside, frowning at the girl on the sidewalk (me) pretending to check her phone. You need something? he might say, his bald head shining. You lost? Even though that’s not really what he’s asking. You can tell because they always look you up and down. You can’t pick them. They’ll want to walk you back to the car, “make sure you’re safe,” check out your friends, be pervy. They probably have daughters and would die if they knew their daughters did this. We are all someone’s daughter.

You have to choose carefully. It can never be a lady unless she’s slightly disheveled and kind of dumpy (flannel shirt, cigs in pocket, flip-flops), which signifies she doesn’t give a damn. She might do it, say, You be careful with your party, now, as she hands over the bag. Don’t get into any trouble.

It can be a guy in his twenties, maybe, but not too cool, not too slick, maybe lonely-looking (taped eyeglasses, T-shirt with inscrutable cultural reference, dirty sneakers), but you can’t let him think he can walk back to the car with you, or get your number, and you can’t talk to him too long or it turns into a thing, which did actually happen once and ended with Kristen literally catching the guy’s fingers in the car window as she furiously rolled it up, him calling us names, and Amber hitting the gas. We screamed hysterically in the car, everyone’s voices blending together in a high pitch, but soon enough we were buzzed (not Amber) and laughing hysterically. That’s the kind of nice thing about drinking: what seemed to be one thing becomes an entirely different thing once you’re drunk.

That can also be bad but I’m trying to stay away from bad stuff and thoughts. Like Dylan. Which was definitely a situation where one thing became another, and not in a good way. That was the night I had what Kristen refers to as Bella’s Extremely Unfortunate Public Downfall.

Anyway, you need a person who doesn’t care. A person going into the store for their own reasons. You want a person who doesn’t even bat an eye, just listens to you and takes the money and comes back with their bag and gives you yours and takes the change and goes back to their car or walks down the sidewalk into the night without even saying goodbye or where you partying or be safe, because they’ve got to get on with the night, too. You need to scope out who is absolutely here for alcohol, who has to have it now, like you, and doesn’t mind making an extra ten for their trouble.

You have to make it quick and clean. Blunt. I’ve learned a lot just from the few times we’ve done it this way.

Hey, will you buy me a fifth of vodka? You can keep the change.

You want a guy. Oldish, hair messy, ball cap, band T-shirt under a sports jacket, shuffling along in his low-rise Converse, smelling like cigarettes. Like one of my dad’s friends, actually: used to be in a band “or something” and on the wrong side of cool now. Maybe thought he’d be a rock star, but now he’s cubicle-bound during the day, dreams dead and gone in a blur of Excel spreadsheets. All he’s got comes from this store.

On the sidewalk, I jiggle my toes inside my sneakers, pretending to scroll on my phone but peeking up furtively every few seconds to scope out the situation. If I’m being honest, I don’t actually mind doing this, because I know where I’ll end up: feeling better. And a tiny part of me gets a little thrill from it.

Then I see him.

I can tell; he’ll do it. This guy doesn’t give a damn. Eyes on the sidewalk; doesn’t care if I’m cute or hot or not. He doesn’t give a crap about me. He’s here for the same thing I am: to get drunk.

Right when he’s about to pass me by, out it comes.

“Hey, could you buy me some vodka? You can keep the extra money.” I make sure my voice is neutral my face expressionless. “A fifth. Not the little bottle.”

He doesn’t stop to stare at me. Look me up and down like the guys in suits. He’s got things to do.

He barely stops. Nods. His hands have ink on them and his skin is dry as he takes the money and says, “Yeah, sure.”

There’s always that moment when my heart beats too quickly and my hairline prickles with sweat. Will he come out and take off in the opposite direction? I can’t chase someone down. Will he come back and walk right by me, give me an evil grin, and say Stupid kid as he taps the bags and keeps going? That’s happened a couple of times.

I track his progress through the barred glass windows of the store. Chips aisle, Gatorade, beer cooler, liquor aisle, then the counter, his lips moving, his nod to the cashier, the bottles being bagged up, my heart still racing, my palms a little wet.

I text Kristen. All good.

She texts back. Hero.

The gentle bing-bong bell of the door as he pushes it open and walks across the parking lot to the back edge, where I’m standing on the sidewalk, half hidden by a shrub.

He’s got the bag in one hand and a case of beer in the other, the Gatorade shoved in his jacket pocket, its weight making the fabric sag.

“Cheers,” he says, and that’s that, he’s gone, shuffling down the sidewalk.

When I’m back inside the car, Kristen and Cherie cheer, but Amber stays silent.

“Bella!” they shout. “Bella, our queen!”

“First one’s mine,” I say, cracking the bottle and pouring as much as I think I can get away with into my half-empty bottle of Sprite.

It always is.

Amber is looking at me in the rearview mirror, her eyes darkening slightly.

“Jesus, take it easy,” she murmurs.

“It’s Friday,” I tell her. “Just chill.”


Kristen’s fingers tremble as she scrolls on her phone. The nights are getting colder and she’s not even wearing a hoodie or anything, just a thin tank top and jeans with holes in the knees. The tips of her ponytails brush against her bony shoulders. “People are hanging at Cole’s,” she says.

At the exact same time, Amber and Cherie say “No” and point to me.

Kristen sighs, shoving her phone in the back pocket of her jeans and jumping up and down to keep warm.

We’re sitting on a picnic bench in the park, just four girls with bottles of Sprite and a bag of cheese popcorn on a Friday night. Innocence and fun. We won’t be able to stay here long. The park closes at ten, and there are some sketchy-looking people drifting around.

But for now we’re okay. I take a long sip of my drink, the vodka spreading in my body like a rush of warm water. The feeling I’ve wanted all day.

“You guys are like hobos, you know, boozing it up in the park,” Amber says.

One by one, we giggle.

“What else are we supposed to do, Amber?” Cherie asks. “There’s nothing to do.”

It seems like such a long time ago that we just stayed in, watching movies, practicing cat’s-eye makeup with YouTube videos, falling asleep in heaps of blankets and pajamas and messy ponytails, and now here we are. This is what we do. The park or parties or someone’s garage. It’s what everybody does.

How did it change, and where and when? This is just kind of life now. There was a life before, and sometimes it seems like one day I woke up and everything was different.

I don’t really like to think about it, how things changed so suddenly, because then I’d have to think about Laurel, and thinking of her feels like being squeezed by a very large, mean person. So tight that I can’t get away and I can’t breathe.

“How long is she going to be on social probation anyway? This is getting old.” Kristen turns to me. “Can you just get over him, already?”

I raise my head and take a long drink of my Sprodka, as Cherie calls it. The combination of sweet and strong feels good as it goes down. I start to loosen.

Sometimes I’m so wound up I think my body is going to crack in a million pieces.

Okay, not sometimes. All the time.

“I’m totally over him,” I say, keeping my voice smooth and light. “I’ve loved and lost and learned my lesson.”

“Liar,” Amber says, scrolling on her phone.

“Agree,” Cherie says. “I saw you staring at him yesterday in the courtyard. You totally looked ready to cry.” Her hand on my back is gentle.

The tiniest pain races through my heart when she does that, so I take another sip and move slightly to make her hand fall away.

“You can’t go to any parties until we’re sure you won’t flip out again,” Amber says, looking up from her phone. “That last time was bad.”

“It was kind of funny, in retrospect,” Kristen says. “Bella’s Extremely Unfortunate Public Downfall.” She takes out her vape pen.

Reviews

★ “Glasgow’s gift for writing is in full force here … Glasgow already has a strong following and will surely attract more with this addition to her body of work. Consider purchasing multiple copies.” —Booklist, starred review

★ "Combining The Bell Jar with Euphoria, this heart wrenching read offers a resonant and compassionate look at teenage substance reliance." —Publishers Weekly, starred review

★ "This compelling novel leaves it up to Bella alone to admit she needs help and is an education—and a warning—about the depths of addiction." —School Library Journal, starred review

"A visceral, weighty read." —Kirkus Reviews

Inspiring, hopeful, and very necessary. Glasgow leads with empathy in a subject that is far too often misunderstood and judged. Stunning in every sense of the word.” —Josh Silver, author of HappyHead

“Glasgow’s characters are raw and nuanced individuals that feel like someone you used to know or could have been in a different life. Add to that Glasgow’s haunting lyricism and trademark ability to break your heart and remake it stronger, and you know why The Glass Girl is a must-read.” —Laura Nowlin, #1 New York Times bestselling author of If He Had Been with Me
 
“I wish The Glass Girl had been around when I was in high school. You don’t have to be a teen or have struggled with alcohol to need this book. You just have to be a human being. Everyone needs this book.” —Sloan Harlow, New York Times bestselling author of Everything We Never Said

Deeply honest, wholly compassionate, and desperately needed. I fell hard for Bella, a girl torn between her brain and her heart who carries far too much on her own at just fifteen—and who deserves so much better than to carry it alone. The Glass Girl is Kathleen Glasgow at her finest.”Meredith Adamo, author of Not Like Other Girls
 
“Kathleen Glasgow has an unparalleled ability to breathe humanity into her characters, to make us hurt and hope and heal alongside them; it is this quality that shines most brightly in The Glass Girl. Nothing short of a modern masterpiece, it is a powerful, necessary, and gorgeously written journey into the depths of addiction—and there is no guide better equipped to lead readers through this darkness to a state of light, recovery, and hope than Glasgow.” —Amber Smith, New York Times bestselling author of The Way I Used to Be and The Way I Am Now

A fiercely powerful story of recovery, hope, redemption, and strength. I read The Glass Girl in one feverish, tear-soaked sitting, and it haunted me for weeks. It still haunts me in the very best way. Kathleen Glasgow’s prose is as beautiful and lyrical as her stories are unflinchingly honest and real. I wish I could press a copy into the hands of every teen and adult. Read this. It’s a masterpiece.” —Jennifer Niven, #1 New York Times bestselling author of All the Bright Places

Author

© Kathleen Glasgow
Kathleen Glasgow is the author of the New York Times bestselling novel Girl in Pieces, as well as How to Make Friends with the Dark and You'd Be Home Now. She lives and writes in Tucson, Arizona. To learn more about Kathleen and her writing, visit her website, kathleenglasgowbooks.com, or follow @kathglasgow on Twitter and @misskathleenglasgow on Instagram. View titles by Kathleen Glasgow

Guides

Discussion Guide for The Glass Girl

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