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Let the Dead Bury the Dead

A Novel

Author Allison Epstein On Tour
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An urgent, immersive alternate history set in an imperial Russia on the brink of disaster, following a surprising cast of characters seeking a better future as Saint Petersburg struggles in the wake of Napoleon’s failed invasion.

Saint Petersburg, 1812. Russian forces have defeated Napoleon at great cost, and the tsar's empire is once again at peace. Sasha, a captain in the imperial army, returns home to Grand Duke Felix, the disgraced second son of the tsar and his irrepressibly charming lover, but their reunion is quickly interrupted by the arrival of Sofia, a mysteriously persuasive figure whose disruptive presence Sasha suspects to be something more than human. Felix, insisting that Sasha's old-fashioned superstitions are misplaced, takes Sofia into his confidence—a connection that quickly becomes both personal and political. On her incendiary advice, Felix confronts his father about the brutal conditions of the common people in the aftermath of the war, to disastrous results, separating him from Sasha and setting him on a collision course with a vocal group of dissidents: the Koalitsiya. 

Meanwhile, the Koalitsiya plan to gridlock Saint Petersburg with a citywide strike in hopes of awakening the upper classes to the grim circumstances of the laboring people. Marya, a resourceful sometimes-thief and trusted lieutenant of the Koalitsiya, also falls under Sofia's spell and, allied with Felix and her fellow revolutionaries, she finds herself in the middle of a battle she could never have predicted. As Sofia’s influence grows and rising tensions threaten the tsar’s peace, Sasha, Felix, and Marya are forced to choose between the ideals they hold close and the people they love. 

Allison Epstein combines cleverly constructed plot with unforgettable characters in this exuberant historical page-turner, intercut with fractured retellings of traditional Eastern European folk stories that are equal parts deadly dark and slyly illuminating. Vividly written and emotionally intense, Let the Dead Bury the Dead reminds us that the concerns of the past aren't quite as far behind us as we like to believe.
1

Sasha

These woods would have run wild, if they’d been allowed to. Not far from here, the forests owned the land—tangled trees, ground rooted up by wild boars and badgers, vegetation-choked lakes that stories said were home to wicked spirits, because what else could thrive in water so black? But the woods outside Tsarskoe Selo were the tsar’s woods, and anything belonging to the tsar meant order, regularity, precision. It was winter now, but all year round these trees were as pristine as if a Dutch master had painted them. The only thing out of place was Aleksandr Nikolaevich, who knew he was as far from imperial splendor as it was possible for a man to be.

Long stretches of frozen track and heavy drifts made the trek from Saint Petersburg slow going, and because Sasha’s horse was property of the Imperial Army, he’d been forced to leave it at the final outpost and take the last fifteen miles to Tsarskoe Selo on foot. He’d intended to trim his beard before leaving camp, but that hadn’t happened either, and so he looked as bedraggled and ill-prepared as he felt with each step nearer to the Catherine Palace. What would Felix think of him, when he stumbled into the grand halls of the imperial estate? Hardly a celebrated hero returning from the wars. A vagabond, rather, begging for a place to stay.

The war was over, Napoleon and his Grande Armée fleeing west pursued by a determined force of regulars who would snap at their heels all the way to Paris, but no one had told Sasha’s nerves. Every sense was pricked for anything amiss. The trill of a bird. The creak of tall firs, dusted with snow and ornery with cold. The wind, muffled and hollow through the worn fur of his hat. No sign of danger, not yet, but that was the trick about danger; it seldom gave a sign. The fighting at the end hadn’t been like it was before, at the blood-soaked field of Borodino, the disastrous losses at Austerlitz, but it would take more than the retreat of the French emperor to convince Sasha that this was, in fact, a time of peace.

A gap between the trees, and the gilded roof of the Catherine Palace rose through the dusk, bright enough to make Sasha’s heart shudder. Its burnished domes were like a cathedral in the wilderness, glittering against the robin’s-egg walls. After so long at the front, the palace seemed like a dream, some fantasy one of Felix’s cooks would spin from sugar and marzipan. Another step, and it was gone, lost in the leafless tangle of branches. Beautiful, but insubstantial. It seemed impossible that such a delicate structure could exist in the same world where the roar of cannons rattled men’s teeth, where the choke of gunfire blotted out the sun. He kept to the path, forcing his thoughts down a different track. A warm fire. A chance to unlace his boots. A smile from Felix, the sound of his voice, not a dream of it but the reality, the true color of which could never be recreated, not even in the most faithful memory. He sighed at the thought, the thick cloud of his breath catching in his hat like frost. I told you I’d come back in one piece, he’d say to Felix, when they were alone. It takes more than a war to keep me away from you.

Then he stopped.

Without the crunch of his footsteps, the silence was total. And yet he was certain he’d heard something. A small thump. Muted, like a body falling into the snow.

The idea was nonsense. Forests made noises. Snow fell from tree branches. Birds shook dead twigs loose. Badgers raked their claws along tree bark for food to bring back to their setts. He’d been moving since dawn, that was all. Sit down, get something to eat, and the world would start to look like itself again.

The next sound was a soft exhale, distinctly human and not his own.

Sasha looked off into the woods. The woods looked back invitingly.

It wasn’t late, but dusk fell early now, and soon it would be dark in earnest. And while he no longer believed the midwinter stories his mother had told around the stove when he was a child, there was still no cause to go looking for trouble. Men weren’t meant to walk through woods alone, even manicured woods like these. Too many threats could lurk in the shadows: the scale-crusted vodyanoy, snatching travelers from the banks of its lake to gnaw on their bones beneath the surface; long-haired rusalki, ghostly women luring men to their graves to avenge their own deaths. Nonsense and superstition, fairy stories to keep children indoors after dark, but nightmares didn’t die as quickly as belief in them did.

Still.

That breath again, and this time a soft groan. A woman’s voice.

Sasha crossed himself and cut sideways into the woods. Despite his better judgment, curiosity remained like the itch of a healing wound, more insistent until every nerve twitched against it. Some instinct—what, he couldn’t have said—insisted that whatever had happened here, it was his responsibility.

It didn’t take long before the trees opened into a clearing ringed with tall pines. In the center, he saw a woman, lying on her side in the snow.

Had it been any darker, he’d have missed her entirely. Her long, thin coat was the same shade as the snow; in the dying light, she resembled a disembodied head and pair of hands lying in the powdery drift. Her hair covered most of her face, and it was not gray or blond but white—not the white of age, but of feathers, of sun reflected off a frosted window. She lay as if she’d fallen from a great height, one cheek pillowed against the snow.

Sasha’s mother always said a vila could change her appearance at will. Cunning spirits of the forest and the air who could assume the female form most pleasing to the man they meant to trap, their sharp laughter ringing as they rent their prey to pieces. He looked up, half expecting to see a grinning demon with silver eyes leering in the branches overhead. But his view to the sky was unbroken, pale gray shot through with red, minutes from sunset. The woman in the snow seemed to shimmer in the fading, otherworldly light. Was this what the painted angels in Petropavlovsky Cathedral would look like if they fell to earth?

A fallen angel, he thought grimly, and yet to his knowledge one angel in particular was famous for making that fall.

The figure shivered, and suddenly she was no longer a fiend, but a woman in need of help. He flinched, thinking of the boys in tattered French uniforms he’d seen lying on the Smolensk road, flesh blue and frozen stiff. He had witnessed enough of that and done nothing—but this was peacetime, this was different. And if Felix’s first glimpse of Sasha in months cast him as this poor woman’s savior, there were worse impressions to make.

Snowdrifts reached well past his ankles as he forced his way toward the woman. The thick boots of his uniform were ideal for heavy wear, but no clothing in the world was suited for a jaunt through uncleared snow in December. Damp and cold, he knelt beside her, ignoring the wet shock as the snow met his knees. The curtain of hair still obscured her face. He reached out a gloved hand to brush it back.

Her skin, what he could see of it, was nearly translucent and tinged with purple. She barely moved against his touch, but he could see no lacerations, no bruises, no broken bones, and her breathing was easy. He gritted his teeth, then shrugged off his overcoat and draped it over the woman, allowing winter to pierce the weave of his uniform. Lifting her was easier than he’d expected, as if her bones were hollow. As he forged a path back to the road, the woman’s heartbeat matched his, seemingly sympathetic to his shivering. In a few minutes, they’d both be inside, a soldier and a stranger in a palace of royals. What happened after that was outside his control, and things past control were past concern.

Soon the woods gave way to cleared paths and neat grounds, carefully manicured beneath the snow. He held the woman close and quickened his pace toward the Catherine Palace, that great hollow building with its five spires catching the last flares of the sun. Marzipan dream. Gilded prison. Either way, warm, and out of the wind.

The woman stirred in his arms; in shock, he nearly dropped her. It had only been a twitch, but that was enough. Alive enough to move. Thank God. Entering the palace holding a corpse wasn’t the effect he’d been aiming for.

“It’s all right,” he said under his breath. “We’re nearly there.”

The woman gave a soft hum and cracked one eye open, the lashes barely separating. One golden eye. A rich tawny yellow, bright as a coin.

He blinked, and her eyes were closed again, pale lashes against lilac skin. The inhuman color was gone, as if it had never been.

Because it had never been. Now was not the time to let his imagination run wild. Without his coat, the cold set in deep. He could feel his numbed hands falling slack around the woman, threatening to drop her at any moment.

When he kicked the side door in lieu of a knock, it gave way at once, which annoyed Sasha but did not surprise him. For all that he was the younger son of the tsar, Grand Duke Felix was startlingly lax in matters of personal safety. If Felix hadn’t left every door of the palace open in Sasha’s absence for robbers and brigands to stroll through and help themselves to imperial heirlooms, he supposed he should count himself lucky. Sasha set off in the direction of Felix’s private apartments. At the very least, he’d find a servant there to direct him. And to lock the door behind.

The Catherine Palace was the same as when he’d last seen it six months before, and for a hundred years before that. Time moved slowly for the imperial family, however quickly it passed for their subjects. Take a stroll down Krestovsky Island in Petersburg where Sasha had grown up, and barely one building in twenty was older than he was. Homes and taverns and shops bloomed and died like crocuses, progress cycling through and leveling anything that had outlived its utility. But this hall hadn’t been altered since the last tsar had walked through it, or the tsarina before him. Polished mirrors capped with gold, marble floors, portraits of severe-looking men draped in military medals looking down their noses at Sasha and the woman. Avoiding their eyes, Sasha watched the gentle ripple of the woman’s breathing instead. He was thirty-one years old, and yet the disdain in these paintings made him feel like the awkward youth he’d been when he’d first seen the imperial family, a new cadet with an ill-fitting uniform and hungry eyes. His boots left heavy prints of mud and snow along the marble, but that would be a servant’s task to deal with later. This garish palace could stand a brush of something natural.

Around another corner, Sasha at last came upon a footman, who stopped in his tracks with wide eyes and his mouth half open. Evidently he hadn’t expected an army captain and a half-dead woman to let themselves in at this point in the evening.

“The grand duke?” Sasha said tersely.

The footman blinked, taking in Sasha’s uniform, his familiarity with the palace, how little good arguing with him was likely to do. “With the musicians,” he said.

So this was Felix’s idea of security without Sasha to direct him. God grant him patience. “And where are the musicians?”

This second prompting seemed to jar the footman back to himself. “In the east parlor. Do you require—”

“No,” Sasha interrupted, already setting off. “I know the way.”

The footman, thankfully, did not pursue him.

Each step along the marble floor soured what remained of Sasha’s hopeful mood. It had been foolish to expect a private audience, but when he’d pictured this homecoming, he’d allowed his imagination to get the better of him. More than once, he’d dreamed up the scene: Felix would be alone in his bedroom, absently watching the snow fall through the window, only to look up at the faint sound of Sasha’s entrance. The distance separating them would shrink to nothing, and Felix would be in his arms again, and they could fall together into bed for as long as they chose to stay there. It was a pretty thought, but not worth the minutes he’d spent dreaming it.

Because the door to the east parlor was in front of him now, and though he could not see inside, the door was ajar, and he could hear. The careless dance of two violins in harmony, playing with more finesse than Sasha had heard in months—since the last time Felix had brought in a band of musicians from Petersburg, no doubt. And there, above the complex weave of the music, a tangle of voices, raised in song and smoothed along the edges with drink. One voice that, even in a chorus, Sasha would recognize anywhere.

The woman nestled closer against his chest, as if to remind him of her presence. He shivered, imagining long hair, cold fingers dragging him through a crack in the ice, in the earth. The sooner this woman wasn’t his responsibility, the happier he’d be. And if that meant interrupting this band of midwinter idlers, so be it.

Without the benefit of his hands, Sasha shifted his balance, then kicked the door open.

As if they faced such interruptions every day, the musicians didn’t miss a note. They were scattered across the parlor as if it were any peasant barn or bonfire, their unhandsome faces alight with drink. Beyond the violinists Sasha had heard from the hall, there was a young woman with a clarinet and a boy of perhaps fourteen with a hand drum, who alone looked up as Sasha entered. A grand brocade sofa sat near the center of the room, with two beautiful women sprawled along it, their skirts vibrant and their cheeks flushed, voices raised in song. One, the blonde, had a near-empty glass of wine in her hand. The other, the dark-haired one, sat on Felix’s lap, trailing one finger through his hair.

Sasha had hoped—had feared?—that the tsar or the tsarevich or the pressures of wartime would finally have forced the grand duke to grow up. But no, this was precisely the same Grand Duke Felix he had left. Tall, strong shouldered, and slim waisted, he still looked like a storybook prince, his pressed jacket slung over the back of the sofa and his cobalt-blue waistcoat carelessly unbuttoned.
"Set against the backdrop of early nineteenth century Russia, Let the Dead Bury the Dead combines political intrigue and a touch of magic with a cast of characters you'll be rooting for until the very end. Epstein's atmospheric, compelling sophomore novel is not one historical fantasy fans will want to miss."
–Genevieve Gornichec, author of The Witch's Heart

"Epstein’s unique retelling is richly enhanced by Slavic folklore, and the confusion between duty to family or country is expertly portrayed. Historical fiction fans will be spellbound."
--Publishers Weekly

"A vividly imagined tapestry of turbulent times."
--Kirkus

"Allison Epstein blends the historical and the fabulous with an understated elegance. . . the novel has an air of a dark, grim fable. . . both spare and deliciously visual."
--Historical Novel Society

"Depicted in colorful brushstrokes. . . a pleasure."
--Booklist

"Sharp as a dagger and twice as glinting, Let the Dead Bury the Dead is a fierce tale of revolution, liberation, love, and the cruel seductress of fate—all draped in the delicate frost of a Russian fairy tale. Epstein has conjured a parable for the ages."
--GennaRose Nethercott, author of Thistlefoot

"Epstein weaves a sweeping love story set against the backdrop of a cleverly reimagined Imperial Russia, glittering, gritty, and pushed to the very edge of rebellion by a dark creature of legend, a delightfully powerful femme fatale that will seduce anyone who meets her—or destroy them." 
--Olesya Salnikova Gilmore, author of The Witch and the Tsar

"A haunting portrait of an alternate 19th century Russia on the brink of revolution, Let the Dead Bury the Dead is dizzy with betrayal and intrigue, snowy owls and whispering winds. Epstein is a master of suspense and characterization, and her folktales are inspired."
--Mary McMyne, author of The Book of Gothel

“There is no writer in the world quite like Allison Epstein. Her imagination and keen eye for historical detail, as well as the broad canvas on which she paints humane characters altogether recognizable and altogether larger-than-life is an entire universe. Breathtaking and luminous, part folklore and part cultural mirror, Let the Dead Bury The Dead is a beguiling read as genre-defying in its immersive universe and deft research as it is in its singular storytelling. Epstein is a master."
--Rachel McMillan, author of The Mozart Code and Operation Scarlet

"Allison Epstein pulls readers effortlessly into a world of tsars, revolutionaries, and ancient magic in this triumphant work of historical imagination. Woven from the threads of both the country's history and its haunting folklore, Let the Dead Bury the Dead is atmospheric and propulsively suspenseful, a brilliantly crafted alternate vision of a Russia on the edge of revolution. Readers will find themselves breathless."
--Molly Greeley, author of Marvelous
© Kate Scott Photography
ALLISON EPSTEIN earned her MFA in fiction from Northwestern University and a BA in creative writing from the University of Michigan. A Michigan native, she now lives in Chicago, where she works as an editor. When not writing, she enjoys good theater, bad puns, and fancy jackets. She is the author of A Tip for the Hangman. View titles by Allison Epstein

About

An urgent, immersive alternate history set in an imperial Russia on the brink of disaster, following a surprising cast of characters seeking a better future as Saint Petersburg struggles in the wake of Napoleon’s failed invasion.

Saint Petersburg, 1812. Russian forces have defeated Napoleon at great cost, and the tsar's empire is once again at peace. Sasha, a captain in the imperial army, returns home to Grand Duke Felix, the disgraced second son of the tsar and his irrepressibly charming lover, but their reunion is quickly interrupted by the arrival of Sofia, a mysteriously persuasive figure whose disruptive presence Sasha suspects to be something more than human. Felix, insisting that Sasha's old-fashioned superstitions are misplaced, takes Sofia into his confidence—a connection that quickly becomes both personal and political. On her incendiary advice, Felix confronts his father about the brutal conditions of the common people in the aftermath of the war, to disastrous results, separating him from Sasha and setting him on a collision course with a vocal group of dissidents: the Koalitsiya. 

Meanwhile, the Koalitsiya plan to gridlock Saint Petersburg with a citywide strike in hopes of awakening the upper classes to the grim circumstances of the laboring people. Marya, a resourceful sometimes-thief and trusted lieutenant of the Koalitsiya, also falls under Sofia's spell and, allied with Felix and her fellow revolutionaries, she finds herself in the middle of a battle she could never have predicted. As Sofia’s influence grows and rising tensions threaten the tsar’s peace, Sasha, Felix, and Marya are forced to choose between the ideals they hold close and the people they love. 

Allison Epstein combines cleverly constructed plot with unforgettable characters in this exuberant historical page-turner, intercut with fractured retellings of traditional Eastern European folk stories that are equal parts deadly dark and slyly illuminating. Vividly written and emotionally intense, Let the Dead Bury the Dead reminds us that the concerns of the past aren't quite as far behind us as we like to believe.

Excerpt

1

Sasha

These woods would have run wild, if they’d been allowed to. Not far from here, the forests owned the land—tangled trees, ground rooted up by wild boars and badgers, vegetation-choked lakes that stories said were home to wicked spirits, because what else could thrive in water so black? But the woods outside Tsarskoe Selo were the tsar’s woods, and anything belonging to the tsar meant order, regularity, precision. It was winter now, but all year round these trees were as pristine as if a Dutch master had painted them. The only thing out of place was Aleksandr Nikolaevich, who knew he was as far from imperial splendor as it was possible for a man to be.

Long stretches of frozen track and heavy drifts made the trek from Saint Petersburg slow going, and because Sasha’s horse was property of the Imperial Army, he’d been forced to leave it at the final outpost and take the last fifteen miles to Tsarskoe Selo on foot. He’d intended to trim his beard before leaving camp, but that hadn’t happened either, and so he looked as bedraggled and ill-prepared as he felt with each step nearer to the Catherine Palace. What would Felix think of him, when he stumbled into the grand halls of the imperial estate? Hardly a celebrated hero returning from the wars. A vagabond, rather, begging for a place to stay.

The war was over, Napoleon and his Grande Armée fleeing west pursued by a determined force of regulars who would snap at their heels all the way to Paris, but no one had told Sasha’s nerves. Every sense was pricked for anything amiss. The trill of a bird. The creak of tall firs, dusted with snow and ornery with cold. The wind, muffled and hollow through the worn fur of his hat. No sign of danger, not yet, but that was the trick about danger; it seldom gave a sign. The fighting at the end hadn’t been like it was before, at the blood-soaked field of Borodino, the disastrous losses at Austerlitz, but it would take more than the retreat of the French emperor to convince Sasha that this was, in fact, a time of peace.

A gap between the trees, and the gilded roof of the Catherine Palace rose through the dusk, bright enough to make Sasha’s heart shudder. Its burnished domes were like a cathedral in the wilderness, glittering against the robin’s-egg walls. After so long at the front, the palace seemed like a dream, some fantasy one of Felix’s cooks would spin from sugar and marzipan. Another step, and it was gone, lost in the leafless tangle of branches. Beautiful, but insubstantial. It seemed impossible that such a delicate structure could exist in the same world where the roar of cannons rattled men’s teeth, where the choke of gunfire blotted out the sun. He kept to the path, forcing his thoughts down a different track. A warm fire. A chance to unlace his boots. A smile from Felix, the sound of his voice, not a dream of it but the reality, the true color of which could never be recreated, not even in the most faithful memory. He sighed at the thought, the thick cloud of his breath catching in his hat like frost. I told you I’d come back in one piece, he’d say to Felix, when they were alone. It takes more than a war to keep me away from you.

Then he stopped.

Without the crunch of his footsteps, the silence was total. And yet he was certain he’d heard something. A small thump. Muted, like a body falling into the snow.

The idea was nonsense. Forests made noises. Snow fell from tree branches. Birds shook dead twigs loose. Badgers raked their claws along tree bark for food to bring back to their setts. He’d been moving since dawn, that was all. Sit down, get something to eat, and the world would start to look like itself again.

The next sound was a soft exhale, distinctly human and not his own.

Sasha looked off into the woods. The woods looked back invitingly.

It wasn’t late, but dusk fell early now, and soon it would be dark in earnest. And while he no longer believed the midwinter stories his mother had told around the stove when he was a child, there was still no cause to go looking for trouble. Men weren’t meant to walk through woods alone, even manicured woods like these. Too many threats could lurk in the shadows: the scale-crusted vodyanoy, snatching travelers from the banks of its lake to gnaw on their bones beneath the surface; long-haired rusalki, ghostly women luring men to their graves to avenge their own deaths. Nonsense and superstition, fairy stories to keep children indoors after dark, but nightmares didn’t die as quickly as belief in them did.

Still.

That breath again, and this time a soft groan. A woman’s voice.

Sasha crossed himself and cut sideways into the woods. Despite his better judgment, curiosity remained like the itch of a healing wound, more insistent until every nerve twitched against it. Some instinct—what, he couldn’t have said—insisted that whatever had happened here, it was his responsibility.

It didn’t take long before the trees opened into a clearing ringed with tall pines. In the center, he saw a woman, lying on her side in the snow.

Had it been any darker, he’d have missed her entirely. Her long, thin coat was the same shade as the snow; in the dying light, she resembled a disembodied head and pair of hands lying in the powdery drift. Her hair covered most of her face, and it was not gray or blond but white—not the white of age, but of feathers, of sun reflected off a frosted window. She lay as if she’d fallen from a great height, one cheek pillowed against the snow.

Sasha’s mother always said a vila could change her appearance at will. Cunning spirits of the forest and the air who could assume the female form most pleasing to the man they meant to trap, their sharp laughter ringing as they rent their prey to pieces. He looked up, half expecting to see a grinning demon with silver eyes leering in the branches overhead. But his view to the sky was unbroken, pale gray shot through with red, minutes from sunset. The woman in the snow seemed to shimmer in the fading, otherworldly light. Was this what the painted angels in Petropavlovsky Cathedral would look like if they fell to earth?

A fallen angel, he thought grimly, and yet to his knowledge one angel in particular was famous for making that fall.

The figure shivered, and suddenly she was no longer a fiend, but a woman in need of help. He flinched, thinking of the boys in tattered French uniforms he’d seen lying on the Smolensk road, flesh blue and frozen stiff. He had witnessed enough of that and done nothing—but this was peacetime, this was different. And if Felix’s first glimpse of Sasha in months cast him as this poor woman’s savior, there were worse impressions to make.

Snowdrifts reached well past his ankles as he forced his way toward the woman. The thick boots of his uniform were ideal for heavy wear, but no clothing in the world was suited for a jaunt through uncleared snow in December. Damp and cold, he knelt beside her, ignoring the wet shock as the snow met his knees. The curtain of hair still obscured her face. He reached out a gloved hand to brush it back.

Her skin, what he could see of it, was nearly translucent and tinged with purple. She barely moved against his touch, but he could see no lacerations, no bruises, no broken bones, and her breathing was easy. He gritted his teeth, then shrugged off his overcoat and draped it over the woman, allowing winter to pierce the weave of his uniform. Lifting her was easier than he’d expected, as if her bones were hollow. As he forged a path back to the road, the woman’s heartbeat matched his, seemingly sympathetic to his shivering. In a few minutes, they’d both be inside, a soldier and a stranger in a palace of royals. What happened after that was outside his control, and things past control were past concern.

Soon the woods gave way to cleared paths and neat grounds, carefully manicured beneath the snow. He held the woman close and quickened his pace toward the Catherine Palace, that great hollow building with its five spires catching the last flares of the sun. Marzipan dream. Gilded prison. Either way, warm, and out of the wind.

The woman stirred in his arms; in shock, he nearly dropped her. It had only been a twitch, but that was enough. Alive enough to move. Thank God. Entering the palace holding a corpse wasn’t the effect he’d been aiming for.

“It’s all right,” he said under his breath. “We’re nearly there.”

The woman gave a soft hum and cracked one eye open, the lashes barely separating. One golden eye. A rich tawny yellow, bright as a coin.

He blinked, and her eyes were closed again, pale lashes against lilac skin. The inhuman color was gone, as if it had never been.

Because it had never been. Now was not the time to let his imagination run wild. Without his coat, the cold set in deep. He could feel his numbed hands falling slack around the woman, threatening to drop her at any moment.

When he kicked the side door in lieu of a knock, it gave way at once, which annoyed Sasha but did not surprise him. For all that he was the younger son of the tsar, Grand Duke Felix was startlingly lax in matters of personal safety. If Felix hadn’t left every door of the palace open in Sasha’s absence for robbers and brigands to stroll through and help themselves to imperial heirlooms, he supposed he should count himself lucky. Sasha set off in the direction of Felix’s private apartments. At the very least, he’d find a servant there to direct him. And to lock the door behind.

The Catherine Palace was the same as when he’d last seen it six months before, and for a hundred years before that. Time moved slowly for the imperial family, however quickly it passed for their subjects. Take a stroll down Krestovsky Island in Petersburg where Sasha had grown up, and barely one building in twenty was older than he was. Homes and taverns and shops bloomed and died like crocuses, progress cycling through and leveling anything that had outlived its utility. But this hall hadn’t been altered since the last tsar had walked through it, or the tsarina before him. Polished mirrors capped with gold, marble floors, portraits of severe-looking men draped in military medals looking down their noses at Sasha and the woman. Avoiding their eyes, Sasha watched the gentle ripple of the woman’s breathing instead. He was thirty-one years old, and yet the disdain in these paintings made him feel like the awkward youth he’d been when he’d first seen the imperial family, a new cadet with an ill-fitting uniform and hungry eyes. His boots left heavy prints of mud and snow along the marble, but that would be a servant’s task to deal with later. This garish palace could stand a brush of something natural.

Around another corner, Sasha at last came upon a footman, who stopped in his tracks with wide eyes and his mouth half open. Evidently he hadn’t expected an army captain and a half-dead woman to let themselves in at this point in the evening.

“The grand duke?” Sasha said tersely.

The footman blinked, taking in Sasha’s uniform, his familiarity with the palace, how little good arguing with him was likely to do. “With the musicians,” he said.

So this was Felix’s idea of security without Sasha to direct him. God grant him patience. “And where are the musicians?”

This second prompting seemed to jar the footman back to himself. “In the east parlor. Do you require—”

“No,” Sasha interrupted, already setting off. “I know the way.”

The footman, thankfully, did not pursue him.

Each step along the marble floor soured what remained of Sasha’s hopeful mood. It had been foolish to expect a private audience, but when he’d pictured this homecoming, he’d allowed his imagination to get the better of him. More than once, he’d dreamed up the scene: Felix would be alone in his bedroom, absently watching the snow fall through the window, only to look up at the faint sound of Sasha’s entrance. The distance separating them would shrink to nothing, and Felix would be in his arms again, and they could fall together into bed for as long as they chose to stay there. It was a pretty thought, but not worth the minutes he’d spent dreaming it.

Because the door to the east parlor was in front of him now, and though he could not see inside, the door was ajar, and he could hear. The careless dance of two violins in harmony, playing with more finesse than Sasha had heard in months—since the last time Felix had brought in a band of musicians from Petersburg, no doubt. And there, above the complex weave of the music, a tangle of voices, raised in song and smoothed along the edges with drink. One voice that, even in a chorus, Sasha would recognize anywhere.

The woman nestled closer against his chest, as if to remind him of her presence. He shivered, imagining long hair, cold fingers dragging him through a crack in the ice, in the earth. The sooner this woman wasn’t his responsibility, the happier he’d be. And if that meant interrupting this band of midwinter idlers, so be it.

Without the benefit of his hands, Sasha shifted his balance, then kicked the door open.

As if they faced such interruptions every day, the musicians didn’t miss a note. They were scattered across the parlor as if it were any peasant barn or bonfire, their unhandsome faces alight with drink. Beyond the violinists Sasha had heard from the hall, there was a young woman with a clarinet and a boy of perhaps fourteen with a hand drum, who alone looked up as Sasha entered. A grand brocade sofa sat near the center of the room, with two beautiful women sprawled along it, their skirts vibrant and their cheeks flushed, voices raised in song. One, the blonde, had a near-empty glass of wine in her hand. The other, the dark-haired one, sat on Felix’s lap, trailing one finger through his hair.

Sasha had hoped—had feared?—that the tsar or the tsarevich or the pressures of wartime would finally have forced the grand duke to grow up. But no, this was precisely the same Grand Duke Felix he had left. Tall, strong shouldered, and slim waisted, he still looked like a storybook prince, his pressed jacket slung over the back of the sofa and his cobalt-blue waistcoat carelessly unbuttoned.

Reviews

"Set against the backdrop of early nineteenth century Russia, Let the Dead Bury the Dead combines political intrigue and a touch of magic with a cast of characters you'll be rooting for until the very end. Epstein's atmospheric, compelling sophomore novel is not one historical fantasy fans will want to miss."
–Genevieve Gornichec, author of The Witch's Heart

"Epstein’s unique retelling is richly enhanced by Slavic folklore, and the confusion between duty to family or country is expertly portrayed. Historical fiction fans will be spellbound."
--Publishers Weekly

"A vividly imagined tapestry of turbulent times."
--Kirkus

"Allison Epstein blends the historical and the fabulous with an understated elegance. . . the novel has an air of a dark, grim fable. . . both spare and deliciously visual."
--Historical Novel Society

"Depicted in colorful brushstrokes. . . a pleasure."
--Booklist

"Sharp as a dagger and twice as glinting, Let the Dead Bury the Dead is a fierce tale of revolution, liberation, love, and the cruel seductress of fate—all draped in the delicate frost of a Russian fairy tale. Epstein has conjured a parable for the ages."
--GennaRose Nethercott, author of Thistlefoot

"Epstein weaves a sweeping love story set against the backdrop of a cleverly reimagined Imperial Russia, glittering, gritty, and pushed to the very edge of rebellion by a dark creature of legend, a delightfully powerful femme fatale that will seduce anyone who meets her—or destroy them." 
--Olesya Salnikova Gilmore, author of The Witch and the Tsar

"A haunting portrait of an alternate 19th century Russia on the brink of revolution, Let the Dead Bury the Dead is dizzy with betrayal and intrigue, snowy owls and whispering winds. Epstein is a master of suspense and characterization, and her folktales are inspired."
--Mary McMyne, author of The Book of Gothel

“There is no writer in the world quite like Allison Epstein. Her imagination and keen eye for historical detail, as well as the broad canvas on which she paints humane characters altogether recognizable and altogether larger-than-life is an entire universe. Breathtaking and luminous, part folklore and part cultural mirror, Let the Dead Bury The Dead is a beguiling read as genre-defying in its immersive universe and deft research as it is in its singular storytelling. Epstein is a master."
--Rachel McMillan, author of The Mozart Code and Operation Scarlet

"Allison Epstein pulls readers effortlessly into a world of tsars, revolutionaries, and ancient magic in this triumphant work of historical imagination. Woven from the threads of both the country's history and its haunting folklore, Let the Dead Bury the Dead is atmospheric and propulsively suspenseful, a brilliantly crafted alternate vision of a Russia on the edge of revolution. Readers will find themselves breathless."
--Molly Greeley, author of Marvelous

Author

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ALLISON EPSTEIN earned her MFA in fiction from Northwestern University and a BA in creative writing from the University of Michigan. A Michigan native, she now lives in Chicago, where she works as an editor. When not writing, she enjoys good theater, bad puns, and fancy jackets. She is the author of A Tip for the Hangman. View titles by Allison Epstein