Two lives spiral into a fatal pas de deux during a weekend of sex, alcohol and violence—from the acclaimed author of the Harlem Detectives series
Jesse Robinson and Kriss Cummings once shared a passionate weekend in Chicago, but it’s been years since they’ve seen each other. Jesse, a black writer, refuses to pen the inspirational novel his agent wants, and sits in his Harlem tenement as his career plummets accordingly. Kriss, a white divorcée, has found moderate success at her office job, but is disillusioned with life. Often sleeping with black men, she’s pilloried for “solving the Negro Problem in bed.” Each of them lonely and embittered by the racial tensions of McCarthy-era America, they reunite for a whiskey-soaked weekend in 1952, spiraling into a violent, malicious pas de deux that is fated to end in destruction.
Praise for Chester Himes's The End of a Primitive
“A key American novel.” —The Washington Post “Shockingly raw. . . . Powerful.” —The New York Times Book Review “[Himes] produced some of the most original novels we have in the American canon.” —NPR
Chester (Bomar) Himes began his writing career while serving in the Ohio State Penitentiary for armed robbery from 1929 - 1936. His account of the horrific 1930 Penitentiary fire that killed over three hundred men appeared in Esquire in 1932 and from this Himes was able to get other work published. From his first novel, If He Hollers Let Him Go (1945), Himes dealt with the social and psychological repercussions of being black in a white-dominated society. Beginning in 1953, Himes moved to Europe, where he lived as an expatriate in France and Spain. There, he met and was strongly influenced by Richard Wright. It was in France that he began his best-known series of crime novels---including Cotton Comes to Harlem (1965) and Run Man Run (1966)---featuring two Harlem policemen Gravedigger Jones and Coffin Ed Johnson. As with Himes's earlier work, the series is characterized by violence and grisly, sardonic humor.
View titles by Chester Himes
Two lives spiral into a fatal pas de deux during a weekend of sex, alcohol and violence—from the acclaimed author of the Harlem Detectives series
Jesse Robinson and Kriss Cummings once shared a passionate weekend in Chicago, but it’s been years since they’ve seen each other. Jesse, a black writer, refuses to pen the inspirational novel his agent wants, and sits in his Harlem tenement as his career plummets accordingly. Kriss, a white divorcée, has found moderate success at her office job, but is disillusioned with life. Often sleeping with black men, she’s pilloried for “solving the Negro Problem in bed.” Each of them lonely and embittered by the racial tensions of McCarthy-era America, they reunite for a whiskey-soaked weekend in 1952, spiraling into a violent, malicious pas de deux that is fated to end in destruction.
Reviews
Praise for Chester Himes's The End of a Primitive
“A key American novel.” —The Washington Post “Shockingly raw. . . . Powerful.” —The New York Times Book Review “[Himes] produced some of the most original novels we have in the American canon.” —NPR
Chester (Bomar) Himes began his writing career while serving in the Ohio State Penitentiary for armed robbery from 1929 - 1936. His account of the horrific 1930 Penitentiary fire that killed over three hundred men appeared in Esquire in 1932 and from this Himes was able to get other work published. From his first novel, If He Hollers Let Him Go (1945), Himes dealt with the social and psychological repercussions of being black in a white-dominated society. Beginning in 1953, Himes moved to Europe, where he lived as an expatriate in France and Spain. There, he met and was strongly influenced by Richard Wright. It was in France that he began his best-known series of crime novels---including Cotton Comes to Harlem (1965) and Run Man Run (1966)---featuring two Harlem policemen Gravedigger Jones and Coffin Ed Johnson. As with Himes's earlier work, the series is characterized by violence and grisly, sardonic humor.
View titles by Chester Himes
