Play Nice

Author Rachel Harrison On Tour
Hardcover
$30.00 US
| $39.99 CAN
On sale Sep 09, 2025 | 336 Pages | 9780593642573

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A woman must confront the demons of her past when she attempts to fix up her childhood home in this devilishly clever take on the haunted house novel from the USA Today bestselling author of Black Sheep and So Thirsty.

Clio Louise Barnes leads a picture-perfect life as a stylist and influencer, but beneath the glossy veneer she harbors a not-so glamorous secret: she grew up in a haunted house. Well, not haunted. Possessed. After Clio’s parents' messy divorce, her mother, Alex, moved Clio and her sisters into a house occupied by a demon. Or so Alex claimed. That’s not what Clio’s sisters remember or what the courts determined when they stripped her of custody after she went off the deep end. But Alex was insistent; she even wrote a book about her experience in the house.

After Alex’s sudden death, the supposedly possessed house passes to Clio and her sisters. Where her sisters see childhood trauma, Clio sees an opportunity for house flipping content. Only, as the home makeover process begins, Clio discovers there might be some truth to her mother’s claims. As memories resurface and Clio finally reads her mother’s book, a sinister presence in the house manifests, revealing ugly truths that threaten to shake Clio’s beautiful life to its very foundation.
1

We're coming up on midnight. The room is loud, everyone champagne drunk, ignorant of volume, and, wow, the air in here is intense, all hot breath and designer perfume. Everyone wants to smell good because this is the hour it happens, when it's determined who goes home alone, and judging by the pungency, a lot of people in here don't want to end up in an empty bed tonight. They want to attract. They want to be chosen. So they sneak off to the bathroom to fix their hair, stare at their smudged reflections, primp, powder, perfume-spritzing excessively, with reckless abandon. I inhale.

It's hope, is what it is. It's sweet but also pretty desperate. Pretty boring.

I turn to the guy next to me. He's deliberately underdressed in a white T-shirt and jeans. He's drinking a beer. I thought this party was too chic for beer.

"Where did you get that?" I ask him.

"The bar," he says in a tone I don't care for. I stick my tongue out at him, and he cracks a smile.

"Clio Louise Barnes," I say, holding out a hand.

He stares at my hand for a moment before shaking it. "Ethan."

"What do you do, Ethan?"

"Really?"

"What?"

"Small talk?"

"We can exchange childhood traumas if you like," I say, helping myself to a sip of his beer. He allows it to happen, and I decide I'm into him. He reeks of cologne, so I know I can leave with him tonight if I want to.

"We've already met. Several times, at brand parties just like this one," he says. "I was waiting for you to remember."

I do remember. But the easiest way to tell who a man really is, is to injure his ego and see how he reacts.

"I'm bad with names. And faces," I say. "And I meet a lot of people. I'm sorry. Please don't take it personally."

He rubs his jaw, considering. "You really don't remember?"

"Do you forgive me?" I give him puppy eyes, bat my lashes.

He sighs, then lifts his chin and points to a thin scar, about three inches long. "Car accident when I was five. Blood everywhere. Mom was driving. She was in a coma for a week."

"Is she okay?"

"Yeah. She's got scars, too. But that's it."

I sip my champagne. I like it better than the beer. I wish I had simpler tastes, but I don't. "Lucky to live with scars."

"Better to live without," he says. "What about you, Clio Louise Barnes? Childhood trauma?"

I debate making something up, but I'm intoxicated. From the alcohol, yeah, but also from the balmy heat, the formidable amalgam of smells, the city outside alive with that magnificent Saturday night energy. So I tell him something true. "I grew up in a haunted house."

"Bullshit."

"Sorry, not haunted. Possessed," I say, bringing the coupe to my lips and taking a delicate sip, letting the effervescence dance across my tongue. I'll need a refill soon.

"Possessed by what?"

I shrug. "That's all I've got for you. If you get me another drink, maybe I'll tell you more."

"We've been down this road before," he says. "You flirt with me, so I buy you a drink. Then you disappear at midnight like some kind of Lower East Side Cinderella."

"Oh, was I flirting?" I say with a grin. "My bad."

He doesn't react.

"The drinks here are free."

"And?" he asks.

"So, what do you have to lose?"

He downs the rest of his beer. "All right. Another champagne?"

"Yes, please."

He takes my near-empty coupe. "You better be here when I get back."

I cross my heart.


We step onto the sidewalk, the click of my heels echoing, harmonizing with the rest of the city sounds-traffic and drunken gossip and subway squeals and club bass. Ethan is warm, which is convenient, because it’s early April, and the night air carries a tenacious chill, winter dragging its feet.

"What time is it?" I ask him. He's the CEO of a cool, successful watch company. He used to date my friend Veronica's friend Laurie before the cursed launch of her lipstick line. She named the shades stupid things like "Get Him Back" and "Divorcée" and the supremely controversial "Jailbait." Then customers found hair and a mysterious gritty substance in the product, and just like that, her career was over. She moved to Florida, and now she does makeup for Disney weddings.

I'm not sure if Ethan broke up with her before or after the fiasco. Not sure it matters.

"Clio?"

"Sorry," I say. "What time?"

"One twelve," he huffs, annoyed at having to repeat himself.

"Amazing," I say, spinning. "I didn't turn into a pumpkin."

"Do you want to get an Uber?" he asks. "We can't walk to Brooklyn."

He thinks he's coming home with me. I suppose it's a fair assumption since we left the party together, but I still haven't made up my mind.

I like that he's warm. I like that he's good-looking.

I don't like that he's got on so much cologne. I don't like how he thinks he's so successful that he's above a dress code. And I don't like that I'll forever associate him with poor Lipstick Laurie. Maybe it isn't his cologne that I'm smelling but the persistent stink of someone else's failure.

"Your phone's ringing," he says. "It's been ringing."

"Mm." I hear it-my phone-I'm just keen to ignore it. I watch a group of girls in short dresses stumble out of Scorpio, a nightmare of a club no one goes to if they know better.

"Are you going to answer it?" he asks.

"Nah," I say, swinging my gift bag from the party. "Nobody calling this late has anything good to say."

"What if it's important?" he asks.

"Relax, Daddy."

"I don't get you," he says, shaking his head. He's not mad, just disappointed.

"All right, all right," I say, unclasping my clutch to get to my phone. My hand shimmers, covered in glitter from the party, which is to be expected since the theme was "All That Glitters." A jewelry-line launch, Veronica's partnership with Shine Inc. Gold charms. Cute but nothing special. I take out my phone to discover I have seventeen missed calls, all from my sisters. "Uh-oh."

"What is it?" Ethan asks. "Everything okay?"

"I'm about to find out," I say as my phone rings again. It's Leda. I hit ignore and call Daphne instead. Whatever the reason they're calling, I'd rather hear it from Daphne.

She picks up immediately. "Hey, baby Cli."

It's bad news, I can tell by her voice. Daphne's like a shape-shifter, a side effect of being the middle child. She adapts to the circumstances, fits into whatever space she's allotted; the queen of appeasing.

"What's up, Daffy?" I ask, walking away from Ethan. I turn the corner, lean against a boarded-up, graffitied storefront.

"Did you talk to Leda?" she asks.

"No. Why?"

She takes a breath. "Where are you right now?"

"Out," I say. "On the town."

"Are you with someone?"

"Considering," I say. "What's going on? Is it Dad?"

"No," she says. "No. Dad's fine. Amy's fine. Leda's fine."

"Don't tell me it's Tommy," I say, picking at my gel manicure like you're not supposed to.

"No, it's not Tommy," she says. "Thank God."

"Thank God," I repeat, crossing myself. Tommy is Leda's pushover husband, who wears sweater vests in earnest. He's too pure for this world and we love him.

"It's Alexandra," she says.

She doesn't call our mother "Mom" because she hasn't been that to us since we were kids. It's cruel, I think, but it's Daphne's prerogative. Leda's, too.

"Is she okay?" I ask.

"She's . . . she had a massive heart attack. She called nine-one-one, but . . . she was gone before the paramedics arrived."

"Oh." I bring my glittery hand to my face, press into my cheek. "Gone as in . . ."

"I'm sorry, Cli," she says. "Hold on. Leda's texting me asking if she can talk to you. Can you call her?"

"Is she upset?" I ask.

"I think she's worried about you."

"Why?"

"Come on," she says.

"Are you upset?"

"I'm processing," she says. "I'm actually driving right now. I'm on my way to Dad's. I think you should plan on making the trip tomorrow."

"All right," I say. My phone beeps. Leda's on the other line because of course she is. "I'll see you tomorrow, then?"

"Yep," she says. "Love you, Cli."

"Love you." I switch over to Leda. "Hey. Daphne just told me."

"We all had our own thoughts and feelings about Alexandra. But I know just because she wasn't an active presence in our lives doesn't necessarily make it easier to know she's no longer with us," Leda says. She for sure has been rehearsing this line since the moment she found out. Maybe even before then.

"Thanks, Leeds."

"I wanted to be the one to tell you," she says, stating the obvious. "I wanted you to hear it from me."

"Daphne did a fine job," I say. I notice a shadow creeping into my peripheral vision. It's Ethan, standing at an awkward distance, watching me, a concerned look on his face.

"She was our biological mother," Leda says through what sounds like a clenched jaw. Someday Leda will discover Xanax, and her quality of life will improve drastically. Until then, she needs to wear a night guard so she doesn't grind her teeth to powder.

"Are you going to Dad's?" I ask.

"Yes, I'm packing now."

"'Kay," I say. "I'll catch a train in the morning."

"If Aunt Helen calls, ignore it. I will handle," she says.

"All right," I say, aware that Ethan's hovering ever closer. "I'm about to get a car back to my apartment. I'll call you in a bit, yeah?"

"Text me when you get home," she says.

"Will do. Love you with a cherry on top."

"I love you, too," she says.

I hang up and immediately open the Uber app, request a car.

"What service! Mitt is only two minutes away," I tell Ethan. "Silver Toyota Corolla. Plate ends in X3."

"Uh, is everything okay?" he asks me.

I drop my phone back into my clutch and pinch it shut. "My mom died."

Seconds pass. A siren sounds somewhere in the distance. Someone else's misfortune temporarily louder than mine.

"Wait, for real?" he asks.

I nod. "For real."

"Holy shit. I'm so sorry."

Mitt pulls up in his Toyota. I open the door, look back at Ethan, who stands stiff on the sidewalk, his eyes watery and wide, as if he were the one who'd just gotten the gloomy news.

"You want to come home with me or not?" I ask before sliding into the back seat.

He climbs in beside me, undeterred by my tragedy. Or perhaps motivated by it. If he wants to be my knight in shining armor, so be it. I snuggle into him, steal his warmth.

That's all he is to me, body heat.

If there is an afterlife, if any of the wild things my mother believed are true, she's somewhere watching me, proud.

I'd rather you girls open your legs before you ever open your hearts, she said once, half a bottle deep. I was too young to understand then. So many things.

"Actually," I tell Ethan. "I changed my mind. Get out."

2

Rain taps at my window, a polite alarm. My eyes are slow to open, yesterday's mascara gluing my lashes together. I got back to my apartment and fell into bed without undressing, brushing my teeth, or performing any of the many steps of my p.m. skincare routine.

"I have forsaken my serums," I groan to no one.

There's makeup smeared across my pillow, glitter all over my sheets. I roll onto my back and hear a soft crunch, reach underneath me to find my gift bag from last night's party. I finger the heart-shaped tag with my name on it, then dump out the bag's contents. Metallic tissue paper, clumps of glitter that will linger for eternity, and, finally, a small gold jewelry box with Veronica X Shine Inc. written in loopy script across the top. Inside the box is a pink velvet pouch, and inside that is a charm. A white gold snake with tiny diamond eyes.

I hook a nail through the jump ring and hold up the charm. There are a few ways I could take this. Veronica chose this charm for me because it's the edgiest and most expensive in her collection and suits my style better than a heart or key or flower or whatever. Or I could be offended that she would gift me the snake, read too far into it. Thinking back, I don't think I've ever done anything to her that would earn me the title of snake, but who knows.

My feet find the floor and I shuffle over to my dresser, to my jewelry tree, pick out a suitable chain, slide the charm on, and clasp it around my neck. I lift my eyes to the mirror, to my reflection, to study how the charm looks resting against my skin, but instead I see my mother, the traces of her face in my own, and I remember she's gone. She's dead, and I'm supposed to go to Dad's today. Which means I need to take New Jersey Transit. As if the one tragedy wasn't enough.

I find my phone still in my clutch, battery at ten percent. I plug it in and call Dad on speaker.

He answers right away. "Hey, sweetie. How you holding up?"

"Oh, fine, fine," I say, yawning. "Are Daffy and Leda there yet?"

"They're here. Amy's making them pancakes," he says.

"Dang. I love Amy's pancakes." My stepmom's lone success in the kitchen.

"What time do you think you'll be here?"

"Not sure yet," I say, staring at my unmade bed, at the mountain of unwashed clothes in the hall. A wicked idea pops into my head. "I have to do laundry. I have to pack. How long am I coming for? Will there be a funeral?" I force my voice to break. "I'm sorry, Dad. I just, I wasn't ready for this."

"I know, Cli," he says. "Why don't I come pick you up?"

Too easy. "Really? Are you sure?"

"I don't want you taking the train if you're this upset. Let me go tell Amy and I'll be on my way."

My father. Steady and reliable, the captain of the ship, the benevolent king of our lives, his love as sure and powerful as gravity.

"Thank you, Dad. I love you."

"Love you, too."
"Play Nice packs a prickly punch by cleverly nesting its possession story within another kind of familial and familiar possession. While the demon at the center of it all terrorizes the women in Clio's family when they are most vulnerable, the book is scary because there's more than one kind of demon."—Paul Tremblay, New York Times bestselling author of Horror Movie and The Cabin at the End of the World

"I raced through Rachel Harrison's Play Nice, drawn in by the relatable protagonist and the irresistible blend of horror, mystery and family drama. Play Nice is a great fit for anyone who enjoyed The Good House or Grady Hendrix's How to Sell a Haunted House, taking the reader on a spooky journey through the haunted spaces from the past that plague us all."—Tananarive Due, Bram Stoker Award winner, The Reformatory

"Play Nice is as fun as a journey into darkness and family trauma can get. Rachel Harrison crafts a uniquely spirited haunting that’s both ruthlessly frightening and overflowing with heart."—Chuck Tingle, USA Today bestselling author of Lucky Day and Bury Your Gays

"Rachel Harrison is in a league of her own—maybe a genre of her own. Play Nice is the sexiest, scariest, most fun haunted house novel I’ve ever read, a Barbie Dreamhouse oozing blood, one of those perfect blends of horror, heart, and winking wit only she can pull off. This book is so gripping it performed its own possession; I physically couldn’t put it down. Harrison is my horror queen, and this book is her best yet."—Ashley Winstead, USA Today-bestselling author of Midnight is the Darkest Hour

"Rachel Harrison once again gives us our best friends, our best enemies, our best crushes, and our worst nightmares. This time sexier, scarier, grittier than ever before."—CJ Leede, USA Today bestselling author of American Rapture

"To call Play Nice Rachel Harrison’s scariest book yet is to perhaps risk downplaying how it’s also as deft and gripping a guessing game about literal and metaphorical demons as A Head Full of Ghosts or The Haunting of Hill House. Yes, this book is just that good. But it’s also scary as hell."—Nat Cassidy, author of Mary and When the Wolf Comes Home

"Real estate is hell, and that's before you add in family secrets, inherited trauma, the lie of objective truth, and also a literal demon. Play Nice is a funny, deft, and very scary novel about an influencer, a possessed house, and the inescapable horror of realizing you can never truly know another person, even (or especially) when they're family. No horror writer currently working has a better understanding of the inner lives of millennial women – Rachel Harrison is in a class of her own, and Play Nice is her best book yet."—Emily C. Hughes, author of Horror for Weenies: Everything You Need to Know About the Films You're Too Scared to Watch

Play Nice is Harrison at her best. Creepy, paranoid, and full of heart. A nuanced, humanistic take on the supernatural. How our lives and relationships are haunted by our past… sometimes literally. A home possession thriller that sits on the same block as Amityville, but has significantly higher resell value.”—Adam Cesare, author of Clown in a Cornfield and Influencer

"Rachel Harrison isn’t playing around. Play Nice is her scariest book so far, by far, so don't say you weren't warned. Reading Rachel is akin to an incantation, summoning a master craftsman of horror, then ending up possessed by her downright demonic ability to hurt and haunt you all at once. No exorcism will expel this novel from your consciousness."—Clay McLeod Chapman, author of Wake Up and Open Your Eyes

"Play Nice is an exorcism of a haunted heart—a singular, obsessive, and deeply palpable examination of the wounds we mend from the trauma, the excruciating cruelty we inherit from our loved ones. Harrison deftly balances between moments of quiet, poignant reflection and unhinged brutality in this eerie shocker about possession, family, and secrets. An impressive and equally unforgettable work, Rachel Harrison is the new Queen of Horror."—Eric LaRocca, author of Things Have Gotten Worse Since We Last Spoke

“Rachel Harrison is on a bloody hot streak. Even if you’re a fan of her previous works, you are not prepared for what Play Nice has in store for you. Protagonist Clio might be her nastiest, messiest creation yet; Harrison is the master of writing characters you want to be best friends with but also hope you never meet.”—Liz Kerin, author of the Night’s Edge duology
© Nicholas Harris
Rachel Harrison is the USA Today bestselling author of Play Nice, So Thirsty, Black Sheep, Such Sharp Teeth, Cackle, and The Return, which was nominated for a Bram Stoker Award for Superior Achievement in a First Novel. Her short fiction has appeared in numerous anthologies and in her debut collection Bad Dolls. She lives in New Jersey with her husband and their cat/overlord. View titles by Rachel Harrison

About

A woman must confront the demons of her past when she attempts to fix up her childhood home in this devilishly clever take on the haunted house novel from the USA Today bestselling author of Black Sheep and So Thirsty.

Clio Louise Barnes leads a picture-perfect life as a stylist and influencer, but beneath the glossy veneer she harbors a not-so glamorous secret: she grew up in a haunted house. Well, not haunted. Possessed. After Clio’s parents' messy divorce, her mother, Alex, moved Clio and her sisters into a house occupied by a demon. Or so Alex claimed. That’s not what Clio’s sisters remember or what the courts determined when they stripped her of custody after she went off the deep end. But Alex was insistent; she even wrote a book about her experience in the house.

After Alex’s sudden death, the supposedly possessed house passes to Clio and her sisters. Where her sisters see childhood trauma, Clio sees an opportunity for house flipping content. Only, as the home makeover process begins, Clio discovers there might be some truth to her mother’s claims. As memories resurface and Clio finally reads her mother’s book, a sinister presence in the house manifests, revealing ugly truths that threaten to shake Clio’s beautiful life to its very foundation.

Excerpt

1

We're coming up on midnight. The room is loud, everyone champagne drunk, ignorant of volume, and, wow, the air in here is intense, all hot breath and designer perfume. Everyone wants to smell good because this is the hour it happens, when it's determined who goes home alone, and judging by the pungency, a lot of people in here don't want to end up in an empty bed tonight. They want to attract. They want to be chosen. So they sneak off to the bathroom to fix their hair, stare at their smudged reflections, primp, powder, perfume-spritzing excessively, with reckless abandon. I inhale.

It's hope, is what it is. It's sweet but also pretty desperate. Pretty boring.

I turn to the guy next to me. He's deliberately underdressed in a white T-shirt and jeans. He's drinking a beer. I thought this party was too chic for beer.

"Where did you get that?" I ask him.

"The bar," he says in a tone I don't care for. I stick my tongue out at him, and he cracks a smile.

"Clio Louise Barnes," I say, holding out a hand.

He stares at my hand for a moment before shaking it. "Ethan."

"What do you do, Ethan?"

"Really?"

"What?"

"Small talk?"

"We can exchange childhood traumas if you like," I say, helping myself to a sip of his beer. He allows it to happen, and I decide I'm into him. He reeks of cologne, so I know I can leave with him tonight if I want to.

"We've already met. Several times, at brand parties just like this one," he says. "I was waiting for you to remember."

I do remember. But the easiest way to tell who a man really is, is to injure his ego and see how he reacts.

"I'm bad with names. And faces," I say. "And I meet a lot of people. I'm sorry. Please don't take it personally."

He rubs his jaw, considering. "You really don't remember?"

"Do you forgive me?" I give him puppy eyes, bat my lashes.

He sighs, then lifts his chin and points to a thin scar, about three inches long. "Car accident when I was five. Blood everywhere. Mom was driving. She was in a coma for a week."

"Is she okay?"

"Yeah. She's got scars, too. But that's it."

I sip my champagne. I like it better than the beer. I wish I had simpler tastes, but I don't. "Lucky to live with scars."

"Better to live without," he says. "What about you, Clio Louise Barnes? Childhood trauma?"

I debate making something up, but I'm intoxicated. From the alcohol, yeah, but also from the balmy heat, the formidable amalgam of smells, the city outside alive with that magnificent Saturday night energy. So I tell him something true. "I grew up in a haunted house."

"Bullshit."

"Sorry, not haunted. Possessed," I say, bringing the coupe to my lips and taking a delicate sip, letting the effervescence dance across my tongue. I'll need a refill soon.

"Possessed by what?"

I shrug. "That's all I've got for you. If you get me another drink, maybe I'll tell you more."

"We've been down this road before," he says. "You flirt with me, so I buy you a drink. Then you disappear at midnight like some kind of Lower East Side Cinderella."

"Oh, was I flirting?" I say with a grin. "My bad."

He doesn't react.

"The drinks here are free."

"And?" he asks.

"So, what do you have to lose?"

He downs the rest of his beer. "All right. Another champagne?"

"Yes, please."

He takes my near-empty coupe. "You better be here when I get back."

I cross my heart.


We step onto the sidewalk, the click of my heels echoing, harmonizing with the rest of the city sounds-traffic and drunken gossip and subway squeals and club bass. Ethan is warm, which is convenient, because it’s early April, and the night air carries a tenacious chill, winter dragging its feet.

"What time is it?" I ask him. He's the CEO of a cool, successful watch company. He used to date my friend Veronica's friend Laurie before the cursed launch of her lipstick line. She named the shades stupid things like "Get Him Back" and "Divorcée" and the supremely controversial "Jailbait." Then customers found hair and a mysterious gritty substance in the product, and just like that, her career was over. She moved to Florida, and now she does makeup for Disney weddings.

I'm not sure if Ethan broke up with her before or after the fiasco. Not sure it matters.

"Clio?"

"Sorry," I say. "What time?"

"One twelve," he huffs, annoyed at having to repeat himself.

"Amazing," I say, spinning. "I didn't turn into a pumpkin."

"Do you want to get an Uber?" he asks. "We can't walk to Brooklyn."

He thinks he's coming home with me. I suppose it's a fair assumption since we left the party together, but I still haven't made up my mind.

I like that he's warm. I like that he's good-looking.

I don't like that he's got on so much cologne. I don't like how he thinks he's so successful that he's above a dress code. And I don't like that I'll forever associate him with poor Lipstick Laurie. Maybe it isn't his cologne that I'm smelling but the persistent stink of someone else's failure.

"Your phone's ringing," he says. "It's been ringing."

"Mm." I hear it-my phone-I'm just keen to ignore it. I watch a group of girls in short dresses stumble out of Scorpio, a nightmare of a club no one goes to if they know better.

"Are you going to answer it?" he asks.

"Nah," I say, swinging my gift bag from the party. "Nobody calling this late has anything good to say."

"What if it's important?" he asks.

"Relax, Daddy."

"I don't get you," he says, shaking his head. He's not mad, just disappointed.

"All right, all right," I say, unclasping my clutch to get to my phone. My hand shimmers, covered in glitter from the party, which is to be expected since the theme was "All That Glitters." A jewelry-line launch, Veronica's partnership with Shine Inc. Gold charms. Cute but nothing special. I take out my phone to discover I have seventeen missed calls, all from my sisters. "Uh-oh."

"What is it?" Ethan asks. "Everything okay?"

"I'm about to find out," I say as my phone rings again. It's Leda. I hit ignore and call Daphne instead. Whatever the reason they're calling, I'd rather hear it from Daphne.

She picks up immediately. "Hey, baby Cli."

It's bad news, I can tell by her voice. Daphne's like a shape-shifter, a side effect of being the middle child. She adapts to the circumstances, fits into whatever space she's allotted; the queen of appeasing.

"What's up, Daffy?" I ask, walking away from Ethan. I turn the corner, lean against a boarded-up, graffitied storefront.

"Did you talk to Leda?" she asks.

"No. Why?"

She takes a breath. "Where are you right now?"

"Out," I say. "On the town."

"Are you with someone?"

"Considering," I say. "What's going on? Is it Dad?"

"No," she says. "No. Dad's fine. Amy's fine. Leda's fine."

"Don't tell me it's Tommy," I say, picking at my gel manicure like you're not supposed to.

"No, it's not Tommy," she says. "Thank God."

"Thank God," I repeat, crossing myself. Tommy is Leda's pushover husband, who wears sweater vests in earnest. He's too pure for this world and we love him.

"It's Alexandra," she says.

She doesn't call our mother "Mom" because she hasn't been that to us since we were kids. It's cruel, I think, but it's Daphne's prerogative. Leda's, too.

"Is she okay?" I ask.

"She's . . . she had a massive heart attack. She called nine-one-one, but . . . she was gone before the paramedics arrived."

"Oh." I bring my glittery hand to my face, press into my cheek. "Gone as in . . ."

"I'm sorry, Cli," she says. "Hold on. Leda's texting me asking if she can talk to you. Can you call her?"

"Is she upset?" I ask.

"I think she's worried about you."

"Why?"

"Come on," she says.

"Are you upset?"

"I'm processing," she says. "I'm actually driving right now. I'm on my way to Dad's. I think you should plan on making the trip tomorrow."

"All right," I say. My phone beeps. Leda's on the other line because of course she is. "I'll see you tomorrow, then?"

"Yep," she says. "Love you, Cli."

"Love you." I switch over to Leda. "Hey. Daphne just told me."

"We all had our own thoughts and feelings about Alexandra. But I know just because she wasn't an active presence in our lives doesn't necessarily make it easier to know she's no longer with us," Leda says. She for sure has been rehearsing this line since the moment she found out. Maybe even before then.

"Thanks, Leeds."

"I wanted to be the one to tell you," she says, stating the obvious. "I wanted you to hear it from me."

"Daphne did a fine job," I say. I notice a shadow creeping into my peripheral vision. It's Ethan, standing at an awkward distance, watching me, a concerned look on his face.

"She was our biological mother," Leda says through what sounds like a clenched jaw. Someday Leda will discover Xanax, and her quality of life will improve drastically. Until then, she needs to wear a night guard so she doesn't grind her teeth to powder.

"Are you going to Dad's?" I ask.

"Yes, I'm packing now."

"'Kay," I say. "I'll catch a train in the morning."

"If Aunt Helen calls, ignore it. I will handle," she says.

"All right," I say, aware that Ethan's hovering ever closer. "I'm about to get a car back to my apartment. I'll call you in a bit, yeah?"

"Text me when you get home," she says.

"Will do. Love you with a cherry on top."

"I love you, too," she says.

I hang up and immediately open the Uber app, request a car.

"What service! Mitt is only two minutes away," I tell Ethan. "Silver Toyota Corolla. Plate ends in X3."

"Uh, is everything okay?" he asks me.

I drop my phone back into my clutch and pinch it shut. "My mom died."

Seconds pass. A siren sounds somewhere in the distance. Someone else's misfortune temporarily louder than mine.

"Wait, for real?" he asks.

I nod. "For real."

"Holy shit. I'm so sorry."

Mitt pulls up in his Toyota. I open the door, look back at Ethan, who stands stiff on the sidewalk, his eyes watery and wide, as if he were the one who'd just gotten the gloomy news.

"You want to come home with me or not?" I ask before sliding into the back seat.

He climbs in beside me, undeterred by my tragedy. Or perhaps motivated by it. If he wants to be my knight in shining armor, so be it. I snuggle into him, steal his warmth.

That's all he is to me, body heat.

If there is an afterlife, if any of the wild things my mother believed are true, she's somewhere watching me, proud.

I'd rather you girls open your legs before you ever open your hearts, she said once, half a bottle deep. I was too young to understand then. So many things.

"Actually," I tell Ethan. "I changed my mind. Get out."

2

Rain taps at my window, a polite alarm. My eyes are slow to open, yesterday's mascara gluing my lashes together. I got back to my apartment and fell into bed without undressing, brushing my teeth, or performing any of the many steps of my p.m. skincare routine.

"I have forsaken my serums," I groan to no one.

There's makeup smeared across my pillow, glitter all over my sheets. I roll onto my back and hear a soft crunch, reach underneath me to find my gift bag from last night's party. I finger the heart-shaped tag with my name on it, then dump out the bag's contents. Metallic tissue paper, clumps of glitter that will linger for eternity, and, finally, a small gold jewelry box with Veronica X Shine Inc. written in loopy script across the top. Inside the box is a pink velvet pouch, and inside that is a charm. A white gold snake with tiny diamond eyes.

I hook a nail through the jump ring and hold up the charm. There are a few ways I could take this. Veronica chose this charm for me because it's the edgiest and most expensive in her collection and suits my style better than a heart or key or flower or whatever. Or I could be offended that she would gift me the snake, read too far into it. Thinking back, I don't think I've ever done anything to her that would earn me the title of snake, but who knows.

My feet find the floor and I shuffle over to my dresser, to my jewelry tree, pick out a suitable chain, slide the charm on, and clasp it around my neck. I lift my eyes to the mirror, to my reflection, to study how the charm looks resting against my skin, but instead I see my mother, the traces of her face in my own, and I remember she's gone. She's dead, and I'm supposed to go to Dad's today. Which means I need to take New Jersey Transit. As if the one tragedy wasn't enough.

I find my phone still in my clutch, battery at ten percent. I plug it in and call Dad on speaker.

He answers right away. "Hey, sweetie. How you holding up?"

"Oh, fine, fine," I say, yawning. "Are Daffy and Leda there yet?"

"They're here. Amy's making them pancakes," he says.

"Dang. I love Amy's pancakes." My stepmom's lone success in the kitchen.

"What time do you think you'll be here?"

"Not sure yet," I say, staring at my unmade bed, at the mountain of unwashed clothes in the hall. A wicked idea pops into my head. "I have to do laundry. I have to pack. How long am I coming for? Will there be a funeral?" I force my voice to break. "I'm sorry, Dad. I just, I wasn't ready for this."

"I know, Cli," he says. "Why don't I come pick you up?"

Too easy. "Really? Are you sure?"

"I don't want you taking the train if you're this upset. Let me go tell Amy and I'll be on my way."

My father. Steady and reliable, the captain of the ship, the benevolent king of our lives, his love as sure and powerful as gravity.

"Thank you, Dad. I love you."

"Love you, too."

Reviews

"Play Nice packs a prickly punch by cleverly nesting its possession story within another kind of familial and familiar possession. While the demon at the center of it all terrorizes the women in Clio's family when they are most vulnerable, the book is scary because there's more than one kind of demon."—Paul Tremblay, New York Times bestselling author of Horror Movie and The Cabin at the End of the World

"I raced through Rachel Harrison's Play Nice, drawn in by the relatable protagonist and the irresistible blend of horror, mystery and family drama. Play Nice is a great fit for anyone who enjoyed The Good House or Grady Hendrix's How to Sell a Haunted House, taking the reader on a spooky journey through the haunted spaces from the past that plague us all."—Tananarive Due, Bram Stoker Award winner, The Reformatory

"Play Nice is as fun as a journey into darkness and family trauma can get. Rachel Harrison crafts a uniquely spirited haunting that’s both ruthlessly frightening and overflowing with heart."—Chuck Tingle, USA Today bestselling author of Lucky Day and Bury Your Gays

"Rachel Harrison is in a league of her own—maybe a genre of her own. Play Nice is the sexiest, scariest, most fun haunted house novel I’ve ever read, a Barbie Dreamhouse oozing blood, one of those perfect blends of horror, heart, and winking wit only she can pull off. This book is so gripping it performed its own possession; I physically couldn’t put it down. Harrison is my horror queen, and this book is her best yet."—Ashley Winstead, USA Today-bestselling author of Midnight is the Darkest Hour

"Rachel Harrison once again gives us our best friends, our best enemies, our best crushes, and our worst nightmares. This time sexier, scarier, grittier than ever before."—CJ Leede, USA Today bestselling author of American Rapture

"To call Play Nice Rachel Harrison’s scariest book yet is to perhaps risk downplaying how it’s also as deft and gripping a guessing game about literal and metaphorical demons as A Head Full of Ghosts or The Haunting of Hill House. Yes, this book is just that good. But it’s also scary as hell."—Nat Cassidy, author of Mary and When the Wolf Comes Home

"Real estate is hell, and that's before you add in family secrets, inherited trauma, the lie of objective truth, and also a literal demon. Play Nice is a funny, deft, and very scary novel about an influencer, a possessed house, and the inescapable horror of realizing you can never truly know another person, even (or especially) when they're family. No horror writer currently working has a better understanding of the inner lives of millennial women – Rachel Harrison is in a class of her own, and Play Nice is her best book yet."—Emily C. Hughes, author of Horror for Weenies: Everything You Need to Know About the Films You're Too Scared to Watch

Play Nice is Harrison at her best. Creepy, paranoid, and full of heart. A nuanced, humanistic take on the supernatural. How our lives and relationships are haunted by our past… sometimes literally. A home possession thriller that sits on the same block as Amityville, but has significantly higher resell value.”—Adam Cesare, author of Clown in a Cornfield and Influencer

"Rachel Harrison isn’t playing around. Play Nice is her scariest book so far, by far, so don't say you weren't warned. Reading Rachel is akin to an incantation, summoning a master craftsman of horror, then ending up possessed by her downright demonic ability to hurt and haunt you all at once. No exorcism will expel this novel from your consciousness."—Clay McLeod Chapman, author of Wake Up and Open Your Eyes

"Play Nice is an exorcism of a haunted heart—a singular, obsessive, and deeply palpable examination of the wounds we mend from the trauma, the excruciating cruelty we inherit from our loved ones. Harrison deftly balances between moments of quiet, poignant reflection and unhinged brutality in this eerie shocker about possession, family, and secrets. An impressive and equally unforgettable work, Rachel Harrison is the new Queen of Horror."—Eric LaRocca, author of Things Have Gotten Worse Since We Last Spoke

“Rachel Harrison is on a bloody hot streak. Even if you’re a fan of her previous works, you are not prepared for what Play Nice has in store for you. Protagonist Clio might be her nastiest, messiest creation yet; Harrison is the master of writing characters you want to be best friends with but also hope you never meet.”—Liz Kerin, author of the Night’s Edge duology

Author

© Nicholas Harris
Rachel Harrison is the USA Today bestselling author of Play Nice, So Thirsty, Black Sheep, Such Sharp Teeth, Cackle, and The Return, which was nominated for a Bram Stoker Award for Superior Achievement in a First Novel. Her short fiction has appeared in numerous anthologies and in her debut collection Bad Dolls. She lives in New Jersey with her husband and their cat/overlord. View titles by Rachel Harrison
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