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City Under One Roof

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A stranded detective tries to solve a murder in a tiny Alaskan town where everyone lives in a single high-rise building, in this gripping debut by an Academy Award–nominated screenwriter.

When a local teenager discovers a severed hand and foot washed up on the shore of the small town of Point Mettier, Alaska, Cara Kennedy is on the case. A detective from Anchorage, she has her own motives for investigating the possible murder in this isolated place, which can be accessed only by a tunnel.
 
After a blizzard causes the tunnel to close indefinitely, Cara is stuck among the odd and suspicious residents of the town—all 205 of whom live in the same high-rise building and are as icy as the weather. Cara teams up with Point Mettier police officer Joe Barkowski, but before long the investigation is upended by fearsome gang members from a nearby native village.
 
Haunted by her past, Cara soon discovers that everyone in this town has something to hide. Will she be able to unravel their secrets before she unravels?
Chapter One

Amy

"And when did you find the body"-Officer Neworth paused for a moment before adding-"parts? When did you find the body parts?"

It was a hand and a foot, to be exact. Or at least Amy thought there was a foot. She hadn't bothered to look inside the boot, but since Officer Neworth said "parts" instead of "part," she assumed there must have been a foot-a bloated, sawed-off, purple-blotched piece of flesh that would have made her dry heave at the sight.

"Yesterday, around eleven a.m.," she said. She was pretty sure she had mentioned this detail at least six times that very day. She'd thought getting pulled out of algebra class would be fun, but now she was having second thoughts.

The boot, she remembered, looked fairly new. It was covered with mud and grime, but the treads weren't that worn and the laces hadn't frayed yet. She hadn't told any of this to Officer Neworth, though. Up until then, she'd tried to say as little as possible, sticking to answers like "Yes," "No," and "I don't know."

Amy Lin stared at Officer Neworth and his receded-to-an-island hairline and decided that he was not someone who could be trusted. For one thing, he was wearing a gold watch. Any man who wears a gold watch is a little shady. Second, anyone who asks you the same question over and over expecting a different answer does not trust you, and therefore you should not trust them. And last of all, Neworth was from Anchorage, and Point Mettier people tended to keep their mouths shut around any of the "otters." "Otters" is what the kids called people outside Point Mettier because it kind of sounded like the word "others."

"So, tell me again, who were you with?" he asked.

Amy sighed internally and gave him a glare. Did she look like a caged parrot that would keep repeating the same thing over and over again?

Officer Neworth shifted in his seat and adjusted his leather duty belt, which sagged with the weight of lethal equipment-a baton, cuffs, a magazine pouch, a flashlight, a Taser, pepper spray, and of course, a Glock pistol. But despite all his protective equipment, Neworth looked uncomfortable under the glare of a seventeen-year-old teenager who was barely five foot two. He finally turned his eyes away and looked down at his notepad. "Celine Hoffler and Marco Salonga?"

"Yes," Amy finally answered as if his question was somehow offensive.

"And what were you doing at the cove?"

"Just getting out." Amy wasn't about to tell him the real reason they went to the cove, which was to smoke pot. Marijuana was legal in Alaska, but they were still minors.


It was a Sunday, and there was a break in the rain, so they had all bundled up in their neoprenes, parkas, and ski caps and decided to paddle their kayaks out to Hidden Cove. On sunny days in summer, Sanders Glacier across the inlet would look brilliant against the sky, with blue and white ice caps like a giant slushy spilled onto a mountain valley. Tourists would come in flocks during the high season to Point Mettier. Even though, Amy knew, the real pronunciation of “Mettier” was probably the French way, rhyming with “get away,” everyone butchered the name and said it in a way that sounded like “dirtier.” The otters always wanted to see the glaciers in the sound and paid top dollar for cruise ships and yachts to take them up close. Amy wasn’t sure why. She’d been up to a few of the glaciers, including Sanders, and had come to the conclusion that they were prettier from afar. On that Sunday in October, though, there had been dense clouds hanging low over the cove and Sanders just looked like a looming gray monster behind the mist.

Since tourist season was over and the thrum of motorboats and seagoing vessels was gone, it was pretty quiet on the water. Just the dwop dwop sound of their paddles dipping in and out, and the kittiwakes screeching overhead. Once they got to the beach, they loitered around, passed a joint, not really talking or doing anything specific. Celine hopped on a fallen log and balanced across the length of it like a high-wire act. Her sandy blond hair floated behind her in the wind, the way you see in the movies. Amy had always been envious of Celine's hair, because hers was just a dull black. She wanted to dye it platinum blue, except that her mother would probably kill her-literally. Marco was skipping rocks, or maybe he was throwing them at birds; she couldn't remember exactly.

Amy started combing the beach for mementos to add to her collection: fish skeletons and coins, jewelry, and other odds and ends left behind by careless tourists. It was about that time that she noticed something on the south side of the cove-just a little shimmer, like a Morse code of light-and headed over toward it to investigate.

It was sunshine reflecting off the rubber toe of a hiking boot. She didn't realize then that it was anything more than a boot. Kind of a shame, she thought, that someone had lost a perfectly good boot. But when she bent down on the gravelly shore to take a closer look, something else caught her eye. Something she had almost stepped on.

It was a severed hand, half-buried in the sand. Or at least it looked like a hand, but it was green and almost translucent, the way glow-in-the-dark stickers look when the light is on. She could see the lines of the joints on the fingers, but the entire hand was swollen and greasy-looking. It felt as if a whole minute went by while she just stood there, staring. In reality, it was probably more like ten seconds before she finally blinked and found her voice.

"Guys," was all she could muster. The others immediately stopped what they were doing and came to see what she was pointing at. Celine was the one who actually screamed-a high-pitched, earsplitting almost wail of a cry that echoed across the valley and sent shivers down Amy's spine.


“And what did you do after you found the parts?” Officer Neworth interrupted her thoughts and continued with his interrogation. At least it felt like an interrogation to Amy, even though it was just a witness account.

Amy wanted to reply, "What do you think we did? Hang them up for Halloween decorations?" But instead she said, "We went back to the Dave-Co and told Officer Barkowski."

"The Dave-Co?"

Amy sighed. "The building we're sitting in now. The Davidson Condos." The condos were supposed to have been named after some general who served in World War II, but she had heard a rumor that the buildings were actually named after Randolph Davidson, a famous Alaskan con man who set up a fake telegraph office through which he took money for sending blips and beeps that never went anywhere except into a wall.

Neworth laughed at the name. "Is that what you call it? So, how long have you lived here . . . in the Dave-Co?"

Amy knew this question had nothing to do with the body parts. "Fourteen years," she replied.

"Holy cow," he said with a kind of pity in his voice.

People from Anchorage tended to look at Point Mettier kids as charity cases. "It's always shittier in Point Mettier," they would say. It wasn't just the minus thirty-five degrees and eight months of practical winter. The thing that really made otters believe residents of Point Mettier were batshit crazy was the fact that they all lived in one building . . . in the Dave-Co.

There were 205 full-time residents in Point Mettier. The Dave-Co had a post office, a church, an infirmary, and a general store that also acted as a gift shop, selling the same touristy tchotchkes since the nineties-Sanders Glacier mugs and cork coasters with pictures of moose, bears, or kittiwakes. The school was just an underground tunnel away.

Back when the city was a military outpost, the Walcott Building next door had a bowling alley, an auditorium, a movie theater, and even an indoor pool, but that building was practically destroyed in the big earthquake of 1964, and now it was just an abandoned skeleton of itself. The Dave-Co, on the other hand, didn't have any of those cool amenities, not even a barbershop or salon where people could get a decent haircut.

For a seventeen-year-old, it was boring as hell. It was more of a prison than a home, really. If it weren't for the Internet, Amy thought, she would have killed herself over the lack of stimuli.

Most families who came to live in Point Mettier left after a year or two. Nobody was actually from there and nobody liked to stick it out for too long. Celine had come about two years ago from Minnesota. Marco Salonga's family had come from the Philippines. Amy and her mother had probably come from the farthest end of the earth, but they belonged to the longtimers club because Amy had been only three when they arrived. She didn't know any other kids who had lived in Point Mettier that long. Even Spence Blackmon and his younger brother, Troy, didn't arrive with their mom until much later, when Spence was ten and Troy must have been six.

People had all sorts of reasons for moving to the city. Some said they fell in love with the scenery or that they liked the isolation or that they liked living in a close community. Amy didn't believe any of their stories, though. She knew the only real reason people moved out there was because they were running from somebody or something. Why else would you live in a backwater hole of a place where everyone lived in one building and your eyelashes could actually freeze? In fact, Amy had only just found out the real reason why Ma had moved the two of them out there to run a restaurant serving stuff even she knew was barely passable as Chinese food. Again, though, she wasn't about to spill any of this info to Officer Neworth.


There were just two police officers in Point Mettier: Chief Sipley and Officer Barkowski. Amy had watched enough television to know that the police station she was sitting in now was just a tiny locker room compared with what other cities had. There were the main reception area with tiny squeezed-in desks, the “interrogation room” closet they were sitting in, and a one-cell jail. Whenever there was a suspected “major crime,” like when a tourist tried to kill her husband by stabbing him repeatedly with a dinner knife at one of the restaurants on the pier one summer, Anchorage police were called in, which was why Officer Neworth was there, questioning her about the body parts.

There was a knock at the door and Officer Barkowski poked his head in. "You almost done, Officer Neworth? Or have you just discovered that Amy Lin is a maniacal serial killer?" He gave Amy a friendly wink, and she smiled, despite herself. Officer Barkowski had started working in Point Mettier a year ago. He was always talking to the kids, pretending like he was one of them, making friendly conversation. Amy knew that it was an act, but at least he spoke to them like adults instead of uneducated third-world charity cases. Overall, Amy thought he was one of the good guys, but that didn't mean she was going to let him in on any secrets. Chief Sipley, on the other hand, had been in Point Mettier longer than anybody. She wasn't sure exactly what his story was. He looked kind of like a bald and drunken Santa Claus on the outside, but even though he appeared jolly, Amy knew that on the inside, he was the kind of guy who was much smarter than he let on and was always calculating something.

"Chief Sipley just radioed from the cove and says everything's been bagged and cleared out there," Barkowski reported.

Officer Neworth closed his notepad as if he had just been idling away his time, waiting for this cue. "I think we're done here."

Barkowski eyed the pad like he was just itching to take a look. "We hear there's been a lot of these cases popping up on the coast. Is that true?"

"Yeah, we've heard there've been a few in Canada and Washington as well," Neworth admitted. "This is the third set in Alaska in a year."

"Any leads?"

"No." Officer Neworth stood up from his chair. "There's speculation that they might have been suicide jumpers, or people who accidentally fell off ships."

"Jesus, that's sad."

Officer Neworth nodded. "The plastic in the boots makes them float up and carries them to shore. We don't get too many hands, though, so it was a bit unusual." He chewed on that for a moment. "Well, we don't have all the answers, and I doubt we ever will. But since we can't identify the bodies or prove any foul play, we can't exactly investigate them as crimes."

Officer Barkowski peeked over at Amy. "School's still in session, if you're done questioning Ms. Lin."

"Oh, right." Officer Neworth suddenly remembered the third person in the room. "You can go now, Amy. Thanks for your cooperation."

Amy got up slowly and a sense of relief washed over her. She exited the office into the maize-colored concrete hallway and felt like she had just cheated a lie detector test. Well, perhaps she hadn't really lied. She had just omitted a few facts about who was there. In the end, did it really matter if there were three or four witnesses, especially now that she knew it probably wasn't even a murder, just some depressed tourist who maybe jumped off a cruise ship?

Chapter Two

Cara

The windshield wipers of the Chevy Suburban flapped in double time, trying to cut through the vaporous shroud of fog that had cloaked Sanders Glacier Road. The radio repeated its announcement that "a severe early-winter weather system" was headed toward Point Mettier, but Cara planned to be in and out before it hit, just long enough to see if there was a case to reopen.

It wasn't the dismembered foot that caught her attention. She could buy the running theory of suicide victims, and buoyant shoes causing feet to detach from their decaying bodies. But that didn't explain how a hand washed up next to it, and that was why she was compelled like a moth to a flame on a sojourn to the sequestered town.

The not-unpleasant drive took her along a scenic highway that rimmed Cook Inlet-a finger path of water off the Gulf of Alaska pointing toward the majestic Kenai Mountains. For a moment, she even felt a sense of freedom on the road, with glimpses of civilization-devoid vistas that lulled her out of heavy thoughts. But then she remembered the task at hand and the possibility of a foul murder, and she sobered back up.
Named one of the best crime novels of the year by Library Journal and the Best Debut Novel of 2023 by Crime Fiction Lover

"Captivating." -- New York Times Book Review

"
Yamashita deliciously exploits the eerie mystique of Whittier [and] conjures up fresh plot twists galore." Washington Post

“[An] atmospherically charged debut…that leads to a spellbinding, unforgettable climax and an unpredictable resolution….This distinctively original perspective on a ‘community of stragglers, oddballs, and recluses’ heralds the arrival of a major new talent.”—Publishers Weekly (starred review)

"The claustrophobic atmosphere in this unique one-building town, isolated by tunnels, weather, and secrets, builds a memorable debut crime novel."—Library Journal (starred review)

“An urban Alaska detective unlocks menacing secrets in a frigid, sinister small town. . . .[R]iddles large and small add fuel to the mystery on the way to the final solution. An offbeat, sharply written thriller.” – Kirkus Reviews (starred review)

"Yamashita knows how to keep her pages turning with plenty of close-up-ready characters…[her] plotting proves addictive.” -- Booklist

"Yamashita makes the most of this claustrophobic environment, making 'City Under One Roof' the perfect locked-room mystery… a rousing debut.” --South Florida Sun-Sentinel

City Under One Roof is a gripping, unsettling and oppressive thriller that welcomes a wonderful new talent to the genre. Prepare to be quickly immersed in this dark and moody murder mystery.”—Mary Kubica, New York Times bestselling author of Local Woman Missing
 
Northern Exposure meets Dexter in this clever thriller in which an isolated community is rocked by a twisted murder, increasingly dark secrets and the terrifying knowledge that the people they always thought they knew are now the ones they should fear the most.”—Lisa Gardner, #1 New York Times bestselling author of One Step Too Far
 
Electric and fast-paced, this debut thriller is a testament to Yamashita’s skills as a storyteller. There’s no escape from the isolated Alaska setting for either the murder investigator or the reader . . .I couldn’t come out until I read the final page.”—Naomi Hirahara, Edgar-winning author of Clark and Division
 
“Iris Yamashita delivers! Compelling characters, clever plot twists, and a story that will chill you to your bones. . . . [A] must-read thriller.”–Laura Griffin, New York Times bestselling author of The Texas Murder Files

“[W]onderfully claustrophobic and atmospheric.”—Ann Cleeves, New York Times bestselling author of The Long Call and Vera Stanhope novels

“Yamashita blasts into the world of crime fiction by doing something spectacular: introducing us to a totally unique location and sub-culture. A compulsive page-turner.”—C.J. Box, #1 New York Times bestselling author of Shadows Reel

"
Yamashita has given us a beyond-promising first-time effort taking us to a remarkably beguiling setting. We may not want to live there, but it’s a wild visit." -- Winnipeg FreePress

Clever and claustrophobic, dark and atmospheric, the well-crafted, expertly executed City Under One Roof is crime fiction at its best. It's a perfect winter read, guaranteed to hold your attention rapt.”  --Mystery Scene Magazine

"
© Photo by Anthony Mongiello
Iris Yamashita is an Academy Award–nominated screenwriter for the movie Letters from Iwo Jima. She has been working in Hollywood for fifteen years developing material for both film and streaming, has taught screenwriting at UCLA, and is an advocate of women and diversity in the entertainment industry. She has also been a judge and mentor for various film and writing programs, and lives in California. View titles by Iris Yamashita

About

A stranded detective tries to solve a murder in a tiny Alaskan town where everyone lives in a single high-rise building, in this gripping debut by an Academy Award–nominated screenwriter.

When a local teenager discovers a severed hand and foot washed up on the shore of the small town of Point Mettier, Alaska, Cara Kennedy is on the case. A detective from Anchorage, she has her own motives for investigating the possible murder in this isolated place, which can be accessed only by a tunnel.
 
After a blizzard causes the tunnel to close indefinitely, Cara is stuck among the odd and suspicious residents of the town—all 205 of whom live in the same high-rise building and are as icy as the weather. Cara teams up with Point Mettier police officer Joe Barkowski, but before long the investigation is upended by fearsome gang members from a nearby native village.
 
Haunted by her past, Cara soon discovers that everyone in this town has something to hide. Will she be able to unravel their secrets before she unravels?

Excerpt

Chapter One

Amy

"And when did you find the body"-Officer Neworth paused for a moment before adding-"parts? When did you find the body parts?"

It was a hand and a foot, to be exact. Or at least Amy thought there was a foot. She hadn't bothered to look inside the boot, but since Officer Neworth said "parts" instead of "part," she assumed there must have been a foot-a bloated, sawed-off, purple-blotched piece of flesh that would have made her dry heave at the sight.

"Yesterday, around eleven a.m.," she said. She was pretty sure she had mentioned this detail at least six times that very day. She'd thought getting pulled out of algebra class would be fun, but now she was having second thoughts.

The boot, she remembered, looked fairly new. It was covered with mud and grime, but the treads weren't that worn and the laces hadn't frayed yet. She hadn't told any of this to Officer Neworth, though. Up until then, she'd tried to say as little as possible, sticking to answers like "Yes," "No," and "I don't know."

Amy Lin stared at Officer Neworth and his receded-to-an-island hairline and decided that he was not someone who could be trusted. For one thing, he was wearing a gold watch. Any man who wears a gold watch is a little shady. Second, anyone who asks you the same question over and over expecting a different answer does not trust you, and therefore you should not trust them. And last of all, Neworth was from Anchorage, and Point Mettier people tended to keep their mouths shut around any of the "otters." "Otters" is what the kids called people outside Point Mettier because it kind of sounded like the word "others."

"So, tell me again, who were you with?" he asked.

Amy sighed internally and gave him a glare. Did she look like a caged parrot that would keep repeating the same thing over and over again?

Officer Neworth shifted in his seat and adjusted his leather duty belt, which sagged with the weight of lethal equipment-a baton, cuffs, a magazine pouch, a flashlight, a Taser, pepper spray, and of course, a Glock pistol. But despite all his protective equipment, Neworth looked uncomfortable under the glare of a seventeen-year-old teenager who was barely five foot two. He finally turned his eyes away and looked down at his notepad. "Celine Hoffler and Marco Salonga?"

"Yes," Amy finally answered as if his question was somehow offensive.

"And what were you doing at the cove?"

"Just getting out." Amy wasn't about to tell him the real reason they went to the cove, which was to smoke pot. Marijuana was legal in Alaska, but they were still minors.


It was a Sunday, and there was a break in the rain, so they had all bundled up in their neoprenes, parkas, and ski caps and decided to paddle their kayaks out to Hidden Cove. On sunny days in summer, Sanders Glacier across the inlet would look brilliant against the sky, with blue and white ice caps like a giant slushy spilled onto a mountain valley. Tourists would come in flocks during the high season to Point Mettier. Even though, Amy knew, the real pronunciation of “Mettier” was probably the French way, rhyming with “get away,” everyone butchered the name and said it in a way that sounded like “dirtier.” The otters always wanted to see the glaciers in the sound and paid top dollar for cruise ships and yachts to take them up close. Amy wasn’t sure why. She’d been up to a few of the glaciers, including Sanders, and had come to the conclusion that they were prettier from afar. On that Sunday in October, though, there had been dense clouds hanging low over the cove and Sanders just looked like a looming gray monster behind the mist.

Since tourist season was over and the thrum of motorboats and seagoing vessels was gone, it was pretty quiet on the water. Just the dwop dwop sound of their paddles dipping in and out, and the kittiwakes screeching overhead. Once they got to the beach, they loitered around, passed a joint, not really talking or doing anything specific. Celine hopped on a fallen log and balanced across the length of it like a high-wire act. Her sandy blond hair floated behind her in the wind, the way you see in the movies. Amy had always been envious of Celine's hair, because hers was just a dull black. She wanted to dye it platinum blue, except that her mother would probably kill her-literally. Marco was skipping rocks, or maybe he was throwing them at birds; she couldn't remember exactly.

Amy started combing the beach for mementos to add to her collection: fish skeletons and coins, jewelry, and other odds and ends left behind by careless tourists. It was about that time that she noticed something on the south side of the cove-just a little shimmer, like a Morse code of light-and headed over toward it to investigate.

It was sunshine reflecting off the rubber toe of a hiking boot. She didn't realize then that it was anything more than a boot. Kind of a shame, she thought, that someone had lost a perfectly good boot. But when she bent down on the gravelly shore to take a closer look, something else caught her eye. Something she had almost stepped on.

It was a severed hand, half-buried in the sand. Or at least it looked like a hand, but it was green and almost translucent, the way glow-in-the-dark stickers look when the light is on. She could see the lines of the joints on the fingers, but the entire hand was swollen and greasy-looking. It felt as if a whole minute went by while she just stood there, staring. In reality, it was probably more like ten seconds before she finally blinked and found her voice.

"Guys," was all she could muster. The others immediately stopped what they were doing and came to see what she was pointing at. Celine was the one who actually screamed-a high-pitched, earsplitting almost wail of a cry that echoed across the valley and sent shivers down Amy's spine.


“And what did you do after you found the parts?” Officer Neworth interrupted her thoughts and continued with his interrogation. At least it felt like an interrogation to Amy, even though it was just a witness account.

Amy wanted to reply, "What do you think we did? Hang them up for Halloween decorations?" But instead she said, "We went back to the Dave-Co and told Officer Barkowski."

"The Dave-Co?"

Amy sighed. "The building we're sitting in now. The Davidson Condos." The condos were supposed to have been named after some general who served in World War II, but she had heard a rumor that the buildings were actually named after Randolph Davidson, a famous Alaskan con man who set up a fake telegraph office through which he took money for sending blips and beeps that never went anywhere except into a wall.

Neworth laughed at the name. "Is that what you call it? So, how long have you lived here . . . in the Dave-Co?"

Amy knew this question had nothing to do with the body parts. "Fourteen years," she replied.

"Holy cow," he said with a kind of pity in his voice.

People from Anchorage tended to look at Point Mettier kids as charity cases. "It's always shittier in Point Mettier," they would say. It wasn't just the minus thirty-five degrees and eight months of practical winter. The thing that really made otters believe residents of Point Mettier were batshit crazy was the fact that they all lived in one building . . . in the Dave-Co.

There were 205 full-time residents in Point Mettier. The Dave-Co had a post office, a church, an infirmary, and a general store that also acted as a gift shop, selling the same touristy tchotchkes since the nineties-Sanders Glacier mugs and cork coasters with pictures of moose, bears, or kittiwakes. The school was just an underground tunnel away.

Back when the city was a military outpost, the Walcott Building next door had a bowling alley, an auditorium, a movie theater, and even an indoor pool, but that building was practically destroyed in the big earthquake of 1964, and now it was just an abandoned skeleton of itself. The Dave-Co, on the other hand, didn't have any of those cool amenities, not even a barbershop or salon where people could get a decent haircut.

For a seventeen-year-old, it was boring as hell. It was more of a prison than a home, really. If it weren't for the Internet, Amy thought, she would have killed herself over the lack of stimuli.

Most families who came to live in Point Mettier left after a year or two. Nobody was actually from there and nobody liked to stick it out for too long. Celine had come about two years ago from Minnesota. Marco Salonga's family had come from the Philippines. Amy and her mother had probably come from the farthest end of the earth, but they belonged to the longtimers club because Amy had been only three when they arrived. She didn't know any other kids who had lived in Point Mettier that long. Even Spence Blackmon and his younger brother, Troy, didn't arrive with their mom until much later, when Spence was ten and Troy must have been six.

People had all sorts of reasons for moving to the city. Some said they fell in love with the scenery or that they liked the isolation or that they liked living in a close community. Amy didn't believe any of their stories, though. She knew the only real reason people moved out there was because they were running from somebody or something. Why else would you live in a backwater hole of a place where everyone lived in one building and your eyelashes could actually freeze? In fact, Amy had only just found out the real reason why Ma had moved the two of them out there to run a restaurant serving stuff even she knew was barely passable as Chinese food. Again, though, she wasn't about to spill any of this info to Officer Neworth.


There were just two police officers in Point Mettier: Chief Sipley and Officer Barkowski. Amy had watched enough television to know that the police station she was sitting in now was just a tiny locker room compared with what other cities had. There were the main reception area with tiny squeezed-in desks, the “interrogation room” closet they were sitting in, and a one-cell jail. Whenever there was a suspected “major crime,” like when a tourist tried to kill her husband by stabbing him repeatedly with a dinner knife at one of the restaurants on the pier one summer, Anchorage police were called in, which was why Officer Neworth was there, questioning her about the body parts.

There was a knock at the door and Officer Barkowski poked his head in. "You almost done, Officer Neworth? Or have you just discovered that Amy Lin is a maniacal serial killer?" He gave Amy a friendly wink, and she smiled, despite herself. Officer Barkowski had started working in Point Mettier a year ago. He was always talking to the kids, pretending like he was one of them, making friendly conversation. Amy knew that it was an act, but at least he spoke to them like adults instead of uneducated third-world charity cases. Overall, Amy thought he was one of the good guys, but that didn't mean she was going to let him in on any secrets. Chief Sipley, on the other hand, had been in Point Mettier longer than anybody. She wasn't sure exactly what his story was. He looked kind of like a bald and drunken Santa Claus on the outside, but even though he appeared jolly, Amy knew that on the inside, he was the kind of guy who was much smarter than he let on and was always calculating something.

"Chief Sipley just radioed from the cove and says everything's been bagged and cleared out there," Barkowski reported.

Officer Neworth closed his notepad as if he had just been idling away his time, waiting for this cue. "I think we're done here."

Barkowski eyed the pad like he was just itching to take a look. "We hear there's been a lot of these cases popping up on the coast. Is that true?"

"Yeah, we've heard there've been a few in Canada and Washington as well," Neworth admitted. "This is the third set in Alaska in a year."

"Any leads?"

"No." Officer Neworth stood up from his chair. "There's speculation that they might have been suicide jumpers, or people who accidentally fell off ships."

"Jesus, that's sad."

Officer Neworth nodded. "The plastic in the boots makes them float up and carries them to shore. We don't get too many hands, though, so it was a bit unusual." He chewed on that for a moment. "Well, we don't have all the answers, and I doubt we ever will. But since we can't identify the bodies or prove any foul play, we can't exactly investigate them as crimes."

Officer Barkowski peeked over at Amy. "School's still in session, if you're done questioning Ms. Lin."

"Oh, right." Officer Neworth suddenly remembered the third person in the room. "You can go now, Amy. Thanks for your cooperation."

Amy got up slowly and a sense of relief washed over her. She exited the office into the maize-colored concrete hallway and felt like she had just cheated a lie detector test. Well, perhaps she hadn't really lied. She had just omitted a few facts about who was there. In the end, did it really matter if there were three or four witnesses, especially now that she knew it probably wasn't even a murder, just some depressed tourist who maybe jumped off a cruise ship?

Chapter Two

Cara

The windshield wipers of the Chevy Suburban flapped in double time, trying to cut through the vaporous shroud of fog that had cloaked Sanders Glacier Road. The radio repeated its announcement that "a severe early-winter weather system" was headed toward Point Mettier, but Cara planned to be in and out before it hit, just long enough to see if there was a case to reopen.

It wasn't the dismembered foot that caught her attention. She could buy the running theory of suicide victims, and buoyant shoes causing feet to detach from their decaying bodies. But that didn't explain how a hand washed up next to it, and that was why she was compelled like a moth to a flame on a sojourn to the sequestered town.

The not-unpleasant drive took her along a scenic highway that rimmed Cook Inlet-a finger path of water off the Gulf of Alaska pointing toward the majestic Kenai Mountains. For a moment, she even felt a sense of freedom on the road, with glimpses of civilization-devoid vistas that lulled her out of heavy thoughts. But then she remembered the task at hand and the possibility of a foul murder, and she sobered back up.

Reviews

Named one of the best crime novels of the year by Library Journal and the Best Debut Novel of 2023 by Crime Fiction Lover

"Captivating." -- New York Times Book Review

"
Yamashita deliciously exploits the eerie mystique of Whittier [and] conjures up fresh plot twists galore." Washington Post

“[An] atmospherically charged debut…that leads to a spellbinding, unforgettable climax and an unpredictable resolution….This distinctively original perspective on a ‘community of stragglers, oddballs, and recluses’ heralds the arrival of a major new talent.”—Publishers Weekly (starred review)

"The claustrophobic atmosphere in this unique one-building town, isolated by tunnels, weather, and secrets, builds a memorable debut crime novel."—Library Journal (starred review)

“An urban Alaska detective unlocks menacing secrets in a frigid, sinister small town. . . .[R]iddles large and small add fuel to the mystery on the way to the final solution. An offbeat, sharply written thriller.” – Kirkus Reviews (starred review)

"Yamashita knows how to keep her pages turning with plenty of close-up-ready characters…[her] plotting proves addictive.” -- Booklist

"Yamashita makes the most of this claustrophobic environment, making 'City Under One Roof' the perfect locked-room mystery… a rousing debut.” --South Florida Sun-Sentinel

City Under One Roof is a gripping, unsettling and oppressive thriller that welcomes a wonderful new talent to the genre. Prepare to be quickly immersed in this dark and moody murder mystery.”—Mary Kubica, New York Times bestselling author of Local Woman Missing
 
Northern Exposure meets Dexter in this clever thriller in which an isolated community is rocked by a twisted murder, increasingly dark secrets and the terrifying knowledge that the people they always thought they knew are now the ones they should fear the most.”—Lisa Gardner, #1 New York Times bestselling author of One Step Too Far
 
Electric and fast-paced, this debut thriller is a testament to Yamashita’s skills as a storyteller. There’s no escape from the isolated Alaska setting for either the murder investigator or the reader . . .I couldn’t come out until I read the final page.”—Naomi Hirahara, Edgar-winning author of Clark and Division
 
“Iris Yamashita delivers! Compelling characters, clever plot twists, and a story that will chill you to your bones. . . . [A] must-read thriller.”–Laura Griffin, New York Times bestselling author of The Texas Murder Files

“[W]onderfully claustrophobic and atmospheric.”—Ann Cleeves, New York Times bestselling author of The Long Call and Vera Stanhope novels

“Yamashita blasts into the world of crime fiction by doing something spectacular: introducing us to a totally unique location and sub-culture. A compulsive page-turner.”—C.J. Box, #1 New York Times bestselling author of Shadows Reel

"
Yamashita has given us a beyond-promising first-time effort taking us to a remarkably beguiling setting. We may not want to live there, but it’s a wild visit." -- Winnipeg FreePress

Clever and claustrophobic, dark and atmospheric, the well-crafted, expertly executed City Under One Roof is crime fiction at its best. It's a perfect winter read, guaranteed to hold your attention rapt.”  --Mystery Scene Magazine

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Author

© Photo by Anthony Mongiello
Iris Yamashita is an Academy Award–nominated screenwriter for the movie Letters from Iwo Jima. She has been working in Hollywood for fifteen years developing material for both film and streaming, has taught screenwriting at UCLA, and is an advocate of women and diversity in the entertainment industry. She has also been a judge and mentor for various film and writing programs, and lives in California. View titles by Iris Yamashita