Los detallitos“I’ll be your girlfriend.”
 That’s what she said,
 so I haven’t needed
 to define the relationship.
 We make our feelings clear
 with detallitos,
 all the little things that
 speak louder than words.
 Like when I meet her
 outside of class one day
 and bend down to tie
 her loose shoelace.
 Or when we’re walking home
 and I step too close to the road
 just as a semitruck speeds by,
 and she yanks me onto the grass.
 Or when we stop at the dollar store
 and buy ingredients for spaghetti,
 which we cook together at my house
 because my family’s at the dentist.
 Or when I find her standing alone
 one morning, a block from school,
 looking sad, so I hug her from behind
 till she leans back into me, sighing.
 Or when one of Snake’s minions
 trips me in the hall, but she catches me,
 and everyone applauds as she slowly
 pulls me straight, looking into my eyes.
 I’m a poet, but all these small gestures
 say more than any words I could arrange.         
Sunday Morning at the TaqueríaOur family is Catholic. Can’t eat before
 Sunday mass because of the sacrament.
 So we go to the early service,
 stomachs rumbling,
 and try to stay focused.
 By 9:00 a.m., we’re hurrying
 out of St. Joseph’s, piling into
 Dad’s pickup. He almost peels out,
 making Mom click her tongue
 as he heads to Taquería Morales
 a few blocks away.
 Most Sundays, the mayor
 and his wife are already eating—-
 they’re Baptists, lucky ducks.
 They can eat all they want
 before church.
 Mr. Morales seats us, serves
 cinnamon coffee and orange juice
 in cups bearing the green logo
 of Club León, his favorite
 fútbol team.
 We order. I get my usual, chorizo
 and eggs, with its sides of
 fried potatoes and beans,
 which I spoon into fluffy
 flour tortillas along with
 salsa verde.
 By this time, other parishioners
 come spilling in. Dad greets some,
 ignores others, like his former boss.
 Then in walks Joanna’s father,
 Adán Padilla. I try a natural smile
 as he nods at my parents.
 “Buenos días, Don Carlos,
 Doña Judith. ¿Qué tal, Güero?”
 I give a shaky wave and nod.
 “¿Y su familia?” my mom asks.
 “En casa. I’m picking up taquitos.”
 Mr. Morales hands him a paper bag
 bulging with food. He pays and leaves.
 Dad sips his coffee, shaking his head.
 “A shame. That man should be a pillar
 of the town. Güero, you looked nervous.”
 Mom’s left eyebrow arches
 the way it always does
 when she gets suspicious.
 “Does he not know you like his daughter?”
 I shrug, my face going red. “Not sure.”
 I check my phone. No text from Joanna.
 My parents mutter about new scandals
 and old gossip. I lean forward, trying
 to catch snatches, till Mom frowns.
 “Cosas de adultos,” she says, flicking me
 back in my seat with her eyes.
 “Do y’all know everyone’s secrets?”
 I ask, still wondering why Dad
 used the word shame. He laughs.
 “It’s a small town, m’ijo. And the nosiest
 folks are packed inside this taquería,
 including you. Now, finish your almuerzo.”
 So I take another bite. But my eyes
 wander across the crowded tables,
 and my ears strain to hear
 past clinking and laughter,
 the constant heartbeat
 of my community.   
The KissThe next day,
 first Monday of May,
 Joanna and I take a shortcut
 after school
 through the orange grove
 near my house.
 “You know,” she says,
 letting go of my hand
 to wipe a sweaty palm
 on her black jeans,
 “there’s just a month
 until school’s out.
 It’ll be harder to hang out,
 since my parents expect me
 to help them all summer.”
 I stop. She turns to look at me.
 There’s something in her eyes
 that I can feel with my chest,
 which aches in a way I’ve never felt:
 scary but good. Everything fades.
 The sound of passing cars,
 the harsh drone of cicadas—-
 all drowned out
 by the beating of my heart.
 The glossy green trees
 and bright, dimpled fruit—-
 hazy, out of focus, until
 all I can see are her lips,
 a red I can’t even describe:
 dark, almost brown.
 The color of mesquite pods.
 Taking a shuddering breath
 that feels like it might
 be my very last,
 I ask my fregona,
 “Can I kiss you?”
 She nods, slowly closing
 those big brown eyes.
 “Sí, Güero. You can.”
 So I do.     
Her Song in My BloodMy heart thunders
 like a drum
 when our lips meet.
 Above that rhythm
 I can hear
 a new melody—-
 notes from her soul
 slip into
 the measures of my heart.
 When we pull apart,
 all I want
 is to share that music,
 to stand on a stage
 before the world
 and make them listen
 to the vibrant, beautiful,
 living pulse
 of her song in my blood.  
They Call Her FregonaJoanna Padilla Benavides.
 That’s what her birth certificate says.
Padilla from her father, Adán,
 who also gave her his love of cars
 and lucha libre
 and truth.
Benavides from her mother, Bertha,
 who also gave her that wicked smile,
 those beautiful brown eyes,
 a big heart with quiet love,
 a talent for math.
She’s Jo to the twins,
 six--year--old menaces
 named Emily
 and Emilio.
Mama Yoyo to the baby
 barely learning to speak.
“I’ll kick your butt if you tell anyone,”
 Joanna assures me, eyebrow raised.
 “My lips are sealed,” I promise.
 She gives me a quick kiss to make sure.
At school, of course,
 they call her Fregona.
Most girls avoid her,
 except for her cousins
and a few other friends
 who don’t quite fit in
 because of gender norms
 and queermisia.
Most boys are afraid of her,
 at least the seventh--graders.
“I hate that nickname,” she admits.
 “
Güero is positive. People think of beauty.
 Even the sounds are soft and sweet. 
Fregona feels rough. Ugly. Like mopping
 or scrubbing grease from a dirty sartén.”
“You’re not ugly,” I tell her.
 “And there’s no reason light skin
 should mean beauty. That’s wrong.
 When I hear 
fregar, I think of the beating
 you gave that loser Snake Barrera,
how you stand up for family and friends,
 how you own the fresas in Pre--AP Algebra.”
Joanna takes my pale hand
 in her deep--brown fingers,
 calloused and beautiful,
 like roots in sandy soil.
“Apá keeps pushing me to be tough—-
 he’s seen what the world does to girls.”
She takes a deep breath. “He doesn’t want me
 to end up like his mother or sisters. Mistreated.
 Ignored. And my mom’s a fregona, too.
 I have big shoes to fill. Can’t let them down.
“But, ugh, being tough is hard. So thanks.
 Seeing myself in your eyes? It helps.”
She looks up, shyly at first, then smiling
 like only she can smile. “And if Snake
 ever bothers you again, I’ll put him
 in the hospital. No one touches you but me.”
I put my free hand on the fist she makes,
 giving her knuckles a gentle rub.
“Joanna, you don’t have to be tough
 when it’s just you and me. I see you,
 through and through, all the soft
 and sweet parts, too.”
Her fingers unclench as she sighs
 and lays her head on my shoulder.								
									 Copyright © 2022 by David Bowles. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.