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Fortune Favors the Dead

A Novel

Author Stephen Spotswood On Tour
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On sale Oct 27, 2020 | 8 Hours and 32 Minutes | 9780593293263
Grades 9-12 + AP/IB
A wildly charming and fast-paced mystery written with all the panache of the hardboiled classics, Fortune Favors the Dead introduces Pentecost and Parker, an audacious new detective duo for the ages.

“Razor-sharp style, tons of flair, a snappy sense of humor, and all the most satisfying elements of a really good noir novel, plus plenty of original twists of its own.”—Tana French, bestselling author of The Searcher

It's 1942 and Willowjean "Will" Parker is a scrappy circus runaway whose knife-throwing skills have just saved the life of New York's best, and most unorthodox, private investigator, Lillian Pentecost. When the dapper detective summons Will a few days later, she doesn't expect to be offered a life-changing proposition: Lillian's multiple sclerosis means she can't keep up with her old case load alone, so she wants to hire Will to be her right-hand woman. In return, Will is to receive a salary, room and board, and training in Lillian's very particular art of investigation.

Three years later, Will and Lillian are on the Collins case: Abigail Collins was found bludgeoned to death with a crystal ball following a big, boozy Halloween party at her homeher body slumped in the same chair where her steel magnate husband shot himself the year before. With rumors flying that Abigail was bumped off by the vengeful spirit of her husband (who else could have gotten inside the locked room?), the family has tasked the detectives with finding answers where the police have failed.

But that's easier said than done in a case that involves messages from the dead, a seductive spiritualist, and Becca Collinsthe beautiful daughter of the deceased, who Will quickly starts falling for. When Will and Becca's relationship dances beyond the professional, Will finds herself in dangerous territory, and discovers she may have become the murderer's next target.
Chapter 1

The first time I met Lillian Pentecost, I nearly caved her skull in with a piece of lead pipe.

I had scored a few shifts working guard duty at a building site on West Forty-second. A lot of the crew on Hart and Halloway’s Traveling Circus and Sideshow picked up gigs like that whenever we rolled into a big city. Late-night and off-day gigs where we could clock in after a performance and get paid cash on the barrel.

There were more jobs like that available in those years. A lot of the men who’d usually have taken them were overseas hoping for a shot at Hitler. When you’re desperate to fill a post, even a twenty-year-old cirky girl starts to look good.

Not that it required much of a résumé. It was a knucklehead job. Walk the fenced-in perimeter from eleven until dawn and keep an eye out for anyone slipping through the fence. If anyone did, I was supposed to ring a bell and shout and make a ruckus to drive them away. If they refused, I ran and found a cop.

At least that was what I was supposed to do. McCloskey—the site foreman, who was paying me—had other thoughts.

“You catch anyone slipping in, you give them a good clobber with this,” he said, tugging at the ends of his greasy moustache. This was a two-foot length of lead pipe. “You do that, you get an extra dollar bonus. Gotta set an example.”

Who I was setting an example for, I didn’t know. I also didn’t know what was around the site that would be worth stealing. Construction had just started, so it was basically a giant hole in the ground half the size of a city block. Some lumber, some pipe, a few tools, but nothing really worth pinching. This close to Times Square, I was more likely to get drunks looking for a place to sleep it off.

I expected to spend a handful of uneventful nights, collect a few bucks, and be done with my shift in time to run back to Brooklyn and help with the circus’s matinee. I was also hoping to find some quiet time to devour the detective novel I’d picked up at the newsstand down the street. Maybe catch a few hours’ sleep in some corner of the yard. On the road, solitary sleep—especially sleep without the rumble of trucks or the roar of the tigers prowling in their cage across the yard—was a rarity.

The first two nights, that was exactly how it went. It was actually kind of lonely. New York might be the city that never sleeps, but even those few blocks in the heart of Midtown took a catnap between two and five. Not much in the way of foot traffic, or at least little that could be heard through the seven-foot-high wooden fence surrounding the construction site. That half-block hole in the ground was eerily quiet.

So on the third night the creak of a board being pried away from the fence rang out like a bell.

Heart racing, I grabbed the piece of lead pipe and made my way around the edge of the pit. I was wearing dungarees and a denim shirt—soft fabrics that didn’t make a sound. My boots had worn-thin soles, which didn’t do any favors for my arches but meant I was able to slip like a shadow. I crept up on the figure crouched on its haunches at the edge of the pit.

Whoever it was picked up a handful of dirt and let it sift through their fingers. I thought about yelling and trying to drive them off, but they were bigger than me. In their other hand they were brandishing what looked like a stick or cudgel—something heftier than my length of pipe at any rate. If I yelled and got rushed, I wasn’t sure I’d be able to stay on my feet long enough to hit back.

I took one slow step after another. When I was only a short stride away I lifted the pipe above my head. I wondered what it would feel like when I brought it down. Could I finesse it so I just knocked them out? Detectives were always managing to do that in the dime novels. More likely, I’d crack their skull open like an egg. My stomach did the same kind of slow flip it performed when I watched the trapeze artists.

I still had the pipe raised above my head when the figure turned and looked at me.

“I’d prefer not to end my day with a concussion,” she said with a voice even as a tightrope. The hefty guy I had been afraid would rush me was a woman. She was around the age my mother would have been with her hair done up tight in an intricate bun.

“You’re not supposed to be here,” I told her, managing to keep my vibrating heart out of my voice.

“That remains to be seen,” she said. “Have you worked here long?”

“A few nights.”

“Hmmm.” There was disappointment in that murmur.

By all rights, I should have told her to scram. But for some reason, call it fate or boredom or an inborn pernicious streak, I kept talking. “I think McCloskey—that’s the site manager—only just started hiring night guards. I think he used to spend the night here sleeping in his shack so he could double dip. That’s what some of the morning shift guys told me anyway.”

“Better,” she declared.

She stood slowly, using the cane in her left hand for leverage. She was tall and solidly built, wearing a tailored houndstooth suit that looked expensive and an ankle-length coat like the kind Blackheart Bart wore when he did his sharpshooter act.

“Is that his shack?” she asked, looking over at the small wooden structure a quarter turn around the pit.

I nodded.

“Show me, please.”

By that point, it was clear to both of us there would be no clobbering, so I figured why not. Maybe it was because the alternative would have been ringing up the police, and I have a cultivated dislike of anyone with a badge.

I headed over to the shack in the corner of the yard. She followed a little behind, using the cane as she went. She wasn’t limping so much as wobbling a little. I wasn’t sure what was up with her, but the cane obviously wasn’t for show.

McCloskey had called the shack his office, but I’d seen chicken coops built sturdier. We were never supposed to go inside, and besides, the door was locked. The mysterious woman took something from an inner pocket of her coat—a thin, bent piece of wire—and went to work on the padlock. After a minute of fumbling, I piped up, “You need to go at it from the bottom.”

“How do you mean?”

I took the wire out of her hand and had the job done in ten seconds flat. I’d picked harder locks blindfolded. Literally.

“You should get yourself some real picks if you’re going to do this kind of thing regular,” I told her.

In all the years after, I only ever saw her smile about three dozen times. She graced me with one then.

“I’ll keep that in mind,” she said.

The inside of the shack matched the outside. Dirty and jerry-built. There was a desk fashioned out of a couple discarded boards and some sawhorses. Papers were scattered haphazardly across it. On it were also a lantern and an army-issue wind-up phone that someone had rigged so McCloskey could make calls without leaving to find a pay phone. The rest of the space was taken up by a narrow cot and a pile of dirty rags that on second glance were clothes.

My companion lit the lantern. The addition of light didn’t do the cramped room any favors. I’ve seen monkey cages less filthy.

“Describe Mr. McCloskey,” she said, fixing me with eyes the gray-blue of a winter sky.

“I don’t know. Forty or so. Average, I guess.”

She gave me a look I have come to refer to as her disappointed schoolmarm. “Average doesn’t exist. Not when it comes to human beings. And don’t guess unless circumstances force you to.”

I was starting to regret not using the lead pipe.

“Okay,” I said with a bit of a sneer. “About a foot taller than me, so figure six feet, give or take. About two hundred pounds—a lot of it fat, but there’s some muscle under there. Like a roustabout who’s taken to the bottle. From the patches on his trousers, I’d say he has two sets of clothes, neither of them more than three bucks combined. He’s cheap but wants people to think he has flash.”

“What made you determine that?” she asked.

“From how much he’s paying me. Also, he wouldn’t spend two bits for a shave but dropped at least five for a gaff watch.”

“A gaff?”

“A fake, a phony.”

“How do you know it’s fake?”

“No way is this guy buying gold.”

There was something in her eyes then. The same look Mysterio got right before he sawed his lovely assistant in half.

“Do you have his phone number in case of emergencies?” she asked.

“Yeah, sure. But he said not to use it unless something’s really gone sideways.”

“Something has indeed gone sideways, Miss . . .”

“No Miss. Just Parker,” I told her. “Willowjean Parker. Everyone calls me Will.”

“Please call Mr. McCloskey, Will. Tell him there’s an intruder and she won’t leave. Tell him she’s asking about a gold watch.”

It was an easy call to make, since it was the truth. After I hung up, the woman—who still hadn’t introduced herself, and don’t think I wasn’t a little annoyed at that lapse in basic manners—asked me how he’d sounded.

I told her he’d sounded normal at first—sleep drugged and annoyed. But when I mentioned the watch, a thread of something like panic had come into his voice. He said he’d be right over and not to let this woman go anywhere in the meantime.

She gave a small, satisfied nod, then sat down on the cot, back straight, gloved hands holding her cane across her lap. She closed her eyes, calm as my great-aunt Ida praying in church. She reminded me of pictures of Okie wives I’d seen in issues of Life, a weatherworn face waiting patiently for the coming storm.

I thought about asking her what this was all about. Or at least her name. She had mine, after all. But I decided I didn’t want to give her the satisfaction. So I stood there and waited with her.

After ten minutes of silence she suddenly opened her eyes and said, “I think it would be best, Will, if you were to leave out the Eighth Avenue exit. There is a station house about twelve blocks south.”

“You want me to get the cops?”

“Ask them to call Lieutenant Nathan Lazenby. Tell them there’s been a murder and that Lillian Pentecost says to come at once. Unless they wish to read about it in the Times.”

I opened my mouth, but she flashed me a look that said it was no use arguing, so I dashed out and toward Eighth Avenue but stopped before I reached the gate.

Like I said, there’s no love lost between me and authority figures, especially those who carry guns and billy clubs and aren’t afraid to do some judicious clobbering of their own. Besides, what did this woman think would happen? I drop her name and a whole squad of dicks come running?

Lillian Pentecost. Who the hell did she think she was, anyway?

Instead, I quietly retraced my steps around the pit. Before I’d gotten back to the shack the shriek of old brakes on Forty-second Street announced McCloskey’s arrival.

I hurried to the rear of the rickety structure and crouched down. The walls were thin and I could hear everything. I figured that worked in reverse, so I kept still and quiet.

There was the sound of footsteps double-timing it across hard dirt, then of the door creaking opening.

“Hey. Who are you? Where’s the little carny?”

“I’ve sent Will away, Mr. McCloskey. I thought it best if we had this conversation in private.”

“What conversation? What’s the deal? Who are you?”

“I am Lillian Pentecost.” There was a little inhale there. Apparently he recognized the name and wasn’t too happy about it. “And the deal is that you are wearing a murdered man’s watch.”

“What are you talking about? That’s a lie. I bought this watch. From a guy at a bar. Twenty bucks, it cost.”

I shook my head. Apparently nobody’d taught him that adding too many details was the quickest way to foul a grift.

“The police will, of course, ask you which bar and the name of the man who supposedly sold you the watch and so forth and so on,” Ms. Pentecost said. “But I think we can dispense with that. If for no other reason than no one would sell a Patek Philippe for twenty dollars.”

“I don’t know a Patty Phillip from nothing. This guy said he was hard up. Needed the cash.” The whine that had crept into his voice advertised his guilt better than any Broadway marquee.

“Jonathan Markel was indeed in need of money, Mr. McCloskey. But not so badly as to barter with you.”

“Who’s Jonathan Markel?”

“The man you bludgeoned to death and from whose wrist you slipped that watch.”

“Lady, you’re crazy.”

“Debatable. I’ve been accused of rampant narcissism, hysteria, deviancy, and a variety of delusional psychoses. But the dirt covering the back of Mr. Markel’s suit coat was no delusion. Dirt that certainly did not come from the alley where his body was found. Nor were the grooves in his skull a delusion. Grooves that I feel confident will match the kind of lead pipe you instructed Will to employ on trespassers.”

Even through the wall of the shack, I could hear McCloskey breathing. Heavy and panicked.

As Ms. Pentecost continued, she developed a hitch in her voice. Like her words were catching on something in her throat. I started to wonder just how calm this woman really was.

“I would have come upon you sooner, but . . . ​it was not until yesterday that I was able to examine the clothes Mr. Markel . . . ​was wearing that night. This construction site is one of only a . . . ​handful between his club and the alley where he was found. Perhaps there was no initial malevolence. Perhaps . . . ​after an evening of drinking, Mr. Markel sought a private spot to relieve himself and slipped through the gap in your fence. Mistaking him for a thief, you . . . ​hit him. A little . . . ​too hard, perhaps? An accident?”

“Yeah. . . . ​Yeah, an accident.” It came out in a croaked whisper, like McCloskey was being squeezed. And the squeezer wasn’t finished.
Winner of the 2021 Nero Award

“Bullets, blood, bodies, and belly-laughs: all the ingredients of a classic mystery novel. Stephen Spotswood hard-boils with the best of ‘em!”—Alan Bradley, bestselling author of the Flavia de Luce Mystery Series

"Fortune Favors the Dead
takes gritty 40s noir, shakes it up, gives it a charming twist, and serves it up with unforgettable style. My new favorite sleuthing duo are Pentecost and Parker, the spiritual sisters of Nero Wolfe and Archie Goodwin. An utterly brilliant debut!"—Deanna Raybourn, author of the Veronica Speedwell Mysteries

Witty. . . Humorous and fun [with] all the hallmarks of an Agatha Christie mystery, and there’s a delightful dose of noir thrown in for the more hardcore pulp fiction crowd, too. . . As mysterious and fun a caper as you will ever read, with plenty of misdirection and intrigue to keep you guessing. You don’t need a clairvoyant to realize this duo will be around for years to come.”—Bookpage *Starred Review*

"Spotswood's stellar debut puts a modern spin on the classic hard-boiled fiction... The deep and sensitive characterization of the two protagonists coupled with the rich description and tonally spot-on humor, makes this a novel to remember. Spotswood is definitely a writer to watch."—Publishers Weekly *Starred Review*
 
"One of the most rewarding and entertaining books I've read in years . . . Every page—nay, every paragraph—is rich and compelling. . . When it comes to male authors penning feminist issues that ring true and female characters who are fully realized and complex characters, Spotswood joins Terry Pratchett at the very top of the list. And if anyone’s the heir apparent to Phryne Fisher or Elementary’s Sherlock and Joan, it’s Parker and Pentecost. This is an adventure you’ll want to rave about to strangers on the streets. Personally, I’m already impatient for these ladies’ next case." Criminal Element
 
“A relentlessly entertaining romp through 1940’s New York City, and through the annals of mystery fiction, as well, with many sly nods to authors of the past and some invigorating reinventions of classic tropes and gambits. . . Spotswood’s style is swift and witty, and the mystery at the novel’s heart is a clever knot.”—CrimeReads

“Sparkles [with] wit and personality. . . Delightful. . . This mystery plot has all the twists and surprises a fan of the genre could ask for, but it is Will’s distinctive, captivating voice and background [that] is Spotswood’s real triumph. . . Gutsy Will, with her snappy, slangy narrative style, ultimately wins readers’ hearts and carries the day. This classic noir-style mystery recast with humor, female leads and superb style is both satisfying and great fun.” —Shelf Awareness

“Good news, mystery readers, your new favorite sleuthing duo has arrived on the scene! . . . Fortune Favors the Dead is a refreshing update to a classic Golden Age mystery, serving hard-boiled thrills and laugh-out-loud wit with charm and panache. A fantastic read!” Northen Virginia Magazine

“If you’ve been dying for a fresh take on the sleuth genre, this book delivers that and more. A mix of classic noir aesthetics and tropes with an inclusive twist, Fortune Favors the Dead is the kind of mystery series that will capture your imagination in new and fun ways, and have you desperate to get your hands on more.” —Get Literary

“Sparkles [with] wit and personality. . . Delightful. . . This mystery plot has all the twists and surprises a fan of the genre could ask for, but it is Will’s distinctive, captivating voice and background [that] is Spotswood’s real triumph. . . Gutsy Will, with her snappy, slangy narrative style, ultimately wins readers’ hearts and carries the day. This classic noir-style mystery recast with humor, female leads and superb style is both satisfying and great fun.”—Shelf Awareness

“Will keep readers engaged from start to finish. . . [Pentecost is] reminiscent of Agatha Christie's Miss Marple. . . A fun whodunit. . . Perfect for a cozy weekend read.”—Library Journal

“A fast-paced, lightweight, and engaging whodunit. . . Satisfying. . . Fun.”—Historical Novel Review

“An intriguing locked-room mystery that will keep readers guessing until the very end. . . Spotswood is fantastic at writing strong female characters. . . Fortune Favors the Dead is a fast-paced, smart murder mystery with a focus on strong women. . . A wonderful debut.”—Bookbrowse.com

“A sprightly period debut. . . [A] provocative gender-flipping of Nero Wolfe and Archie Goodwin.”Kirkus Reviews
© Daniel Corey
STEPHEN SPOTSWOOD is an award-winning playwright, journalist, and educator. As a journalist, he has spent much of the last two decades writing about the aftermath of the wars in Iraq and Afghanistan and the struggles of wounded veterans. His dramatic work has been widely produced across the United States, and he is the winner of the 2021 Nero Award for best American mystery. He makes his home in Washington, DC with his wife, young adult author Jessica Spotswood. View titles by Stephen Spotswood

About

A wildly charming and fast-paced mystery written with all the panache of the hardboiled classics, Fortune Favors the Dead introduces Pentecost and Parker, an audacious new detective duo for the ages.

“Razor-sharp style, tons of flair, a snappy sense of humor, and all the most satisfying elements of a really good noir novel, plus plenty of original twists of its own.”—Tana French, bestselling author of The Searcher

It's 1942 and Willowjean "Will" Parker is a scrappy circus runaway whose knife-throwing skills have just saved the life of New York's best, and most unorthodox, private investigator, Lillian Pentecost. When the dapper detective summons Will a few days later, she doesn't expect to be offered a life-changing proposition: Lillian's multiple sclerosis means she can't keep up with her old case load alone, so she wants to hire Will to be her right-hand woman. In return, Will is to receive a salary, room and board, and training in Lillian's very particular art of investigation.

Three years later, Will and Lillian are on the Collins case: Abigail Collins was found bludgeoned to death with a crystal ball following a big, boozy Halloween party at her homeher body slumped in the same chair where her steel magnate husband shot himself the year before. With rumors flying that Abigail was bumped off by the vengeful spirit of her husband (who else could have gotten inside the locked room?), the family has tasked the detectives with finding answers where the police have failed.

But that's easier said than done in a case that involves messages from the dead, a seductive spiritualist, and Becca Collinsthe beautiful daughter of the deceased, who Will quickly starts falling for. When Will and Becca's relationship dances beyond the professional, Will finds herself in dangerous territory, and discovers she may have become the murderer's next target.

Excerpt

Chapter 1

The first time I met Lillian Pentecost, I nearly caved her skull in with a piece of lead pipe.

I had scored a few shifts working guard duty at a building site on West Forty-second. A lot of the crew on Hart and Halloway’s Traveling Circus and Sideshow picked up gigs like that whenever we rolled into a big city. Late-night and off-day gigs where we could clock in after a performance and get paid cash on the barrel.

There were more jobs like that available in those years. A lot of the men who’d usually have taken them were overseas hoping for a shot at Hitler. When you’re desperate to fill a post, even a twenty-year-old cirky girl starts to look good.

Not that it required much of a résumé. It was a knucklehead job. Walk the fenced-in perimeter from eleven until dawn and keep an eye out for anyone slipping through the fence. If anyone did, I was supposed to ring a bell and shout and make a ruckus to drive them away. If they refused, I ran and found a cop.

At least that was what I was supposed to do. McCloskey—the site foreman, who was paying me—had other thoughts.

“You catch anyone slipping in, you give them a good clobber with this,” he said, tugging at the ends of his greasy moustache. This was a two-foot length of lead pipe. “You do that, you get an extra dollar bonus. Gotta set an example.”

Who I was setting an example for, I didn’t know. I also didn’t know what was around the site that would be worth stealing. Construction had just started, so it was basically a giant hole in the ground half the size of a city block. Some lumber, some pipe, a few tools, but nothing really worth pinching. This close to Times Square, I was more likely to get drunks looking for a place to sleep it off.

I expected to spend a handful of uneventful nights, collect a few bucks, and be done with my shift in time to run back to Brooklyn and help with the circus’s matinee. I was also hoping to find some quiet time to devour the detective novel I’d picked up at the newsstand down the street. Maybe catch a few hours’ sleep in some corner of the yard. On the road, solitary sleep—especially sleep without the rumble of trucks or the roar of the tigers prowling in their cage across the yard—was a rarity.

The first two nights, that was exactly how it went. It was actually kind of lonely. New York might be the city that never sleeps, but even those few blocks in the heart of Midtown took a catnap between two and five. Not much in the way of foot traffic, or at least little that could be heard through the seven-foot-high wooden fence surrounding the construction site. That half-block hole in the ground was eerily quiet.

So on the third night the creak of a board being pried away from the fence rang out like a bell.

Heart racing, I grabbed the piece of lead pipe and made my way around the edge of the pit. I was wearing dungarees and a denim shirt—soft fabrics that didn’t make a sound. My boots had worn-thin soles, which didn’t do any favors for my arches but meant I was able to slip like a shadow. I crept up on the figure crouched on its haunches at the edge of the pit.

Whoever it was picked up a handful of dirt and let it sift through their fingers. I thought about yelling and trying to drive them off, but they were bigger than me. In their other hand they were brandishing what looked like a stick or cudgel—something heftier than my length of pipe at any rate. If I yelled and got rushed, I wasn’t sure I’d be able to stay on my feet long enough to hit back.

I took one slow step after another. When I was only a short stride away I lifted the pipe above my head. I wondered what it would feel like when I brought it down. Could I finesse it so I just knocked them out? Detectives were always managing to do that in the dime novels. More likely, I’d crack their skull open like an egg. My stomach did the same kind of slow flip it performed when I watched the trapeze artists.

I still had the pipe raised above my head when the figure turned and looked at me.

“I’d prefer not to end my day with a concussion,” she said with a voice even as a tightrope. The hefty guy I had been afraid would rush me was a woman. She was around the age my mother would have been with her hair done up tight in an intricate bun.

“You’re not supposed to be here,” I told her, managing to keep my vibrating heart out of my voice.

“That remains to be seen,” she said. “Have you worked here long?”

“A few nights.”

“Hmmm.” There was disappointment in that murmur.

By all rights, I should have told her to scram. But for some reason, call it fate or boredom or an inborn pernicious streak, I kept talking. “I think McCloskey—that’s the site manager—only just started hiring night guards. I think he used to spend the night here sleeping in his shack so he could double dip. That’s what some of the morning shift guys told me anyway.”

“Better,” she declared.

She stood slowly, using the cane in her left hand for leverage. She was tall and solidly built, wearing a tailored houndstooth suit that looked expensive and an ankle-length coat like the kind Blackheart Bart wore when he did his sharpshooter act.

“Is that his shack?” she asked, looking over at the small wooden structure a quarter turn around the pit.

I nodded.

“Show me, please.”

By that point, it was clear to both of us there would be no clobbering, so I figured why not. Maybe it was because the alternative would have been ringing up the police, and I have a cultivated dislike of anyone with a badge.

I headed over to the shack in the corner of the yard. She followed a little behind, using the cane as she went. She wasn’t limping so much as wobbling a little. I wasn’t sure what was up with her, but the cane obviously wasn’t for show.

McCloskey had called the shack his office, but I’d seen chicken coops built sturdier. We were never supposed to go inside, and besides, the door was locked. The mysterious woman took something from an inner pocket of her coat—a thin, bent piece of wire—and went to work on the padlock. After a minute of fumbling, I piped up, “You need to go at it from the bottom.”

“How do you mean?”

I took the wire out of her hand and had the job done in ten seconds flat. I’d picked harder locks blindfolded. Literally.

“You should get yourself some real picks if you’re going to do this kind of thing regular,” I told her.

In all the years after, I only ever saw her smile about three dozen times. She graced me with one then.

“I’ll keep that in mind,” she said.

The inside of the shack matched the outside. Dirty and jerry-built. There was a desk fashioned out of a couple discarded boards and some sawhorses. Papers were scattered haphazardly across it. On it were also a lantern and an army-issue wind-up phone that someone had rigged so McCloskey could make calls without leaving to find a pay phone. The rest of the space was taken up by a narrow cot and a pile of dirty rags that on second glance were clothes.

My companion lit the lantern. The addition of light didn’t do the cramped room any favors. I’ve seen monkey cages less filthy.

“Describe Mr. McCloskey,” she said, fixing me with eyes the gray-blue of a winter sky.

“I don’t know. Forty or so. Average, I guess.”

She gave me a look I have come to refer to as her disappointed schoolmarm. “Average doesn’t exist. Not when it comes to human beings. And don’t guess unless circumstances force you to.”

I was starting to regret not using the lead pipe.

“Okay,” I said with a bit of a sneer. “About a foot taller than me, so figure six feet, give or take. About two hundred pounds—a lot of it fat, but there’s some muscle under there. Like a roustabout who’s taken to the bottle. From the patches on his trousers, I’d say he has two sets of clothes, neither of them more than three bucks combined. He’s cheap but wants people to think he has flash.”

“What made you determine that?” she asked.

“From how much he’s paying me. Also, he wouldn’t spend two bits for a shave but dropped at least five for a gaff watch.”

“A gaff?”

“A fake, a phony.”

“How do you know it’s fake?”

“No way is this guy buying gold.”

There was something in her eyes then. The same look Mysterio got right before he sawed his lovely assistant in half.

“Do you have his phone number in case of emergencies?” she asked.

“Yeah, sure. But he said not to use it unless something’s really gone sideways.”

“Something has indeed gone sideways, Miss . . .”

“No Miss. Just Parker,” I told her. “Willowjean Parker. Everyone calls me Will.”

“Please call Mr. McCloskey, Will. Tell him there’s an intruder and she won’t leave. Tell him she’s asking about a gold watch.”

It was an easy call to make, since it was the truth. After I hung up, the woman—who still hadn’t introduced herself, and don’t think I wasn’t a little annoyed at that lapse in basic manners—asked me how he’d sounded.

I told her he’d sounded normal at first—sleep drugged and annoyed. But when I mentioned the watch, a thread of something like panic had come into his voice. He said he’d be right over and not to let this woman go anywhere in the meantime.

She gave a small, satisfied nod, then sat down on the cot, back straight, gloved hands holding her cane across her lap. She closed her eyes, calm as my great-aunt Ida praying in church. She reminded me of pictures of Okie wives I’d seen in issues of Life, a weatherworn face waiting patiently for the coming storm.

I thought about asking her what this was all about. Or at least her name. She had mine, after all. But I decided I didn’t want to give her the satisfaction. So I stood there and waited with her.

After ten minutes of silence she suddenly opened her eyes and said, “I think it would be best, Will, if you were to leave out the Eighth Avenue exit. There is a station house about twelve blocks south.”

“You want me to get the cops?”

“Ask them to call Lieutenant Nathan Lazenby. Tell them there’s been a murder and that Lillian Pentecost says to come at once. Unless they wish to read about it in the Times.”

I opened my mouth, but she flashed me a look that said it was no use arguing, so I dashed out and toward Eighth Avenue but stopped before I reached the gate.

Like I said, there’s no love lost between me and authority figures, especially those who carry guns and billy clubs and aren’t afraid to do some judicious clobbering of their own. Besides, what did this woman think would happen? I drop her name and a whole squad of dicks come running?

Lillian Pentecost. Who the hell did she think she was, anyway?

Instead, I quietly retraced my steps around the pit. Before I’d gotten back to the shack the shriek of old brakes on Forty-second Street announced McCloskey’s arrival.

I hurried to the rear of the rickety structure and crouched down. The walls were thin and I could hear everything. I figured that worked in reverse, so I kept still and quiet.

There was the sound of footsteps double-timing it across hard dirt, then of the door creaking opening.

“Hey. Who are you? Where’s the little carny?”

“I’ve sent Will away, Mr. McCloskey. I thought it best if we had this conversation in private.”

“What conversation? What’s the deal? Who are you?”

“I am Lillian Pentecost.” There was a little inhale there. Apparently he recognized the name and wasn’t too happy about it. “And the deal is that you are wearing a murdered man’s watch.”

“What are you talking about? That’s a lie. I bought this watch. From a guy at a bar. Twenty bucks, it cost.”

I shook my head. Apparently nobody’d taught him that adding too many details was the quickest way to foul a grift.

“The police will, of course, ask you which bar and the name of the man who supposedly sold you the watch and so forth and so on,” Ms. Pentecost said. “But I think we can dispense with that. If for no other reason than no one would sell a Patek Philippe for twenty dollars.”

“I don’t know a Patty Phillip from nothing. This guy said he was hard up. Needed the cash.” The whine that had crept into his voice advertised his guilt better than any Broadway marquee.

“Jonathan Markel was indeed in need of money, Mr. McCloskey. But not so badly as to barter with you.”

“Who’s Jonathan Markel?”

“The man you bludgeoned to death and from whose wrist you slipped that watch.”

“Lady, you’re crazy.”

“Debatable. I’ve been accused of rampant narcissism, hysteria, deviancy, and a variety of delusional psychoses. But the dirt covering the back of Mr. Markel’s suit coat was no delusion. Dirt that certainly did not come from the alley where his body was found. Nor were the grooves in his skull a delusion. Grooves that I feel confident will match the kind of lead pipe you instructed Will to employ on trespassers.”

Even through the wall of the shack, I could hear McCloskey breathing. Heavy and panicked.

As Ms. Pentecost continued, she developed a hitch in her voice. Like her words were catching on something in her throat. I started to wonder just how calm this woman really was.

“I would have come upon you sooner, but . . . ​it was not until yesterday that I was able to examine the clothes Mr. Markel . . . ​was wearing that night. This construction site is one of only a . . . ​handful between his club and the alley where he was found. Perhaps there was no initial malevolence. Perhaps . . . ​after an evening of drinking, Mr. Markel sought a private spot to relieve himself and slipped through the gap in your fence. Mistaking him for a thief, you . . . ​hit him. A little . . . ​too hard, perhaps? An accident?”

“Yeah. . . . ​Yeah, an accident.” It came out in a croaked whisper, like McCloskey was being squeezed. And the squeezer wasn’t finished.

Reviews

Winner of the 2021 Nero Award

“Bullets, blood, bodies, and belly-laughs: all the ingredients of a classic mystery novel. Stephen Spotswood hard-boils with the best of ‘em!”—Alan Bradley, bestselling author of the Flavia de Luce Mystery Series

"Fortune Favors the Dead
takes gritty 40s noir, shakes it up, gives it a charming twist, and serves it up with unforgettable style. My new favorite sleuthing duo are Pentecost and Parker, the spiritual sisters of Nero Wolfe and Archie Goodwin. An utterly brilliant debut!"—Deanna Raybourn, author of the Veronica Speedwell Mysteries

Witty. . . Humorous and fun [with] all the hallmarks of an Agatha Christie mystery, and there’s a delightful dose of noir thrown in for the more hardcore pulp fiction crowd, too. . . As mysterious and fun a caper as you will ever read, with plenty of misdirection and intrigue to keep you guessing. You don’t need a clairvoyant to realize this duo will be around for years to come.”—Bookpage *Starred Review*

"Spotswood's stellar debut puts a modern spin on the classic hard-boiled fiction... The deep and sensitive characterization of the two protagonists coupled with the rich description and tonally spot-on humor, makes this a novel to remember. Spotswood is definitely a writer to watch."—Publishers Weekly *Starred Review*
 
"One of the most rewarding and entertaining books I've read in years . . . Every page—nay, every paragraph—is rich and compelling. . . When it comes to male authors penning feminist issues that ring true and female characters who are fully realized and complex characters, Spotswood joins Terry Pratchett at the very top of the list. And if anyone’s the heir apparent to Phryne Fisher or Elementary’s Sherlock and Joan, it’s Parker and Pentecost. This is an adventure you’ll want to rave about to strangers on the streets. Personally, I’m already impatient for these ladies’ next case." Criminal Element
 
“A relentlessly entertaining romp through 1940’s New York City, and through the annals of mystery fiction, as well, with many sly nods to authors of the past and some invigorating reinventions of classic tropes and gambits. . . Spotswood’s style is swift and witty, and the mystery at the novel’s heart is a clever knot.”—CrimeReads

“Sparkles [with] wit and personality. . . Delightful. . . This mystery plot has all the twists and surprises a fan of the genre could ask for, but it is Will’s distinctive, captivating voice and background [that] is Spotswood’s real triumph. . . Gutsy Will, with her snappy, slangy narrative style, ultimately wins readers’ hearts and carries the day. This classic noir-style mystery recast with humor, female leads and superb style is both satisfying and great fun.” —Shelf Awareness

“Good news, mystery readers, your new favorite sleuthing duo has arrived on the scene! . . . Fortune Favors the Dead is a refreshing update to a classic Golden Age mystery, serving hard-boiled thrills and laugh-out-loud wit with charm and panache. A fantastic read!” Northen Virginia Magazine

“If you’ve been dying for a fresh take on the sleuth genre, this book delivers that and more. A mix of classic noir aesthetics and tropes with an inclusive twist, Fortune Favors the Dead is the kind of mystery series that will capture your imagination in new and fun ways, and have you desperate to get your hands on more.” —Get Literary

“Sparkles [with] wit and personality. . . Delightful. . . This mystery plot has all the twists and surprises a fan of the genre could ask for, but it is Will’s distinctive, captivating voice and background [that] is Spotswood’s real triumph. . . Gutsy Will, with her snappy, slangy narrative style, ultimately wins readers’ hearts and carries the day. This classic noir-style mystery recast with humor, female leads and superb style is both satisfying and great fun.”—Shelf Awareness

“Will keep readers engaged from start to finish. . . [Pentecost is] reminiscent of Agatha Christie's Miss Marple. . . A fun whodunit. . . Perfect for a cozy weekend read.”—Library Journal

“A fast-paced, lightweight, and engaging whodunit. . . Satisfying. . . Fun.”—Historical Novel Review

“An intriguing locked-room mystery that will keep readers guessing until the very end. . . Spotswood is fantastic at writing strong female characters. . . Fortune Favors the Dead is a fast-paced, smart murder mystery with a focus on strong women. . . A wonderful debut.”—Bookbrowse.com

“A sprightly period debut. . . [A] provocative gender-flipping of Nero Wolfe and Archie Goodwin.”Kirkus Reviews

Author

© Daniel Corey
STEPHEN SPOTSWOOD is an award-winning playwright, journalist, and educator. As a journalist, he has spent much of the last two decades writing about the aftermath of the wars in Iraq and Afghanistan and the struggles of wounded veterans. His dramatic work has been widely produced across the United States, and he is the winner of the 2021 Nero Award for best American mystery. He makes his home in Washington, DC with his wife, young adult author Jessica Spotswood. View titles by Stephen Spotswood