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The Sane One

A Memoir by the Co-creator of Pen15

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NATIONAL BESTSELLER • In a coming-of-age memoir that’s “equal parts hysterical and moving” (Marie Claire), the co-creator of Hulu’s brilliant Pen15 grapples with the reappearance of her estranged father—and whether it’s possible to reconnect before it’s too late.

“Anna Konkle is generous enough to bring her comic sensibilities to a story that could have well have been a tragedy. She speaks for all the ‘sane ones’ out there who never agreed to play that part.”—Amy Sedaris

Throughout Anna Konkle’s childhood, her father was her hero—a hyper-charismatic, larger-than-life human resource manager at 7-Eleven. But their closeness was constantly interrupted by the screaming matches and heavy silences between him and her mother, eventually culminating in a bitter divorce that literally split the family house down the middle, with one parent on each side.

College felt like freedom, and Anna filled her time searching for the husband she’d never divorce and the orgasm she’d never had, while waiting tables at fancy restaurants and getting lackluster acting gigs, the strangest of which had her working celebrity Halloween parties. But just as she begins to thrive, her father starts to struggle. Not long after she moves to LA to pursue acting and writing, her dad’s increasingly erratic behavior forces her to cut off contact with him, until, years later, he knocks at her door.

Written in intimately beautiful prose, The Sane One is a tragicomic memoir of growing up, falling apart, getting older, and trying to come back together while there’s still time.
Chapter One

The doorbell rings again. I’d invited him here.

Alex, my partner of six years, comes out from the bedroom as though the bell has only just rung, and I guess it has, but it seems forever ago. I’m sitting in a brown leather chair, my chest stuttering, knocking at me to leave. Our dog noses the doorjamb and I peer over at my boyfriend like a child before the nurse comes back with a needle.

“I really need you,” I mouth.

Alex squeezes some part of my body. Suddenly I’m up, pressing the lever of our front door with my thumb. I’m letting him in. Because I invited him here, I repeat to myself.

On the other side of the door is a man who has my same hair, cheeks, and nose, and who I haven’t seen for five years. He has loved me since I was only an idea of me. We’d stare at thunderstorms together, catch fish together, and when he ate a cookie, I’d watch him tap it against his teeth after each bite, dislodging every crumb so it landed on his tongue instead of the floor. I idolized him for the small things—­for his nightly snack of cheese and apples before a bowl of ice cream, for the mousse he combed into his blond hair while he drove and half sarcastically said into the rearview, “Damn I’m good-­looking.” For our trips to the mall to buy me five-­dollar shirts from that tacky store with the loud music, for the mornings he blasted Van Morrison while vacuuming our house, for the wood he turned into sloping lamps, and for the puppet he brought to life every night in my room to say “Sleep well,” knowing that when he left, the dark would be nicer for me because our puppet would stay.

We stand inches apart, a wooden door and a screen between us.

Maybe if I freeze long enough, he’ll have to turn around and board the plane back to Florida. Then everything stays the same, never having seen each other. That could be our reality if I want it to be. But to not open the door when someone knocks would not be normal. And I always keep track of normal. What would anyone do who is not me?

Do that.

Okay.

You sure?

No!

Alex looks at me like, This is getting weird now, open the door? Again, it rings. I adjust my turtleneck and baggy pants and take a final look around the house. Do we look like we have too much money? Will he be angry for the simple fact that our apartment is bigger? Can he feel me standing inches away?

I open it.

“Hi, Dad.”

“Hi, Anna.” He rarely said my name.

“It’s been so long.”

“Yeah.”

“Come in,” and he begins to but the door catches on the corner of my rug. “Whoops, sorry. The corner guy. Not the guy—­the corner. Whatever.”

He looks at me, worried but dressed nicer than I thought he would be, a crisp white shirt tucked into dark jeans. We hug but I’m not sure if I want to.

“Dad this is Alex. Alex, Dad. His real name’s James but everyone calls him Peter.”

“Or Mr. Konkle?” Alex asks.

“Nope, call me Peter.” Dad’s voice, already strikingly low, goes a few notes deeper on his own name. A male peacock showing hidden feathers.

Alex looks nervous. “I’ve heard a lot about you, Peter. Nice to meet you.”

We all sit.

Dad’s eyes go to the floor, to Alex, back to the floor, back to Alex. I can almost see him imagining the tales my boyfriend’s heard about him and Dad looks scared. Right around the time we started dating, my relationship with my father disintegrated. Totally. I wonder if Dad thinks our distance could be Alex’s influence, which it wasn’t. Or maybe he’s just upset I have a boyfriend at all. Somehow a betrayal. He hadn’t liked any boyfriend in the past.

There’s nothing for anyone to say for maybe twenty-­five seconds but it feels like a full minute and a little man parades around the room with a mallet and drum, singsonging “You have nothing to talk a-­bout! You have nothing to talk a-­bout! You’ve already run out of things to talk a-­bout!”

“The test,” I say, finally. “That’s tomorrow?”

“That’s tomorrow, yup, yup,” he answers.

“And you came for just like, one night for that? I mean—­”

“Two nights, yeah.”

“I meant two. I meant two. I misspoke.”

He nods, chin bobbing like a professional. “Needed a day to see you, and one to take the test. Plus it’s very early in the morning, so a single night wasn’t an option. It worked out.”

“Good flight?” Alex adds.

“Shitload of turbulence,” and my dad inhales the last of his words, throwing his body onto the ground in the shape of a U, lungs all scrunched for a second, before sprawling flat onto his back next to our dog.

“Awschhhw good boy. Awschhhw good boy.” Dad is repeating compliments in the tone of a Muppet. “Your breaf shtinks but you sure got a shweet shoul. Is it George?”

“Yeah, George,” I say laughing.

On cue, he licks my father on the neck, eye, cheek, and back of the head.

Dad had always been crazy about cleanliness, with a sole exception for animal residue.

“We looked for the whole year before we found him at Pasadena Humane Society,” Alex says, adding, “Do you have an animal, Peter?”

“Uh, no—­not practical for me right now.”

“Why. We always had cats growing up. You love them and you’re retired now so why not.” None of these are questions. Just go back to being the guy who had cats.

“No. I—­uh, no. My volunteering at the animal shelter every week fills the cuddling quota, the, the pussy quota—­”

Alex laughs, surprised.

I’m serious. “That’s nice that you volunteer.” My dad coughs. “And the scan—­ You said this is the only one in the country?”

“The, uh—­?” He seems uncomfortable that I’m bringing it back up. Health talks with him were always hard. I try again, tactically cheerful this time, “The test, yeah!”

“Uh, that’s what they said, seems hard to believe that it’s the only one. But yeah. Three thousand bucks, this thing costs. Christ. If it saves my life, it’s worth it.” All of our eyeballs move a little. After a few seconds he goes on, “I really, really don’t want to get claustrophobic. I do not like small spaces.”

“I know, Dad. But the music they play in the machine helps,” I say, assuming an old role.

He nods, comforted. Dad was always most at ease with the animals or the kids. At a party, he’d crack a joke to the grown-­ups and then find us.

For a moment, I try seeing him that way once again. “Just imagine you’re canoeing on a lake tomorrow, Dad.”

“That’s a great idea, sweetie. When I’m inside, picture being on water.” And he chuckles, like it’s a super clever thing to say.

Everything’s nice for a second. Maybe Dad’s best when he feels taken care of.

The restaurant’s a nice spot, just five minutes from our apartment. I hate thinking about it though. I’m not sure why. Maybe because this feels like the eye of the storm: after the estrangement, before whatever comes next. From his vantage point, maybe I look fine, but I’m not. Maybe I look like I have my shit together. I don’t. My life has largely been an exhausting pursuit of the opposite of what my parents put together. I have a long-­term relationship. Pet. House. Financial freedom. A career I don’t hate. Alex and I can afford ordering from a restaurant without looking at the price. And we round our tips up instead of down to the eighteen-­percent penny on the back side of receipts.

This pulses through my brain while I browse the menu and work to push away my worry. It’s made easier with the help of a new word I’ve become aware of through my therapist: boundaries. Just because he may or may not be jealous doesn’t mean I should feel guilty. I know that between his intelligence and talent, Dad believes he should have ended up a CEO, a millionaire, not an ex-­hippie turned human resource manager for 7-­Eleven. Yet for all his years there, he never even made it to regional manager, a real misstep by his boss, Steve. And we’d liked Steve! Dad always considered him more friend than superior, despite Steve’s shortcomings. But the promotion never came. When I was ten years old, I’d asked how his friend-­boss could let him down like that.

“Good f***ing question. Steve, I supported Steve.”
“Konkle is generous enough to bring her comic sensibilities to a story that could have well have been a tragedy. She speaks for all the ‘sane ones’ out there who never agreed to play that part. It’s insane how much I enjoyed it. Brava, Anna Konkle!”—Amy Sedaris

“Essential reading.”TheSkimm

“Pen15 fans, rise up! . . . The Sane One continues the same candid and heartfelt tone that Pen15 fans might recognize from the show. This time, Konkle applies that approach to recollections from her childhood, including remembrances of her parents’ divorce, and her journey to becoming a working actress.”—Harper’s Bazaar

“Anna Konkle perfectly captures the awkwardness and drilled-down truth of emerging from the tumult of a stressful childhood to see and embrace your family just as they are. It’s frank and funny and questioning and generous and heartbreaking all at once, without ever compromising her own nuanced truth.”—Gabrielle Hamilton, author of Next of Kin

“I loved this hilarious and harrowing memoir by the brilliant Anna Konkle. Konkle’s writing superpower—familiar to all of us who loved Pen15—is her uncanny ability to vividly channel the inner lives of children with unflinching honesty and humor. Her book is an utterly transporting coming-of-age story that will remind you how each age actually, truly felt, in all its horror, messiness, and beauty.”—Simon Rich, author of Ant Farm

“Anna Konkle brings her extraordinary gift for conveying childhood's agonies and ecstasies to this poignant family memoir—at once a powerful portrait of the brilliant millennial artist and a nuanced account of reckoning with, and eventually making peace with, flawed parents.”—Ada Calhoun, the New York Times-bestselling author of Also a Poet

“Anna Konkle has an uncanny ability to channel the past and those who inhabit it, maybe from her brilliant work in television, or maybe from growing up in a small town from which few escape unscathed. Funny and heartbreaking, her story is not a rewriting of the past but a hard-earned acceptance of it.”—Nick Flynn, author of Another Bullshit Night in Suck City

“Along with Maya Erskine, we have Konkle to thank for Pen15—the best television show in recent history/apex nostalgia object for elder millennials. If [Anna's] rollicking and vulnerable screenwriting voice is anything to go by, this true tale of tricky wonder years should be a hilarious shot to the heart.”Literary Hub

“Elegant prose, laugh-out-loud dialogue, and a tender heart make this a delight even for readers unfamiliar with Konkle’s TV work.”Publishers Weekly, starred review

“Konkle offers a rare picture of just-in-time forgiveness. A moving companion to a binge-watch of PEN15, as well as an inspiration for healing.”—Kirkus Reviews

“Konkle turns the unique aspects of her childhood, adolescence, and adulthood into the universal, using humor to convey existential questions about what ‘normal’ really means and how we can find—or create—it. . . . A powerful piece.”—Booklist

“The Sane One is as much about surviving the unbearable awkwardness of adolescence as it is about finally seeing your parents for who they are—and recognizing that loving them doesn’t mean being their savior.”—BookPage
© Sela Shiloni 
Anna Konkle is the co-creator and co-star of the critically acclaimed Hulu series Pen15. The series won the Gotham Award for Breakthrough Series and was nominated for four primetime Emmys, three WGA Awards, and three Critics Choice Awards. Time recognized Pen15 as one of 12 Exciting New TV Shows created by women. Konkle has been named one of Variety’s 10 Comics To Watch, as well as one of Hollywood's 50 Most Powerful TV Showrunners by the Hollywood Reporter. Originally from the East Coast, Konkle is a graduate of NYU's Tisch School of the Arts. View titles by Anna Konkle

About

NATIONAL BESTSELLER • In a coming-of-age memoir that’s “equal parts hysterical and moving” (Marie Claire), the co-creator of Hulu’s brilliant Pen15 grapples with the reappearance of her estranged father—and whether it’s possible to reconnect before it’s too late.

“Anna Konkle is generous enough to bring her comic sensibilities to a story that could have well have been a tragedy. She speaks for all the ‘sane ones’ out there who never agreed to play that part.”—Amy Sedaris

Throughout Anna Konkle’s childhood, her father was her hero—a hyper-charismatic, larger-than-life human resource manager at 7-Eleven. But their closeness was constantly interrupted by the screaming matches and heavy silences between him and her mother, eventually culminating in a bitter divorce that literally split the family house down the middle, with one parent on each side.

College felt like freedom, and Anna filled her time searching for the husband she’d never divorce and the orgasm she’d never had, while waiting tables at fancy restaurants and getting lackluster acting gigs, the strangest of which had her working celebrity Halloween parties. But just as she begins to thrive, her father starts to struggle. Not long after she moves to LA to pursue acting and writing, her dad’s increasingly erratic behavior forces her to cut off contact with him, until, years later, he knocks at her door.

Written in intimately beautiful prose, The Sane One is a tragicomic memoir of growing up, falling apart, getting older, and trying to come back together while there’s still time.

Excerpt

Chapter One

The doorbell rings again. I’d invited him here.

Alex, my partner of six years, comes out from the bedroom as though the bell has only just rung, and I guess it has, but it seems forever ago. I’m sitting in a brown leather chair, my chest stuttering, knocking at me to leave. Our dog noses the doorjamb and I peer over at my boyfriend like a child before the nurse comes back with a needle.

“I really need you,” I mouth.

Alex squeezes some part of my body. Suddenly I’m up, pressing the lever of our front door with my thumb. I’m letting him in. Because I invited him here, I repeat to myself.

On the other side of the door is a man who has my same hair, cheeks, and nose, and who I haven’t seen for five years. He has loved me since I was only an idea of me. We’d stare at thunderstorms together, catch fish together, and when he ate a cookie, I’d watch him tap it against his teeth after each bite, dislodging every crumb so it landed on his tongue instead of the floor. I idolized him for the small things—­for his nightly snack of cheese and apples before a bowl of ice cream, for the mousse he combed into his blond hair while he drove and half sarcastically said into the rearview, “Damn I’m good-­looking.” For our trips to the mall to buy me five-­dollar shirts from that tacky store with the loud music, for the mornings he blasted Van Morrison while vacuuming our house, for the wood he turned into sloping lamps, and for the puppet he brought to life every night in my room to say “Sleep well,” knowing that when he left, the dark would be nicer for me because our puppet would stay.

We stand inches apart, a wooden door and a screen between us.

Maybe if I freeze long enough, he’ll have to turn around and board the plane back to Florida. Then everything stays the same, never having seen each other. That could be our reality if I want it to be. But to not open the door when someone knocks would not be normal. And I always keep track of normal. What would anyone do who is not me?

Do that.

Okay.

You sure?

No!

Alex looks at me like, This is getting weird now, open the door? Again, it rings. I adjust my turtleneck and baggy pants and take a final look around the house. Do we look like we have too much money? Will he be angry for the simple fact that our apartment is bigger? Can he feel me standing inches away?

I open it.

“Hi, Dad.”

“Hi, Anna.” He rarely said my name.

“It’s been so long.”

“Yeah.”

“Come in,” and he begins to but the door catches on the corner of my rug. “Whoops, sorry. The corner guy. Not the guy—­the corner. Whatever.”

He looks at me, worried but dressed nicer than I thought he would be, a crisp white shirt tucked into dark jeans. We hug but I’m not sure if I want to.

“Dad this is Alex. Alex, Dad. His real name’s James but everyone calls him Peter.”

“Or Mr. Konkle?” Alex asks.

“Nope, call me Peter.” Dad’s voice, already strikingly low, goes a few notes deeper on his own name. A male peacock showing hidden feathers.

Alex looks nervous. “I’ve heard a lot about you, Peter. Nice to meet you.”

We all sit.

Dad’s eyes go to the floor, to Alex, back to the floor, back to Alex. I can almost see him imagining the tales my boyfriend’s heard about him and Dad looks scared. Right around the time we started dating, my relationship with my father disintegrated. Totally. I wonder if Dad thinks our distance could be Alex’s influence, which it wasn’t. Or maybe he’s just upset I have a boyfriend at all. Somehow a betrayal. He hadn’t liked any boyfriend in the past.

There’s nothing for anyone to say for maybe twenty-­five seconds but it feels like a full minute and a little man parades around the room with a mallet and drum, singsonging “You have nothing to talk a-­bout! You have nothing to talk a-­bout! You’ve already run out of things to talk a-­bout!”

“The test,” I say, finally. “That’s tomorrow?”

“That’s tomorrow, yup, yup,” he answers.

“And you came for just like, one night for that? I mean—­”

“Two nights, yeah.”

“I meant two. I meant two. I misspoke.”

He nods, chin bobbing like a professional. “Needed a day to see you, and one to take the test. Plus it’s very early in the morning, so a single night wasn’t an option. It worked out.”

“Good flight?” Alex adds.

“Shitload of turbulence,” and my dad inhales the last of his words, throwing his body onto the ground in the shape of a U, lungs all scrunched for a second, before sprawling flat onto his back next to our dog.

“Awschhhw good boy. Awschhhw good boy.” Dad is repeating compliments in the tone of a Muppet. “Your breaf shtinks but you sure got a shweet shoul. Is it George?”

“Yeah, George,” I say laughing.

On cue, he licks my father on the neck, eye, cheek, and back of the head.

Dad had always been crazy about cleanliness, with a sole exception for animal residue.

“We looked for the whole year before we found him at Pasadena Humane Society,” Alex says, adding, “Do you have an animal, Peter?”

“Uh, no—­not practical for me right now.”

“Why. We always had cats growing up. You love them and you’re retired now so why not.” None of these are questions. Just go back to being the guy who had cats.

“No. I—­uh, no. My volunteering at the animal shelter every week fills the cuddling quota, the, the pussy quota—­”

Alex laughs, surprised.

I’m serious. “That’s nice that you volunteer.” My dad coughs. “And the scan—­ You said this is the only one in the country?”

“The, uh—­?” He seems uncomfortable that I’m bringing it back up. Health talks with him were always hard. I try again, tactically cheerful this time, “The test, yeah!”

“Uh, that’s what they said, seems hard to believe that it’s the only one. But yeah. Three thousand bucks, this thing costs. Christ. If it saves my life, it’s worth it.” All of our eyeballs move a little. After a few seconds he goes on, “I really, really don’t want to get claustrophobic. I do not like small spaces.”

“I know, Dad. But the music they play in the machine helps,” I say, assuming an old role.

He nods, comforted. Dad was always most at ease with the animals or the kids. At a party, he’d crack a joke to the grown-­ups and then find us.

For a moment, I try seeing him that way once again. “Just imagine you’re canoeing on a lake tomorrow, Dad.”

“That’s a great idea, sweetie. When I’m inside, picture being on water.” And he chuckles, like it’s a super clever thing to say.

Everything’s nice for a second. Maybe Dad’s best when he feels taken care of.

The restaurant’s a nice spot, just five minutes from our apartment. I hate thinking about it though. I’m not sure why. Maybe because this feels like the eye of the storm: after the estrangement, before whatever comes next. From his vantage point, maybe I look fine, but I’m not. Maybe I look like I have my shit together. I don’t. My life has largely been an exhausting pursuit of the opposite of what my parents put together. I have a long-­term relationship. Pet. House. Financial freedom. A career I don’t hate. Alex and I can afford ordering from a restaurant without looking at the price. And we round our tips up instead of down to the eighteen-­percent penny on the back side of receipts.

This pulses through my brain while I browse the menu and work to push away my worry. It’s made easier with the help of a new word I’ve become aware of through my therapist: boundaries. Just because he may or may not be jealous doesn’t mean I should feel guilty. I know that between his intelligence and talent, Dad believes he should have ended up a CEO, a millionaire, not an ex-­hippie turned human resource manager for 7-­Eleven. Yet for all his years there, he never even made it to regional manager, a real misstep by his boss, Steve. And we’d liked Steve! Dad always considered him more friend than superior, despite Steve’s shortcomings. But the promotion never came. When I was ten years old, I’d asked how his friend-­boss could let him down like that.

“Good f***ing question. Steve, I supported Steve.”

Reviews

“Konkle is generous enough to bring her comic sensibilities to a story that could have well have been a tragedy. She speaks for all the ‘sane ones’ out there who never agreed to play that part. It’s insane how much I enjoyed it. Brava, Anna Konkle!”—Amy Sedaris

“Essential reading.”TheSkimm

“Pen15 fans, rise up! . . . The Sane One continues the same candid and heartfelt tone that Pen15 fans might recognize from the show. This time, Konkle applies that approach to recollections from her childhood, including remembrances of her parents’ divorce, and her journey to becoming a working actress.”—Harper’s Bazaar

“Anna Konkle perfectly captures the awkwardness and drilled-down truth of emerging from the tumult of a stressful childhood to see and embrace your family just as they are. It’s frank and funny and questioning and generous and heartbreaking all at once, without ever compromising her own nuanced truth.”—Gabrielle Hamilton, author of Next of Kin

“I loved this hilarious and harrowing memoir by the brilliant Anna Konkle. Konkle’s writing superpower—familiar to all of us who loved Pen15—is her uncanny ability to vividly channel the inner lives of children with unflinching honesty and humor. Her book is an utterly transporting coming-of-age story that will remind you how each age actually, truly felt, in all its horror, messiness, and beauty.”—Simon Rich, author of Ant Farm

“Anna Konkle brings her extraordinary gift for conveying childhood's agonies and ecstasies to this poignant family memoir—at once a powerful portrait of the brilliant millennial artist and a nuanced account of reckoning with, and eventually making peace with, flawed parents.”—Ada Calhoun, the New York Times-bestselling author of Also a Poet

“Anna Konkle has an uncanny ability to channel the past and those who inhabit it, maybe from her brilliant work in television, or maybe from growing up in a small town from which few escape unscathed. Funny and heartbreaking, her story is not a rewriting of the past but a hard-earned acceptance of it.”—Nick Flynn, author of Another Bullshit Night in Suck City

“Along with Maya Erskine, we have Konkle to thank for Pen15—the best television show in recent history/apex nostalgia object for elder millennials. If [Anna's] rollicking and vulnerable screenwriting voice is anything to go by, this true tale of tricky wonder years should be a hilarious shot to the heart.”Literary Hub

“Elegant prose, laugh-out-loud dialogue, and a tender heart make this a delight even for readers unfamiliar with Konkle’s TV work.”Publishers Weekly, starred review

“Konkle offers a rare picture of just-in-time forgiveness. A moving companion to a binge-watch of PEN15, as well as an inspiration for healing.”—Kirkus Reviews

“Konkle turns the unique aspects of her childhood, adolescence, and adulthood into the universal, using humor to convey existential questions about what ‘normal’ really means and how we can find—or create—it. . . . A powerful piece.”—Booklist

“The Sane One is as much about surviving the unbearable awkwardness of adolescence as it is about finally seeing your parents for who they are—and recognizing that loving them doesn’t mean being their savior.”—BookPage

Author

© Sela Shiloni 
Anna Konkle is the co-creator and co-star of the critically acclaimed Hulu series Pen15. The series won the Gotham Award for Breakthrough Series and was nominated for four primetime Emmys, three WGA Awards, and three Critics Choice Awards. Time recognized Pen15 as one of 12 Exciting New TV Shows created by women. Konkle has been named one of Variety’s 10 Comics To Watch, as well as one of Hollywood's 50 Most Powerful TV Showrunners by the Hollywood Reporter. Originally from the East Coast, Konkle is a graduate of NYU's Tisch School of the Arts. View titles by Anna Konkle
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