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Azar on Fire

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Finding her voice takes on a whole new meaning when fourteen-year-old Azar Rossi sets out to win her local Battle of the Bands contest in this heartfelt and hilarious contemporary YA.

Fourteen-year-old Azar Rossi’s first year of high school has mostly been silent, and intentionally so. After a bad case of colic as a baby, Azar’s vocal folds are shredded—full of nodules that give her a rasp the envy of a chain-smoking bullfrog. Her classmates might just think she’s quiet, but Azar is saving her voice for when it really counts and talking to her classmates is not medically advisable or even high on her list.

When she hears about a local Battle of the Bands contest, it’s something she can’t resist. Azar loves music, loves songwriting, but with her vocal folds the way they are, there's no way she can sing her songs on stage.
 
Then she hears lacrosse hottie, Ebenezer Lloyd Hollins the Fifth, aka Eben, singing from the locker room. She’s transfixed. He's just the person she needs. His voice + her lyrics = Battle of the Bands magic. But getting a band together means Azar has a lot of talking to do and new friends to make. For the chance to stand on stage with Eben it might all just be worth it.
APOLOGIES IN ADVANCE

You're probably wondering why the book you’re holding in your hands is full of such underwhelming garbage. I know. I feel the same way. When Dad gave me this fancy notebook for Christmas and said it was to share my lyrics with the world, I thought he was joking. Why would I share my lyrics? There’s already enough pain and suffering on this planet.

“Azar, I see you writing down songs on all these little scraps of paper. It’s time your words had a home. Even if you can’t sing them out loud, you should still keep them.” And then he pretended to strum his air guitar, and Nonna smacked him upside the head with a wooden spoon and told him to serve dessert, even though we were all stuffed and could barely eat a sesame seed. But you don’t mess with Italian grandmothers from Jersey, especially during the Feast of the Seven Fishes.

I’m back with Mom in Virginia now, but I still have this stupid book. It’s bound in leather, and it has a ribbon to keep track of where you are in your miserable ramblings. It’s even in my favorite color: lime green. Aha! Did you see that? This book is trying to seduce me. Shut up, stupid book. Even your lime-green ways can’t bewitch me now.

Little Green Book
Wants to open me up
Swallow me whole
Make me feel like a chump
Little Green Book
Trying to lull me to sleep
Take a peek at my dreams
Steal them out from under me
Little Green Book
Trying to crack my spine
Share my songs with the world
But these songs are mine.

Nice try, Moleskine.

You lose.


BACK 2 SKEWL

Another semester. Another five months of talking to nobody, hiding in the band room for lunch, and never raising my hand in class. I am in a prison of my body’s own making.

Worse: I am out of Pop-Tarts.

Just then, Mom sticks her head into my room, her brown curls a ball of positive energy and argan oil. “Azar, I made kale chips for your lunch today!” She pronounces it Aw-zár, the traditional Iranian way of saying it.

Did I mention I’m in hell?

As if spending Xmas talking to no one but my family wasn’t humbling enough, I now have to be reintroduced to the public, where people can tell I have no friends, much less a life.

“Azar? I made some tahini dipping sauce, too!”

I am going to die alone.

***

The kitchen reeks of the yerba mate Mom always preps for her drive to DC. It tastes like oregano gone bad. Mom says it is an indigenous plant grown in the north of Argentina, where her dad, my abuelo, is from. I think she secretly just likes it because it requires being sipped from a traditional gourd.

“Good morning, Azar,” she says formally. I give her a look like, Do I have to? and she nods gravely. I clear my throat.

“Good morning, Mother.” The words come out scratchy and warbly, like I tried to step on each note with a roller skate and they just slid out from under me. They’re the first words I’ve spoken today, and Mom does not look impressed.

“Did you stay up late again? Your voice sounds worse than yesterday!” She says this accusingly, as if I have committed homicide—or worse, stayed up past my bedtime. Which is nine p.m. Which of course I blew right past, throwing a towel under my door so she couldn’t see the light from my laptop as I uploaded more stuff to SoundCloud.

“Mom,” I begin to lie, my voice even, just the way Ms. Davolio, my speech pathologist, taught me. “I went to bed at nine p.m., after we watched Up in the Air.

Because we have no lives, I almost add. But don’t.

She shakes her head, gold hoops swinging. “Maybe we need to start quiet time earlier, like eight p.m., just to be safe.”

I sigh. Sure. Add it to my tab of misery.

“You’re right,” Mom says, even though I didn’t say anything. We’ve got our nonverbal cues down to a science at this point. “One thing at a time. Get dressed and shower—I’ll give you a ride to school.”

I wordlessly trudge back to my lair.

“And don’t forget to gargle!” she calls out.

The second I close my door, I grab my acoustic guitar, the one Dad got me a couple years ago when my throat infections started ramping up. Instruments are about the only thing Mom lets Dad buy for me, besides making deposits to my college fund. She’s too proud to ask for anything else. I’ve also got an electric drum kit with pads that connect to my computer, a keyboard, a ukulele, plus I can borrow instruments from school during lunch break. The guitar needs to be tuned, but I strum the chords anyway, singing lyrics in my head.

Azar, gargle with salt water
And wear something that has color.
I’ll give you a ride to school
If you become a better daughter.
Don’t burn the toast.
You had one job!
To not burn the toast!
And now I’m late for wooOoorrrrrk.

“Azar, are you getting dressed?” Mom demands through my thin bedroom wall. I can hear her blasting reggaeton through her tinny phone speakers in the kitchen, singing along to every word. I switch to a minor chord, the song going from light and fun to dark and dreary.

“AZAR!” Mom shouts. “Did you hear me?”

I get out my phone.

Azar Rossi 6:28 a.m.: yes, mother. i heard you.

Mom 6:28 a.m.: Then why aren’t you in the shower!

Azar Rossi 6:29 a.m.: yes sir captain sir.

Mom 6:29 a.m.: And don’t call me Mother!

The saltwater gargle tastes disgusting, but the steam from the shower feels good on my throat. It’s way more soothing than the humidifier I run on my nightstand. I feel like one of those beached whales that people keep dumping water over to keep them moist.

The hot water runs out in three minutes, which is normal for our crummy apartment building. A sullen girl stares back at me in the bathroom mirror, her mouth a flat line with freckles spilled randomly across her face. She really, really does not want to return to school after winter break.

I don my jeans, T-shirt, and a bright orange sweater Mom got me for Xmas that she says “makes me more approachable.” It feels weird not wearing black.

“You’re killing me, Z. We’re gonna be late,” Mom says, popping her head into my room. There is no such thing as privacy in this apartment.

I reach for a black sweater, threatening to put it on instead. “I’ll do it. I’ll even put on black lipstick.”

Mom groans in frustration (which is really bad for your throat) and heads back to the kitchen, where she is no doubt making me hummus from scratch and grilling tofu for my lunch sandwich.

We don’t have a real dining room or kitchen table. I plop into a chair under the counter that serves as our eating space. But when I reach for the orange juice, Mom slides it away from me.

“You know what Dr. Talbot said. Orange juice and acidic foods make your vocal nodules worse.”

“Dr. Talbot buys sushi from the gas station. Should we really be trusting his judgment?” I growl. My voice sounds like the lowest gear on a bicycle, unable to switch up to something faster and more fluid.

Mom just stares me down.

“Fine.” I grit my teeth.

She slides a cup of tea over instead, and I shiver like someone has cracked an egg on my head, already dreading my breakfast. The tea is called Throat Soothe, and it tastes like marshmallows made from dirt. I take a sip, the hot drink comforting my esophagus despite filling my nose with notes of licorice, mud, and something called slippery elm.

“Can I have some pancakes? With extra whipped cream?” I whine, wishing my voice didn’t sound so husky. Without my secret stash of Pop-Tarts, I’m at my mom’s organic, free-range mercy. I’m a growing teen. Teens need gluten and preservatives, and that fake maple syrup stuff. It’s our birthright.

She just gives me another look and slams a bowl of yogurt with strawberries and honey in front of me instead. Every week, she makes yogurt from scratch in a big metal pot and covers it with a towel, like my maman bozorg taught her. I stare at the yogurt miserably. Yogurt’s supposed to be really good for your throat health. But it tastes the opposite of pancakes.

“I bet Adele eats the same thing for breakfast,” she says, scrambling to get ready. “She had to cancel a couple concerts last year because she was losing her voice, so you two are in the same boat.”

Yes, because Adele being on “vocal rest” from selling out arenas and me having vocal nodules on my throat since I was a baby are the same thing. Mom is the type of person to call a paper cut “a deep exfoliation!” and a debilitating vocal condition “an opportunity for different communication!”

“Her strawberries are served to her individually as models fan her with palm fronds,” I point out, my throat slowly warming up. “On a private jet.”

Mom sniffs, straightening her button-down business-casual shirt. Even in a plain outfit, she looks beautiful, with bright brown eyes and glowing skin. Her left hand threatens me with a spoonful of raw clover honey. “This is homemade yogurt, thank you very much.”

“What a thrilling life you lead.”

“Less talking. More eating,” she barks, now looking in our small kitchen mirror and lining her eyes with the thick kohl she uses on her gargantuan Persian eyelids. I try not to gag as she circles her entire eyeball, even the part of the eye that’s on the bottom, right by the waterline.

After taking two bites, I moan, “Can we go now?” Not that I’m super eager to get to school. But being around Mom in this cramped kitchen reminds me that my throat’s messed up, while my classmates just think I’m quiet.

There’s a difference.
Praise for Azar on Fire:

“[A] positive story, with distinctive and hilarious first-person narration, of literally finding one’s voice. . . A poignant, engaging, and affirming novel.” —Kirkus Reviews

Praise for Perfectly Parvin:
A 2023 Sequoyah Book Award Nominee (OK)
A 2022 Golden Kite Honor Award Winner

A 2022–2023 Georgia Peach Book Award Nominee
A 2022 YALSA Best Fiction for Young Adults Pick

A 2022 ALA Rise: A Feminist Book Project List Pick

A 2021 New York Public Library Best Book Pick
A 2021 Chicago Public Library Best Book Pick
A 2021 BuzzFeed Best Young Adult Pick

A Book Riot Must Read YA Romance Pick


“Abtahi writes a touching contemporary that's hilariously heartfelt about one girl's journey to self-discovery.” —BuzzFeed

★ “Abtahi deftly navigates Parvin's transitional life phase, equipping her with enough humor and moxie to see her through even the toughest challenges . . . A joyful celebration of the right to take up space in the world.” —Bookliststarred review

★ “Abtahi’s charming debut will have readers cheering for Parvin. . . an incredibly charming, funny, and lovable protagonist who greets life with unbridled enthusiasm . . . as she navigates her two cultures with vim. . . A truly delightful story about a charming and engaging teen navigating freshman year.” —School Library Journalstarred review

“Parvin’s narratorial voice sparkles with wit and pathos, and her journey toward self-acceptance seamlessly incorporates political and emotional realities. . . A diverse, fast-paced, feminist romance.” —Kirkus Reviews

“The fast-paced writing, wonderfully diverse cast, and very realistic and age-appropriate thoughts, choices, and realizations make this a solid read. Smart, funny, and full of heart.” —Teen Librarian Toolbox

Authentic and organically hilarious. . . A fresh, charming standout.”—YALSA
 
“At its heart, this breezy YA title is about trying to find love by pretending to be someone else when being yourself is all that matters.” —Brightly

“The ebullient, eponymous heroine of Olivia Abtahi’s novel Perfectly Parvin—a prankster with a rambunctious wit . . . determines to remake herself as a demure, seen-but-not-heard young lady. The effort is doomed—if often hilarious—and has her trying but failing to tamp herself down through a friend’s quinceañera party and Farsi classes, through online makeup consults with her Iranian aunt and a tragic band audition.” —The Globe and Mail
© Heritage and Bloom
Olivia Abtahi is a writer and filmmaker born in Washington, DC. When she isn't drafting novels about awkward teens, you can find her working on documentaries about social justice and climate equity. She currently lives in Denver, Colorado, with her husband and their daughter. View titles by Olivia Abtahi

About

Finding her voice takes on a whole new meaning when fourteen-year-old Azar Rossi sets out to win her local Battle of the Bands contest in this heartfelt and hilarious contemporary YA.

Fourteen-year-old Azar Rossi’s first year of high school has mostly been silent, and intentionally so. After a bad case of colic as a baby, Azar’s vocal folds are shredded—full of nodules that give her a rasp the envy of a chain-smoking bullfrog. Her classmates might just think she’s quiet, but Azar is saving her voice for when it really counts and talking to her classmates is not medically advisable or even high on her list.

When she hears about a local Battle of the Bands contest, it’s something she can’t resist. Azar loves music, loves songwriting, but with her vocal folds the way they are, there's no way she can sing her songs on stage.
 
Then she hears lacrosse hottie, Ebenezer Lloyd Hollins the Fifth, aka Eben, singing from the locker room. She’s transfixed. He's just the person she needs. His voice + her lyrics = Battle of the Bands magic. But getting a band together means Azar has a lot of talking to do and new friends to make. For the chance to stand on stage with Eben it might all just be worth it.

Excerpt

APOLOGIES IN ADVANCE

You're probably wondering why the book you’re holding in your hands is full of such underwhelming garbage. I know. I feel the same way. When Dad gave me this fancy notebook for Christmas and said it was to share my lyrics with the world, I thought he was joking. Why would I share my lyrics? There’s already enough pain and suffering on this planet.

“Azar, I see you writing down songs on all these little scraps of paper. It’s time your words had a home. Even if you can’t sing them out loud, you should still keep them.” And then he pretended to strum his air guitar, and Nonna smacked him upside the head with a wooden spoon and told him to serve dessert, even though we were all stuffed and could barely eat a sesame seed. But you don’t mess with Italian grandmothers from Jersey, especially during the Feast of the Seven Fishes.

I’m back with Mom in Virginia now, but I still have this stupid book. It’s bound in leather, and it has a ribbon to keep track of where you are in your miserable ramblings. It’s even in my favorite color: lime green. Aha! Did you see that? This book is trying to seduce me. Shut up, stupid book. Even your lime-green ways can’t bewitch me now.

Little Green Book
Wants to open me up
Swallow me whole
Make me feel like a chump
Little Green Book
Trying to lull me to sleep
Take a peek at my dreams
Steal them out from under me
Little Green Book
Trying to crack my spine
Share my songs with the world
But these songs are mine.

Nice try, Moleskine.

You lose.


BACK 2 SKEWL

Another semester. Another five months of talking to nobody, hiding in the band room for lunch, and never raising my hand in class. I am in a prison of my body’s own making.

Worse: I am out of Pop-Tarts.

Just then, Mom sticks her head into my room, her brown curls a ball of positive energy and argan oil. “Azar, I made kale chips for your lunch today!” She pronounces it Aw-zár, the traditional Iranian way of saying it.

Did I mention I’m in hell?

As if spending Xmas talking to no one but my family wasn’t humbling enough, I now have to be reintroduced to the public, where people can tell I have no friends, much less a life.

“Azar? I made some tahini dipping sauce, too!”

I am going to die alone.

***

The kitchen reeks of the yerba mate Mom always preps for her drive to DC. It tastes like oregano gone bad. Mom says it is an indigenous plant grown in the north of Argentina, where her dad, my abuelo, is from. I think she secretly just likes it because it requires being sipped from a traditional gourd.

“Good morning, Azar,” she says formally. I give her a look like, Do I have to? and she nods gravely. I clear my throat.

“Good morning, Mother.” The words come out scratchy and warbly, like I tried to step on each note with a roller skate and they just slid out from under me. They’re the first words I’ve spoken today, and Mom does not look impressed.

“Did you stay up late again? Your voice sounds worse than yesterday!” She says this accusingly, as if I have committed homicide—or worse, stayed up past my bedtime. Which is nine p.m. Which of course I blew right past, throwing a towel under my door so she couldn’t see the light from my laptop as I uploaded more stuff to SoundCloud.

“Mom,” I begin to lie, my voice even, just the way Ms. Davolio, my speech pathologist, taught me. “I went to bed at nine p.m., after we watched Up in the Air.

Because we have no lives, I almost add. But don’t.

She shakes her head, gold hoops swinging. “Maybe we need to start quiet time earlier, like eight p.m., just to be safe.”

I sigh. Sure. Add it to my tab of misery.

“You’re right,” Mom says, even though I didn’t say anything. We’ve got our nonverbal cues down to a science at this point. “One thing at a time. Get dressed and shower—I’ll give you a ride to school.”

I wordlessly trudge back to my lair.

“And don’t forget to gargle!” she calls out.

The second I close my door, I grab my acoustic guitar, the one Dad got me a couple years ago when my throat infections started ramping up. Instruments are about the only thing Mom lets Dad buy for me, besides making deposits to my college fund. She’s too proud to ask for anything else. I’ve also got an electric drum kit with pads that connect to my computer, a keyboard, a ukulele, plus I can borrow instruments from school during lunch break. The guitar needs to be tuned, but I strum the chords anyway, singing lyrics in my head.

Azar, gargle with salt water
And wear something that has color.
I’ll give you a ride to school
If you become a better daughter.
Don’t burn the toast.
You had one job!
To not burn the toast!
And now I’m late for wooOoorrrrrk.

“Azar, are you getting dressed?” Mom demands through my thin bedroom wall. I can hear her blasting reggaeton through her tinny phone speakers in the kitchen, singing along to every word. I switch to a minor chord, the song going from light and fun to dark and dreary.

“AZAR!” Mom shouts. “Did you hear me?”

I get out my phone.

Azar Rossi 6:28 a.m.: yes, mother. i heard you.

Mom 6:28 a.m.: Then why aren’t you in the shower!

Azar Rossi 6:29 a.m.: yes sir captain sir.

Mom 6:29 a.m.: And don’t call me Mother!

The saltwater gargle tastes disgusting, but the steam from the shower feels good on my throat. It’s way more soothing than the humidifier I run on my nightstand. I feel like one of those beached whales that people keep dumping water over to keep them moist.

The hot water runs out in three minutes, which is normal for our crummy apartment building. A sullen girl stares back at me in the bathroom mirror, her mouth a flat line with freckles spilled randomly across her face. She really, really does not want to return to school after winter break.

I don my jeans, T-shirt, and a bright orange sweater Mom got me for Xmas that she says “makes me more approachable.” It feels weird not wearing black.

“You’re killing me, Z. We’re gonna be late,” Mom says, popping her head into my room. There is no such thing as privacy in this apartment.

I reach for a black sweater, threatening to put it on instead. “I’ll do it. I’ll even put on black lipstick.”

Mom groans in frustration (which is really bad for your throat) and heads back to the kitchen, where she is no doubt making me hummus from scratch and grilling tofu for my lunch sandwich.

We don’t have a real dining room or kitchen table. I plop into a chair under the counter that serves as our eating space. But when I reach for the orange juice, Mom slides it away from me.

“You know what Dr. Talbot said. Orange juice and acidic foods make your vocal nodules worse.”

“Dr. Talbot buys sushi from the gas station. Should we really be trusting his judgment?” I growl. My voice sounds like the lowest gear on a bicycle, unable to switch up to something faster and more fluid.

Mom just stares me down.

“Fine.” I grit my teeth.

She slides a cup of tea over instead, and I shiver like someone has cracked an egg on my head, already dreading my breakfast. The tea is called Throat Soothe, and it tastes like marshmallows made from dirt. I take a sip, the hot drink comforting my esophagus despite filling my nose with notes of licorice, mud, and something called slippery elm.

“Can I have some pancakes? With extra whipped cream?” I whine, wishing my voice didn’t sound so husky. Without my secret stash of Pop-Tarts, I’m at my mom’s organic, free-range mercy. I’m a growing teen. Teens need gluten and preservatives, and that fake maple syrup stuff. It’s our birthright.

She just gives me another look and slams a bowl of yogurt with strawberries and honey in front of me instead. Every week, she makes yogurt from scratch in a big metal pot and covers it with a towel, like my maman bozorg taught her. I stare at the yogurt miserably. Yogurt’s supposed to be really good for your throat health. But it tastes the opposite of pancakes.

“I bet Adele eats the same thing for breakfast,” she says, scrambling to get ready. “She had to cancel a couple concerts last year because she was losing her voice, so you two are in the same boat.”

Yes, because Adele being on “vocal rest” from selling out arenas and me having vocal nodules on my throat since I was a baby are the same thing. Mom is the type of person to call a paper cut “a deep exfoliation!” and a debilitating vocal condition “an opportunity for different communication!”

“Her strawberries are served to her individually as models fan her with palm fronds,” I point out, my throat slowly warming up. “On a private jet.”

Mom sniffs, straightening her button-down business-casual shirt. Even in a plain outfit, she looks beautiful, with bright brown eyes and glowing skin. Her left hand threatens me with a spoonful of raw clover honey. “This is homemade yogurt, thank you very much.”

“What a thrilling life you lead.”

“Less talking. More eating,” she barks, now looking in our small kitchen mirror and lining her eyes with the thick kohl she uses on her gargantuan Persian eyelids. I try not to gag as she circles her entire eyeball, even the part of the eye that’s on the bottom, right by the waterline.

After taking two bites, I moan, “Can we go now?” Not that I’m super eager to get to school. But being around Mom in this cramped kitchen reminds me that my throat’s messed up, while my classmates just think I’m quiet.

There’s a difference.

Reviews

Praise for Azar on Fire:

“[A] positive story, with distinctive and hilarious first-person narration, of literally finding one’s voice. . . A poignant, engaging, and affirming novel.” —Kirkus Reviews

Praise for Perfectly Parvin:
A 2023 Sequoyah Book Award Nominee (OK)
A 2022 Golden Kite Honor Award Winner

A 2022–2023 Georgia Peach Book Award Nominee
A 2022 YALSA Best Fiction for Young Adults Pick

A 2022 ALA Rise: A Feminist Book Project List Pick

A 2021 New York Public Library Best Book Pick
A 2021 Chicago Public Library Best Book Pick
A 2021 BuzzFeed Best Young Adult Pick

A Book Riot Must Read YA Romance Pick


“Abtahi writes a touching contemporary that's hilariously heartfelt about one girl's journey to self-discovery.” —BuzzFeed

★ “Abtahi deftly navigates Parvin's transitional life phase, equipping her with enough humor and moxie to see her through even the toughest challenges . . . A joyful celebration of the right to take up space in the world.” —Bookliststarred review

★ “Abtahi’s charming debut will have readers cheering for Parvin. . . an incredibly charming, funny, and lovable protagonist who greets life with unbridled enthusiasm . . . as she navigates her two cultures with vim. . . A truly delightful story about a charming and engaging teen navigating freshman year.” —School Library Journalstarred review

“Parvin’s narratorial voice sparkles with wit and pathos, and her journey toward self-acceptance seamlessly incorporates political and emotional realities. . . A diverse, fast-paced, feminist romance.” —Kirkus Reviews

“The fast-paced writing, wonderfully diverse cast, and very realistic and age-appropriate thoughts, choices, and realizations make this a solid read. Smart, funny, and full of heart.” —Teen Librarian Toolbox

Authentic and organically hilarious. . . A fresh, charming standout.”—YALSA
 
“At its heart, this breezy YA title is about trying to find love by pretending to be someone else when being yourself is all that matters.” —Brightly

“The ebullient, eponymous heroine of Olivia Abtahi’s novel Perfectly Parvin—a prankster with a rambunctious wit . . . determines to remake herself as a demure, seen-but-not-heard young lady. The effort is doomed—if often hilarious—and has her trying but failing to tamp herself down through a friend’s quinceañera party and Farsi classes, through online makeup consults with her Iranian aunt and a tragic band audition.” —The Globe and Mail

Author

© Heritage and Bloom
Olivia Abtahi is a writer and filmmaker born in Washington, DC. When she isn't drafting novels about awkward teens, you can find her working on documentaries about social justice and climate equity. She currently lives in Denver, Colorado, with her husband and their daughter. View titles by Olivia Abtahi