Dog Diaries #14: Sunny

Part of Dog Diaries

Author Kate Klimo
Illustrated by Tim Jessell
Look inside
Paperback
$8.99 US
| $12.50 CAN
On sale Jul 23, 2019 | 160 Pages | 9780525648239
Age 7-10 years | Grades 2-5
Reading Level: Lexile 680L | Fountas & Pinnell U
Fans of dog stories and the RMS Titanic, take note! This new entry in the Dog Diaries series—based on a true story—is narrated by a pampered Peke that survived the fateful voyage!

Sun Yat-Sen—aka Sunny—enjoys the finer things in life. Noble canine companion to globe-trotters Henry and Myra Harper, Sunny doesn't even like to walk, preferring instead to be carried! Sunny and the Harpers are traveling on the maiden voyage of the RMS Titanic—the biggest, finest ship in the world. So imagine Sunny's horror when he learns he must stay in the Titanic's kennel with eleven other dogs, not in the Harpers' luxurious stateroom! It's . . . unthinkable! But only four days into the voyage, Sunny learns the true meaning of tragedy when, hidden inside Myra's fur coat, he escapes the sinking ship in a lifeboat.

Based on a true story, with realistic black-and-white illustrations throughout and a fact-filled appendix that includes information about the RMS Titanic, Pekingese dogs, and more, this is historical fiction for middle graders who don't realize they like historical fiction!
If someone had told me that one day I’d be keeping a diary, I would have said, “Old boy, you must be stark-staring mad. Me? The canine companion of glamorous globe-trotters Mr. Henry Sleeper Harper and his charming wife, Myra? Do I look like some sort of owlish scribbler?” I have always said leave the diary keeping to those ambitious, brainy types, like border collies and pinschers. We Pekingese are meant for finer things. No inky paws for me, thank you very much.
But that was before I set sail on the RMS Titanic, the newest, sleekest, most deluxe ship in the White Star Line fleet. On its historic maiden voyage, it was to carry us far across the ocean, from Europe to our home in New York City, in seven short days. As it turned out, that voyage gave me something to write about. More, in fact, than I could ever have imagined.
Simply everyone who was anyone was aboard. The cream of canine society. Heading up the list was the Airedale companion of the fabulously wealthy John Jacob Astor. The beloved chow chow of stockbroker Harry Anderson also had a ticket. Then there was the prize French bulldog purchased in England by banker Robert Daniel for what I hear was an indecently high price. And who could forget little Frou-Frou, that foolish little bit of fluff? I could go on, but you’ll meet them all soon enough, all ten of them. Eleven, including yours truly. Eleven lucky dogs—or so we thought at the time. And let us not forget those humans aboard without dogs—poor lonesome souls! They just happened to number among the wealthiest humans alive, including the silver-mine queen of Colorado, Margaret Brown, and businessman Benjamin Guggenheim, a friend of the ship’s captain. And have I mentioned Lady Duff-Gordon and Lady Rothes? Why, there were so many wealthy people on board, they called it “the Millionaires’ Special.” Sadly, as it turned out, there are some things even money cannot buy.
Titanic. There was such a bold ring to the name. Just hearing it gave me the tingles as I sat on the train that took us from Paris to the dock at Cherbourg, France. Myra was busy doing this and that with Henry, so I sat in the lap of our man, Hammad Hassat.
Hammad had joined our happy crew on a recent tour of Egypt. He was the Harpers’ interpreter and guide to the wonders of that ancient land. Don’t ask me what he was still doing with us (not that I minded one jot). Henry thought it would be a lark to bring Hammad back to America with us. And who, one must wonder, could possibly have need of an Egyptian interpreter in New York City? I suspect Henry wanted to be the first in his set to boast of an Egyptian manservant. That was Henry. Such a wag. (You should excuse the expression.)
Hammad was frightfully mysterious and dashingly handsome. Everywhere we went, people stared at him. But Hammad cast his eyes downward. I think he felt like an outsider. He was also sad. And who could blame the poor dear chap? He missed his family in Cairo. I was perhaps his only friend. Wasn’t he the lucky one?
Hammad, unlike me, was not looking forward to the voyage. The only body of water he had ever crossed before embarking on this trip was the river Nile. He was jittery on the boat from Egypt to Marseille. And the Mediterranean is a mere pond compared to the vast Atlantic Ocean.
In Paris, Hammad sent a marconigram to his brother, Said, in Cairo. He wanted to share with him the news of our upcoming voyage. (Marconigrams were the newfangled way humans sent messages to one another over long distances via a clever sort of wire.) Hammad’s brother wired back to say that he foresaw the future. And what did he see? Death and destruction on the high seas. Can you imagine such a thing?
If Hammad was a Gloomy Gus, I was a ray of sunshine. At least I tried. (They don’t call me Sunny for nothing!) Old man, this voyage is going to be duck soup—you’ll see, I told Hammad. Strictly smooth sailing!
I said this not in so many words, of course. We Pekes aren’t much for barking. (And yapping isn’t really my style.) But we do have the most expressive eyes. Some say we are “all eyes.”
Hammad knew and spoke many languages— including the one my eyes spoke. He understood me well. And I was equally good at reading his brooding silences. But for all my efforts to cheer him, Hammad could not shake his air of gloom and doom. Now I know why. But then I thought he was just being moody.
We arrived at the dock to find a large crowd of fellow travelers and well-wishers. But where was the Titanic? A couple of tenders bobbed against the pilings: the SS Traffic and the SS Nomadic. (Don’t ask me why, but humans just love to name things. Their ships, their houses, their racehorses, even their dogs—rather poorly, I might add.)
Cheer up, old chap, my eyes told Hammad. Our trusty pals here, Traffic and Nomadic, are here to take us to the Titanic, no doubt.
Hammad heaved a dispirited sigh. I could tell that he wished the Titanic had sailed without us.
While mates and servants piled mountains of luggage into the tenders, first-class passengers were ever so huffy. Why was there no grand ship here to meet them?
“Say, old man,” Henry asked the mate assisting us in boarding the Traffic, “where is the Titanic?”
“Not to worry, sir,” said the mate. “It left Southampton exactly at noon. It should be here anytime now.”
Tales of a Fourth Grade Fantasy Writer
It all began in the fourth grade when my best friend, Justine and I--inspired by The Chronicles of Narnia, Curdie and the Princess, The Wonderful Journey to the Mushroom Planet, the books of E. Nesbit (and countless other works of fantasy recommended to us by our imperious rouge-cheeked librarian, Mrs. Thackeray)--embarked upon a fantasy epic of our own. We wrote our epic in multi-colored inks (Justine had gotten this nifty set of colored plastic quills for her birthday) in a series of classic black and white composition notebooks, whose white spaces we colored in so that every time we touched them, we got rainbows on our fingertips. I can’t remember the plot but I do know that it featured a cast of unicorns, elves, fairies, and an evil magician whose name, Pezlar, was inspired by our favorite candy. Our characters lived on islands that were shaped in their own likenesses; for instance, the unicorns lived on an island shaped like a unicorn head, where there was, naturally, a Cape Horn and a Beard Bay. Whenever we had writer’s block, we simply drew maps. We were writing (and drawing), not so much for posterity as to conjure a world that, we fervently hoped, would one day open its magical portals and take us in. The world shimmered with latent magic and we lived our days in a state of heightened expectation. When would the magic reveal itself?

Those Magical Oldsters
Taking our cue from the Professor in the Narnia books, Mary Poppins, and Mrs. Pigglewiggle, old people were especially magical to us. Ike Raff, the grumpy old man who owned the cigar store; Charlie Hicks, the seven-foot-tall homeless man who marched in the Memorial Day parade in a full Cherokee regalia, and even the scary Mrs. Thackeray were, we suspected, distinguished emissaries from magical lands. To their credit, they played it straight when, with burning intensity, we asked them such questions as, “Where do you really come from?” and “How did you get here?” “Did you fly, teleport, or use a traveling spell?”

Step right up to the Museum of Magic
Magical talismans were vitally important to us. We collected beach glass, horse chestnuts, antique buttons, old coins, and even a green crystal doorknob. And, yes, we had our own Museum of Magic that we set up in Justine’s side yard, which was just across the street from the beach. I say we set it up. I’m not sure we ever had any paying customers. We were raising funds so that we could buy the fabric to make long hunter-green capes with hoods. These were the outfits we planned to wear when we passed through the magical portals. We must have raised the funds somehow, because we actually stitched up the capes on my mother’s sewing machine. How proud we were of them! So you can imagine how crushed we were when we wore them into town one day and somebody asked us which 4-H troupe we belonged to.

Magical Portals
We looked everywhere for them: Mr. Raff’s cigar store (where we would later buy our Beatles fan mags), an old wooden boat house down at the beach, an abandoned rococo-baroque Victorian mansion near my house just bristling with magical possibilities.
One Friday night, before our favorite TV show, Twilight Zone, came on at 9:30, we took a candle and some matches and made a pilgrimage to the Victorian mansion. It was a cold and windy night, I recall, and when we spied a broken window off the porch, it seemed to say to us, “Trespass, please!” With lit candle, we solemnly walked from room to room, searching for the portal. When we got to the third floor landing, the candle suddenly flared up and then guttered. We screamed and tore out of that place back to my mother’s warm, safe kitchen. Magic, we concluded, was sometimes a pretty scary proposition. We steeled ourselves and determined to make a return trip to the ruined mansion. We never managed that second trip because a wrecker ball rolled in and leveled the site of our closest brush with magic. A branch of the U.S. Post Office took its place and, although we never attempted to break in (Federal Offense!), we did loiter in the foyer, searching for magical signs among the Wanted Posters and the public notices.

Adolescence Rears Its Ugly Head
Looking back on those years, I see that, for us, magic was a kind of pagan belief system. It was both an affirmation of and an escape from life. But maintaining our belief system was not always easy. It was often downright burdensome. We had our rituals to observe, and our obligations, too. (We held weekly classes for our stuffed animals in the faerie arts, complete with lesson plans and demonstration models). Our beliefs isolated us from the other kids (who already suspected we were more than a little bit tetched). There came a time when a kind of low-grade dread began to steal over us; dread of the day when, like Susan Pevense, we would wake up and want to wear lipstick and stockings. And of course, that day did dawn, slowly enough to be agonizing. It started with the Beatles. We simply redirected all that magical intensity in the direction of the Fab 4. Instead of believing in portals, we believed we would one day not only get to meet them, but get to marry them (Justine, John; me, Paul). After that, it was a just small step to wearing lipstick (well, Mary Quant lip gloss, in any case), stockings (fish net), mini skirts (tweed and veddy British) and, before we knew it, we were looking back on our days of magic with patronizing fondness.

Reader, I Wrote
When I grew up, I still wanted to write but writing for children seemed, well, childish. I determined to be a writer of Adult Books, and succeeded (on a very modest level). But what can I tell you? The lack of magic in the adult world, as much from a reader’s standpoint as a writer’s, eventually got to me. I missed the magic, and years later, here I am, drawn back to its portals. I even find myself believing again. I believe that the world in which we live, the world of consensus reality, is but one small room in a mansion full of rooms. I believe that writing and reading are two surefire ways to get access to the other rooms. And nowadays, it is my sole ambition to grow up to be one of those old people who just might be mistaken for a distinguished emissary from a magical land.
Do I fly, teleport, or cast traveling spells?
The answer to all of the above is yes! View titles by Kate Klimo
TIM JESSELL'S work has been recognized by the Society of Illustrators Annual Exhibitions, receiving the Society's Gold Medal Award. He is also the winner of AdWeek Magazine's Illustrator of the Year. His work can be seen in the bestselling series Secrets of Droon, Superhero Christmas (written by Stan Lee of Marvel Comics), and covers for the reissue of Zilpha Keatley Snyder's Newbery Honor Books. Tim has been a guest speaker to professional graphic communication groups and enjoys speaking to student groups as well. View titles by Tim Jessell

About

Fans of dog stories and the RMS Titanic, take note! This new entry in the Dog Diaries series—based on a true story—is narrated by a pampered Peke that survived the fateful voyage!

Sun Yat-Sen—aka Sunny—enjoys the finer things in life. Noble canine companion to globe-trotters Henry and Myra Harper, Sunny doesn't even like to walk, preferring instead to be carried! Sunny and the Harpers are traveling on the maiden voyage of the RMS Titanic—the biggest, finest ship in the world. So imagine Sunny's horror when he learns he must stay in the Titanic's kennel with eleven other dogs, not in the Harpers' luxurious stateroom! It's . . . unthinkable! But only four days into the voyage, Sunny learns the true meaning of tragedy when, hidden inside Myra's fur coat, he escapes the sinking ship in a lifeboat.

Based on a true story, with realistic black-and-white illustrations throughout and a fact-filled appendix that includes information about the RMS Titanic, Pekingese dogs, and more, this is historical fiction for middle graders who don't realize they like historical fiction!

Excerpt

If someone had told me that one day I’d be keeping a diary, I would have said, “Old boy, you must be stark-staring mad. Me? The canine companion of glamorous globe-trotters Mr. Henry Sleeper Harper and his charming wife, Myra? Do I look like some sort of owlish scribbler?” I have always said leave the diary keeping to those ambitious, brainy types, like border collies and pinschers. We Pekingese are meant for finer things. No inky paws for me, thank you very much.
But that was before I set sail on the RMS Titanic, the newest, sleekest, most deluxe ship in the White Star Line fleet. On its historic maiden voyage, it was to carry us far across the ocean, from Europe to our home in New York City, in seven short days. As it turned out, that voyage gave me something to write about. More, in fact, than I could ever have imagined.
Simply everyone who was anyone was aboard. The cream of canine society. Heading up the list was the Airedale companion of the fabulously wealthy John Jacob Astor. The beloved chow chow of stockbroker Harry Anderson also had a ticket. Then there was the prize French bulldog purchased in England by banker Robert Daniel for what I hear was an indecently high price. And who could forget little Frou-Frou, that foolish little bit of fluff? I could go on, but you’ll meet them all soon enough, all ten of them. Eleven, including yours truly. Eleven lucky dogs—or so we thought at the time. And let us not forget those humans aboard without dogs—poor lonesome souls! They just happened to number among the wealthiest humans alive, including the silver-mine queen of Colorado, Margaret Brown, and businessman Benjamin Guggenheim, a friend of the ship’s captain. And have I mentioned Lady Duff-Gordon and Lady Rothes? Why, there were so many wealthy people on board, they called it “the Millionaires’ Special.” Sadly, as it turned out, there are some things even money cannot buy.
Titanic. There was such a bold ring to the name. Just hearing it gave me the tingles as I sat on the train that took us from Paris to the dock at Cherbourg, France. Myra was busy doing this and that with Henry, so I sat in the lap of our man, Hammad Hassat.
Hammad had joined our happy crew on a recent tour of Egypt. He was the Harpers’ interpreter and guide to the wonders of that ancient land. Don’t ask me what he was still doing with us (not that I minded one jot). Henry thought it would be a lark to bring Hammad back to America with us. And who, one must wonder, could possibly have need of an Egyptian interpreter in New York City? I suspect Henry wanted to be the first in his set to boast of an Egyptian manservant. That was Henry. Such a wag. (You should excuse the expression.)
Hammad was frightfully mysterious and dashingly handsome. Everywhere we went, people stared at him. But Hammad cast his eyes downward. I think he felt like an outsider. He was also sad. And who could blame the poor dear chap? He missed his family in Cairo. I was perhaps his only friend. Wasn’t he the lucky one?
Hammad, unlike me, was not looking forward to the voyage. The only body of water he had ever crossed before embarking on this trip was the river Nile. He was jittery on the boat from Egypt to Marseille. And the Mediterranean is a mere pond compared to the vast Atlantic Ocean.
In Paris, Hammad sent a marconigram to his brother, Said, in Cairo. He wanted to share with him the news of our upcoming voyage. (Marconigrams were the newfangled way humans sent messages to one another over long distances via a clever sort of wire.) Hammad’s brother wired back to say that he foresaw the future. And what did he see? Death and destruction on the high seas. Can you imagine such a thing?
If Hammad was a Gloomy Gus, I was a ray of sunshine. At least I tried. (They don’t call me Sunny for nothing!) Old man, this voyage is going to be duck soup—you’ll see, I told Hammad. Strictly smooth sailing!
I said this not in so many words, of course. We Pekes aren’t much for barking. (And yapping isn’t really my style.) But we do have the most expressive eyes. Some say we are “all eyes.”
Hammad knew and spoke many languages— including the one my eyes spoke. He understood me well. And I was equally good at reading his brooding silences. But for all my efforts to cheer him, Hammad could not shake his air of gloom and doom. Now I know why. But then I thought he was just being moody.
We arrived at the dock to find a large crowd of fellow travelers and well-wishers. But where was the Titanic? A couple of tenders bobbed against the pilings: the SS Traffic and the SS Nomadic. (Don’t ask me why, but humans just love to name things. Their ships, their houses, their racehorses, even their dogs—rather poorly, I might add.)
Cheer up, old chap, my eyes told Hammad. Our trusty pals here, Traffic and Nomadic, are here to take us to the Titanic, no doubt.
Hammad heaved a dispirited sigh. I could tell that he wished the Titanic had sailed without us.
While mates and servants piled mountains of luggage into the tenders, first-class passengers were ever so huffy. Why was there no grand ship here to meet them?
“Say, old man,” Henry asked the mate assisting us in boarding the Traffic, “where is the Titanic?”
“Not to worry, sir,” said the mate. “It left Southampton exactly at noon. It should be here anytime now.”

Author

Tales of a Fourth Grade Fantasy Writer
It all began in the fourth grade when my best friend, Justine and I--inspired by The Chronicles of Narnia, Curdie and the Princess, The Wonderful Journey to the Mushroom Planet, the books of E. Nesbit (and countless other works of fantasy recommended to us by our imperious rouge-cheeked librarian, Mrs. Thackeray)--embarked upon a fantasy epic of our own. We wrote our epic in multi-colored inks (Justine had gotten this nifty set of colored plastic quills for her birthday) in a series of classic black and white composition notebooks, whose white spaces we colored in so that every time we touched them, we got rainbows on our fingertips. I can’t remember the plot but I do know that it featured a cast of unicorns, elves, fairies, and an evil magician whose name, Pezlar, was inspired by our favorite candy. Our characters lived on islands that were shaped in their own likenesses; for instance, the unicorns lived on an island shaped like a unicorn head, where there was, naturally, a Cape Horn and a Beard Bay. Whenever we had writer’s block, we simply drew maps. We were writing (and drawing), not so much for posterity as to conjure a world that, we fervently hoped, would one day open its magical portals and take us in. The world shimmered with latent magic and we lived our days in a state of heightened expectation. When would the magic reveal itself?

Those Magical Oldsters
Taking our cue from the Professor in the Narnia books, Mary Poppins, and Mrs. Pigglewiggle, old people were especially magical to us. Ike Raff, the grumpy old man who owned the cigar store; Charlie Hicks, the seven-foot-tall homeless man who marched in the Memorial Day parade in a full Cherokee regalia, and even the scary Mrs. Thackeray were, we suspected, distinguished emissaries from magical lands. To their credit, they played it straight when, with burning intensity, we asked them such questions as, “Where do you really come from?” and “How did you get here?” “Did you fly, teleport, or use a traveling spell?”

Step right up to the Museum of Magic
Magical talismans were vitally important to us. We collected beach glass, horse chestnuts, antique buttons, old coins, and even a green crystal doorknob. And, yes, we had our own Museum of Magic that we set up in Justine’s side yard, which was just across the street from the beach. I say we set it up. I’m not sure we ever had any paying customers. We were raising funds so that we could buy the fabric to make long hunter-green capes with hoods. These were the outfits we planned to wear when we passed through the magical portals. We must have raised the funds somehow, because we actually stitched up the capes on my mother’s sewing machine. How proud we were of them! So you can imagine how crushed we were when we wore them into town one day and somebody asked us which 4-H troupe we belonged to.

Magical Portals
We looked everywhere for them: Mr. Raff’s cigar store (where we would later buy our Beatles fan mags), an old wooden boat house down at the beach, an abandoned rococo-baroque Victorian mansion near my house just bristling with magical possibilities.
One Friday night, before our favorite TV show, Twilight Zone, came on at 9:30, we took a candle and some matches and made a pilgrimage to the Victorian mansion. It was a cold and windy night, I recall, and when we spied a broken window off the porch, it seemed to say to us, “Trespass, please!” With lit candle, we solemnly walked from room to room, searching for the portal. When we got to the third floor landing, the candle suddenly flared up and then guttered. We screamed and tore out of that place back to my mother’s warm, safe kitchen. Magic, we concluded, was sometimes a pretty scary proposition. We steeled ourselves and determined to make a return trip to the ruined mansion. We never managed that second trip because a wrecker ball rolled in and leveled the site of our closest brush with magic. A branch of the U.S. Post Office took its place and, although we never attempted to break in (Federal Offense!), we did loiter in the foyer, searching for magical signs among the Wanted Posters and the public notices.

Adolescence Rears Its Ugly Head
Looking back on those years, I see that, for us, magic was a kind of pagan belief system. It was both an affirmation of and an escape from life. But maintaining our belief system was not always easy. It was often downright burdensome. We had our rituals to observe, and our obligations, too. (We held weekly classes for our stuffed animals in the faerie arts, complete with lesson plans and demonstration models). Our beliefs isolated us from the other kids (who already suspected we were more than a little bit tetched). There came a time when a kind of low-grade dread began to steal over us; dread of the day when, like Susan Pevense, we would wake up and want to wear lipstick and stockings. And of course, that day did dawn, slowly enough to be agonizing. It started with the Beatles. We simply redirected all that magical intensity in the direction of the Fab 4. Instead of believing in portals, we believed we would one day not only get to meet them, but get to marry them (Justine, John; me, Paul). After that, it was a just small step to wearing lipstick (well, Mary Quant lip gloss, in any case), stockings (fish net), mini skirts (tweed and veddy British) and, before we knew it, we were looking back on our days of magic with patronizing fondness.

Reader, I Wrote
When I grew up, I still wanted to write but writing for children seemed, well, childish. I determined to be a writer of Adult Books, and succeeded (on a very modest level). But what can I tell you? The lack of magic in the adult world, as much from a reader’s standpoint as a writer’s, eventually got to me. I missed the magic, and years later, here I am, drawn back to its portals. I even find myself believing again. I believe that the world in which we live, the world of consensus reality, is but one small room in a mansion full of rooms. I believe that writing and reading are two surefire ways to get access to the other rooms. And nowadays, it is my sole ambition to grow up to be one of those old people who just might be mistaken for a distinguished emissary from a magical land.
Do I fly, teleport, or cast traveling spells?
The answer to all of the above is yes! View titles by Kate Klimo
TIM JESSELL'S work has been recognized by the Society of Illustrators Annual Exhibitions, receiving the Society's Gold Medal Award. He is also the winner of AdWeek Magazine's Illustrator of the Year. His work can be seen in the bestselling series Secrets of Droon, Superhero Christmas (written by Stan Lee of Marvel Comics), and covers for the reissue of Zilpha Keatley Snyder's Newbery Honor Books. Tim has been a guest speaker to professional graphic communication groups and enjoys speaking to student groups as well. View titles by Tim Jessell