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My Twenty-Five Years in Provence

Reflections on Then and Now

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Best Seller
From the moment Peter Mayle and his wife, Jennie, uprooted their lives in England and crossed the Channel permanently, they never looked back. Here the beloved author of A Year in Provence pays tribute to the most endearing and enduring aspects of his life in France—the charming and indelible parade of village life, the sheer beauty, the ancient history. He celebrates the café and lists some of his favorites; identifies his favorite villages, restaurants, and open-air markets; and recounts his most memorable meals. A celebration of twenty-five years of Provençal living—of lessons learned and changes observed—with his final book Mayle has crafted a lasting love letter to his adopted home, marked by his signature warmth, wit, and humor.
A Midsummer Night’s Treat

For most of the week, it’s nothing special, an old coopérative fruitière, where local producers used to sell what they had produced. A large area origi­nally used for parking trucks and tractors, bordered by L-shape stone buildings, it’s a good example of the kind of light-industrial architecture often found in rural parts of Provence—practical, no frills, and, until recently, no people. Now, thanks to a forward-looking mayor and some high-tech enthusiasts, it has become an IT center known as La Fruitière Numérique.

Each Tuesday evening between May and October, technology gives way to gastronomy in the form of a marché nocturne, an evening market with a differ­ence. It has the great advantage of being just across the road from the center of Lourmarin, one of the prettiest and most popular villages in the Luberon. This in itself is enough to guarantee a good turnout.

Tourists and residents alike, having spent a tough day in the sun, can find shade and relief from the heat, enough wine to provide relief from thirst, a generous choice of fresh produce, and an introduction to some of the finer points of professional cuisine.

These are offered by a different local chef each week, often assisted by the mayor of Lourmarin, who acts as master of ceremonies, introducing the chef and his chosen subject. There are nine of these kitchen heroes, who take a break from their restau­rants to demonstrate some of the tricks of their trade. One week it might be the secrets of a perfect pasta, made with local cherry tomatoes, local olives, and local olive oil. The next week could feature a sublime strawberry dessert. The menu is long, varied, fasci­nating, and simple. The audience, sitting on wooden benches, is rapt.

Before the turn of the chef, the market starts to become busy and, in high summer, the setting for an informal fashion show, featuring an abundance of cooked flesh. Among the ladies, shorts seem to get shorter and dresses more diaphanous every week, and the display of hats is enough to make a milliner swoon. Recently I saw, among the sea of Panamas, a vintage trilby, a couple of turbans, and what I imagine was an Australian sombrero, with one side of the brim pinned up in the style of a bush hat.

The dress code for men varies. At one end of the style spectrum, there is the occasional aging hippie, with gray ponytail (they’ve become increasingly pop­ular), silver bracelets, and tattoos. At the other end are the Parisians with their sartorial guard down—suits replaced by well-pressed shorts, polo shirts, and suede moccasins, all spotless. They mingle in a swirl of relaxed humanity, with no visible pushing and shov­ing, and this politesse helps to create an unusually good-humored atmosphere. I have rarely seen such a well-behaved crowd, and they all seem to be enjoying themselves.

If you get to the market early enough, around six, you can not only choose your spot, but furnish it. Tin tables of various sizes have been placed well away from the food stalls, and there are plenty of folding chairs. But never quite enough, because there are always more bottoms than seats. With organized couples, this frequently leads to a division of responsibilities. The husband occupies the table, lays claim to two chairs, and guards the bottle of wine and two glasses while his wife goes short-distance shopping around the stalls, coming back to the table from time to time to have a quick sip and drop off provisions before return­ing to the stalls to carry on with her noble task.

She is spoiled for choice, but there are a couple of horrors she won’t find. First, there is no trace of shrink wrap, bubble wrap, or any other form of plastic supermarket packaging: the growers like you to see what you’re going to eat without any artificial trim­mings. They are proud of what they’ve grown, whether it’s fat white asparagus, fragrant peaches, or bouquets of chard. The sell-by date is this evening, just a few hours after the produce has been picked.

The second welcome absence is that dangerous vehicle, the supermarket cart. There is no risk of suf­fering a glancing blow or squashed feet after being run over by a cart whose pilot is too busy consulting her cell phone to look where she’s going. The only shopping aid on wheels I’ve seen was what appeared to be an oversized, mechanized roller skate, driven by a German gentleman. The front and back wheels were joined by a short platform on which the driver stood. Steering was by a set of waist-high handlebars, and power came from a tiny noiseless engine. I watched as this ingenious contraption glided silently through the crowd and stopped at two or three stalls before returning to the driver’s table with bulging shopping bags dangling from the handlebars. This was repeated several times, totally accident-free.

For those of us on foot, a tour of the stalls can take a very pleasant half hour, often more. Sausage lov­ers can find several varieties to nibble on. There are cheeses soft and hard, quiches large and small, and a selection of home-baked treats that varies from week to week. There are jams, and there are olive oils. The produce is displayed on tray upon tray, fruits and veg­etables and herbs, all of it just picked; some, like the deep purple eggplant, are polished to a high level of gloss. Nothing contains preservatives, artificial color­ings, or additives of any kind. In other words, nature has been left alone.

Browsing through the garlic is, as you can imagine, thirsty work, but the market organizers have come to the rescue: there’s a bar. Small and simple it may be, but it is extremely well stocked with wine of all colors, on sale by the glass or, for advanced cases of dehy­dration, by the bottle. It was at the bar that we saw something I’m sure could only happen in France. A young girl, maybe nine years old, barely the height of the bar counter, waited patiently until her turn came. With impressive self-assurance, she ordered two glasses of Muscat, and slid a ten-euro note across to the barman, who brought her the wine. I assume that he thought she was just another customer, although shorter than most. At no time did he ask who the wine was for. I can’t imagine this kind of nonchalance in an English pub or an American bar, where the very idea of an underage person getting anywhere near alcohol is cause for consternation and alarm. The barman, of course, knew that the girl was being a good and duti­ful daughter, taking the wine to her parents.

Around seven thirty, the market begins to look like a sprawling self-service café. Most of the shopping has been done, and it’s time for further refreshment—wine, of course, with a slice or two of cheese, sau­sage, or whatever else has just been bought from the stalls. The mood is cheerful, the heat of the day has given way to a pleasantly cool evening, and nobody is in a rush to leave. Indeed, nobody is in a rush to do anything except enjoy the moment, and it is often nine thirty or so before the last customers are gone, some of them having eaten everything they have just bought. Never mind. There’s always next Tuesday.

The whole evening has been a pleasure rather than a chore. If there is a more civilized way to go food shopping, I have yet to find it. And you will never need a can opener to help you enjoy the food you’ve chosen.
“Full of thoughtful reflections and trenchant observations. . . . It’s wonderful to get to go on one more journey with [Mayle] and remember why we fell in love with him and his writing.” —San Francisco Chronicle

“Idyllic.” —USA Today

“A warm, nostalgia-soaked look at the place [Mayle] loved so dearly, packed with fond recollections of the pleasures of life in the region, from pastis to Pétanque.” —Travel + Leisure
 
“[Mayle’s] keen eye and wit are much on display.” —The Philadelphia Inquirer

“[A] well-loved writer’s contented recap of a life well lived. . . . Mayle set a new course for travel writing.” —Minneapolis Star Tribune
 
“Delightfully quaint anecdotes from the years since Mayle and his wife, Jennie, escaped office life in New York and London in the 1980s for ‘a simpler, sunnier life’ in Provence. . . . Composed in a uniformly bright and jocular voice, this is a breezy valedictory note for a much admired writer.” —Publishers Weekly
 
“A welcome, if bittersweet, victory lap. The book’s final sentences are particularly resonant of a life well lived: ‘I must go. Lunch is calling.’” —The New York Times Book Review
 
“Mayle takes readers back to the idyllic, slow-paced and occasionally befuddling world that [he] first wrote about in his best-selling memoir A Year in Provence. . . . [My Twenty-Five Years in Provence] treads delightfully familiar ground for fans who succumbed to the charms of Mayle’s first book. The new volume transports readers to the South of France through the eyes of an Englishman who never ceases to marvel at the sunshine, fine food and sometimes inscrutable culture of his adopted turf.” —Associated Press
 
“In this final memoir, Mayle returns to the beginning. . . . This is France, so of course food and wine play a large part in his writing. But while Mayle can pen a mouthwatering description of bouillabaisse, what has always drawn readers to his writing are his loving portraits of people, community and the Provençal way of life.” —BookPage
 
“Mayle’s mellowest book, touched by the tenderness of a writer summing himself up. . . . Even in moments of majesty, Mayle’s puckish humor prevails.” —The Wall Street Journal
 
“One of the most successful and influential memoirists of our era. . . . [Mayle’s writings] not only inspired people to explore the French countryside, they encouraged travelers to explore the world differently.” —Toronto Star
 
“Peter Mayle may have single-handedly created an American and British obsession with the French region of Provence when he published A Year in Provence in 1989. . . . [His] latest book . . . retains the charm of the original. His gentle humor and precise descriptions bring to life a region where time is relative and old ways persist.” —The Providence Journal
 
“A warm, sentimental, vicarious glimpse into a life well lived.” —Canadian Living
 
“[An] amusing, pleasantly written, and easily read book.” —The New Criterion
 
“Confirmation that daydreams do come true. . . . Mayle had the gumption to do what many only daydream about: run away to a paradise.” —Library Journal
© Jennie Mayle
Peter Mayle wrote fifteen previous books. He was a proud recipient of the Légion d’Honneur from the French government for his cultural contributions. He died in January 2018. View titles by Peter Mayle

About

From the moment Peter Mayle and his wife, Jennie, uprooted their lives in England and crossed the Channel permanently, they never looked back. Here the beloved author of A Year in Provence pays tribute to the most endearing and enduring aspects of his life in France—the charming and indelible parade of village life, the sheer beauty, the ancient history. He celebrates the café and lists some of his favorites; identifies his favorite villages, restaurants, and open-air markets; and recounts his most memorable meals. A celebration of twenty-five years of Provençal living—of lessons learned and changes observed—with his final book Mayle has crafted a lasting love letter to his adopted home, marked by his signature warmth, wit, and humor.

Excerpt

A Midsummer Night’s Treat

For most of the week, it’s nothing special, an old coopérative fruitière, where local producers used to sell what they had produced. A large area origi­nally used for parking trucks and tractors, bordered by L-shape stone buildings, it’s a good example of the kind of light-industrial architecture often found in rural parts of Provence—practical, no frills, and, until recently, no people. Now, thanks to a forward-looking mayor and some high-tech enthusiasts, it has become an IT center known as La Fruitière Numérique.

Each Tuesday evening between May and October, technology gives way to gastronomy in the form of a marché nocturne, an evening market with a differ­ence. It has the great advantage of being just across the road from the center of Lourmarin, one of the prettiest and most popular villages in the Luberon. This in itself is enough to guarantee a good turnout.

Tourists and residents alike, having spent a tough day in the sun, can find shade and relief from the heat, enough wine to provide relief from thirst, a generous choice of fresh produce, and an introduction to some of the finer points of professional cuisine.

These are offered by a different local chef each week, often assisted by the mayor of Lourmarin, who acts as master of ceremonies, introducing the chef and his chosen subject. There are nine of these kitchen heroes, who take a break from their restau­rants to demonstrate some of the tricks of their trade. One week it might be the secrets of a perfect pasta, made with local cherry tomatoes, local olives, and local olive oil. The next week could feature a sublime strawberry dessert. The menu is long, varied, fasci­nating, and simple. The audience, sitting on wooden benches, is rapt.

Before the turn of the chef, the market starts to become busy and, in high summer, the setting for an informal fashion show, featuring an abundance of cooked flesh. Among the ladies, shorts seem to get shorter and dresses more diaphanous every week, and the display of hats is enough to make a milliner swoon. Recently I saw, among the sea of Panamas, a vintage trilby, a couple of turbans, and what I imagine was an Australian sombrero, with one side of the brim pinned up in the style of a bush hat.

The dress code for men varies. At one end of the style spectrum, there is the occasional aging hippie, with gray ponytail (they’ve become increasingly pop­ular), silver bracelets, and tattoos. At the other end are the Parisians with their sartorial guard down—suits replaced by well-pressed shorts, polo shirts, and suede moccasins, all spotless. They mingle in a swirl of relaxed humanity, with no visible pushing and shov­ing, and this politesse helps to create an unusually good-humored atmosphere. I have rarely seen such a well-behaved crowd, and they all seem to be enjoying themselves.

If you get to the market early enough, around six, you can not only choose your spot, but furnish it. Tin tables of various sizes have been placed well away from the food stalls, and there are plenty of folding chairs. But never quite enough, because there are always more bottoms than seats. With organized couples, this frequently leads to a division of responsibilities. The husband occupies the table, lays claim to two chairs, and guards the bottle of wine and two glasses while his wife goes short-distance shopping around the stalls, coming back to the table from time to time to have a quick sip and drop off provisions before return­ing to the stalls to carry on with her noble task.

She is spoiled for choice, but there are a couple of horrors she won’t find. First, there is no trace of shrink wrap, bubble wrap, or any other form of plastic supermarket packaging: the growers like you to see what you’re going to eat without any artificial trim­mings. They are proud of what they’ve grown, whether it’s fat white asparagus, fragrant peaches, or bouquets of chard. The sell-by date is this evening, just a few hours after the produce has been picked.

The second welcome absence is that dangerous vehicle, the supermarket cart. There is no risk of suf­fering a glancing blow or squashed feet after being run over by a cart whose pilot is too busy consulting her cell phone to look where she’s going. The only shopping aid on wheels I’ve seen was what appeared to be an oversized, mechanized roller skate, driven by a German gentleman. The front and back wheels were joined by a short platform on which the driver stood. Steering was by a set of waist-high handlebars, and power came from a tiny noiseless engine. I watched as this ingenious contraption glided silently through the crowd and stopped at two or three stalls before returning to the driver’s table with bulging shopping bags dangling from the handlebars. This was repeated several times, totally accident-free.

For those of us on foot, a tour of the stalls can take a very pleasant half hour, often more. Sausage lov­ers can find several varieties to nibble on. There are cheeses soft and hard, quiches large and small, and a selection of home-baked treats that varies from week to week. There are jams, and there are olive oils. The produce is displayed on tray upon tray, fruits and veg­etables and herbs, all of it just picked; some, like the deep purple eggplant, are polished to a high level of gloss. Nothing contains preservatives, artificial color­ings, or additives of any kind. In other words, nature has been left alone.

Browsing through the garlic is, as you can imagine, thirsty work, but the market organizers have come to the rescue: there’s a bar. Small and simple it may be, but it is extremely well stocked with wine of all colors, on sale by the glass or, for advanced cases of dehy­dration, by the bottle. It was at the bar that we saw something I’m sure could only happen in France. A young girl, maybe nine years old, barely the height of the bar counter, waited patiently until her turn came. With impressive self-assurance, she ordered two glasses of Muscat, and slid a ten-euro note across to the barman, who brought her the wine. I assume that he thought she was just another customer, although shorter than most. At no time did he ask who the wine was for. I can’t imagine this kind of nonchalance in an English pub or an American bar, where the very idea of an underage person getting anywhere near alcohol is cause for consternation and alarm. The barman, of course, knew that the girl was being a good and duti­ful daughter, taking the wine to her parents.

Around seven thirty, the market begins to look like a sprawling self-service café. Most of the shopping has been done, and it’s time for further refreshment—wine, of course, with a slice or two of cheese, sau­sage, or whatever else has just been bought from the stalls. The mood is cheerful, the heat of the day has given way to a pleasantly cool evening, and nobody is in a rush to leave. Indeed, nobody is in a rush to do anything except enjoy the moment, and it is often nine thirty or so before the last customers are gone, some of them having eaten everything they have just bought. Never mind. There’s always next Tuesday.

The whole evening has been a pleasure rather than a chore. If there is a more civilized way to go food shopping, I have yet to find it. And you will never need a can opener to help you enjoy the food you’ve chosen.

Reviews

“Full of thoughtful reflections and trenchant observations. . . . It’s wonderful to get to go on one more journey with [Mayle] and remember why we fell in love with him and his writing.” —San Francisco Chronicle

“Idyllic.” —USA Today

“A warm, nostalgia-soaked look at the place [Mayle] loved so dearly, packed with fond recollections of the pleasures of life in the region, from pastis to Pétanque.” —Travel + Leisure
 
“[Mayle’s] keen eye and wit are much on display.” —The Philadelphia Inquirer

“[A] well-loved writer’s contented recap of a life well lived. . . . Mayle set a new course for travel writing.” —Minneapolis Star Tribune
 
“Delightfully quaint anecdotes from the years since Mayle and his wife, Jennie, escaped office life in New York and London in the 1980s for ‘a simpler, sunnier life’ in Provence. . . . Composed in a uniformly bright and jocular voice, this is a breezy valedictory note for a much admired writer.” —Publishers Weekly
 
“A welcome, if bittersweet, victory lap. The book’s final sentences are particularly resonant of a life well lived: ‘I must go. Lunch is calling.’” —The New York Times Book Review
 
“Mayle takes readers back to the idyllic, slow-paced and occasionally befuddling world that [he] first wrote about in his best-selling memoir A Year in Provence. . . . [My Twenty-Five Years in Provence] treads delightfully familiar ground for fans who succumbed to the charms of Mayle’s first book. The new volume transports readers to the South of France through the eyes of an Englishman who never ceases to marvel at the sunshine, fine food and sometimes inscrutable culture of his adopted turf.” —Associated Press
 
“In this final memoir, Mayle returns to the beginning. . . . This is France, so of course food and wine play a large part in his writing. But while Mayle can pen a mouthwatering description of bouillabaisse, what has always drawn readers to his writing are his loving portraits of people, community and the Provençal way of life.” —BookPage
 
“Mayle’s mellowest book, touched by the tenderness of a writer summing himself up. . . . Even in moments of majesty, Mayle’s puckish humor prevails.” —The Wall Street Journal
 
“One of the most successful and influential memoirists of our era. . . . [Mayle’s writings] not only inspired people to explore the French countryside, they encouraged travelers to explore the world differently.” —Toronto Star
 
“Peter Mayle may have single-handedly created an American and British obsession with the French region of Provence when he published A Year in Provence in 1989. . . . [His] latest book . . . retains the charm of the original. His gentle humor and precise descriptions bring to life a region where time is relative and old ways persist.” —The Providence Journal
 
“A warm, sentimental, vicarious glimpse into a life well lived.” —Canadian Living
 
“[An] amusing, pleasantly written, and easily read book.” —The New Criterion
 
“Confirmation that daydreams do come true. . . . Mayle had the gumption to do what many only daydream about: run away to a paradise.” —Library Journal

Author

© Jennie Mayle
Peter Mayle wrote fifteen previous books. He was a proud recipient of the Légion d’Honneur from the French government for his cultural contributions. He died in January 2018. View titles by Peter Mayle