Poems of elegy in the aftermath of a great love from the internationally best-selling, award-winning novelist (Fugitive Pieces, The Winter Vault) and poet.
In All We Saw, Anne Michaels returns with strikingly original poems to explore one of her essential concerns: "what love makes us capable of, and incapable of." Here are the ways in which passion must accept, must insist, that "death . . . give / not only take from us." This piercing short collection treats desire in a style that is chaste, spare, figuratively modulated, and almost classical in its precision. In lyrics that ponder what happens to the bodies of lovers--so vital when together, different when apart, death coming to one before the other--Michaels embraces both the intimacy and the vastness of the connection between two people. Love's sheltering understanding is a powerful presence in all the poems, with its particular imagery (the ringing fog, the white page of the bed), as is the shattering loss of its end. With Michaels, we enter a space that is "not inside / not outside: dusk's / doorway," where memory might be kept alive.
“Deeply felt . . . Like assembled fragments from an ancient Greek lyricist, [Michaels’s] latest collection coheres to form a spare plaintive elegy for deceased friends and lovers.” —Fred Muratori, Library Journal
ANNE MICHAELS is an internationally award-winning novelist and poet emeritus of Toronto. Her adult books have been translated into more than forty-five languages. She is the winner of the Orange Prize, the Guardian Fiction Prize, the Commonwealth Poetry Prize, the Trillium Book Award and a Guggenheim Fellowship, and has been shortlisted for the Governor General's Literary Award, the Griffin Poetry Prize and twice for the Giller Prize. She has also been twice longlisted for the IMPAC Dublin Literary Award. Her novel Fugitive Pieces was made into a feature film.
View titles by Anne Michaels
Poems of elegy in the aftermath of a great love from the internationally best-selling, award-winning novelist (Fugitive Pieces, The Winter Vault) and poet.
In All We Saw, Anne Michaels returns with strikingly original poems to explore one of her essential concerns: "what love makes us capable of, and incapable of." Here are the ways in which passion must accept, must insist, that "death . . . give / not only take from us." This piercing short collection treats desire in a style that is chaste, spare, figuratively modulated, and almost classical in its precision. In lyrics that ponder what happens to the bodies of lovers--so vital when together, different when apart, death coming to one before the other--Michaels embraces both the intimacy and the vastness of the connection between two people. Love's sheltering understanding is a powerful presence in all the poems, with its particular imagery (the ringing fog, the white page of the bed), as is the shattering loss of its end. With Michaels, we enter a space that is "not inside / not outside: dusk's / doorway," where memory might be kept alive.
Reviews
“Deeply felt . . . Like assembled fragments from an ancient Greek lyricist, [Michaels’s] latest collection coheres to form a spare plaintive elegy for deceased friends and lovers.” —Fred Muratori, Library Journal
ANNE MICHAELS is an internationally award-winning novelist and poet emeritus of Toronto. Her adult books have been translated into more than forty-five languages. She is the winner of the Orange Prize, the Guardian Fiction Prize, the Commonwealth Poetry Prize, the Trillium Book Award and a Guggenheim Fellowship, and has been shortlisted for the Governor General's Literary Award, the Griffin Poetry Prize and twice for the Giller Prize. She has also been twice longlisted for the IMPAC Dublin Literary Award. Her novel Fugitive Pieces was made into a feature film.
View titles by Anne Michaels
