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The Centaur

A Novel

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WINNER OF THE NATIONAL BOOK AWARD AND THE PRIX DU MEILLEUR LIVRE ÉTRANGER
 
The Centaur is a modern retelling of the legend of Chiron, the noblest and wisest of the centaurs, who, painfully wounded yet unable to die, gave up his immortality on behalf of Prometheus. In the retelling, Olympus becomes small-town Olinger High School; Chiron is George Caldwell, a science teacher there; and Prometheus is Caldwell’s fifteen-year-old son, Peter. Brilliantly conflating the author’s remembered past with tales from Greek mythology, John Updike translates Chiron’s agonized search for relief into the incidents and accidents of three winter days spent in rural Pennsylvania in 1947. The result, said the judges of the National Book Award, is “a courageous and brilliant account of a conflict in gifts between an inarticulate American father and his highly articulate son.”
Chapter I

Caldwell turned and as he turned his ankle received an arrow. The class burst into laughter. The pain scaled the slender core of his shin, whirled in the complexities of his knee, and, swollen broader, more thunderous, mounted into his bowels. His eyes were forced upward to the blackboard, where he had chalked the number 5,000,000,000, the probable age in years of the universe. The laughter of the class, graduating from the first shrill bark of surprise into a deliberately aimed hooting, seemed to crowd against him, to crush the privacy that he so much desired, a privacy in which he could be alone with his pain, gauging its strength, estimating its duration, inspecting its anatomy. The pain extended a feeler into his head and unfolded its wet wings along the walls of his thorax, so that he felt, in his sudden scarlet blindness, to be himself a large bird waking from sleep. The blackboard, milky slate smeared with the traces of last night’s washing, clung to his consciousness like a membrane. The pain seemed to be displacing with its own hairy segments his heart and lungs; as its grip swelled in his throat he felt he was holding his brain like a morsel on a platter high out of a hungry reach. Several of the boys in their bright shirts all colors of the rainbow had risen upright at their desks, leering and baying at their teacher, cocking their muddy shoes on the folding seats. The confusion became unbearable. Caldwell limped to the door and shut it behind him on the furious festal noise.

Out in the hall, the feather end of the arrow scraped on the floor with every step. The metallic scratch and stiff rustle mixed disagreeably. His stomach began to sway with nausea. The dim, long walls of the ochre hall wavered; the classroom doors, inset with square numbered panes of frosted glass, seemed experimental panels immersed in an activated liquid charged with children’s voices chanting French, singing anthems, discussing problems of Social Science. Avez-­vous une maison jolie? Oui, j’ai une maison très jolie for amber waves of grain, for purple mountain majesties above the fruited plain throughout our history boys and girls (this was the voice of Pholos), the federal government has grown in prestige, power, and authority but we must not forget, boys and girls, that by origin we are a union of sovereign republics, the United God shed his grace on thee, and crown thy good with brotherhood—the beautiful song was blindly persisting in Caldwell’s brain. To shining sea. The old baloney. He had heard it first in Passaic. Since then, how strange he had grown! His top half felt all afloat in a starry firmament of ideals and young voices singing; the rest of his self was heavily sunk in a swamp where it must, eventually, drown. Each time the feathers brushed the floor, the shaft worked in his wound. He tried to keep that leg from touching the floor, but the jagged clatter of the three remaining hooves sounded so loud he was afraid one of the doors would snap open and another teacher emerge to bar his way. In this crisis his fellow-­teachers seemed herdsmen of terror, threatening to squeeze him back into the room with the students. His bowels weakly convulsed; on the glimmering varnished boards, right in front of the trophy case with its hundred silver eyes, he deposited, without breaking stride, a steaming dark spreading cone. His great gray-­dappled flanks twitched with distaste, but like a figurehead on the prow of a foundering ship his head and torso pressed forward.

The faint watery blur above the side doors drew him on. Here, at the far end of the hall, through windows exteriorly screened against vandalism, light from outdoors entered the school and, unable to spread in the viscid, varnished atmosphere, remained captured, like water in oil, above the entrance. ­Toward this bluish bubble of light the moth inside him drove Caldwell’s high, handsome, compounded body. His viscera squirmed; a dusty antenna brushed the roof of his mouth. Yet also on his palate he eagerly tasted an anticipation of fresh air. The air brightened. He bucked the double doors whose dirty glass was reinforced with chicken wire. In a tumult of pain, the arrow battering the steel balusters, he threw himself down the short flight of steps to the concrete landing. In ascending these steps a child had hastily pencilled fuck on the darkly lustrous wall. Caldwell gripped the brass bar and, his mouth thin with determination beneath his pinched and frightened eyes, he pushed into the open.

His nostrils made two plumes of frost. It was January. The clear blue of the towering sky seemed forceful yet enigmatic. The immense level swath of the school’s side lawn, pointed at the corners by plantings of pines, was, though this was winter’s heart, green; but the color was frozen, paralyzed, vestigial, artificial. Beyond the school grounds, a trolley car, gently clanging, floated up the pike ­toward Ely. Virtually empty—the time was eleven o’clock, the shoppers were all going the other way, into Alton—it swayed lightly on its tracks and the straw seats showered sparks of gold through the windows. Outdoors, in the face of spatial grandeur, his pain seemed abashed. Dwarfed, it retreated into his ankle, became hard and sullen and contemptible. Caldwell’s strange silhouette took on dignity; his shoulders—a little narrow for so large a creature—straightened, and he moved, if not at a prance, yet with such pressured stoic grace that the limp was enrolled in his stride. He took the paved walk between the frozen lawn and the brimming parking lot. Beneath his belly the grimacing grilles flashed in the white winter sun; the scratches in the chrome were iridescent as diamonds. The cold began to shorten his breath. Behind him in the salmon-­brick hulk of the high school a buzzer sounded, dismissing the class he had abandoned. With a sluggish digestive rumble, the classes shifted.

Hummel’s Garage adjoined the Olinger High School property, a little irregular river of asphalt separating them. Its association with the school was not merely territorial. Hummel had for many years, though not now, served on the school board, and his young red-­haired wife, Vera, was the girls’ physical education instructor. The garage got much trade from the high school. Boys brought their derelict jalopies here to be fixed, and younger boys pumped up basketballs with the free air. In the front part of the building, in the large room where Hummel kept his accounts and his tattered, blackened library of spare-­parts catalogues and where two wooden desks side by side each supported a nibbled foliation of papers and pads and spindles skewering up to the rusted tip fluffy stacks of pink receipts, here a cloudy glass case, its cracked top repaired with a lightning-­shaped line of tire tape, kept candy in crackling wrappers waiting for children’s pennies. Here, on a brief row of greasy folding chairs overlooking a five-­foot cement pit whose floor was flush with the alley outside, the male teachers sometimes—more of old than recently—sat at noon and smoked and ate Fifth Avenues and Reese’s Peanut Butter Cups and Essick’s Coughdrops and put their tightly laced and polished feet up on the railing and let their martyred nerves uncurl while, in the three-­sided pit below, an automobile like an immense metal baby was washed and changed by Hummel’s swarthy men.

The main and greater part of the garage was approached on an asphalt ramp as rough, streaked, gouged, flecked, and bubbled as a hardened volcanic flow. In the wide green door opened to admit motored vehicles, there was a little man-­sized door with keep closed dribblingly dabbed in blue touch‑up paint below the latch. Caldwell lifted the latch and entered. His hurt leg cursed the turn needed to close the door behind him.

A deep warm darkness was lit by sparks. The floor of the grotto was waxed black by oil drippings. At the far side of the long workbench, two shapeless men in goggles caressed a great downward-­drooping fan of flame broken into dry drops. Another man, staring upward out of round eyesockets white in a black face, rolled by on his back and disappeared beneath the body of a car. His eyes adjusting to the gloom, Caldwell saw heaped about him overturned fragments of automobiles, fragile and phantasmal, fenders like corpses of turtles, bristling engines like disembodied hearts. Hisses and angry thumps lived in the mottled air. Near where Caldwell stood, an old potbellied coal stove bent brilliant pink through its seams. He hesitated to leave its radius of warmth, though the thing in his ankle was thawing, and his stomach assuming an unsettled flutter.

Hummel himself appeared in the doorway of the workshop. As they walked ­toward each other, Caldwell experienced a mocking sensation of walking ­toward a mirror, for Hummel also limped. One of his legs was smaller than the other, due to a childhood fall. He looked hunched, pale, weathered; the recent years had diminished the master mechanic. The Esso and Mobilgas chains had both built service stations a few blocks away along the pike, and now that the war was over, and everybody could buy new cars with their war-­work money, the demand for repairs had plummeted.
  • WINNER | 1964
    National Book Awards
“A triumph of love and art.”—The Washington Post
 
“A brilliant achievement . . . No one should need to be told that Updike has a mastery of language matched in our time only by the finest poets.”—Saturday Review
 
“Unsurpassed . . . Natural, pertinent, fresh, subtle, and superbly written.”—Newsweek
JOHN UPDIKE is the author of more than sixty books, eight of them collections of poetry. His novels won the Pulitzer Prize, the National Book Award, the National Book Critics Circle, and the William Dean Howells Medal of the American Academy of Arts and Letters. He died in January 2009.
View titles by John Updike

About

WINNER OF THE NATIONAL BOOK AWARD AND THE PRIX DU MEILLEUR LIVRE ÉTRANGER
 
The Centaur is a modern retelling of the legend of Chiron, the noblest and wisest of the centaurs, who, painfully wounded yet unable to die, gave up his immortality on behalf of Prometheus. In the retelling, Olympus becomes small-town Olinger High School; Chiron is George Caldwell, a science teacher there; and Prometheus is Caldwell’s fifteen-year-old son, Peter. Brilliantly conflating the author’s remembered past with tales from Greek mythology, John Updike translates Chiron’s agonized search for relief into the incidents and accidents of three winter days spent in rural Pennsylvania in 1947. The result, said the judges of the National Book Award, is “a courageous and brilliant account of a conflict in gifts between an inarticulate American father and his highly articulate son.”

Excerpt

Chapter I

Caldwell turned and as he turned his ankle received an arrow. The class burst into laughter. The pain scaled the slender core of his shin, whirled in the complexities of his knee, and, swollen broader, more thunderous, mounted into his bowels. His eyes were forced upward to the blackboard, where he had chalked the number 5,000,000,000, the probable age in years of the universe. The laughter of the class, graduating from the first shrill bark of surprise into a deliberately aimed hooting, seemed to crowd against him, to crush the privacy that he so much desired, a privacy in which he could be alone with his pain, gauging its strength, estimating its duration, inspecting its anatomy. The pain extended a feeler into his head and unfolded its wet wings along the walls of his thorax, so that he felt, in his sudden scarlet blindness, to be himself a large bird waking from sleep. The blackboard, milky slate smeared with the traces of last night’s washing, clung to his consciousness like a membrane. The pain seemed to be displacing with its own hairy segments his heart and lungs; as its grip swelled in his throat he felt he was holding his brain like a morsel on a platter high out of a hungry reach. Several of the boys in their bright shirts all colors of the rainbow had risen upright at their desks, leering and baying at their teacher, cocking their muddy shoes on the folding seats. The confusion became unbearable. Caldwell limped to the door and shut it behind him on the furious festal noise.

Out in the hall, the feather end of the arrow scraped on the floor with every step. The metallic scratch and stiff rustle mixed disagreeably. His stomach began to sway with nausea. The dim, long walls of the ochre hall wavered; the classroom doors, inset with square numbered panes of frosted glass, seemed experimental panels immersed in an activated liquid charged with children’s voices chanting French, singing anthems, discussing problems of Social Science. Avez-­vous une maison jolie? Oui, j’ai une maison très jolie for amber waves of grain, for purple mountain majesties above the fruited plain throughout our history boys and girls (this was the voice of Pholos), the federal government has grown in prestige, power, and authority but we must not forget, boys and girls, that by origin we are a union of sovereign republics, the United God shed his grace on thee, and crown thy good with brotherhood—the beautiful song was blindly persisting in Caldwell’s brain. To shining sea. The old baloney. He had heard it first in Passaic. Since then, how strange he had grown! His top half felt all afloat in a starry firmament of ideals and young voices singing; the rest of his self was heavily sunk in a swamp where it must, eventually, drown. Each time the feathers brushed the floor, the shaft worked in his wound. He tried to keep that leg from touching the floor, but the jagged clatter of the three remaining hooves sounded so loud he was afraid one of the doors would snap open and another teacher emerge to bar his way. In this crisis his fellow-­teachers seemed herdsmen of terror, threatening to squeeze him back into the room with the students. His bowels weakly convulsed; on the glimmering varnished boards, right in front of the trophy case with its hundred silver eyes, he deposited, without breaking stride, a steaming dark spreading cone. His great gray-­dappled flanks twitched with distaste, but like a figurehead on the prow of a foundering ship his head and torso pressed forward.

The faint watery blur above the side doors drew him on. Here, at the far end of the hall, through windows exteriorly screened against vandalism, light from outdoors entered the school and, unable to spread in the viscid, varnished atmosphere, remained captured, like water in oil, above the entrance. ­Toward this bluish bubble of light the moth inside him drove Caldwell’s high, handsome, compounded body. His viscera squirmed; a dusty antenna brushed the roof of his mouth. Yet also on his palate he eagerly tasted an anticipation of fresh air. The air brightened. He bucked the double doors whose dirty glass was reinforced with chicken wire. In a tumult of pain, the arrow battering the steel balusters, he threw himself down the short flight of steps to the concrete landing. In ascending these steps a child had hastily pencilled fuck on the darkly lustrous wall. Caldwell gripped the brass bar and, his mouth thin with determination beneath his pinched and frightened eyes, he pushed into the open.

His nostrils made two plumes of frost. It was January. The clear blue of the towering sky seemed forceful yet enigmatic. The immense level swath of the school’s side lawn, pointed at the corners by plantings of pines, was, though this was winter’s heart, green; but the color was frozen, paralyzed, vestigial, artificial. Beyond the school grounds, a trolley car, gently clanging, floated up the pike ­toward Ely. Virtually empty—the time was eleven o’clock, the shoppers were all going the other way, into Alton—it swayed lightly on its tracks and the straw seats showered sparks of gold through the windows. Outdoors, in the face of spatial grandeur, his pain seemed abashed. Dwarfed, it retreated into his ankle, became hard and sullen and contemptible. Caldwell’s strange silhouette took on dignity; his shoulders—a little narrow for so large a creature—straightened, and he moved, if not at a prance, yet with such pressured stoic grace that the limp was enrolled in his stride. He took the paved walk between the frozen lawn and the brimming parking lot. Beneath his belly the grimacing grilles flashed in the white winter sun; the scratches in the chrome were iridescent as diamonds. The cold began to shorten his breath. Behind him in the salmon-­brick hulk of the high school a buzzer sounded, dismissing the class he had abandoned. With a sluggish digestive rumble, the classes shifted.

Hummel’s Garage adjoined the Olinger High School property, a little irregular river of asphalt separating them. Its association with the school was not merely territorial. Hummel had for many years, though not now, served on the school board, and his young red-­haired wife, Vera, was the girls’ physical education instructor. The garage got much trade from the high school. Boys brought their derelict jalopies here to be fixed, and younger boys pumped up basketballs with the free air. In the front part of the building, in the large room where Hummel kept his accounts and his tattered, blackened library of spare-­parts catalogues and where two wooden desks side by side each supported a nibbled foliation of papers and pads and spindles skewering up to the rusted tip fluffy stacks of pink receipts, here a cloudy glass case, its cracked top repaired with a lightning-­shaped line of tire tape, kept candy in crackling wrappers waiting for children’s pennies. Here, on a brief row of greasy folding chairs overlooking a five-­foot cement pit whose floor was flush with the alley outside, the male teachers sometimes—more of old than recently—sat at noon and smoked and ate Fifth Avenues and Reese’s Peanut Butter Cups and Essick’s Coughdrops and put their tightly laced and polished feet up on the railing and let their martyred nerves uncurl while, in the three-­sided pit below, an automobile like an immense metal baby was washed and changed by Hummel’s swarthy men.

The main and greater part of the garage was approached on an asphalt ramp as rough, streaked, gouged, flecked, and bubbled as a hardened volcanic flow. In the wide green door opened to admit motored vehicles, there was a little man-­sized door with keep closed dribblingly dabbed in blue touch‑up paint below the latch. Caldwell lifted the latch and entered. His hurt leg cursed the turn needed to close the door behind him.

A deep warm darkness was lit by sparks. The floor of the grotto was waxed black by oil drippings. At the far side of the long workbench, two shapeless men in goggles caressed a great downward-­drooping fan of flame broken into dry drops. Another man, staring upward out of round eyesockets white in a black face, rolled by on his back and disappeared beneath the body of a car. His eyes adjusting to the gloom, Caldwell saw heaped about him overturned fragments of automobiles, fragile and phantasmal, fenders like corpses of turtles, bristling engines like disembodied hearts. Hisses and angry thumps lived in the mottled air. Near where Caldwell stood, an old potbellied coal stove bent brilliant pink through its seams. He hesitated to leave its radius of warmth, though the thing in his ankle was thawing, and his stomach assuming an unsettled flutter.

Hummel himself appeared in the doorway of the workshop. As they walked ­toward each other, Caldwell experienced a mocking sensation of walking ­toward a mirror, for Hummel also limped. One of his legs was smaller than the other, due to a childhood fall. He looked hunched, pale, weathered; the recent years had diminished the master mechanic. The Esso and Mobilgas chains had both built service stations a few blocks away along the pike, and now that the war was over, and everybody could buy new cars with their war-­work money, the demand for repairs had plummeted.

Awards

  • WINNER | 1964
    National Book Awards

Reviews

“A triumph of love and art.”—The Washington Post
 
“A brilliant achievement . . . No one should need to be told that Updike has a mastery of language matched in our time only by the finest poets.”—Saturday Review
 
“Unsurpassed . . . Natural, pertinent, fresh, subtle, and superbly written.”—Newsweek

Author

JOHN UPDIKE is the author of more than sixty books, eight of them collections of poetry. His novels won the Pulitzer Prize, the National Book Award, the National Book Critics Circle, and the William Dean Howells Medal of the American Academy of Arts and Letters. He died in January 2009.
View titles by John Updike