Halloween Carnival Volume 5

Richard Chizmar, Lisa Tuttle, Norman Prentiss, Kevin Quigley, and Peter Straub unmask monsters hiding in plain sight in an anthology of heart-pounding short fiction assembled by horror author and editor Brian James Freeman.
 
DEVIL’S NIGHT by Richard Chizmar
You’ve read about what happened that night. What you don’t know is the true extent of the damage. The papers got it wrong—and the truth is so much worse than you thought.
 
THE LAST DARE by Lisa Tuttle
Elaine hasn’t been back to her hometown in years. The house she lived in is gone. The tower house isn’t—nor are the stories of the fate that befalls whoever dares to go there.
 
THE HALLOWEEN BLEED by Norman Prentiss
People think there’s some sort of mystical power that allows enchantments and witchcraft to come to life on Halloween night. But real magic obeys no calendar—and true evil strikes whenever it’s least expected.
 
SWING by Kevin Quigley
In Hollywood, everyone lives forever. At least that’s what I used to think . . . before Jessica. But no one seems to live long when they’re around me.
 
PORK PIE HAT by Peter Straub
When it comes to jazz, there are players, and there are legends. “Hat” was a legend. His real name didn’t even matter. Still, he had his secrets—secrets best left buried in the past.

Praise for Halloween Carnival Volume 5

“This miniature cavalcade of spine-tingling and thought-provoking horrors lives up to its name and is the perfect Halloween treat.”Publishers Weekly (starred review)
Devil’s Night

Richard Chizmar

One

It all started on a windblown Friday night in October. It was the night before Halloween, the night we always called Wreck Night or Devil’s Night back when we were kids and Halloween was second in our hearts only to Christmas.

At least the newspapers got that much right. The day, I mean. They pretty much screwed up the rest of the story.
I was there that night. Let me tell you what really happened . . .

Two

In the chill autumn months after my first child was born, I spent many late-night hours driving the streets of my hometown. It became a routine. Two, three nights a week, around about midnight, I’d creep into the nursery one final time to check on the baby (a healthy boy named Joshua, after my father) and then I’d kiss my amused wife good night and off I’d go, driving the streets in random routes until my eyes went blurry and my spine sprouted kinks the size of quarters.

Driving and thinking. Thinking and driving. Some nights with the radio. Most nights in silence.

That was a little more than four years ago, but I still go out and drive some nights. Just not very often now—maybe once or twice a month, tops.

My wife, Janice, is wonderful (and wise) and she’s known me for more than half of my thirty-six years, so she innately understands the need for these trips of mine. We rarely talk about it, but she somehow knows that this town where we both grew up and still live today, this town—its streets and houses and storefronts and lawns and sidewalks and the very sky above—gives me a real sense of peace and understanding I could never hope to find elsewhere. I know how funny that sounds, how old-fashioned, but it’s the best and probably the only way I know how to describe my feelings for this place.

When little Josh was born, it was an event that thrilled me to new heights but also deeply troubled me. That’s actually a pretty big understatement, the part about it troubling me. You see . . . I worried about the baby. I worried about my wife. I worried a lot about myself. I worried a lot, period. There were just so many new and important questions, and more and more of them seemed to be born with each passing day.

Could I be a good father?

Could I provide for the family with just a teacher’s salary?

Could I protect the baby from a world so different from the one I grew up in?

Fact is, I never found the answers to most of the hard questions that arose during that period in my life—hell, most of them still exist today—but the answers that I did find usually came to me during those midnight drives. They got me through some rough times.

So, you see, that’s the reason I went out for a ride on that windy Friday evening. There were budget problems at school to be dealt with the following week and budget problems at home to be dealt with that very weekend, and I needed a dose of cool night air to help clear my head. We were just recently a family of four, having added a terribly fussy but nonetheless adorable baby girl to the mix. Josh and the baby were sound asleep and Janice was upstairs resting, a few hundred pages into one of those romance paperbacks she loves so much. The house was too damn quiet. It was seven minutes past nine o’clock when I steered a hard left out of our driveway.
“This miniature cavalcade of spine-tingling and thought-provoking horrors lives up to its name and is the perfect Halloween treat.”Publishers Weekly (starred review)
Richard Chizmar is the founder, publisher, and editor of Cemetery Dance magazine and Cemetery Dance Publications. He has edited more than a dozen anthologies, including The Best of Cemetery Dance, The Earth Strikes Back, Night Visions 10, October Dreams (with Robert Morrish), and the Shivers series. View titles by Richard Chizmar
© Emily Murray
Lisa Tuttle won the John W. Campbell Award in 1974 at the beginning of her career, and subsequently her short stories have won the British Science Fiction Award and the International Horror Guild Award, as well as being chosen for “Year’s Best” anthologies and nominated for Hugo and Nebula Awards. Her novels include Lost Futures, Gabriel, The Pillow Friend, The Mysteries, The Silver Bough and, most recently, the first two in a series of supernaturally tinged mysteries set in Victorian England: The Curious Affair of the Somnambulist and the Psychic Thief and The Curious Affair of the Witch at Wayside Cross. She has also written nonfiction and books for children. American-born, she now lives with her family on the west coast of Scotland, where the weather and scenery are similar to that of Windhaven. View titles by Lisa Tuttle

About

Richard Chizmar, Lisa Tuttle, Norman Prentiss, Kevin Quigley, and Peter Straub unmask monsters hiding in plain sight in an anthology of heart-pounding short fiction assembled by horror author and editor Brian James Freeman.
 
DEVIL’S NIGHT by Richard Chizmar
You’ve read about what happened that night. What you don’t know is the true extent of the damage. The papers got it wrong—and the truth is so much worse than you thought.
 
THE LAST DARE by Lisa Tuttle
Elaine hasn’t been back to her hometown in years. The house she lived in is gone. The tower house isn’t—nor are the stories of the fate that befalls whoever dares to go there.
 
THE HALLOWEEN BLEED by Norman Prentiss
People think there’s some sort of mystical power that allows enchantments and witchcraft to come to life on Halloween night. But real magic obeys no calendar—and true evil strikes whenever it’s least expected.
 
SWING by Kevin Quigley
In Hollywood, everyone lives forever. At least that’s what I used to think . . . before Jessica. But no one seems to live long when they’re around me.
 
PORK PIE HAT by Peter Straub
When it comes to jazz, there are players, and there are legends. “Hat” was a legend. His real name didn’t even matter. Still, he had his secrets—secrets best left buried in the past.

Praise for Halloween Carnival Volume 5

“This miniature cavalcade of spine-tingling and thought-provoking horrors lives up to its name and is the perfect Halloween treat.”Publishers Weekly (starred review)

Excerpt

Devil’s Night

Richard Chizmar

One

It all started on a windblown Friday night in October. It was the night before Halloween, the night we always called Wreck Night or Devil’s Night back when we were kids and Halloween was second in our hearts only to Christmas.

At least the newspapers got that much right. The day, I mean. They pretty much screwed up the rest of the story.
I was there that night. Let me tell you what really happened . . .

Two

In the chill autumn months after my first child was born, I spent many late-night hours driving the streets of my hometown. It became a routine. Two, three nights a week, around about midnight, I’d creep into the nursery one final time to check on the baby (a healthy boy named Joshua, after my father) and then I’d kiss my amused wife good night and off I’d go, driving the streets in random routes until my eyes went blurry and my spine sprouted kinks the size of quarters.

Driving and thinking. Thinking and driving. Some nights with the radio. Most nights in silence.

That was a little more than four years ago, but I still go out and drive some nights. Just not very often now—maybe once or twice a month, tops.

My wife, Janice, is wonderful (and wise) and she’s known me for more than half of my thirty-six years, so she innately understands the need for these trips of mine. We rarely talk about it, but she somehow knows that this town where we both grew up and still live today, this town—its streets and houses and storefronts and lawns and sidewalks and the very sky above—gives me a real sense of peace and understanding I could never hope to find elsewhere. I know how funny that sounds, how old-fashioned, but it’s the best and probably the only way I know how to describe my feelings for this place.

When little Josh was born, it was an event that thrilled me to new heights but also deeply troubled me. That’s actually a pretty big understatement, the part about it troubling me. You see . . . I worried about the baby. I worried about my wife. I worried a lot about myself. I worried a lot, period. There were just so many new and important questions, and more and more of them seemed to be born with each passing day.

Could I be a good father?

Could I provide for the family with just a teacher’s salary?

Could I protect the baby from a world so different from the one I grew up in?

Fact is, I never found the answers to most of the hard questions that arose during that period in my life—hell, most of them still exist today—but the answers that I did find usually came to me during those midnight drives. They got me through some rough times.

So, you see, that’s the reason I went out for a ride on that windy Friday evening. There were budget problems at school to be dealt with the following week and budget problems at home to be dealt with that very weekend, and I needed a dose of cool night air to help clear my head. We were just recently a family of four, having added a terribly fussy but nonetheless adorable baby girl to the mix. Josh and the baby were sound asleep and Janice was upstairs resting, a few hundred pages into one of those romance paperbacks she loves so much. The house was too damn quiet. It was seven minutes past nine o’clock when I steered a hard left out of our driveway.

Reviews

“This miniature cavalcade of spine-tingling and thought-provoking horrors lives up to its name and is the perfect Halloween treat.”Publishers Weekly (starred review)

Author

Richard Chizmar is the founder, publisher, and editor of Cemetery Dance magazine and Cemetery Dance Publications. He has edited more than a dozen anthologies, including The Best of Cemetery Dance, The Earth Strikes Back, Night Visions 10, October Dreams (with Robert Morrish), and the Shivers series. View titles by Richard Chizmar
© Emily Murray
Lisa Tuttle won the John W. Campbell Award in 1974 at the beginning of her career, and subsequently her short stories have won the British Science Fiction Award and the International Horror Guild Award, as well as being chosen for “Year’s Best” anthologies and nominated for Hugo and Nebula Awards. Her novels include Lost Futures, Gabriel, The Pillow Friend, The Mysteries, The Silver Bough and, most recently, the first two in a series of supernaturally tinged mysteries set in Victorian England: The Curious Affair of the Somnambulist and the Psychic Thief and The Curious Affair of the Witch at Wayside Cross. She has also written nonfiction and books for children. American-born, she now lives with her family on the west coast of Scotland, where the weather and scenery are similar to that of Windhaven. View titles by Lisa Tuttle