A construction site crew is busy at work in this rhyming Step 1 story. As the work continues readers are in for a surprise--the "crew" is actually a group of young friends engaged in a fun day of dramatic play. Two sheets of vehicle-themed stickers are included. It's a natural for young readers who love to build and are fans of vehicles that dig, scoop, and sometimes go ka-boom!
SELECTION
| 2014 Children's Book Committee at Bank Street College Children's Book of the Year
Joan Holub is the New York Times–bestselling author and illustrator of more than 140 children’s books, including Breakout at the Bug Lab, Who Was Babe Ruth?, and the Goddess Girls series. Prior to publishing her first title in 1992, she was an associate art director at Scholastic.
View titles by Joan Holub
David Gordon was born in New York City. His first novel, "The Serialist," won the VCU/Cabell First Novel Award and was a finalist for an Edgar Award. It was also made into a major motion picture in Japan. His work has also appeared in The Paris Review, The New York Times, Purple, and Fence, among other publications.
View titles by David Gordon
A construction site crew is busy at work in this rhyming Step 1 story. As the work continues readers are in for a surprise--the "crew" is actually a group of young friends engaged in a fun day of dramatic play. Two sheets of vehicle-themed stickers are included. It's a natural for young readers who love to build and are fans of vehicles that dig, scoop, and sometimes go ka-boom!
Awards
SELECTION
| 2014 Children's Book Committee at Bank Street College Children's Book of the Year
Joan Holub is the New York Times–bestselling author and illustrator of more than 140 children’s books, including Breakout at the Bug Lab, Who Was Babe Ruth?, and the Goddess Girls series. Prior to publishing her first title in 1992, she was an associate art director at Scholastic.
View titles by Joan Holub
David Gordon was born in New York City. His first novel, "The Serialist," won the VCU/Cabell First Novel Award and was a finalist for an Edgar Award. It was also made into a major motion picture in Japan. His work has also appeared in The Paris Review, The New York Times, Purple, and Fence, among other publications.
View titles by David Gordon
