From a 2-time winner of the Governor General's Literary Award, an intense novel of loss, memory and the limitless nature of family love.

Hal Wiens, a retired professor, is mourning the sudden death of his loving wife, Yo. To get through each day, he relies on the bare comfort of routine and regular phone calls to his children Dennis and Miriam, who live in distant cities with their families. One snowy April morning, while drinking coffee with his Dené friend Owl in south-side Edmonton, he sees a tall man in an orange downfill jacket walk past on the sidewalk. The jacket, the posture, the head and hair are unmistakable: it's his beloved oldest son, Gabriel. But it can't be—Gabriel killed himself 25 years ago.

The sighting throws Hal's inert life into tumult. While trying to track down the man, he is irresistibly compelled to revisit the diaries, journals and pictures Gabe left behind, to unfold the mystery of his son's death. Through Gabe's own eyes we begin to understand the covert sensibilities that corroded the hope and light his family knew in him. As he becomes absorbed in his son's life, lost on a tide of "relentless memory," Hal's grief—and guilt—is portrayed with a stunning immediacy, drawing us into a powerful emotional and spiritual journey.

Come Back
is a rare and beautiful novel about the humanity of living and dying, a lyrical masterwork from one of our most treasured writers.
  • WINNER | 2015
    City of Edmonton Book Prize
  • WINNER | 2015
    Georges Bugnet Award for Novel
  • FINALIST | 2015
    City of Edmonton Book Prize
#1 BESTSELLER (McNally Robinson)
Finalist for the Alberta Readers’ Choice Awards
Winner of the Robert Kroetsch City of Edmonton Book Prize
Winner of the Alberta Literary Awards—Georges Bugnet Award for Fiction

"Powerful, at times lyrical, Come Back gives voice to the depth of familial love and the strength of the human desire for answers in the face of inconsolable loss."
Winnipeg Free Press

"Come Back lingers in the reader's mind and heart as a powerful and deeply felt spiritual biography."
Waterloo Regional Record

"A very real portrait of a grief-stricken father trying to piece together his son from unreliable scraps of information."
—Edmonton Journal

"Come Back's tone is kind, and maintains an ethic of honesty. Even its starkest passages are underwritten with a kind of grave acceptance. . . . But Wiebe's principal achievement in Come Back is his avoidance of consolation. There is no cure for the pain of premature loss. Longing for the missing loved one will tug at the heart, call that command in perpetuity. Wiebe makes us attend to the beauty of the call."
The Globe and Mail

"Rudy Wiebe’s new novel, Come Back, succeeds in doing a rare thing—articulating grief in its full weight and depth while also buoying it with love. . . . [The narrative voice] feels, in fact, like a song, a hymn even, lyrical, gripping and heartbreaking—the kind of song that stops you on the spot and reaches into the chasm."
Alberta Views

"The writing [of Come Back] is elegiac in tone and the novel, as is to be expected from Wiebe, is stylistically experimental and challenging."
Quill & Quire

"[An] emotionally harrowing tale."
Toronto Star

"This novel is for anyone who contemplates not only how terrible things happen in this world, but why love cannot always save people. . . . Wiebe has used the eloquence of words as a response to unanswered questions of loss and tragedy."
Mennonite Life
© J.D. Sloan
Rudy Wiebe was born on October 4, 1934, in an isolated farm community of about 250 people in a rugged but lovely region near Fairholme, Saskatchewan. His parents had escaped Soviet Russia with five children in 1930, part of the last generation of homesteaders to settle the Canadian West, and part of a Mennonite history of displacement and emigration through Europe and Asia to North and South America since the seventeenth century. In 1947 his family gave up their bush farm and moved to Coaldale, Alberta, a town east of Lethbridge peopled largely by Ukrainians, Mennonites, Mormons, and Central Europeans, as well as Japanese, who ended up there during WW II.

Rudy Wiebe read as much as possible from an early age; his first reading materials were the Bible, the Eaton's catalogue and the Free Press Weekly Prairie Farmer; he also recalls listening to his parents’ stories of Russia. By Grade 4, he had read through the two shelves of books available in the one-room schoolhouse. Growing up, he enjoyed Les Miserables, Toilers of the Sea, David Copperfield, Tom Brown's Schooldays, Greek myths and Norse legends. Later an admirer of Faulkner, Márquez, Borges and Tolstoy, Wiebe has always held to the fundamentals of plot, character and, above all, story. He believes stories should begin in the specific and local but expand into “a human truth larger than any individual.”

Wiebe won his first prize for fiction while studying literature at the University of Alberta, where he enrolled in a writing class and began producing poems, plays and stories. His winning story in a Canada-wide contest recounted a young boy’s response to the death of his sister – based on Wiebe’s own experience – and was published in the magazine Liberty in 1956. After earning his B.A., Wiebe left for the ancient University of Tübingen in West Germany on a Rotary Fellowship to study literature and theology, an experience that increased his respect for older and richer communities. Tena Isaak of British Columbia joined him there and they were married. The couple travelled in England, Austria, Switzerland and Italy before returning to Edmonton, where Wiebe completed his M.A. in creative writing. His thesis grew into his first novel, Peace Shall Destroy Many.

In 1962 Wiebe earned a Bachelor of Theology degree from the Mennonite Brethren Bible College; he considered becoming a minister. He was editor of Winnipeg’s Mennonite Brethren Herald when Peace Shall Destroy Many was published. Many conservative ministers and Mennonites in small towns objected to the novel's frank and at times unflattering portrait of community life, and there was considerable opposition to the book. “I wasn't exactly sacked as editor . . . but the committee came to me and said ‘Ahem.’ I resigned.” The strength of this reaction made him think hard about the power of the written word, and reinforced his sense of wanting to be a writer.

Wiebe then was invited to teach at a Mennonite college in Goshen, an agricultural town in Indiana with a large Mennonite and Amish population, where he would be Assistant Professor of English from 1963 to 1967. Goshen College was a lively and stimulating intellectual community where Wiebe committed himself to writing, study, teaching and travel. “I encountered men and women of real perception . . . really literate Christians who saw themselves as Jesus's followers and at the same time were acquainted with the thoughts of others and had brought that kind of understanding to bear on what it means to be a Christian. The best thing that ever happened to me was the meetings we had every two or three weeks in one home or another – seven or eight of us, a psychiatrist, a couple of theologians, a couple of literary people. There were the best theologians there, I think, the Mennonite Church has ever had.”

Wiebe published his second novel, First and Vital Candle, and began to explore the western United States and the Mennonite settlements in Paraguay. He returned to Edmonton as a professor in creative writing and English at the University of Alberta, and immersed himself in Canadian literature. He wrote reviews, essays and articles, edited anthologies and was soon established as a major figure in Canadian letters. In 1973, his novel The Temptations of Big Bear won a Governor General's Award. Since then he has continued to win the highest praise for his books of fiction and non-fiction. He has written numerous film and television scripts, lectured internationally from Denmark to India, and given readings from Adelaide to Puerto Rico to Helsinki and Igloolik. For thirty years he taught literature and creative writing at colleges and universities in Canada, the United States and Germany. Now retired from teaching, his former students include such accomplished writers as Myrna Kostash, Aritha van Herk, Thomas Wharton and Katherine Govier.

Wiebe was called the first major Mennonite writer to place his community’s experience in a broader framework. Mennonites assert the fundamental authority of Scripture, especially the New Testament, as a practical guide to life. But while Wiebe imbues his work with a deep moral seriousness, his focus has always been on narrative. “I never consciously think of writing a so-called Christian novel. I don’t think Albert Camus ever thought of writing an existentialist novel, either. I think of getting at, of building, a story.” As a prairie writer, he has often concerned himself with Native stories, feeling place of birth to be more important than blood ancestry. “Those Mennonite villages in Russia are my heritage, but not my world. The world I feel and sense in my bones is the bush of northern Saskatchewan, of prairie Canada.” Native spirituality, with its vital links to the physical world, has always attracted him. But his fiction manages to transcend nationality and locale to explore the struggles of communities and individuals; his books and stories have been translated into nine European languages, as well as Chinese, Japanese and Hindi.

Whatever Wiebe’s focus in a given work, he has always chosen ambitious themes, and his work rewards readers with an intensity seldom rivalled. He is a voice of Canadian fiction that cannot be ignored, and whose work promises to endure. View titles by Rudy Wiebe

About

From a 2-time winner of the Governor General's Literary Award, an intense novel of loss, memory and the limitless nature of family love.

Hal Wiens, a retired professor, is mourning the sudden death of his loving wife, Yo. To get through each day, he relies on the bare comfort of routine and regular phone calls to his children Dennis and Miriam, who live in distant cities with their families. One snowy April morning, while drinking coffee with his Dené friend Owl in south-side Edmonton, he sees a tall man in an orange downfill jacket walk past on the sidewalk. The jacket, the posture, the head and hair are unmistakable: it's his beloved oldest son, Gabriel. But it can't be—Gabriel killed himself 25 years ago.

The sighting throws Hal's inert life into tumult. While trying to track down the man, he is irresistibly compelled to revisit the diaries, journals and pictures Gabe left behind, to unfold the mystery of his son's death. Through Gabe's own eyes we begin to understand the covert sensibilities that corroded the hope and light his family knew in him. As he becomes absorbed in his son's life, lost on a tide of "relentless memory," Hal's grief—and guilt—is portrayed with a stunning immediacy, drawing us into a powerful emotional and spiritual journey.

Come Back
is a rare and beautiful novel about the humanity of living and dying, a lyrical masterwork from one of our most treasured writers.

Awards

  • WINNER | 2015
    City of Edmonton Book Prize
  • WINNER | 2015
    Georges Bugnet Award for Novel
  • FINALIST | 2015
    City of Edmonton Book Prize

Reviews

#1 BESTSELLER (McNally Robinson)
Finalist for the Alberta Readers’ Choice Awards
Winner of the Robert Kroetsch City of Edmonton Book Prize
Winner of the Alberta Literary Awards—Georges Bugnet Award for Fiction

"Powerful, at times lyrical, Come Back gives voice to the depth of familial love and the strength of the human desire for answers in the face of inconsolable loss."
Winnipeg Free Press

"Come Back lingers in the reader's mind and heart as a powerful and deeply felt spiritual biography."
Waterloo Regional Record

"A very real portrait of a grief-stricken father trying to piece together his son from unreliable scraps of information."
—Edmonton Journal

"Come Back's tone is kind, and maintains an ethic of honesty. Even its starkest passages are underwritten with a kind of grave acceptance. . . . But Wiebe's principal achievement in Come Back is his avoidance of consolation. There is no cure for the pain of premature loss. Longing for the missing loved one will tug at the heart, call that command in perpetuity. Wiebe makes us attend to the beauty of the call."
The Globe and Mail

"Rudy Wiebe’s new novel, Come Back, succeeds in doing a rare thing—articulating grief in its full weight and depth while also buoying it with love. . . . [The narrative voice] feels, in fact, like a song, a hymn even, lyrical, gripping and heartbreaking—the kind of song that stops you on the spot and reaches into the chasm."
Alberta Views

"The writing [of Come Back] is elegiac in tone and the novel, as is to be expected from Wiebe, is stylistically experimental and challenging."
Quill & Quire

"[An] emotionally harrowing tale."
Toronto Star

"This novel is for anyone who contemplates not only how terrible things happen in this world, but why love cannot always save people. . . . Wiebe has used the eloquence of words as a response to unanswered questions of loss and tragedy."
Mennonite Life

Author

© J.D. Sloan
Rudy Wiebe was born on October 4, 1934, in an isolated farm community of about 250 people in a rugged but lovely region near Fairholme, Saskatchewan. His parents had escaped Soviet Russia with five children in 1930, part of the last generation of homesteaders to settle the Canadian West, and part of a Mennonite history of displacement and emigration through Europe and Asia to North and South America since the seventeenth century. In 1947 his family gave up their bush farm and moved to Coaldale, Alberta, a town east of Lethbridge peopled largely by Ukrainians, Mennonites, Mormons, and Central Europeans, as well as Japanese, who ended up there during WW II.

Rudy Wiebe read as much as possible from an early age; his first reading materials were the Bible, the Eaton's catalogue and the Free Press Weekly Prairie Farmer; he also recalls listening to his parents’ stories of Russia. By Grade 4, he had read through the two shelves of books available in the one-room schoolhouse. Growing up, he enjoyed Les Miserables, Toilers of the Sea, David Copperfield, Tom Brown's Schooldays, Greek myths and Norse legends. Later an admirer of Faulkner, Márquez, Borges and Tolstoy, Wiebe has always held to the fundamentals of plot, character and, above all, story. He believes stories should begin in the specific and local but expand into “a human truth larger than any individual.”

Wiebe won his first prize for fiction while studying literature at the University of Alberta, where he enrolled in a writing class and began producing poems, plays and stories. His winning story in a Canada-wide contest recounted a young boy’s response to the death of his sister – based on Wiebe’s own experience – and was published in the magazine Liberty in 1956. After earning his B.A., Wiebe left for the ancient University of Tübingen in West Germany on a Rotary Fellowship to study literature and theology, an experience that increased his respect for older and richer communities. Tena Isaak of British Columbia joined him there and they were married. The couple travelled in England, Austria, Switzerland and Italy before returning to Edmonton, where Wiebe completed his M.A. in creative writing. His thesis grew into his first novel, Peace Shall Destroy Many.

In 1962 Wiebe earned a Bachelor of Theology degree from the Mennonite Brethren Bible College; he considered becoming a minister. He was editor of Winnipeg’s Mennonite Brethren Herald when Peace Shall Destroy Many was published. Many conservative ministers and Mennonites in small towns objected to the novel's frank and at times unflattering portrait of community life, and there was considerable opposition to the book. “I wasn't exactly sacked as editor . . . but the committee came to me and said ‘Ahem.’ I resigned.” The strength of this reaction made him think hard about the power of the written word, and reinforced his sense of wanting to be a writer.

Wiebe then was invited to teach at a Mennonite college in Goshen, an agricultural town in Indiana with a large Mennonite and Amish population, where he would be Assistant Professor of English from 1963 to 1967. Goshen College was a lively and stimulating intellectual community where Wiebe committed himself to writing, study, teaching and travel. “I encountered men and women of real perception . . . really literate Christians who saw themselves as Jesus's followers and at the same time were acquainted with the thoughts of others and had brought that kind of understanding to bear on what it means to be a Christian. The best thing that ever happened to me was the meetings we had every two or three weeks in one home or another – seven or eight of us, a psychiatrist, a couple of theologians, a couple of literary people. There were the best theologians there, I think, the Mennonite Church has ever had.”

Wiebe published his second novel, First and Vital Candle, and began to explore the western United States and the Mennonite settlements in Paraguay. He returned to Edmonton as a professor in creative writing and English at the University of Alberta, and immersed himself in Canadian literature. He wrote reviews, essays and articles, edited anthologies and was soon established as a major figure in Canadian letters. In 1973, his novel The Temptations of Big Bear won a Governor General's Award. Since then he has continued to win the highest praise for his books of fiction and non-fiction. He has written numerous film and television scripts, lectured internationally from Denmark to India, and given readings from Adelaide to Puerto Rico to Helsinki and Igloolik. For thirty years he taught literature and creative writing at colleges and universities in Canada, the United States and Germany. Now retired from teaching, his former students include such accomplished writers as Myrna Kostash, Aritha van Herk, Thomas Wharton and Katherine Govier.

Wiebe was called the first major Mennonite writer to place his community’s experience in a broader framework. Mennonites assert the fundamental authority of Scripture, especially the New Testament, as a practical guide to life. But while Wiebe imbues his work with a deep moral seriousness, his focus has always been on narrative. “I never consciously think of writing a so-called Christian novel. I don’t think Albert Camus ever thought of writing an existentialist novel, either. I think of getting at, of building, a story.” As a prairie writer, he has often concerned himself with Native stories, feeling place of birth to be more important than blood ancestry. “Those Mennonite villages in Russia are my heritage, but not my world. The world I feel and sense in my bones is the bush of northern Saskatchewan, of prairie Canada.” Native spirituality, with its vital links to the physical world, has always attracted him. But his fiction manages to transcend nationality and locale to explore the struggles of communities and individuals; his books and stories have been translated into nine European languages, as well as Chinese, Japanese and Hindi.

Whatever Wiebe’s focus in a given work, he has always chosen ambitious themes, and his work rewards readers with an intensity seldom rivalled. He is a voice of Canadian fiction that cannot be ignored, and whose work promises to endure. View titles by Rudy Wiebe