Wind Walker

A Novel

Part of Titus Bass

The saga of frontier mountain man Titus Bass was first chronicled by author Terry C. Johnston in the bestselling trilogy Carry the Wind, Borderlords, and One-Eyed Dream. In Dance on the Wind, Buffalo Palace, and Crack in the Sky, Johnston set down the stirring adventures of Bass's early life. Now the unforgettable epic concludes with the story of this legendary hero's autumn years that was begun in Ride the Moon Down and Death Rattle.

In this breathtaking climax, Bass, the hardy survivor of a world now gone, prepares to fight his magnificent final battle.

Fleeing the bloody aftermath of the Taos Rebellion, Titus Bass leads his family north, hoping to winter with the Crow people. But wagons filled with overland emigrants in search of new homes have already begun to trek across the vast untamed frontier. The wild and free world of the mountain men is quickly fading into the past. Even the famous Jim Bridger, whose trading post sits on the emigrants' Oregon Trail, must contend with arriving Mormons under Brigham Young, who view the region as their Promised Land to be cleansed of all nonbelievers.

For Titus Bass, the journey north is sadly eventful. He must save an old friend from death and rescue his daughter Magpie from cutthroat traders. He must find a way to free a wagon train of innocents from its unscrupulous leader, his murderous assistant, and the band of violent toughs who enforce the leader's will. Most important of all, Bass must come to terms with his long-lost daughter Amanda, bound with her husband and children for a new home ... in a faraway land that Bass himself will never see.

When Bass eventually arrives in the land of the Crow, he finds old friends -- and old ways -- dying out. Determined to live out his final years in peace, Bass soon comes to realize that even on the changing frontier, enemies lie in wait, old dangers lurk, and survival is never a certain thing. But still to come is the greatest lesson of all -- that dearer by far than his own life are the lives of his friends and loved ones.
"Strangers?"

Without looking at his young son, Titus Bass nodded and eventually whispered, "Yes, Flea. In this country, you must consider everyone a stranger."

His own words stabbed into the frozen air, hung frostily for but a heartbeat, then were ripped away by a sharp, sudden gust that stirred up skiffs of the dry, two-day-old snow around them, where they lay on a ledge of bare rock.

"Get me the far-seeing glass," the fifty-three-year-old trapper said, never tearing his eyes off the distant objects plodding like black-backed sow beetles across the everywhere-white ablaze beneath the brilliant winter sun in a far-reaching sky.

Without making a sound in reply, the boy of ten winters scooted backward into the stunted cedar, where he rose in a crouch and quietly padded away, the soft crunch of his thick winter moccasins fading in the utter, aching silence that made itself known each time the winter wind died here on the brow of the low ridge. It wasn't long before Titus heard his son returning. Flea went to his knees, then plopped onto his belly to cover those last few yards, crawling right up beside his father, their elbows brushing.

"You are a good son," he whispered to his oldest boy in the child's strongest language, Crow -- the tongue of Flea's mother.

Brushing some of his long, gray hair out of his face, Titus again vowed that he should teach his children more, much more, of his own American tongue in the months and years to come. Down in the marrow of him he was growing more certain with time that they would need that American tongue before they became adults. His children would grow into maturity and give birth to children of their own in a world that Bass knew nothing of. A world very much unlike the world he had grown up in at the edge of the frontier, back there in Kentucky -- essentially the same world his own father had grown up in, and to a great extent the very same life his grandfather had known before them. Right in the same place, on the same land both father and grandfather had tilled, sweated into, and prayed over. But ... Magpie, Flea, and little Jackrabbit would soon enough confront a world their father knew nothing of.

He smiled as Flea held out the long, brass spyglass to him. "You are a good lad," he said, this time in American, slowly too, pulling out the three sections to the spyglass's full length.

"Lad." Flea tried the word out, then paused slightly as he strung more words together, "I -- am -- a -- good -- lad."

"You're about the best lad ever could be," Titus confirmed, again in American, then patted his son on the shoulder.

Poking his trigger finger through the small slot cut in his thick buffalo-hair mittens so he could fire his rifle with those mittens on, Bass swiveled the tiny brass protective plate away from the eyepiece and brought the spyglass to his one good eye. Blinked several times. Then peered through the long instrument as he slowly scanned the far ground below them until the image of the riders flashed across his view. Back he brought the spyglass, then slowly, slowly twisted the last of the three sections to bring the figures into better focus.

"Here, Flea -- have a look for your own self," he said as he handed the boy the spyglass. When his son had it against one eye, Bass spoke in Crow. "Turn it slow, like this, to see the riders come up close in your eye."

The man rubbed the long, pale scar that angled downward from the outside corner of his left eye while he waited for the boy to scan the ground ahead with that strange, foreign instrument. He had worn that scar for some fifteen winters now, cut there in a last, desperate fight he had with an old friend whose right hand had been replaced with a crude iron hook.

As the youth panned across the landscape, Flea jerked to a halt and held the spyglass steady, breathless too.

Titus asked, "How many you count?"

Flea's lips moved slightly as he continued to concentrate his attention on the distant objects. "Two-times-ten, perhaps a little more."

"No, in American."

The boy took the spyglass from his eye and concentrated now on this new problem. Then he said in his father's tongue, "Ten."

"No," Titus prodded in a whisper, speaking his own native language. "That's the wrong American word. Two-times-ten. So in American, you say twenty."

"Why is this number more important than those riders down there?" Flea asked with a youth's irritation.

Bass sighed and said, "You are right. We must think on the riders. All those horsemen -- do you think they are enemies?"

With a nod, the boy answered in Crow, "Just as you said, in this country there are many strangers ... and strangers could be enemies."

For a moment he glanced at Wah-to-Yah, the Spanish Peaks, rising against the blue winter sky off to the west. Then he asked the boy, "Tell me what you think about those riders. Do you see the horses that don't carry any riders? The animals loaded down with packs? What of this bunch coming our way -- should we hurry back to your mother and the rest of our family? Should we get them into hiding fast?"

For a long moment Flea regarded his father as if it might just be a trick question. Then he whispered, "They don't ride like Indians."

"Why do you say they don't ride like Indians, son?"

"Because, Popo," Flea said, using that affectionate name for his father, "the Indians I know -- they ride in single file."

"So these horsemen, what are they?"

"White men?"

"Say it in American for me."

"White men," Flea said assuredly. He knew those words. His father was one. Half his blood and bone and muscle was white.

"You see the dog?" he asked his son.

"Dog?"

"Look carefully -- and you'll spot him."

After some moments, Flea finally declared, "That dog is white -- I did not see him for a long time because of the snow."

"Big dog, ain't it?" he asked in American.

"Yes."

"Injuns have dogs near big as that critter?"

The boy shook his head.

"That's right, son," Titus whispered. "Dog like that lopin' along them horses -- it's a sign them are likely white men comin' our way."

Over the last few agonizing weeks Titus Bass had grown all the more certain that he would see that every one of his children knew everything he could teach them about the white man. Not just his language, but his ways. The good and the bad of the pale-skinned ones who were trickling out of the East. Titus would have to teach them everything he inherently knew about his own kind so that his half-blood children would not get eaten alive when the mountains grew crowded with strangers.
Praise for the novels of Terry C. Johnston:

Ride the Moon Down
"Bass is a near-mythic Davy Crockett-like character, but author Johnston imbues him with Everyman emotions .... Readers of past Bass adventures will not be disappointed."
-- Booklist

Dance on the Wind
"A good book ... not only gives readers a wonderful story, but also provides vivid slices of history that surround the colorful characters."
-- Dee Brown, author of Bury My Heart at Wounded Knee

"Packed with people, action, and emotion ... makes you wish it would never end."
-- Clive Cussler

Buffalo Palace
"Rich in historical lore and dramatic description, this is a first-rate addition to a solid series, a rousing tale of one man's search for independence in the unspoiled beauty of the old West."
-- Publishers Weekly

"Terry C. Johnston has redefined the concept of the western hero.... The author's attention to detail and authenticity, coupled with his ability to spin a darned good yarn, makes it easy to see why Johnston is today's bestselling frontier novelist. He's one of a handful that truly know the territory."
-- Chicago Tribune

Crack in the Sky
"No one does it better than Terry Johnston. He has emerged as one of the great frontier historical novelists of our generation."
-- Tulsa World

"Mastery of the mountain man culture in all its ramifications, a sure grasp of the historical context, and the imagination of a first-rate novelist combine to make Crack in the Sky a compelling, fast-paced story firmly anchored in sound history."
-- Robert M. Utley, former chief historian for the National Park Service and author of A Life Wild and Perilous: Mountain Men and the Paths to the Pacific

Carry The Wind, Borderlords, and One-Eyed Dream
"Johnson's books are action-packed ... a remarkably fine blend of arduous historical research and proficient use of language ... lively, lusty, fascinating."
-- Colorado Springs Gazette Telegraph

"Rich and fascinating ... There is a genuine flavor of the period and of the men who made it what it was."
-- The Washington Post Book World
Terry C. Johnston is recognized as a master of the American historical novel. His grand adventures of the American West combine the grace and beauty of a natural storyteller with complete dedication to historical accuracy and authenticity. Johnston was born the first day of 1947 on the plains of Kansas, and lived all his life in the American West. His first novel, Carry the Wind, won the Medicine Pipe Bearer Award from the Western Writers of America, and his subsequent books have appeared on bestseller lists throughout the country. After writing more than 30 novels, he died in March 2001 in Millings, Montana. View titles by Terry C. Johnston

About

The saga of frontier mountain man Titus Bass was first chronicled by author Terry C. Johnston in the bestselling trilogy Carry the Wind, Borderlords, and One-Eyed Dream. In Dance on the Wind, Buffalo Palace, and Crack in the Sky, Johnston set down the stirring adventures of Bass's early life. Now the unforgettable epic concludes with the story of this legendary hero's autumn years that was begun in Ride the Moon Down and Death Rattle.

In this breathtaking climax, Bass, the hardy survivor of a world now gone, prepares to fight his magnificent final battle.

Fleeing the bloody aftermath of the Taos Rebellion, Titus Bass leads his family north, hoping to winter with the Crow people. But wagons filled with overland emigrants in search of new homes have already begun to trek across the vast untamed frontier. The wild and free world of the mountain men is quickly fading into the past. Even the famous Jim Bridger, whose trading post sits on the emigrants' Oregon Trail, must contend with arriving Mormons under Brigham Young, who view the region as their Promised Land to be cleansed of all nonbelievers.

For Titus Bass, the journey north is sadly eventful. He must save an old friend from death and rescue his daughter Magpie from cutthroat traders. He must find a way to free a wagon train of innocents from its unscrupulous leader, his murderous assistant, and the band of violent toughs who enforce the leader's will. Most important of all, Bass must come to terms with his long-lost daughter Amanda, bound with her husband and children for a new home ... in a faraway land that Bass himself will never see.

When Bass eventually arrives in the land of the Crow, he finds old friends -- and old ways -- dying out. Determined to live out his final years in peace, Bass soon comes to realize that even on the changing frontier, enemies lie in wait, old dangers lurk, and survival is never a certain thing. But still to come is the greatest lesson of all -- that dearer by far than his own life are the lives of his friends and loved ones.

Excerpt

"Strangers?"

Without looking at his young son, Titus Bass nodded and eventually whispered, "Yes, Flea. In this country, you must consider everyone a stranger."

His own words stabbed into the frozen air, hung frostily for but a heartbeat, then were ripped away by a sharp, sudden gust that stirred up skiffs of the dry, two-day-old snow around them, where they lay on a ledge of bare rock.

"Get me the far-seeing glass," the fifty-three-year-old trapper said, never tearing his eyes off the distant objects plodding like black-backed sow beetles across the everywhere-white ablaze beneath the brilliant winter sun in a far-reaching sky.

Without making a sound in reply, the boy of ten winters scooted backward into the stunted cedar, where he rose in a crouch and quietly padded away, the soft crunch of his thick winter moccasins fading in the utter, aching silence that made itself known each time the winter wind died here on the brow of the low ridge. It wasn't long before Titus heard his son returning. Flea went to his knees, then plopped onto his belly to cover those last few yards, crawling right up beside his father, their elbows brushing.

"You are a good son," he whispered to his oldest boy in the child's strongest language, Crow -- the tongue of Flea's mother.

Brushing some of his long, gray hair out of his face, Titus again vowed that he should teach his children more, much more, of his own American tongue in the months and years to come. Down in the marrow of him he was growing more certain with time that they would need that American tongue before they became adults. His children would grow into maturity and give birth to children of their own in a world that Bass knew nothing of. A world very much unlike the world he had grown up in at the edge of the frontier, back there in Kentucky -- essentially the same world his own father had grown up in, and to a great extent the very same life his grandfather had known before them. Right in the same place, on the same land both father and grandfather had tilled, sweated into, and prayed over. But ... Magpie, Flea, and little Jackrabbit would soon enough confront a world their father knew nothing of.

He smiled as Flea held out the long, brass spyglass to him. "You are a good lad," he said, this time in American, slowly too, pulling out the three sections to the spyglass's full length.

"Lad." Flea tried the word out, then paused slightly as he strung more words together, "I -- am -- a -- good -- lad."

"You're about the best lad ever could be," Titus confirmed, again in American, then patted his son on the shoulder.

Poking his trigger finger through the small slot cut in his thick buffalo-hair mittens so he could fire his rifle with those mittens on, Bass swiveled the tiny brass protective plate away from the eyepiece and brought the spyglass to his one good eye. Blinked several times. Then peered through the long instrument as he slowly scanned the far ground below them until the image of the riders flashed across his view. Back he brought the spyglass, then slowly, slowly twisted the last of the three sections to bring the figures into better focus.

"Here, Flea -- have a look for your own self," he said as he handed the boy the spyglass. When his son had it against one eye, Bass spoke in Crow. "Turn it slow, like this, to see the riders come up close in your eye."

The man rubbed the long, pale scar that angled downward from the outside corner of his left eye while he waited for the boy to scan the ground ahead with that strange, foreign instrument. He had worn that scar for some fifteen winters now, cut there in a last, desperate fight he had with an old friend whose right hand had been replaced with a crude iron hook.

As the youth panned across the landscape, Flea jerked to a halt and held the spyglass steady, breathless too.

Titus asked, "How many you count?"

Flea's lips moved slightly as he continued to concentrate his attention on the distant objects. "Two-times-ten, perhaps a little more."

"No, in American."

The boy took the spyglass from his eye and concentrated now on this new problem. Then he said in his father's tongue, "Ten."

"No," Titus prodded in a whisper, speaking his own native language. "That's the wrong American word. Two-times-ten. So in American, you say twenty."

"Why is this number more important than those riders down there?" Flea asked with a youth's irritation.

Bass sighed and said, "You are right. We must think on the riders. All those horsemen -- do you think they are enemies?"

With a nod, the boy answered in Crow, "Just as you said, in this country there are many strangers ... and strangers could be enemies."

For a moment he glanced at Wah-to-Yah, the Spanish Peaks, rising against the blue winter sky off to the west. Then he asked the boy, "Tell me what you think about those riders. Do you see the horses that don't carry any riders? The animals loaded down with packs? What of this bunch coming our way -- should we hurry back to your mother and the rest of our family? Should we get them into hiding fast?"

For a long moment Flea regarded his father as if it might just be a trick question. Then he whispered, "They don't ride like Indians."

"Why do you say they don't ride like Indians, son?"

"Because, Popo," Flea said, using that affectionate name for his father, "the Indians I know -- they ride in single file."

"So these horsemen, what are they?"

"White men?"

"Say it in American for me."

"White men," Flea said assuredly. He knew those words. His father was one. Half his blood and bone and muscle was white.

"You see the dog?" he asked his son.

"Dog?"

"Look carefully -- and you'll spot him."

After some moments, Flea finally declared, "That dog is white -- I did not see him for a long time because of the snow."

"Big dog, ain't it?" he asked in American.

"Yes."

"Injuns have dogs near big as that critter?"

The boy shook his head.

"That's right, son," Titus whispered. "Dog like that lopin' along them horses -- it's a sign them are likely white men comin' our way."

Over the last few agonizing weeks Titus Bass had grown all the more certain that he would see that every one of his children knew everything he could teach them about the white man. Not just his language, but his ways. The good and the bad of the pale-skinned ones who were trickling out of the East. Titus would have to teach them everything he inherently knew about his own kind so that his half-blood children would not get eaten alive when the mountains grew crowded with strangers.

Reviews

Praise for the novels of Terry C. Johnston:

Ride the Moon Down
"Bass is a near-mythic Davy Crockett-like character, but author Johnston imbues him with Everyman emotions .... Readers of past Bass adventures will not be disappointed."
-- Booklist

Dance on the Wind
"A good book ... not only gives readers a wonderful story, but also provides vivid slices of history that surround the colorful characters."
-- Dee Brown, author of Bury My Heart at Wounded Knee

"Packed with people, action, and emotion ... makes you wish it would never end."
-- Clive Cussler

Buffalo Palace
"Rich in historical lore and dramatic description, this is a first-rate addition to a solid series, a rousing tale of one man's search for independence in the unspoiled beauty of the old West."
-- Publishers Weekly

"Terry C. Johnston has redefined the concept of the western hero.... The author's attention to detail and authenticity, coupled with his ability to spin a darned good yarn, makes it easy to see why Johnston is today's bestselling frontier novelist. He's one of a handful that truly know the territory."
-- Chicago Tribune

Crack in the Sky
"No one does it better than Terry Johnston. He has emerged as one of the great frontier historical novelists of our generation."
-- Tulsa World

"Mastery of the mountain man culture in all its ramifications, a sure grasp of the historical context, and the imagination of a first-rate novelist combine to make Crack in the Sky a compelling, fast-paced story firmly anchored in sound history."
-- Robert M. Utley, former chief historian for the National Park Service and author of A Life Wild and Perilous: Mountain Men and the Paths to the Pacific

Carry The Wind, Borderlords, and One-Eyed Dream
"Johnson's books are action-packed ... a remarkably fine blend of arduous historical research and proficient use of language ... lively, lusty, fascinating."
-- Colorado Springs Gazette Telegraph

"Rich and fascinating ... There is a genuine flavor of the period and of the men who made it what it was."
-- The Washington Post Book World

Author

Terry C. Johnston is recognized as a master of the American historical novel. His grand adventures of the American West combine the grace and beauty of a natural storyteller with complete dedication to historical accuracy and authenticity. Johnston was born the first day of 1947 on the plains of Kansas, and lived all his life in the American West. His first novel, Carry the Wind, won the Medicine Pipe Bearer Award from the Western Writers of America, and his subsequent books have appeared on bestseller lists throughout the country. After writing more than 30 novels, he died in March 2001 in Millings, Montana. View titles by Terry C. Johnston
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