Information Arts

Intersections of Art, Science, and Technology

Part of Leonardo

Paperback
$50.00 US
| $66.00 CAN
On sale Feb 28, 2003 | 970 Pages | 9780262731584
An introduction to the work and ideas of artists who use—and even influence—science and technology.

A new breed of contemporary artist engages science and technology—not just to adopt the vocabulary and gizmos, but to explore and comment on the content, agendas, and possibilities. Indeed, proposes Stephen Wilson, the role of the artist is not only to interpret and to spread scientific knowledge, but to be an active partner in determining the direction of research. Years ago, C. P. Snow wrote about the "two cultures" of science and the humanities; these developments may finally help to change the outlook of those who view science and technology as separate from the general culture.

In this rich compendium, Wilson offers the first comprehensive survey of international artists who incorporate concepts and research from mathematics, the physical sciences, biology, kinetics, telecommunications, and experimental digital systems such as artificial intelligence and ubiquitous computing. In addition to visual documentation and statements by the artists, Wilson examines relevant art-theoretical writings and explores emerging scientific and technological research likely to be culturally significant in the future. He also provides lists of resources including organizations, publications, conferences, museums, research centers, and Web sites.

An admirable compendium of work....The book's roster reads like a who's who of international scenemakers.—Wired

Wilson...has bravely tried to survey the entire intersection of the arts and the sciences.

Mike Holderness, New Scientist
Stephen Wilson was Professor of Conceptual and Information Arts at San Francisco State University.

About

An introduction to the work and ideas of artists who use—and even influence—science and technology.

A new breed of contemporary artist engages science and technology—not just to adopt the vocabulary and gizmos, but to explore and comment on the content, agendas, and possibilities. Indeed, proposes Stephen Wilson, the role of the artist is not only to interpret and to spread scientific knowledge, but to be an active partner in determining the direction of research. Years ago, C. P. Snow wrote about the "two cultures" of science and the humanities; these developments may finally help to change the outlook of those who view science and technology as separate from the general culture.

In this rich compendium, Wilson offers the first comprehensive survey of international artists who incorporate concepts and research from mathematics, the physical sciences, biology, kinetics, telecommunications, and experimental digital systems such as artificial intelligence and ubiquitous computing. In addition to visual documentation and statements by the artists, Wilson examines relevant art-theoretical writings and explores emerging scientific and technological research likely to be culturally significant in the future. He also provides lists of resources including organizations, publications, conferences, museums, research centers, and Web sites.

Reviews

An admirable compendium of work....The book's roster reads like a who's who of international scenemakers.—Wired

Wilson...has bravely tried to survey the entire intersection of the arts and the sciences.

Mike Holderness, New Scientist

Author

Stephen Wilson was Professor of Conceptual and Information Arts at San Francisco State University.