The HIV epidemic animates this collection of essays by a noted artist, writer, and activist. "So total was the burden of illness—mine and others'—that the only viable response, other than to cease making art entirely, was to adjust to the gravity of the predicament by using the crisis as a lens," writes Gregg Bordowitz, a film- and video-maker whose best-known works, Fast Trip Long Drop (1993) and Habit (2001), address AIDS globally and personally. In The AIDS Crisis Is Ridiculous—the title essay is inspired by Charles Ludlam, founder of the Ridiculous Theater Company—Bordowitz follows in the tradition of artist-writers Robert Smithson and Yvonne Rainer by making writing an integral part of an artistic practice.
Bordowitz has left his earliest writings for the most part unchanged—to preserve, he says, "both the youthful exuberance and the palpable sense of fear" created by the early days of the AIDS crisis. After these early essays, the writing becomes more experimental, sometimes mixing fiction and fact; included here is a selection of Bordowitz's columns from the journal Documents, "New York Was Yesterday." Finally, in his newest essays he reformulates early themes, and, in "My Postmodernism" (written for Artforum's fortieth anniversary issue) and "More Operative Assumptions" (written especially for this book), he reexamines the underlying ideas of his practice and sums up his theoretical concerns.
In his mature work, Bordowitz seeks to join the subjective—the experience of having a disease—and the objective—the fact of the disease as a global problem. He believes that this conjunction is necessary for understanding and fighting the crisis. "If it can be written," he says, "then it can be realized."
The AIDS Crisis is Ridiculous covers a wide range of topics, from coalition-building to the disappearance of New York City as a home for the fringes, from art criticism to South African AIDS activism.
—San Francisco Bay Guardian—The AIDS Crisis is Ridiculous interweaves the author's intimate experiences, personal reflections on his own mortality and fear of death, and essential information on AIDS prevention and treatment. The result is a dynamic image of the fight against the pandemic seen through the lens of an AIDS video activist-Gregg Bordowitz himself.
—A&U: America's AIDS Magazine—In The AIDS Crisis is Ridiculous and Other Writings, Gregg Bordowitz combines memoir and critical practice to startling effect...He opens up not just his world but ours as well.
—Richard Meyer, Bookforum—The HIV epidemic animates this collection of essays by a noted artist, writer, and activist. "So total was the burden of illness—mine and others'—that the only viable response, other than to cease making art entirely, was to adjust to the gravity of the predicament by using the crisis as a lens," writes Gregg Bordowitz, a film- and video-maker whose best-known works, Fast Trip Long Drop (1993) and Habit (2001), address AIDS globally and personally. In The AIDS Crisis Is Ridiculous—the title essay is inspired by Charles Ludlam, founder of the Ridiculous Theater Company—Bordowitz follows in the tradition of artist-writers Robert Smithson and Yvonne Rainer by making writing an integral part of an artistic practice.
Bordowitz has left his earliest writings for the most part unchanged—to preserve, he says, "both the youthful exuberance and the palpable sense of fear" created by the early days of the AIDS crisis. After these early essays, the writing becomes more experimental, sometimes mixing fiction and fact; included here is a selection of Bordowitz's columns from the journal Documents, "New York Was Yesterday." Finally, in his newest essays he reformulates early themes, and, in "My Postmodernism" (written for Artforum's fortieth anniversary issue) and "More Operative Assumptions" (written especially for this book), he reexamines the underlying ideas of his practice and sums up his theoretical concerns.
In his mature work, Bordowitz seeks to join the subjective—the experience of having a disease—and the objective—the fact of the disease as a global problem. He believes that this conjunction is necessary for understanding and fighting the crisis. "If it can be written," he says, "then it can be realized."
The AIDS Crisis is Ridiculous covers a wide range of topics, from coalition-building to the disappearance of New York City as a home for the fringes, from art criticism to South African AIDS activism.
—San Francisco Bay Guardian—The AIDS Crisis is Ridiculous interweaves the author's intimate experiences, personal reflections on his own mortality and fear of death, and essential information on AIDS prevention and treatment. The result is a dynamic image of the fight against the pandemic seen through the lens of an AIDS video activist-Gregg Bordowitz himself.
—A&U: America's AIDS Magazine—In The AIDS Crisis is Ridiculous and Other Writings, Gregg Bordowitz combines memoir and critical practice to startling effect...He opens up not just his world but ours as well.
—Richard Meyer, Bookforum—
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