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A Good Hard Look

A Novel

Author Ann Napolitano On Tour
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Paperback
$18.00 US
| $24.95 CAN
On sale Jun 26, 2012 | 352 Pages | 9780143121152
Grades 9-12 + AP/IB

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From the New York Times bestselling author of Hello Beautiful and Dear Edward, a novel set in Flannery O'Connor's hometown of Milledgeville, and a tragedy that forever alters the town and the author herself

"A wholly believable world shaped by duty, small pleasures, and fateful choices."—O, The Oprah Magazine


Forced by illness to leave behind a successful life in New York, literary icon Flannery O'Connor has returned to her family farm in the small town of Milledgeville, Georgia. With her health and time both limited, all she wants is to be left alone to write.

But Flannery's plans are soon upended by Melvin Whiteson, a banker from Manhattan who has recently married the town belle. Melvin is at loose ends with his new life; though he has every opportunity, he's not sure where to begin. Flannery knows exactly what she wants, but is running out of time. Through their unusual and clandestine friendship, both will come to reflect on the decisions they have made and the paths they have chosen.

Literary history and fiction gracefully intersect in this emotionally charged novel of small town Southern life from one of our most beloved novelists, which asks us all to consider how we can live our lives to the fullest.
The peacocks tilted their heads back and bellowed and hollered their desires into the night. They snapped their shimmering tails open and shut like fans. Behind each male’s pointy head, a green-bronze arch unfurled, covered with a halo of gazing suns. The females brayed and shook their less-attractive tails in return. The birds didn’t care that it was the middle of the night, and they didn’t care who they were disturbing. They didn’t care that there was a wedding tomorrow, or that the groom, who had just arrived from New York City, was lying beneath a lace canopy at his in-laws’ house, paralyzed with fear. They didn’t care that his fiancée startled awake in the next room and toppled out of her high bed, and they certainly didn’t care that her face hit a stool on the way down. They didn’t care that the rest of the small Georgia town was also awake, twitching in their beds like beached fish.

The peacocks were not out to make friends. They were out to do what they liked, when they liked. They chose this particular time on this particular night for the same reason they chose to eat the flowers in the side garden the moment they bloomed. They preferred roses and hyacinths, but deigned to eat tulips as well. They had claimed every inch of the farm, which meant the wide expanse of lawn in front of the farmhouse shimmered under a layer of white refuse.

The peacocks chased the peahens across the crunchy grass, short legs thrusting, three-pronged feet grabbing at the dirt. The females stole glances over their shoulders. Fans were unfolded and then gathered back close. White, yellow, and green eyes stared out from the feathers, ogling the darkness.

The males covered the ground with improbable speed. They trampled grass and hay and hopped onto the white fence that lined the property. The wooden beams objected, leaning beneath the sudden weight. The birds puffed out their chests. They opened their beaks and screamed. They sustained the noise until a lone flower fell from the magnolia tree. The petals drifted, reluctant and aromatic, to the ground.

In the center of town, Melvin and Cookie huddled together on the floor of her room. They spoke in rushed whispers designed to fit between the bouts of noise.



“I hit my eye,” she said. “I hit it hard.”

Cookie’s window was open. Enough moonlight coated the scene for Melvin to see that her right eye had already puffed up; it looked like a knuckled fist ready to throw a punch. A dark pink stain spread across the skin.

“How bad is it?” she asked.

“It’s fine. It’s nothing.”

I can feel it throbbing. Oh my God, I’ll look terrible tomorrow.”

“You’ll look beautiful. You always do,” Melvin said. He meant this. He had met her on a park bench in the city several months earlier, and since that moment had never seen her look anything less than perfect. He almost didn’t believe that the bruise existed, even as he watched it grow and deepen.

Cookie didn’t hear him. Something occurred to her, and she gazed at him with fresh panic. “Is it after midnight?”

Melvin looked down at his bare wrist. His watch was back in the guest room, lying on the night table. “I think so. It must be.”

You’re not supposed to see me until the altar. This is bad luck!”

He wanted to reply, but the noise was unrelenting. It plowed through the walls. It crowded the room.

Cookie sobbed and cupped a hand over her eye. She reached out for Melvin with the other. She was glad she wasn’t alone in this dark room, which had become, after an absence of almost three years, strangely unfamiliar. She hoped that returning home had been the right decision. She hoped that asking Melvin to move here had been the right decision. Cookie had never fallen out of bed in her life. Her eye pulsed against her palm. She thought about her wedding dress and she thought about tomorrow, which was also, apparently, today.

The warm air was thick with the smell of magnolia blossoms. Cookie shuddered. A single scream, louder than the others, shot like a fi re-cracker into the sky.

Her body unlatched, like a young girl’s diary sprung open by a pin. She leaned closer to Melvin and laid her head against his chest.

He could feel her heart racing beneath her thin nightgown. He couldn’t hear anything above the screams. Melvin tried, in vain, to organize his thoughts. Cookie had said that peacocks were making this noise. He believed her, but at the same time he couldn’t. This noise—this incredible din—could surely not be made by beaked, feathered birds. The entire town must be awake around them; only the deaf or the extremely drunk could sleep through this cacophony, and if that was the case, how could it be allowed to carry on? Someone needs to shut this down, he thought. Where are the police? The peacock wranglers? Who’s in charge here?

Cookie’s breath hit Melvin’s bare chest in quick, warm puffs. She tilted her head back. She looked like she had something to say.

The cries perforated the air. The ruthless sound fragmented the darkness and splintered Cookie and Melvin’s thoughts. They lost coherence, articulacy. They wished they could escape. They wished they knew what to do. They not only wanted the screams to stop, they wanted to make them stop. A force was pushing against them, and their instinct was to push back.

Melvin looked at Cookie and her radiating eye.

“Please,” she said.

He knitted his fingers through her hair and kissed her so hard they both slid a few inches across the floor.

When he pulled away, she tugged him closer.

“You should go back to your room,” she said.

Another lock was picked, this time within Melvin, and he pushed her white nightgown up her thighs. His breath was thick in his throat. He inhaled flowers and Cookie’s skin and the dirt from a farm he had never laid eyes on. The birds seemed to be screaming at him now. They were taunting him, goading him, trying to pick a fight. Come on, they yelled. Do it! What are you made of?

Melvin’s hands swept up and down Cookie’s back. He wanted to leave himself and crawl into her. He wanted to block the screams out. He wanted to hurt Cookie with kisses. He felt dizzy, and somehow, somewhere, wounded. He pulled on Cookie, and she pulled back. They scrambled against each other. It seemed conceivable to both of them, in the darkness, that this noise, and this night, might never end.

“My parents,” she whispered.

“They won’t hear. No one can hear anything.”

Cookie’s fingertip traced a figure eight against his shoulder. “It is technically our wedding day,” she said, as much to herself as anyone.

The skin around her right eye tinted purple, on its way to every color in the rainbow. Melvin tugged her nightgown over her head. She didn’t know where to put her hands. The man and the woman, intertwined, shimmied to their feet and fell onto the bed.

“Why won’t they just be quiet?” Cookie said, and was surprised by how loud and unattractive her voice sounded.

This had not been her plan, and she was a young woman who lived by plans. If she did this—no, as she did this, because it was happening, his lips were pressing her bruise and she was crying out in a confused medley of pain and pleasure—who would that make her be?

Any evidence of her distress was lost on Melvin. He felt dwarfed, in yet another canopied bed, by the size of his own expectations. There was a grit of shame caught beneath his fingernails as he gripped Cookie’s soft, white thigh. He knew he would not sleep again that night; he wouldn’t even try. Melvin batted his fiancée around the bed as if she were a firefly he was trying to catch in a bottle, while the birds roared in the distance.

The wedding guests, strung like beads across the church pews, pinned their gazes on Melvin. He reeled slightly on the altar, his own vision bleary with exhaustion. Cookie had prepared him for the attention. This town is small, she had said. Our wedding is the most exciting thing to happen here in years.

Melvin listened carefully whenever Cookie spoke about Milledgeville. He was curious about her commitment to this place. From the moment they’d met, she had the look of a woman on her way out of town. Every dinner and every date in the city had a ring of finality. It was clear that Cookie was going to leave New York, and it became clear that she hoped Melvin would come with her. She had been relieved, and moved, when he said he would. But when he asked why she wanted to return home so badly, she had steered the conversation to wedding planning.

Melvin understood feeling an allegiance to a particular place; he had rarely left home until now. But he was from New York City. Loyalty to that metropolis made inherent sense to him. People moved to the city from all over the world. No matter what a person was looking for— art, business, culture—New York undoubtedly had the best to offer. It had seemed perfectly natural for Melvin to attend college there, and then to return to his parents’ large town house. He had worked at his father’s bank during school vacations, and after graduation he accepted a full-time position. It was an international bank, founded by his father thirty years earlier. As with the city, it seemed ridiculous to go anywhere else.

Milledgeville, however, was a quiet, decorous place. It had no dominant industry, and hosted a miniature economy. It didn’t have a cinema or theater, and the local library was modest in size. It was difficult for Melvin to see how this place stood apart from anywhere else, and there-fore his fiancée’s hunger to return intrigued him. He knew it would take time to discover the reason, but he didn’t mind the wait. He had nothing but time, and nothing was more important than Cookie.

He knew that she wasn’t one to explain things. In fact, Cookie was a camera fl ash, a series of bright lights: bright love when she looked into Melvin’s eyes, jealousy when she saw another woman look at him, concentration during her morning crossword puzzle, pleasure while in his arms. She flashed on and off, always alive, always conquering the moment. In the Himmel living room the previous evening, Melvin had watched Cookie’s eyes shine as if with fever while she flew around the small space, talking to, and charming, everyone in sight.

The music flared, and the rhythm shifted. People straightened in the pews, and handkerchiefs came out in preparation. The bride appeared at the top of the aisle on her father’s arm, dressed in a cloud of white. The crowd gave a stricken gasp, which exhaled into a sea of murmurs.

Cookie was wearing a beautiful dress, her blond hair curled perfectly over her shoulders, and her bouquet of lilies was exquisite. But all anyone could see, and all anyone would remember, was her eye. It was awash with color, despite the formidable coating of concealer her aunts and mother had applied. There was an inch of blue below her eyebrow, then a streak of bright rose. Her thick eyelid was yellowy green, and a swathe of deep purple sat on her cheekbone. The swollen area beat occasionally, like a heart. Several men swiveled their heads to look at Melvin and then back at her, tracing possible explanations in the air.

Melvin took Cookie’s hand when she reached him. Her fingers skittered across his palm. “They think you did this,” she whispered.

“It’s okay.”

“Those awful birds.”

They shared a look, and Melvin knew Cookie was thinking about the night before. She was thinking about how everything had turned on its head. They had consummated their love on the wrong side of this event. This was not how she had planned to feel, and certainly not how she’d planned to look, on her wedding day.

The minister’s words sounded so familiar—to have and to hold, in sickness and in health, in poverty as in wealth—that Melvin couldn’t shake the feeling that this was a rehearsal. Focus, he told himself. This is the real thing and it’s going by.

Cookie’s closed eye pulsed gently, and she became his wife.
“In A Good Hard Look, Ann Napolitano creates a fictional version of the life of the acclaimed southern writer that is as vibrantly colorful as the peacocks raised on the O’Connor family farm in Milledgeville, Georgia…Napolitano makes no attempt to mimic O’Connor’s singular style, but she does succeed in creating a wholly believable world shaped by duty, small pleasures, and fateful choices.” —O Magazine

“Napolitano’s protagonist is a marvelously outspoken, uncompromising force who becomes the impetus for several fictional Milledgeville residents to reassess and radically alter their lives…[Napolitano] has spun an absorbing, old-fashioned tale about how, as in Flannery O’Connor’s stories, ‘Grace changes a person….And change is painful.’” —The Washington Post

“To brand this a quaint period piece…would be doing Napolitano’s evocative tale of friendship and community a disservice.” —Entertainment Weekly

“Ann Napolitano’s novel, A Good Hard Look, with O’Connor occupying a central role, does the Georgia author proud. Be prepared to like this book. It’s complicated and peacock-haunted and strange…’ Does one’s integrity ever lie in what he’s unable to do?’ O’Connor once asked. At the heart of Napolitano’s brave book lies that question: the mysteries of freedom, its price, and the unmarked paths we take to get there.” —Atlanta Journal Constitution

“From almost the first page, this novel seemed real. I could feel, somehow, the characters’ seemingly pre-ordained retreat from grace as a deceptively simple plot unfolded in Milledgeville, Ga., where O’Connor returned to live out her final days in the early 1950s…. This narrative is a great story, almost light at times, often very funny—but always with the knowledge that this propped-up happiness too shall end…. there will be survivors, and they will find a touch more grace in their lives. What is less obvious is that Napolitano will somehow make you one of those survivors thinking about your own rocky road to redemption.” —Jackson Free Press

“The fact that an at-her-prime, seriously ill Flannery O’Connor is one of its main characters, while it might have overwhelmed a lesser novel, doesn’t drown this one; Napolitano doesn’t seek to emulate O’Connor’s style (other than by being, also, pointedly southern), but crafts, though characters (stunt-cast or no) her own powerful argument for living honestly…muggy, deeply enthralling, and worth a read.” —Booklist

“Napolitano doesn’t attempt to mimic Flannery O’Connor’s writing style, turning instead to her own lyric take on the human condition. She’s not written a biography of Flannery, though the character is well rooted in research….While [Flannery's] interaction is key to the story, she is a catalyst. One cannot imagine the novel without her, but she is just one in a cast of fully fleshed- out and entrancing characters.” —Denver Post

“Ann Napolitano’s second novel, A Good Hard Look, is haunted by those peacocks and by O’Connor herself. Though Napolitano doesn’t try to write like O’Connor — her gentle, quietly elegant prose is worlds away from the powerful, often devastatingly harsh Southern Gothic world in which O’Connor dwelled — her book nonetheless emerges as a graceful tribute, not only to a writer, but to a time and place.” —Seattle Times
© Jake Chessum
Ann Napolitano is the bestselling author of Hello Beautiful which was selected as Oprah’s 100th Book Club pick; Dear Edward, an instant New York Times bestseller, a Read with Jenna selection, and an Apple TV+ series; A Good Hard Look, and Within Arm’s Reach. For seven years, Napolitano was the associate editor of the literary magazine One Story, and she received an MFA from New York University. She has taught fiction writing at Brooklyn College’s MFA program, New York University’s School of Continuing and Professional Studies, and Gotham Writers Workshop. View titles by Ann Napolitano

About

From the New York Times bestselling author of Hello Beautiful and Dear Edward, a novel set in Flannery O'Connor's hometown of Milledgeville, and a tragedy that forever alters the town and the author herself

"A wholly believable world shaped by duty, small pleasures, and fateful choices."—O, The Oprah Magazine


Forced by illness to leave behind a successful life in New York, literary icon Flannery O'Connor has returned to her family farm in the small town of Milledgeville, Georgia. With her health and time both limited, all she wants is to be left alone to write.

But Flannery's plans are soon upended by Melvin Whiteson, a banker from Manhattan who has recently married the town belle. Melvin is at loose ends with his new life; though he has every opportunity, he's not sure where to begin. Flannery knows exactly what she wants, but is running out of time. Through their unusual and clandestine friendship, both will come to reflect on the decisions they have made and the paths they have chosen.

Literary history and fiction gracefully intersect in this emotionally charged novel of small town Southern life from one of our most beloved novelists, which asks us all to consider how we can live our lives to the fullest.

Excerpt

The peacocks tilted their heads back and bellowed and hollered their desires into the night. They snapped their shimmering tails open and shut like fans. Behind each male’s pointy head, a green-bronze arch unfurled, covered with a halo of gazing suns. The females brayed and shook their less-attractive tails in return. The birds didn’t care that it was the middle of the night, and they didn’t care who they were disturbing. They didn’t care that there was a wedding tomorrow, or that the groom, who had just arrived from New York City, was lying beneath a lace canopy at his in-laws’ house, paralyzed with fear. They didn’t care that his fiancée startled awake in the next room and toppled out of her high bed, and they certainly didn’t care that her face hit a stool on the way down. They didn’t care that the rest of the small Georgia town was also awake, twitching in their beds like beached fish.

The peacocks were not out to make friends. They were out to do what they liked, when they liked. They chose this particular time on this particular night for the same reason they chose to eat the flowers in the side garden the moment they bloomed. They preferred roses and hyacinths, but deigned to eat tulips as well. They had claimed every inch of the farm, which meant the wide expanse of lawn in front of the farmhouse shimmered under a layer of white refuse.

The peacocks chased the peahens across the crunchy grass, short legs thrusting, three-pronged feet grabbing at the dirt. The females stole glances over their shoulders. Fans were unfolded and then gathered back close. White, yellow, and green eyes stared out from the feathers, ogling the darkness.

The males covered the ground with improbable speed. They trampled grass and hay and hopped onto the white fence that lined the property. The wooden beams objected, leaning beneath the sudden weight. The birds puffed out their chests. They opened their beaks and screamed. They sustained the noise until a lone flower fell from the magnolia tree. The petals drifted, reluctant and aromatic, to the ground.

In the center of town, Melvin and Cookie huddled together on the floor of her room. They spoke in rushed whispers designed to fit between the bouts of noise.



“I hit my eye,” she said. “I hit it hard.”

Cookie’s window was open. Enough moonlight coated the scene for Melvin to see that her right eye had already puffed up; it looked like a knuckled fist ready to throw a punch. A dark pink stain spread across the skin.

“How bad is it?” she asked.

“It’s fine. It’s nothing.”

I can feel it throbbing. Oh my God, I’ll look terrible tomorrow.”

“You’ll look beautiful. You always do,” Melvin said. He meant this. He had met her on a park bench in the city several months earlier, and since that moment had never seen her look anything less than perfect. He almost didn’t believe that the bruise existed, even as he watched it grow and deepen.

Cookie didn’t hear him. Something occurred to her, and she gazed at him with fresh panic. “Is it after midnight?”

Melvin looked down at his bare wrist. His watch was back in the guest room, lying on the night table. “I think so. It must be.”

You’re not supposed to see me until the altar. This is bad luck!”

He wanted to reply, but the noise was unrelenting. It plowed through the walls. It crowded the room.

Cookie sobbed and cupped a hand over her eye. She reached out for Melvin with the other. She was glad she wasn’t alone in this dark room, which had become, after an absence of almost three years, strangely unfamiliar. She hoped that returning home had been the right decision. She hoped that asking Melvin to move here had been the right decision. Cookie had never fallen out of bed in her life. Her eye pulsed against her palm. She thought about her wedding dress and she thought about tomorrow, which was also, apparently, today.

The warm air was thick with the smell of magnolia blossoms. Cookie shuddered. A single scream, louder than the others, shot like a fi re-cracker into the sky.

Her body unlatched, like a young girl’s diary sprung open by a pin. She leaned closer to Melvin and laid her head against his chest.

He could feel her heart racing beneath her thin nightgown. He couldn’t hear anything above the screams. Melvin tried, in vain, to organize his thoughts. Cookie had said that peacocks were making this noise. He believed her, but at the same time he couldn’t. This noise—this incredible din—could surely not be made by beaked, feathered birds. The entire town must be awake around them; only the deaf or the extremely drunk could sleep through this cacophony, and if that was the case, how could it be allowed to carry on? Someone needs to shut this down, he thought. Where are the police? The peacock wranglers? Who’s in charge here?

Cookie’s breath hit Melvin’s bare chest in quick, warm puffs. She tilted her head back. She looked like she had something to say.

The cries perforated the air. The ruthless sound fragmented the darkness and splintered Cookie and Melvin’s thoughts. They lost coherence, articulacy. They wished they could escape. They wished they knew what to do. They not only wanted the screams to stop, they wanted to make them stop. A force was pushing against them, and their instinct was to push back.

Melvin looked at Cookie and her radiating eye.

“Please,” she said.

He knitted his fingers through her hair and kissed her so hard they both slid a few inches across the floor.

When he pulled away, she tugged him closer.

“You should go back to your room,” she said.

Another lock was picked, this time within Melvin, and he pushed her white nightgown up her thighs. His breath was thick in his throat. He inhaled flowers and Cookie’s skin and the dirt from a farm he had never laid eyes on. The birds seemed to be screaming at him now. They were taunting him, goading him, trying to pick a fight. Come on, they yelled. Do it! What are you made of?

Melvin’s hands swept up and down Cookie’s back. He wanted to leave himself and crawl into her. He wanted to block the screams out. He wanted to hurt Cookie with kisses. He felt dizzy, and somehow, somewhere, wounded. He pulled on Cookie, and she pulled back. They scrambled against each other. It seemed conceivable to both of them, in the darkness, that this noise, and this night, might never end.

“My parents,” she whispered.

“They won’t hear. No one can hear anything.”

Cookie’s fingertip traced a figure eight against his shoulder. “It is technically our wedding day,” she said, as much to herself as anyone.

The skin around her right eye tinted purple, on its way to every color in the rainbow. Melvin tugged her nightgown over her head. She didn’t know where to put her hands. The man and the woman, intertwined, shimmied to their feet and fell onto the bed.

“Why won’t they just be quiet?” Cookie said, and was surprised by how loud and unattractive her voice sounded.

This had not been her plan, and she was a young woman who lived by plans. If she did this—no, as she did this, because it was happening, his lips were pressing her bruise and she was crying out in a confused medley of pain and pleasure—who would that make her be?

Any evidence of her distress was lost on Melvin. He felt dwarfed, in yet another canopied bed, by the size of his own expectations. There was a grit of shame caught beneath his fingernails as he gripped Cookie’s soft, white thigh. He knew he would not sleep again that night; he wouldn’t even try. Melvin batted his fiancée around the bed as if she were a firefly he was trying to catch in a bottle, while the birds roared in the distance.

The wedding guests, strung like beads across the church pews, pinned their gazes on Melvin. He reeled slightly on the altar, his own vision bleary with exhaustion. Cookie had prepared him for the attention. This town is small, she had said. Our wedding is the most exciting thing to happen here in years.

Melvin listened carefully whenever Cookie spoke about Milledgeville. He was curious about her commitment to this place. From the moment they’d met, she had the look of a woman on her way out of town. Every dinner and every date in the city had a ring of finality. It was clear that Cookie was going to leave New York, and it became clear that she hoped Melvin would come with her. She had been relieved, and moved, when he said he would. But when he asked why she wanted to return home so badly, she had steered the conversation to wedding planning.

Melvin understood feeling an allegiance to a particular place; he had rarely left home until now. But he was from New York City. Loyalty to that metropolis made inherent sense to him. People moved to the city from all over the world. No matter what a person was looking for— art, business, culture—New York undoubtedly had the best to offer. It had seemed perfectly natural for Melvin to attend college there, and then to return to his parents’ large town house. He had worked at his father’s bank during school vacations, and after graduation he accepted a full-time position. It was an international bank, founded by his father thirty years earlier. As with the city, it seemed ridiculous to go anywhere else.

Milledgeville, however, was a quiet, decorous place. It had no dominant industry, and hosted a miniature economy. It didn’t have a cinema or theater, and the local library was modest in size. It was difficult for Melvin to see how this place stood apart from anywhere else, and there-fore his fiancée’s hunger to return intrigued him. He knew it would take time to discover the reason, but he didn’t mind the wait. He had nothing but time, and nothing was more important than Cookie.

He knew that she wasn’t one to explain things. In fact, Cookie was a camera fl ash, a series of bright lights: bright love when she looked into Melvin’s eyes, jealousy when she saw another woman look at him, concentration during her morning crossword puzzle, pleasure while in his arms. She flashed on and off, always alive, always conquering the moment. In the Himmel living room the previous evening, Melvin had watched Cookie’s eyes shine as if with fever while she flew around the small space, talking to, and charming, everyone in sight.

The music flared, and the rhythm shifted. People straightened in the pews, and handkerchiefs came out in preparation. The bride appeared at the top of the aisle on her father’s arm, dressed in a cloud of white. The crowd gave a stricken gasp, which exhaled into a sea of murmurs.

Cookie was wearing a beautiful dress, her blond hair curled perfectly over her shoulders, and her bouquet of lilies was exquisite. But all anyone could see, and all anyone would remember, was her eye. It was awash with color, despite the formidable coating of concealer her aunts and mother had applied. There was an inch of blue below her eyebrow, then a streak of bright rose. Her thick eyelid was yellowy green, and a swathe of deep purple sat on her cheekbone. The swollen area beat occasionally, like a heart. Several men swiveled their heads to look at Melvin and then back at her, tracing possible explanations in the air.

Melvin took Cookie’s hand when she reached him. Her fingers skittered across his palm. “They think you did this,” she whispered.

“It’s okay.”

“Those awful birds.”

They shared a look, and Melvin knew Cookie was thinking about the night before. She was thinking about how everything had turned on its head. They had consummated their love on the wrong side of this event. This was not how she had planned to feel, and certainly not how she’d planned to look, on her wedding day.

The minister’s words sounded so familiar—to have and to hold, in sickness and in health, in poverty as in wealth—that Melvin couldn’t shake the feeling that this was a rehearsal. Focus, he told himself. This is the real thing and it’s going by.

Cookie’s closed eye pulsed gently, and she became his wife.

Reviews

“In A Good Hard Look, Ann Napolitano creates a fictional version of the life of the acclaimed southern writer that is as vibrantly colorful as the peacocks raised on the O’Connor family farm in Milledgeville, Georgia…Napolitano makes no attempt to mimic O’Connor’s singular style, but she does succeed in creating a wholly believable world shaped by duty, small pleasures, and fateful choices.” —O Magazine

“Napolitano’s protagonist is a marvelously outspoken, uncompromising force who becomes the impetus for several fictional Milledgeville residents to reassess and radically alter their lives…[Napolitano] has spun an absorbing, old-fashioned tale about how, as in Flannery O’Connor’s stories, ‘Grace changes a person….And change is painful.’” —The Washington Post

“To brand this a quaint period piece…would be doing Napolitano’s evocative tale of friendship and community a disservice.” —Entertainment Weekly

“Ann Napolitano’s novel, A Good Hard Look, with O’Connor occupying a central role, does the Georgia author proud. Be prepared to like this book. It’s complicated and peacock-haunted and strange…’ Does one’s integrity ever lie in what he’s unable to do?’ O’Connor once asked. At the heart of Napolitano’s brave book lies that question: the mysteries of freedom, its price, and the unmarked paths we take to get there.” —Atlanta Journal Constitution

“From almost the first page, this novel seemed real. I could feel, somehow, the characters’ seemingly pre-ordained retreat from grace as a deceptively simple plot unfolded in Milledgeville, Ga., where O’Connor returned to live out her final days in the early 1950s…. This narrative is a great story, almost light at times, often very funny—but always with the knowledge that this propped-up happiness too shall end…. there will be survivors, and they will find a touch more grace in their lives. What is less obvious is that Napolitano will somehow make you one of those survivors thinking about your own rocky road to redemption.” —Jackson Free Press

“The fact that an at-her-prime, seriously ill Flannery O’Connor is one of its main characters, while it might have overwhelmed a lesser novel, doesn’t drown this one; Napolitano doesn’t seek to emulate O’Connor’s style (other than by being, also, pointedly southern), but crafts, though characters (stunt-cast or no) her own powerful argument for living honestly…muggy, deeply enthralling, and worth a read.” —Booklist

“Napolitano doesn’t attempt to mimic Flannery O’Connor’s writing style, turning instead to her own lyric take on the human condition. She’s not written a biography of Flannery, though the character is well rooted in research….While [Flannery's] interaction is key to the story, she is a catalyst. One cannot imagine the novel without her, but she is just one in a cast of fully fleshed- out and entrancing characters.” —Denver Post

“Ann Napolitano’s second novel, A Good Hard Look, is haunted by those peacocks and by O’Connor herself. Though Napolitano doesn’t try to write like O’Connor — her gentle, quietly elegant prose is worlds away from the powerful, often devastatingly harsh Southern Gothic world in which O’Connor dwelled — her book nonetheless emerges as a graceful tribute, not only to a writer, but to a time and place.” —Seattle Times

Author

© Jake Chessum
Ann Napolitano is the bestselling author of Hello Beautiful which was selected as Oprah’s 100th Book Club pick; Dear Edward, an instant New York Times bestseller, a Read with Jenna selection, and an Apple TV+ series; A Good Hard Look, and Within Arm’s Reach. For seven years, Napolitano was the associate editor of the literary magazine One Story, and she received an MFA from New York University. She has taught fiction writing at Brooklyn College’s MFA program, New York University’s School of Continuing and Professional Studies, and Gotham Writers Workshop. View titles by Ann Napolitano
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