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Poetics

Author Aristotle
Translated by Malcolm Heath
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$13.00 US
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Penguin Adult HC/TR | Penguin Classics
On sale Mar 01, 1997 | 144 Pages | 9780140446364
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Essential reading for all students of Greek theatre and literature, and equally stimulating for anyone interested in literature

In the Poetics, his near-contemporary account of classical Greek tragedy, Aristotle examine the dramatic elements of plot, character, language and spectacle that combine to produce pity and fear in the audience, and asks why we derive pleasure from this apparently painful process. Taking examples from the plays of Aeschylus, Sophocles and Euripides, the Poetics introduced into literary criticism such central concepts as mimesis ('imitation'), hamartia ('error') and katharsis, which have informed serious thinking about drama ever since. Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals, while centring on chaaracerts of heroic stature, idealised yet true to life. One of the most perceptive and influential works of criticism in Western literary history, the Poetics has informed serious thinking about drama ever since.

Malcolm Heath's lucid translation makes the Poetics fully accessible to the modern reader. In this edition it is accompanied by an extended introduction, which discusses the key concepts in detail, and includes suggestions for further reading. 

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Aristotle was born at Stageira, in the dominion of the kings of Macedonia, in 384 BCE. For 20 years he studied at Athens in the Academy of Plato, on whose death in 347 he left, and, sometime later, became tutor of the young Alexander the Great. When Alexander succeeded to the throne of Macedonia in 335, Aristotle returned to Athens and established his school and research institute, the Lyceum, to which his great erudition attracted a large number of scholars. After Alexander's death in 323, anti-Macedonian feeling drove Aristotle out of Athens, and he fled to Chalcis in Euboea, where he died in 322. His writings, which were of extraordinary range, profoundly affected the whole course of ancient and medieval philosophy, and they are still eagerly studied and debated by philosophers today. Very many of them have survived and among the most famous are the Ethics and the Politics. View titles by Aristotle
Translated with an Introduction and Notes by Malcolm Heath

Introduction
1. Human culture, poetry and the Poetics
2. Imitation
3. Aristotle's history of poetry
4. The analysis of tragedy
5. Plot: the basics
6. Reversal and recognition
7. The best kinds of tragic plot
8. The pleasures of tragedy
9. The other parts of tragedy
10. Tragedy: miscellaneous aspects
11. Epic
12. Comedy
13. Further reading
14. Reference conventions
Notes to the Introduction
Synopsis of the Poetics

POETICS

Notes to the translation

About

Essential reading for all students of Greek theatre and literature, and equally stimulating for anyone interested in literature

In the Poetics, his near-contemporary account of classical Greek tragedy, Aristotle examine the dramatic elements of plot, character, language and spectacle that combine to produce pity and fear in the audience, and asks why we derive pleasure from this apparently painful process. Taking examples from the plays of Aeschylus, Sophocles and Euripides, the Poetics introduced into literary criticism such central concepts as mimesis ('imitation'), hamartia ('error') and katharsis, which have informed serious thinking about drama ever since. Aristotle explains how the most effective tragedies rely on complication and resolution, recognition and reversals, while centring on chaaracerts of heroic stature, idealised yet true to life. One of the most perceptive and influential works of criticism in Western literary history, the Poetics has informed serious thinking about drama ever since.

Malcolm Heath's lucid translation makes the Poetics fully accessible to the modern reader. In this edition it is accompanied by an extended introduction, which discusses the key concepts in detail, and includes suggestions for further reading. 

For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Author

Aristotle was born at Stageira, in the dominion of the kings of Macedonia, in 384 BCE. For 20 years he studied at Athens in the Academy of Plato, on whose death in 347 he left, and, sometime later, became tutor of the young Alexander the Great. When Alexander succeeded to the throne of Macedonia in 335, Aristotle returned to Athens and established his school and research institute, the Lyceum, to which his great erudition attracted a large number of scholars. After Alexander's death in 323, anti-Macedonian feeling drove Aristotle out of Athens, and he fled to Chalcis in Euboea, where he died in 322. His writings, which were of extraordinary range, profoundly affected the whole course of ancient and medieval philosophy, and they are still eagerly studied and debated by philosophers today. Very many of them have survived and among the most famous are the Ethics and the Politics. View titles by Aristotle

Table of Contents

Translated with an Introduction and Notes by Malcolm Heath

Introduction
1. Human culture, poetry and the Poetics
2. Imitation
3. Aristotle's history of poetry
4. The analysis of tragedy
5. Plot: the basics
6. Reversal and recognition
7. The best kinds of tragic plot
8. The pleasures of tragedy
9. The other parts of tragedy
10. Tragedy: miscellaneous aspects
11. Epic
12. Comedy
13. Further reading
14. Reference conventions
Notes to the Introduction
Synopsis of the Poetics

POETICS

Notes to the translation

Other Books by this Author

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