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Collected Fictions

Translated by Andrew Hurley
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For the first time in English, all the fiction by the writer who has been called “the greatest Spanish-language writer of our century” collected in a single volume

“An event, and cause for celebration.”—The New York Times

A Penguin Classics Deluxe Edition with flaps and deckle-edged paper

 
For some fifty years, in intriguing and ingenious fictions that reimagined the very form of the short story—from his 1935 debut with A Universal History of Iniquity through his immensely influential collections Ficciones and The Aleph, the enigmatic prose poems of The Maker, up to his final work in the 1980s, Shakespeare’s Memory—Jorge Luis Borges returned again and again to his celebrated themes: dreams, duels, labyrinths, mirrors, infinite libraries, the manipulations of chance, gauchos, knife fighters, tigers, and the elusive nature of identity itself. Playfully experimenting with ostensibly subliterary genres, he took the detective story and turned it into metaphysics; he took fantasy writing and made it, with its questioning and reinventing of everyday reality, central to the craft of fiction; he took the literary essay and put it to use reviewing wholly imaginary books.

Bringing together for the first time in English all of Borges’s magical stories, and all of them newly rendered into English in brilliant translations by Andrew Hurley, Collected Fictions is the perfect one-volume compendium for all who have long loved Borges, and a superb introduction to the master’s work for all who have yet to discover this singular genius.

For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Contents

A UNIVERSAL HISTORY OF INIQUITY (1935)
 
Preface to the First Edition
Preface to the 1954 Edition
 
The Cruel Redeemer Lazarus Morell
The Improbable Impostor Tom Castro
The Widow Ching—Pirate
Monk Eastman, Purveyor of Iniquities
The Disinterested Killer Bill Harrigan
The Uncivil Teacher of Court Etiquette Kôtsuké no Suké
Hakim, the Masked Dyer of Merv
Man on Pink Corner
Et cetera
 
Index of Sources
 
FICTIONS (1944)
 
THE GARDEN OF FORKING PATHS (1941)
 
Foreword
 
Tlön, Uqbar, Orbis Tertius
The Approach to Al-Mu’tasim
Pierre Menard, Author of the Quixote
The Circular Ruins
The Lottery in Babylon
A Survey of the Works of Herbert Quain
The Library of Babel
The Garden of Forking Paths
 
ARTIFICES (1944)
 
Foreword
 
Funes, His Memory
The Shape of the Sword
The Theme of the Traitor and the Hero Death and the Compass
The Secret Miracle
Three Versions of Judas
The End
The Cult of the Phoenix
The South
 
THE ALEPH (1949)
 
The Immortal
The Dead Man
The Theologians
Story of the Warrior and the Captive Maiden
A Biography of Tadeo Isidoro Cruz (1829–1874)
Emma Zunz
The House of Asterion
The Other Death
Deutsches Requiem
Averroës’ Search
The Zahir
The Writing of the God
Ibn-Hakam al-Bokhari, Murdered in His Labyrinth
The Two Kings and the Two Labyrinths
The Wait
The Man on the Threshold
The Aleph
 
Afterword
 
THE MAKER (1960)
 
Foreword: For Leopoldo Lugones
 
The Maker
Dreamtigers
A Dialog About a Dialog
Toenails
Covered Mirrors
Argumentum Ornithologicum
The Captive
The Mountebank
Delia Elena San Marco
A Dialog Between Dead Men
The Plot
A Problem
The Yellow Rose
The Witness
Martin Fierro
Mutations
Parable of Cervantes and the Quixote
Paradiso, XXXI, 108
Parable of the Palace
Everything and Nothing
Ragnarök
Inferno, I, 32
Borges and I
 
MUSEUM
 
On Exactitude in Science
In Memoriam, J.F.K.
 
Afterword
 
IN PRAISE OF DARKNESS (1969)
 
Foreword
 
The Ethnographer
Pedro Salvadores
Legend
A Prayer
His End and His Beginning
 
BRODIE'S REPORT (1970)
 
Foreword
 
The Interloper
Unworthy
The Story from Rosendo Juarez
The Encounter
Juan Murafta
The Elderly Lady
The Duel
The Other Duel
Guayaquil
The Gospel According to Mark
Brodie’s Report
 
THE BOOK OF SAND (1975)
 
The Other
Ulrikke
The Congress
There Are More Things
The Sect of the Thirty
The Night of the Gifts
The Mirror and the Mask
“Undr”
A Weary Man's Utopia
The Bribe
Avelino Arredondo
The Disk
The Book of Sand
 
Afterword
 
SHAKESPEARE’S MEMORY (1983)
August 25, 1983
Blue Tigers
The Rose of Paracelsus
Shakespeare’s Memory
 
A Note on the Translation
Acknowledgments
Notes to the Fictions
A New York Times Notable Book
 
“A marvelous new collection of stories by one of the most remarkable writers of our century.” The New York Times

“The major work of probably the most influential Latin American writer of the century.” The Washington Post

“An unparalleled treasury of marvels . . . Along with a tiny cohort of peers, and seers (Kafka and Joyce come to mind), Borges is more than a stunning storyteller and a brilliant stylist; he’s a mirror who reflects the spirit of his time.” Chicago Tribune

“This book is a real feast, prepared by one of the greatest modern confectioners of sheer fiction.” The Seattle Times

“An event worth of celebration . . . Hurley deserves our enthusiastic praise for this monumental piece of work.” San Francisco Chronicle

“Beneath Borges’s paradoxical twists and inverted spells there is the deeper, ineffably human magic of all great literature.”Los Angeles Times

“Borges is the most important Spanish-language writer since Cervantes. . . . To have denied him the Nobel Prize is as bad as the case of Joyce, Proust, and Kafka.” —Mario Vargas Llosa

“Though so different in style, two writers have offered us an image for the next millennium: Joyce and Borges. The first designed with words what the second designed with ideas: the original, the one and only World Wide Web. The Real Thing. The rest will remain simply virtual.” —Umberto Eco

“It is a deep pleasure to read the Collected Fictions of Borges in Andrew Hurley’s capable new version. Old favorites like ‘Death and the Compass’ and ‘The Immortal’ are revivified by Hurley. There is also a particular satisfaction in having all of the stories in one volume.” —Harold Bloom

“What are we to make of him? The economy of his prose, the tact of his imagery, the courage of his thought are there to be admired and emulated. In resounding the note of the marvelous last struck in English by Wells and Chesterton, in permitting infinity to enter and distort his imagination, he has lifted fiction away from the flat earth where most of our novels and short stories still take place.” —John Updike

“When I read a good book, I sometimes like to think I might be capable of writing something similar, but never, in my wildest dreams, could I write anything that approaches the level of cleverness and intellect and madness of Borges. I don’t think anyone could.” —Daniel Radcliffe
Jorge Luis Borges (1899–1986) was an Argentine poet, essayist, and author of short stories. His most notable works as a key literary Spanish-language figure of the twentieth century include Ficciones (Fictions) and El Aleph (The Aleph). He received a BA from the College of Geneva. He was also appointed the director of the National Public Library and professor of English literature at the University of Buenos Aries in 1955. During his lifetime, Borges received the first Prix International Formentor Prize which he shared alongside Samuel Beckett in 1961. He also received the Jerusalem Prize for the Freedom of the Individual in Society in 1971. View titles by Jorge Luis Borges
Collected FictionsA Universal History of Iniquity (1935)
Preface to the First Edition
Preface to the 1954 Edition
The Cruel Redeemer Lazarus Morell
The Improbable Impostor Tom Castro
The Widow Ching - Pirate
Monk Eastman, Purveyor of Iniquities
The Disinterested Killer Bill Harrigan
The Uncivil Teacher of Court Etiquette Kôtsuké no Suké
Hakim, the Masked Dyer of Merv
Man on Pink Corner
Et cetera
Index of Sources

Fictions (1944)

The Garden of Forking Paths (1941)
Foreword
Tlön, Uqbar, Orbis Tertius
The Approach to Al-Mu'tasim
Pierre Menard, Author of the Quixote
The Circular Ruins
The Lottery in Babylon
A Survey of the Works of Herbert Quain
The Library of Babel
The Garden of Forking Paths

Artifices (1944)
Foreword
Funes, His Memory
The Shape of the Sword
The Theme of the Traitor and the Hero
Death and the Compass
The Secret Miracle
Three Versions of Judas
The End
The Cult of the Phoenix
The South

The Aleph (1949)
The Immortal
The Dead Man
The Theologians
Story of the Warrior and the Captive Maiden
A Biography of Tadeo Isidoro Cruz (1829-1874)
Emma Zunz
The House of Asterion
The Other Death
Deutsches Requiem
Avveroës' Search
The Zahir
The Writing of the God
Ibn-Hakam al-Bokhari, Murdered in His Labyrinth
The Two Kings and the Two Labyrinths
The Wait
The Man on the Threshold
The Aleph
Afterword

The Maker (1960)
Foreword: For Leopoldo Lugones
The Maker
Dreamtigers
A Dialog About a Dialog
Toenails
Covered Mirrors
Argumentum Ornithologicum
The Captive
The Mountebank
Delia Elena San Marco
A Dialog Between Dead Men
The Plot
A Problem
The Yellow Rose
The Witness
Martin Fierro
Mutations
Parable of Cervantes and the Quixote
Paradiso, XXXI, 108
Parable of the Palace
Everything and Nothing
Ragnarök
Inferno, I, 32
Borges and I

Museum
On Exactitude in Science
In Memoriam, J.F.K.
Afterword

In Praise of Darkness (1969)
Foreword
The Ethnographer
Pedro Salvadores
Legend
A Prayer
His End and His Beginning

Brodie's Report (1970)
Foreword
The Interloper
Unworthy
The Story from Rosendo Juárez
The Encounter
Juan Muraña
The Elderly Lady
The Duel
The Other Duel
Guayaquil
The Gospel According to Mark
Brodie's Report

The Book of Sand (1975)
The Other
Ulrikke
The Congress
There Are More Things
The Sect of the Thirty
The Night of the Gifts
The Mirror and the Mask
"Undr"
A Weary Man's Utopia
The Bribe
Avelino Arredondo
The Disk
The Book of Sand
Afterword

Shakespeare's Memory (1983)
August 25, 1983
Blue Tigers
The Rose of Paracelsus
Shakespeare's Memory

A Note on the Translation
Acknowledgments
Notes to the Fictions

About

For the first time in English, all the fiction by the writer who has been called “the greatest Spanish-language writer of our century” collected in a single volume

“An event, and cause for celebration.”—The New York Times

A Penguin Classics Deluxe Edition with flaps and deckle-edged paper

 
For some fifty years, in intriguing and ingenious fictions that reimagined the very form of the short story—from his 1935 debut with A Universal History of Iniquity through his immensely influential collections Ficciones and The Aleph, the enigmatic prose poems of The Maker, up to his final work in the 1980s, Shakespeare’s Memory—Jorge Luis Borges returned again and again to his celebrated themes: dreams, duels, labyrinths, mirrors, infinite libraries, the manipulations of chance, gauchos, knife fighters, tigers, and the elusive nature of identity itself. Playfully experimenting with ostensibly subliterary genres, he took the detective story and turned it into metaphysics; he took fantasy writing and made it, with its questioning and reinventing of everyday reality, central to the craft of fiction; he took the literary essay and put it to use reviewing wholly imaginary books.

Bringing together for the first time in English all of Borges’s magical stories, and all of them newly rendered into English in brilliant translations by Andrew Hurley, Collected Fictions is the perfect one-volume compendium for all who have long loved Borges, and a superb introduction to the master’s work for all who have yet to discover this singular genius.

For more than seventy-five years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 2,000 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Excerpt

Contents

A UNIVERSAL HISTORY OF INIQUITY (1935)
 
Preface to the First Edition
Preface to the 1954 Edition
 
The Cruel Redeemer Lazarus Morell
The Improbable Impostor Tom Castro
The Widow Ching—Pirate
Monk Eastman, Purveyor of Iniquities
The Disinterested Killer Bill Harrigan
The Uncivil Teacher of Court Etiquette Kôtsuké no Suké
Hakim, the Masked Dyer of Merv
Man on Pink Corner
Et cetera
 
Index of Sources
 
FICTIONS (1944)
 
THE GARDEN OF FORKING PATHS (1941)
 
Foreword
 
Tlön, Uqbar, Orbis Tertius
The Approach to Al-Mu’tasim
Pierre Menard, Author of the Quixote
The Circular Ruins
The Lottery in Babylon
A Survey of the Works of Herbert Quain
The Library of Babel
The Garden of Forking Paths
 
ARTIFICES (1944)
 
Foreword
 
Funes, His Memory
The Shape of the Sword
The Theme of the Traitor and the Hero Death and the Compass
The Secret Miracle
Three Versions of Judas
The End
The Cult of the Phoenix
The South
 
THE ALEPH (1949)
 
The Immortal
The Dead Man
The Theologians
Story of the Warrior and the Captive Maiden
A Biography of Tadeo Isidoro Cruz (1829–1874)
Emma Zunz
The House of Asterion
The Other Death
Deutsches Requiem
Averroës’ Search
The Zahir
The Writing of the God
Ibn-Hakam al-Bokhari, Murdered in His Labyrinth
The Two Kings and the Two Labyrinths
The Wait
The Man on the Threshold
The Aleph
 
Afterword
 
THE MAKER (1960)
 
Foreword: For Leopoldo Lugones
 
The Maker
Dreamtigers
A Dialog About a Dialog
Toenails
Covered Mirrors
Argumentum Ornithologicum
The Captive
The Mountebank
Delia Elena San Marco
A Dialog Between Dead Men
The Plot
A Problem
The Yellow Rose
The Witness
Martin Fierro
Mutations
Parable of Cervantes and the Quixote
Paradiso, XXXI, 108
Parable of the Palace
Everything and Nothing
Ragnarök
Inferno, I, 32
Borges and I
 
MUSEUM
 
On Exactitude in Science
In Memoriam, J.F.K.
 
Afterword
 
IN PRAISE OF DARKNESS (1969)
 
Foreword
 
The Ethnographer
Pedro Salvadores
Legend
A Prayer
His End and His Beginning
 
BRODIE'S REPORT (1970)
 
Foreword
 
The Interloper
Unworthy
The Story from Rosendo Juarez
The Encounter
Juan Murafta
The Elderly Lady
The Duel
The Other Duel
Guayaquil
The Gospel According to Mark
Brodie’s Report
 
THE BOOK OF SAND (1975)
 
The Other
Ulrikke
The Congress
There Are More Things
The Sect of the Thirty
The Night of the Gifts
The Mirror and the Mask
“Undr”
A Weary Man's Utopia
The Bribe
Avelino Arredondo
The Disk
The Book of Sand
 
Afterword
 
SHAKESPEARE’S MEMORY (1983)
August 25, 1983
Blue Tigers
The Rose of Paracelsus
Shakespeare’s Memory
 
A Note on the Translation
Acknowledgments
Notes to the Fictions

Reviews

A New York Times Notable Book
 
“A marvelous new collection of stories by one of the most remarkable writers of our century.” The New York Times

“The major work of probably the most influential Latin American writer of the century.” The Washington Post

“An unparalleled treasury of marvels . . . Along with a tiny cohort of peers, and seers (Kafka and Joyce come to mind), Borges is more than a stunning storyteller and a brilliant stylist; he’s a mirror who reflects the spirit of his time.” Chicago Tribune

“This book is a real feast, prepared by one of the greatest modern confectioners of sheer fiction.” The Seattle Times

“An event worth of celebration . . . Hurley deserves our enthusiastic praise for this monumental piece of work.” San Francisco Chronicle

“Beneath Borges’s paradoxical twists and inverted spells there is the deeper, ineffably human magic of all great literature.”Los Angeles Times

“Borges is the most important Spanish-language writer since Cervantes. . . . To have denied him the Nobel Prize is as bad as the case of Joyce, Proust, and Kafka.” —Mario Vargas Llosa

“Though so different in style, two writers have offered us an image for the next millennium: Joyce and Borges. The first designed with words what the second designed with ideas: the original, the one and only World Wide Web. The Real Thing. The rest will remain simply virtual.” —Umberto Eco

“It is a deep pleasure to read the Collected Fictions of Borges in Andrew Hurley’s capable new version. Old favorites like ‘Death and the Compass’ and ‘The Immortal’ are revivified by Hurley. There is also a particular satisfaction in having all of the stories in one volume.” —Harold Bloom

“What are we to make of him? The economy of his prose, the tact of his imagery, the courage of his thought are there to be admired and emulated. In resounding the note of the marvelous last struck in English by Wells and Chesterton, in permitting infinity to enter and distort his imagination, he has lifted fiction away from the flat earth where most of our novels and short stories still take place.” —John Updike

“When I read a good book, I sometimes like to think I might be capable of writing something similar, but never, in my wildest dreams, could I write anything that approaches the level of cleverness and intellect and madness of Borges. I don’t think anyone could.” —Daniel Radcliffe

Author

Jorge Luis Borges (1899–1986) was an Argentine poet, essayist, and author of short stories. His most notable works as a key literary Spanish-language figure of the twentieth century include Ficciones (Fictions) and El Aleph (The Aleph). He received a BA from the College of Geneva. He was also appointed the director of the National Public Library and professor of English literature at the University of Buenos Aries in 1955. During his lifetime, Borges received the first Prix International Formentor Prize which he shared alongside Samuel Beckett in 1961. He also received the Jerusalem Prize for the Freedom of the Individual in Society in 1971. View titles by Jorge Luis Borges

Table of Contents

Collected FictionsA Universal History of Iniquity (1935)
Preface to the First Edition
Preface to the 1954 Edition
The Cruel Redeemer Lazarus Morell
The Improbable Impostor Tom Castro
The Widow Ching - Pirate
Monk Eastman, Purveyor of Iniquities
The Disinterested Killer Bill Harrigan
The Uncivil Teacher of Court Etiquette Kôtsuké no Suké
Hakim, the Masked Dyer of Merv
Man on Pink Corner
Et cetera
Index of Sources

Fictions (1944)

The Garden of Forking Paths (1941)
Foreword
Tlön, Uqbar, Orbis Tertius
The Approach to Al-Mu'tasim
Pierre Menard, Author of the Quixote
The Circular Ruins
The Lottery in Babylon
A Survey of the Works of Herbert Quain
The Library of Babel
The Garden of Forking Paths

Artifices (1944)
Foreword
Funes, His Memory
The Shape of the Sword
The Theme of the Traitor and the Hero
Death and the Compass
The Secret Miracle
Three Versions of Judas
The End
The Cult of the Phoenix
The South

The Aleph (1949)
The Immortal
The Dead Man
The Theologians
Story of the Warrior and the Captive Maiden
A Biography of Tadeo Isidoro Cruz (1829-1874)
Emma Zunz
The House of Asterion
The Other Death
Deutsches Requiem
Avveroës' Search
The Zahir
The Writing of the God
Ibn-Hakam al-Bokhari, Murdered in His Labyrinth
The Two Kings and the Two Labyrinths
The Wait
The Man on the Threshold
The Aleph
Afterword

The Maker (1960)
Foreword: For Leopoldo Lugones
The Maker
Dreamtigers
A Dialog About a Dialog
Toenails
Covered Mirrors
Argumentum Ornithologicum
The Captive
The Mountebank
Delia Elena San Marco
A Dialog Between Dead Men
The Plot
A Problem
The Yellow Rose
The Witness
Martin Fierro
Mutations
Parable of Cervantes and the Quixote
Paradiso, XXXI, 108
Parable of the Palace
Everything and Nothing
Ragnarök
Inferno, I, 32
Borges and I

Museum
On Exactitude in Science
In Memoriam, J.F.K.
Afterword

In Praise of Darkness (1969)
Foreword
The Ethnographer
Pedro Salvadores
Legend
A Prayer
His End and His Beginning

Brodie's Report (1970)
Foreword
The Interloper
Unworthy
The Story from Rosendo Juárez
The Encounter
Juan Muraña
The Elderly Lady
The Duel
The Other Duel
Guayaquil
The Gospel According to Mark
Brodie's Report

The Book of Sand (1975)
The Other
Ulrikke
The Congress
There Are More Things
The Sect of the Thirty
The Night of the Gifts
The Mirror and the Mask
"Undr"
A Weary Man's Utopia
The Bribe
Avelino Arredondo
The Disk
The Book of Sand
Afterword

Shakespeare's Memory (1983)
August 25, 1983
Blue Tigers
The Rose of Paracelsus
Shakespeare's Memory

A Note on the Translation
Acknowledgments
Notes to the Fictions