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Unnamed Pleasures

Essential Poems

Translated by Philip Terry
Introduction by Philip Terry
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On sale Feb 23, 2027 | 272 Pages | 9781782278603

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A new translation of the vividly sensual, fantastically macabre verse from the 19th-century Parisian poet who invented modernity.

“The greatest exemplar in modern poetry in any language.” —T.S. Eliot


French poet, essayist, art critic and translator Charles Baudelaire inaugurated a new era in world literature—indeed, he coined the term 'modernity'. His critical and poetic work changed everything after, including inspiring some of the most important poets of modern letters, from Arthur Rimbaud to T.S. Eliot. This fresh translation of his best poetry, by eminent translator, poet, and novelist Philip Terry, lays bare the richness and the long afterlife of Baudelaire's verse, and brings out all the originality of his ideas.

Here, in lushly visual and sonorous verse, we find themes that still preoccupy us today. Baudelaire captured life in the city like no one else, drawing a portrait of Paris as the ultimate glittering seductress—and also as a fragmented landscape peopled by isolated individuals. As much as an urban eyewitness, he was an incisive personal poet, vividly evoking the ebb and flow of desire: the joy of fulfilling it, the agony of feeling, and even worse, not feeling it.

Baudelaire’s verse ranges from the gruesome to the ethereal, the sensuous to the macabre, but is always gripping, powerful, and immediate. Terry's bold, contemporary translation style makes clear why Baudelaire, a century and a half after his death, is still the painter of modern life.
To the Reader

Stupidity, error, sinfulness, stinginess,
Possess our minds and enslave our bodies,
And we drip feed our smiling remorse,
Like beggars suckling their vermin.

Our sins are obstinate, our repentance half-hearted;
We need to pig out after confession,
And gleefully return to the mud-clogged path,
Thinking to wash away all our stains with cheap tears.

On evil’s pillow lies Satan Trismegistus,
Who slowly lulls our enchanted spirits,
Until the rich metal of our willpower
Is utterly vapourised by that master chemist.

It’s the Devil who pulls our strings!
In disgusting things we find charm;
Every day we step deeper into Hell,
Without revulsion, through stinking shadows.

As a penniless lech kissing and sucking
The martyrised tit of an old tart,
We steal in passing a forbidden pleasure
Which we squeeze hard like a shrivelled orange.

Squashed together, seething like a thousand helminths,
A race of Demons carouses in our brains,
And, when we breathe, Death slips into our lungs
Like an invisible river, with deaf cries of protest.
If rape, poison, the dagger, arson,
Have not yet embroidered their intricate designs
On the dull canvas of our wretched fates,
It’s because our soul, alas! is not bold enough.

But among all the jackals, the panthers, the bitches,
The monkeys, the scorpions, the vultures, the snakes,
The yelping, howling, growling, crawling monsters,
In the infamous menagerie of our vices,

There is one who is more ugly, more wicked, more foul than all!
He does not strike great postures nor yell out loud for all to hear,
But he would happily lay waste to the earth
And swallow up the world with a yawn;

It’s Boredom! – an involuntary tear welling up in his eye,
He dreams of scaffolds as he puffs at his hookah.
Reader, you know him well, this fastidious monster,
– Reader, you hypocrite, – my double, – my brother!
"Baudelaire is everything. The genius of Terry's translation makes that foundational, new and thrilling. This book will be my teacher and agitant for the rest of my reading life. I'm shaking with excitement that it's here. Every writer who values their debt to the provocateurs, wicked poets, radical experimentalists and rebels of Modernism, should have this book on their shelf."
Holly Pester
Charles Baudelaire (1821-1867) was born in Paris. Trained in law, he flouted his family's wishes that he pursue a steady career to become a writer. Baudelaire spent freely and drank copiously, becoming known as a dandy in artistic circles. His first poetry collection, The Flowers of Evil, published in 1857, was instantly influential and highly praised, but also the subject of a notorious obscenity trial. Baudelaire worked across many genres, writing art criticism, poetry, essays, and translations. His immense influence on French and English literature, already clear in his lifetime, has lived on since his death.

Philip Terry was born in Belfast and is a Professor of Literature at the University of Essex. He writes fiction, memoir and poetry, and translates from the French. His first novel, Tapestry, was shortlisted for the Goldsmiths Prize, and he is the editor of the Penguin Book of Oulipo.
Introduction 13

The Flowers of Evil (1861)
To the Reader 39

Spleen and the Ideal
II The Albatross 41
III Elevation 42
IV Correspondences 43
V “O, for those times…” 44
VII The Sick Muse 46
VIII The Mercenary Muse 47
X The Enemy 48
XI The Jinx 49
XIII Bohemians on the Road 50
XVII Beauty 51
XVIII The Ideal 52
XIX The Giantess 53
XXIII The Head of Hair 54
XXIV “I adore you…” 56
XXV “You’d have the whole universe…” 57
XXVI Sed non satiata 58
XXVIII The Dancing Serpent 59
XXIX A Carcass 61
XXX De profundis clamavi 63
XXXI Vampire 64
XXXII “One night as I lay beside…” 65
XXXIV The Cat 66
XXXVI The Balcony 67
XXXVII Obsession 69
XXXVIII A Phantom 70
XXXIX “I give you these lines…” 73
XLI All in Its Entirety 74
XLII “What will you say this evening…” 75
XLIV Reversibility 76
XLV Confession 77
XLVII Harmonies of Evening 79
XLIX Poison 80
L Misty Sky 81
LIII Invitation to the Voyage 82
LVI Autumn Song 84
LXVI Cats 86
LXVII Owls 87
LXVIII The Pipe 88
LXIX Music 89
LXX Sepulture 90
LXXV Spleen (I) 91
LXXVI Spleen (II) 92
LXXVII Spleen (III) 93
LXXVIII Spleen (IV) 94
LXXXIII Heautontimoroumenos 95

Parisian Scenes
LXXXVI Landscape 97
LXXXVIII To a Red-Haired Beggar Girl 98
LXXXIX The Swan 101
XC The Seven Old Men 104
XCI The Little Old Women 107
XCII The Blind 111
XCIII To a Passer-by 112
XCIV The Skeleton Labourer 113
XCVI The Game 115
XCIX “I have not forgotten…” 116
C “The kind-hearted servant you were so jealous of…” 117
CI Mists and Rains 118
CII Parisian Dream 119
CIII Morning Twilight 122

Wine
CV The Ragman’s Wine 123
CVI The Murderer’s Wine 125
CVIII The Lovers’ Wine 128

Flowers of Evil
CIX Destruction 129
CX A Martyr 130
CXI Damned Women 133
CXII The Two Good Sisters 135
CXIII The Fountain of Blood 136
CXV My Beatrice 137
CXVI A Voyage to Cythera 139
CXVII Cupid and the Skull 142

Revolt
CXIX Abel and Cain 143
CXX Litanies of Satan 145

Death
CXXII The Death of the Poor 148
CXXIV The End of the Day 149
CXXVI The Voyage 150

Flotsam (1866)
Condemned Pieces

II Lesbos 159
III Damned Women: Delphine and Hippolyta 162
IV Lethe 166
V To One Who Is Too Full of Joy 167
VI Jewels 169
VII The Metamorphoses of the Vampire 171

Gallantries
VIII The Fountain 172

Epigraphs
XIV Verses on the Portrait of Honoré Daumier 174
XV Lola de Valence 175

Diverse Pieces
XX To a Girl from Malabar 176

Buffooneries
XXIII Cemetery View 177

The Flowers of Evil (1868)
XCIX Very Far From Here 181

Paris Spleen (1869)
I The Stranger 185
II The Old Woman’s Despair 186
III The Artist’s Confession 187
V The Double Room 188
VI To Each His Chimera 191
VIII The Dog and the Flask 192
IX The Bad Glazier 193
X At One O’Clock in the Morning 196
XII Crowds 198
XVII A Hemisphere in a Head of Hair 200
XXIII Solitude 201
XXV The Beautiful Dorothée 203
XXVI The Eyes of the Poor 205
XXVIII The Fake Coin 207
XXX The Rope 209
XXXIII Get Out of Your Head 213
XXXIV Already! 214
XXXV The Windows 216
XXXVIII Which Is the Real Benedicta? 217
XLI The Port 218
XLIV The Soup and the Clouds 219
XLV The Firing Range and the Cemetery 220
XLVI Halo Missing 221
XLVIII Anywhere Out of the World 222
L The Good Dogs 224

Correspondence (1973)
Letter to Charles Asselineau, 13th March 1856 231

Amœnitates Belgicæ (1986)
On the Cleanliness of Belgians 237
The Belgians and the Moon 238
Epitaph for Belgium 239

Notes 241
Acknowledgements 269

About

A new translation of the vividly sensual, fantastically macabre verse from the 19th-century Parisian poet who invented modernity.

“The greatest exemplar in modern poetry in any language.” —T.S. Eliot


French poet, essayist, art critic and translator Charles Baudelaire inaugurated a new era in world literature—indeed, he coined the term 'modernity'. His critical and poetic work changed everything after, including inspiring some of the most important poets of modern letters, from Arthur Rimbaud to T.S. Eliot. This fresh translation of his best poetry, by eminent translator, poet, and novelist Philip Terry, lays bare the richness and the long afterlife of Baudelaire's verse, and brings out all the originality of his ideas.

Here, in lushly visual and sonorous verse, we find themes that still preoccupy us today. Baudelaire captured life in the city like no one else, drawing a portrait of Paris as the ultimate glittering seductress—and also as a fragmented landscape peopled by isolated individuals. As much as an urban eyewitness, he was an incisive personal poet, vividly evoking the ebb and flow of desire: the joy of fulfilling it, the agony of feeling, and even worse, not feeling it.

Baudelaire’s verse ranges from the gruesome to the ethereal, the sensuous to the macabre, but is always gripping, powerful, and immediate. Terry's bold, contemporary translation style makes clear why Baudelaire, a century and a half after his death, is still the painter of modern life.

Excerpt

To the Reader

Stupidity, error, sinfulness, stinginess,
Possess our minds and enslave our bodies,
And we drip feed our smiling remorse,
Like beggars suckling their vermin.

Our sins are obstinate, our repentance half-hearted;
We need to pig out after confession,
And gleefully return to the mud-clogged path,
Thinking to wash away all our stains with cheap tears.

On evil’s pillow lies Satan Trismegistus,
Who slowly lulls our enchanted spirits,
Until the rich metal of our willpower
Is utterly vapourised by that master chemist.

It’s the Devil who pulls our strings!
In disgusting things we find charm;
Every day we step deeper into Hell,
Without revulsion, through stinking shadows.

As a penniless lech kissing and sucking
The martyrised tit of an old tart,
We steal in passing a forbidden pleasure
Which we squeeze hard like a shrivelled orange.

Squashed together, seething like a thousand helminths,
A race of Demons carouses in our brains,
And, when we breathe, Death slips into our lungs
Like an invisible river, with deaf cries of protest.
If rape, poison, the dagger, arson,
Have not yet embroidered their intricate designs
On the dull canvas of our wretched fates,
It’s because our soul, alas! is not bold enough.

But among all the jackals, the panthers, the bitches,
The monkeys, the scorpions, the vultures, the snakes,
The yelping, howling, growling, crawling monsters,
In the infamous menagerie of our vices,

There is one who is more ugly, more wicked, more foul than all!
He does not strike great postures nor yell out loud for all to hear,
But he would happily lay waste to the earth
And swallow up the world with a yawn;

It’s Boredom! – an involuntary tear welling up in his eye,
He dreams of scaffolds as he puffs at his hookah.
Reader, you know him well, this fastidious monster,
– Reader, you hypocrite, – my double, – my brother!

Reviews

"Baudelaire is everything. The genius of Terry's translation makes that foundational, new and thrilling. This book will be my teacher and agitant for the rest of my reading life. I'm shaking with excitement that it's here. Every writer who values their debt to the provocateurs, wicked poets, radical experimentalists and rebels of Modernism, should have this book on their shelf."
Holly Pester

Author

Charles Baudelaire (1821-1867) was born in Paris. Trained in law, he flouted his family's wishes that he pursue a steady career to become a writer. Baudelaire spent freely and drank copiously, becoming known as a dandy in artistic circles. His first poetry collection, The Flowers of Evil, published in 1857, was instantly influential and highly praised, but also the subject of a notorious obscenity trial. Baudelaire worked across many genres, writing art criticism, poetry, essays, and translations. His immense influence on French and English literature, already clear in his lifetime, has lived on since his death.

Philip Terry was born in Belfast and is a Professor of Literature at the University of Essex. He writes fiction, memoir and poetry, and translates from the French. His first novel, Tapestry, was shortlisted for the Goldsmiths Prize, and he is the editor of the Penguin Book of Oulipo.

Table of Contents

Introduction 13

The Flowers of Evil (1861)
To the Reader 39

Spleen and the Ideal
II The Albatross 41
III Elevation 42
IV Correspondences 43
V “O, for those times…” 44
VII The Sick Muse 46
VIII The Mercenary Muse 47
X The Enemy 48
XI The Jinx 49
XIII Bohemians on the Road 50
XVII Beauty 51
XVIII The Ideal 52
XIX The Giantess 53
XXIII The Head of Hair 54
XXIV “I adore you…” 56
XXV “You’d have the whole universe…” 57
XXVI Sed non satiata 58
XXVIII The Dancing Serpent 59
XXIX A Carcass 61
XXX De profundis clamavi 63
XXXI Vampire 64
XXXII “One night as I lay beside…” 65
XXXIV The Cat 66
XXXVI The Balcony 67
XXXVII Obsession 69
XXXVIII A Phantom 70
XXXIX “I give you these lines…” 73
XLI All in Its Entirety 74
XLII “What will you say this evening…” 75
XLIV Reversibility 76
XLV Confession 77
XLVII Harmonies of Evening 79
XLIX Poison 80
L Misty Sky 81
LIII Invitation to the Voyage 82
LVI Autumn Song 84
LXVI Cats 86
LXVII Owls 87
LXVIII The Pipe 88
LXIX Music 89
LXX Sepulture 90
LXXV Spleen (I) 91
LXXVI Spleen (II) 92
LXXVII Spleen (III) 93
LXXVIII Spleen (IV) 94
LXXXIII Heautontimoroumenos 95

Parisian Scenes
LXXXVI Landscape 97
LXXXVIII To a Red-Haired Beggar Girl 98
LXXXIX The Swan 101
XC The Seven Old Men 104
XCI The Little Old Women 107
XCII The Blind 111
XCIII To a Passer-by 112
XCIV The Skeleton Labourer 113
XCVI The Game 115
XCIX “I have not forgotten…” 116
C “The kind-hearted servant you were so jealous of…” 117
CI Mists and Rains 118
CII Parisian Dream 119
CIII Morning Twilight 122

Wine
CV The Ragman’s Wine 123
CVI The Murderer’s Wine 125
CVIII The Lovers’ Wine 128

Flowers of Evil
CIX Destruction 129
CX A Martyr 130
CXI Damned Women 133
CXII The Two Good Sisters 135
CXIII The Fountain of Blood 136
CXV My Beatrice 137
CXVI A Voyage to Cythera 139
CXVII Cupid and the Skull 142

Revolt
CXIX Abel and Cain 143
CXX Litanies of Satan 145

Death
CXXII The Death of the Poor 148
CXXIV The End of the Day 149
CXXVI The Voyage 150

Flotsam (1866)
Condemned Pieces

II Lesbos 159
III Damned Women: Delphine and Hippolyta 162
IV Lethe 166
V To One Who Is Too Full of Joy 167
VI Jewels 169
VII The Metamorphoses of the Vampire 171

Gallantries
VIII The Fountain 172

Epigraphs
XIV Verses on the Portrait of Honoré Daumier 174
XV Lola de Valence 175

Diverse Pieces
XX To a Girl from Malabar 176

Buffooneries
XXIII Cemetery View 177

The Flowers of Evil (1868)
XCIX Very Far From Here 181

Paris Spleen (1869)
I The Stranger 185
II The Old Woman’s Despair 186
III The Artist’s Confession 187
V The Double Room 188
VI To Each His Chimera 191
VIII The Dog and the Flask 192
IX The Bad Glazier 193
X At One O’Clock in the Morning 196
XII Crowds 198
XVII A Hemisphere in a Head of Hair 200
XXIII Solitude 201
XXV The Beautiful Dorothée 203
XXVI The Eyes of the Poor 205
XXVIII The Fake Coin 207
XXX The Rope 209
XXXIII Get Out of Your Head 213
XXXIV Already! 214
XXXV The Windows 216
XXXVIII Which Is the Real Benedicta? 217
XLI The Port 218
XLIV The Soup and the Clouds 219
XLV The Firing Range and the Cemetery 220
XLVI Halo Missing 221
XLVIII Anywhere Out of the World 222
L The Good Dogs 224

Correspondence (1973)
Letter to Charles Asselineau, 13th March 1856 231

Amœnitates Belgicæ (1986)
On the Cleanliness of Belgians 237
The Belgians and the Moon 238
Epitaph for Belgium 239

Notes 241
Acknowledgements 269
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